Top 1200 TV Series Quotes & Sayings - Page 16

I'd say there's more of a difference between a play and movie to TV than there is between TV and movies. But there's something involved in the repetition of things that require something different from me in order to sign onto a script.

I feel like with 'Hubie,' it was just a matter of the difference between working on a movie versus a TV show. TV shows, it's like a long period of time and you're living there, and with this movie, it was kind of in and out.

I did 'Red Riding,' which is TV in the U.K. It became a feature project in North America, but we're in a great era of TV. We all know that, and we hear it all the time, but for filmmakers, it's just a godsend to have your television writing and work to do on television, and the means to do it properly.

I've seen descriptions of advanced TV systems in which a simulation of reality is computer-controlled; the TV viewer of the future will wear a special helmet. You'll no longer be an external spectator to fiction created by others, but an active participant in your own fantasies/dramas.

It is possible to have a pretty good life and career being a leech and a parasite in the media world, gadding about from TV studio to TV studio, writing inconsequential pieces and having a good time.

With the acquisition of 50% of Todito, TV Azteca is getting on a very fast train. Todito will allow TV Azteca to create value for its shareholders and promote its television content on the Internet.

I never went on TV one time during the campaign. Not once. You know why? Because politics is war. General Sherman would never have gone on TV to tell everyone his plans. I'd never tip my hand to the other side.

I took a break from TV for about three-four years. During that time, I had to let go of some of the best shows that were offered to me, as I wanted to focus on films. It was believed that if you are seen too much on TV, you won't get films.

There was a time when I didn't find a single, interesting Hindi TV show to watch, and ended up binging on American TV. Now, with online video streaming services, one is spoilt for choice, and it's getting better in terms of the wide variety of content to satisfy the diverse tastes of its audience.

No matter how much programming improves, however, media savants tend to see the medium living out numbered days. It's feared that the Internet will do to TV what TV did to the movies in the 1950s. But instead of panicking, the networks are finding ways to co-opt the Web.

TV show's really quick. You're in, you're out. A film usually takes a lot longer. However, a voiceover is very much like TV in the sense that it's really quick. For example, I did the movie Planes in one day.

I started using the Internet in 1999. That was pretty late. But as soon as I did I just stopped watching TV. The idea of sitting down and waiting for a TV show at a certain time, I couldn't do this anymore. The Internet is a better form of entertainment to me.

TV is a different animal. It's not a club set. As you said, you do short sets on TV - about five minutes. So you have to get that rhythm down and also be aware of the camera so you're connecting with the viewers at home as well as the studio audience. It's a different muscle to develop.

TV is an extraordinary medium. You can do things with TV that you just can't do on film. There's so much more time, there's the opportunity for development, and you can let things lay dormant for a period. You can't really do that in two hours or three hours in a movie, that often, I would say.

I've seen [Donald Trump] appear in a film or a TV show cameo or the tabloids, and he's a grotesquely distasteful human being and always has been, always made me want to take a shower. But other people fell in love with him as a reality star. So does that mean that the entertainment industry is doing something wrong? I think reality TV answered that question a long time ago: Yes, it's doing something terribly wrong. But there's some great reality TV, and I'm not bagging on it completely.

TV and film are very different media with different requirements. In a TV show, you have actors and fellow writers and directors, who are interpreting your work. With a novel, you only have ink, words and your reader.

TV can reach broad audiences, mass audiences, niche audiences; it can be local, regional, national; it can be spots, sponsorship, interactive. It can be anything you want it to be. I tend to think of TV as the Swiss Army knife of media, it's got something for everybody.

With a film, you just don't have time to build sympathy for the character. But I think we're moving away from that in TV. With TV, you have a little more leeway to allow them to rise and fall and rise again and be much more complicated beings.

Europeans still read rather than watching TV or listening to their clergyman tell them how to vote. The European magazines are far superior to American magazines in content and readership, but TV is taking a bite out of circulation now even in Europe.

Men don't care what's on TV. They only care what else is on TV.

