Top 1200 Twilight Series Quotes & Sayings - Page 3

Explore popular Twilight Series quotes.
Last updated on November 15, 2024.
A linguistic system is a series of differences of sound combined with a series of differences of ideas...
When I was young, I loved a series of books by an author called Maud Hart Lovelace and the series, which is still around, I'm happy to say, is - they're the 'Betsy-Tacy' books.
Coming back to a television series puts you back in the limelight and gives you a platform for your ideas. If you're not acting on a series, you don't get the ability to communicate to people.
First of all, you look at Rocky films now, and if that isn't a cartoon series there isn't any cartoon series. I mean there's no way anybody is going to take that amount of punishment in fifteen rounds.
I see in Cambridge, particularly among the women dons, a series of such grotesques! It is almost like a caricature series from Dickens to see our head table at Newnham. — © Sylvia Plath
I see in Cambridge, particularly among the women dons, a series of such grotesques! It is almost like a caricature series from Dickens to see our head table at Newnham.
People want to evolve the idea of the word "mini-series." Mini-series has an '80s connotation to it.
I think we're tremendously different than the series, if they were to tune in to the series after seeing the movie they might be disappointed. That there was, you know, that they might have some kind of adverse reaction.
Rescue Me' is the first book in a three-book series. Although, like all my series, the books are purposely written so that readers do not have to read them in order.
I don't know about young Thor and King Thor getting their own series someday, although it would be nice if I could write three Thor series at the same time.
It's huge. You win the first game of the series, you want to win the series.
Every show on television has a downward trend because there are so many more things to watch. You can only deal with what is the benchmark of a hit series and 'Survivor' clearly remains a hit series.
It [going from mini-series to series] was never even discussed because it [The Starter Wife] was, you know, an adaptation of a novel. And we - the mini-series encompassed the whole novel. And so it was always going to be a finite sort of event. And then I imagine when people started to really respond to the show and then we got ten Emmy nominations, USA sort of said, "Oh, I think maybe we have something here."
'Monsters of God' isn't just a series close to my heart; it is my heart, and I am very much looking forward to working with my fantastic team in New Mexico to create a top-notch series.
The original and very basic 'Law & Order' series has always seemed to me to be 100-percent exposition, with no filler, no pesky nuances and almost no background about the series' continuing characters - just the hard nuts and bolts of pure storytelling.
In the military, and in business, the most elite and effective teams I've seen or been part of are filled with individuals who take responsibility for their choices. Life is a series of decisions that you make and actions you take, not a series of things that happen to you.
If you'll think about various series you've read, can you think of any instance in which, say, the tenth volume of the series is notably better than the first nine? I can't.
I imagine myself as the broadcaster for a Cubs-White Sox World Series, a Series that would last seven games, with the final game going extra innings before being suspended because of darkness at Wrigley Field.
The images I like best are parts of series that I've started, in some cases, with the pregnancies of the mothers of the children in question, and I continue that series right on through the birth of children to the child that resulted from that first pregnancy.
I wanted to do Buddy Faro as a small budget movie. They said no. So I wanted to do it as a series of recurring TV movies, and they said no. So I agreed to do it as a series.
I had my idea of what the series finale of 'King of the Hill' would be, but that's not what the actual series finale was. — © Greg Daniels
I had my idea of what the series finale of 'King of the Hill' would be, but that's not what the actual series finale was.
I had never worked in television before Freaks and Geeks, and New Girl is the first time since that Ive worked on a series that is actually a series and not just a pilot.
I realize that I'm in the twilight of my career.
I was performing with the Pussycat Dolls when I was approached by a company who wanted to do a workout series. I hired the creator of the Dolls, and as a team we went in and rehearsed and put together this series.
Sometimes losing a series regular, if you're going to replace them with another series regular, that will put added pressure on your budget.
With TV, your structure is determined by the series not the episode. You can have incident without consequence to the character, but keep your eye on the ticking clock of the series.
Through the mid-80s I watched my team struggle, but in 1988 the A's made it to the Series. I was at Game 5 that year and was forced to watch the Dodgers celebrate a World Series Championship on our home turf.
A linguistic system is a series of differences of sound combined with a series of differences of ideas.
I was offered a role in the series 'Homeland,' which I couldn't do because the dates clashed with my film with the Bhatts - 'Khamoshiyan.' But I wish I had done it. Look at how much notice the series got Nimrat Kaur.
If you have one good series, you know, it's a blessing. Two good series is unusual. Three is a phenomenon.
I like the 'Twilight' films.
The only thing that's changed is the competitiveness of the series. It's only become harder to win in our series as the years have gone by. Competition breeds good things, and that's what's happened here.
You know, it's scary when you sign onto a pilot of a series because, as much as you want the series to go, you also want it to be a character that you'd be interested in playing for a long time.
When I first starting conceiving series like 'Courtney,' 'Polly,' 'How Loathsome,' etc., I was shooting for closed story-arcs but open-ended concepts. Then I started realizing I was committing myself to potentially endless series.
A block chain is a series of blocks. Each block is a series of computations done by computers all over the world using serious cryptography in a way that's very hard to undo.
I stated that I'm a libertarian Republican, which means I believe in a series of issues, such as smaller government, constraint on budget deficits, free markets, globalization, and a whole series of other things, including welfare reform.
I'm asked unendingly to become involved in series involving true crime and as it so happens the Netflix series that I'm working on is about a true crime.
My manager called me and said, 'Hey, there's a series at Neflix.' I'm like, 'Netflix? Oh, boy.' At that time, it was just a strange thing to hear. It's like going, 'There's a series at Blockbuster.'
That's a discovery process. That's the terrifying and wonderful part about getting picked up to series. You get to develop the stories and talk about the characters, and find out where the heart of the series is.
Persistence is worth at least as much as talent. The writing life is not a series of gentle encouragements. It's more like a series of brutal kicks in the teeth. Those who grow a thick enough skin to persevere, survive. Those who do not, do not.
I'm probably always guilty for rooting for a long series. Not either side - I don't really care who wins the game, but it makes for more compelling TV the more games you go deeper into a series.
Cynicism doesn't have its way in series finales. My emotional desire when I watch a series come to an end is to be crying and laughing and cheering as the final credits roll, feeling like I just got delivered the happy ending, whether the plot ends happily or not.
'Twilight' fans are great. — © Chaske Spencer
'Twilight' fans are great.
I started a lecture series that was inspired by my reporting on race in America. The 'Black in America' series launched on CNN in 2007 as an opportunity to freshen the national conversation on race.
At the end of the day, the most important goal is to get to the World Series and to win the World Series.
Its unbelievable, I cant even describe it. To be a big part of bringing the World Series the first World Series ever to Houston is just tremendous.
Then the BBC approached me in 2005 and asked me to be one of the presenters of the series 'Coast', which turned into a very long-running series.
The '50 Shades' series is a Cinderella story, where the characters seemingly have no flaws. The 'Crossfire' series is very different in that these two characters are almost mirror images of each other.
I've read the whole 'Divergent' series, the 'Pretty' series. I just read it because I find this stuff interesting to read.
I don't usually watch a lot of TV, but Mad Men changed my perspective. I admire Matthew Weiner who came up with the idea and wrote such a great TV series, and the broadcasting company for being bold enough to air such a series.
Well, TV series tie you up. You can't do films while you