I miss working with my friends and the fun we had. Working on the series was the best time I ever had on a set. I am disappointed that they cancelled the series when they did, because I felt that by the seventh season, we were really hitting our stride, and that episodes were getting better and better. Some people say that the show had run its course and that it was time to quit, but I disagree.

Broadcasting is a team effort and two, or three, individuals not functioning as a team cannot be as effective as they can if they set aside their own agendas and focus on what they see on their TV monitors and embellish the TV personas of the talents involved. I've been blessed to have had many outstanding partners.

The main thing that gives me hope is the media. We have radio, TV, magazines, and books, so we have the possibility of learning from societies that are remote from us, like Somalia. We turn on the TV and see what blew up in Iraq or we see conditions in Afghanistan.

2006, I started 'WineLibrary TV.' To build 'WineLibrary TV,' I started using Facebook, Tumblr, and Twitter in 2008.

Every Monday night, there was a scary movie on Spanish TV, so my parents used to send me to bed. I remember lying there, listening to the TV, and imagining the movie in my head. And so probably the scariest movies I ever saw in my life were the ones I imagined.

The financing of all TV shows is dictated by finding an audience between 18 and 49. I have now passed beyond 49, so probably, I am no longer a desirable commodity for TV. And I am at peace with that; that's fine.

Football is so popular, people know they can sell their story in a newspaper form or a rating on TV, so they use football because what they are more about is the business of, you know, selling newspapers or seeing commercial time on TV.

When you look at Kennedy and Nixon, TV played a crucial part in Kennedy's popularity. He was incredibly photogenic, while Nixon was this scowling figure. American viewers judged him on his appearance on TV.

I'm really getting into acting and TV. 'Sports Illustrated' is a big, iconic brand I'd like to work for, too. But TV and acting is really funny and a bit more exciting than shooting all the time.

Writing for television is a great job. And it's a job. Most people watch TV and have a comment about one or two moments of an episode - whether they love it or hate it or something in between. To come up with every moment of an entire season of a TV shows is heavy lifting.

I think TV is all about caring, and if you don't care about a character in a drama or a person when they get voted out of a reality show, it's bad TV. I wouldn't care if you dropped a bomb on the 'Big Brother' house.

Apparently, the people in the [George W.] Bush administration who wanted to confront me on this could not spell my name correctly. They wanted to send a series of emails thinking that perhaps MSNBC was perhaps favorable to the Bush administration. They thought that they could send me a series of questions or talking points to disprove Joe Wilson with.

The Sookie Stackhouse novels were selling well before the TV show, but the TV show led to a lot more exposure and readers. And a lot went on to read my other work. It was a wonderful thing for my bank account.

I was pretty certain I'd stay in TV rather than returning to the feature world because the material just seems so much better in TV, especially in drama, but then 'Crossface' came my way. A heartbreaking, true story about the dark side of wrestling... I couldn't say no to that.

Michael [Douglas] was just leaving the TV series The Streets of San Francisco and he said, 'Dad, let me try it.' I thought, 'Well, if I couldn't make it...' So, I gave it to him and he got the money, the director and the cast. The biggest disappointment for me, I always wanted to play McMurphy. They got a young actor, Jack Nicholson. I thought, 'Oh God. He will be terrible.' Then I saw the picture and, of course, he was great in it! That was my biggest disappointment that turned out to be one of the things I'm most proud of because my son Michael did it. I couldn't do it, but Michael did it.

The president is on national TV apologizing for getting oral sex. Why didn't he just stick with his lie? You got to stick with your lie. If you lie, you have to believe that lie whole-heartedly. It has to become the truth for you. But this man, the most powerful man in the world, is on national TV apologizing for receiving oral sex. He's an idiot. There are men sitting in here right now who would gladly accept oral sex on national TV.

Back then, you seemed like a crazy person when you were trying to push the boundaries of network TV. People looked at you, and they were offended by the fact that you didn't follow the generic rules of what was expected on network TV.

I don't understand why people don't understand that the world of TV should look like the world outside of TV.

TV is still a 'push' medium - we are broadcasting into any home or business with basic cable, and depending on what's happening in the world, we have a wider audience, from news junkies to very sporadic viewers. On TV, you want your reporting to be valuable to that entire audience and be relevant.

If policymakers are serious about avoiding a society of TV 'haves and have-nots,' they should refrain from policies that favor pay-TV operators over the providers of our nation's only free and local communications system: over-the-air broadcasting.

I'd lived in LA for two years and I said to my agent that I wouldn't do any more network TV, because my family and I had just made the decision to live in England. It would be a whole year in LA shooting network TV.

It wasn't until 1999 when my idols Mia Hamm and Kristine Lilly took home the women's World Cup trophy at the Rose Bowl in front of 40 million TV viewers that I remember thinking how rare it was to see women play sports on TV.

Maybe if I'd gone in younger, I wouldn't have had that feeling, but I've seen an enormous amount of changes since the early-'70s in how this stuff is shot. I did the first TV movie ever shot in 18 days; before this film the normal length of shooting a TV movie was between 21 and 26 days. We shot a full-up, two-hour TV movie in 18 days with Donald Sutherland playing the lead, who had never worked on television before.

I kind of got into TV when I went to visit a show my brother was working on. Soon I got the second lead in a TV show.

I think I've proven that I'm more than just a TV singer. I was always more than that, even before I went on TV.

We have a lot of American TV in Australia. I grew up watching 'Seinfeld,' 'The Simpsons' and those prime time TV shows over the years that feature grown-ups and high school kids. We had a saturation of American voices.

I used to go to my local pub and it was like a sanctuary, nobody dared ask for an autograph. You went in there for a ploughman's and a pint, and you went home and watched TV. Believe me, there's more to watch on British TV than American, except for CNN right now. But yeah, I miss it.

It's funny. I don't really think of us as TV presenters. I think of TV presenters as responsible people who show children what to do with empty fairy liquid bottles. Not a couple of blokes who don't mind telling kids to shut up.

When I came home, I was no longer the pariah who had dropped out of law school. I had been on TV. And everybody wanted to know, not only what being on TV was like, but what I thought about world events. Suddenly, there was some value to what I was saying. That's bizarre.

Good TV is not just TV about good behavior.

When a series is doing well, it's very tempting to keep writing it, even when the creative well is drying up. It's tempting because that's where the money is. I've had to be very careful; as soon as I think I'm getting close to that dry well, I wrap the series up. I don't want to just keep writing something because it sells.

I sometimes think to myself, you're not going to meet a new friend of any kind at home in front of the TV with your DVR. As much as it's great, and there are so many good shows on TV, and I have great books that I'm reading, get out and interact with people.

While you can be trained and groomed to be a better actor, seasoning happens only to TV actors. TV actors shoot every day, and that makes a difference to the project. They are hard-working, but that's not taking anything away from the film actors.

Now in the States if you look at the TV, you see the advertisements, the TV programmes, the pop videos, and the movies, they're all the same style. I think it's very condescending to the audience to assume they only have a three second attention span and so they don't leave anything on the screen for any longer. I don't understand that.

For me, the attraction of TV is that you continue to get to tell those stories and refine those characters. The other thing is that TV, in the last years, got really, really, really good.

I go from pub to pub, or jumping on buses or stopping cars. I don't need a TV audience. Every time I go naked, all of a sudden TV cameras pop up around me.

I never thought I was right for TV or that TV was right for me.

Obviously Mad TV, SNL are one kind of show, whereas The State belongs to the kind of show that is entirely conceived written and performed by a set group that existed before the TV show.

After being on the court for six hours, being on TV is very glamorous and fun for me. But tennis is always going to be my priority. It's not going to be this thing when all of a sudden TV will get in the way of that.

The upper middle class here still has options for entertainment. We have Internet, Hollywood and books. But for the majority and the masses, there is only TV. A lot of them sit at home and watch TV as they can't afford other forms of entertainment. So, we try to do shows which have inspirational value.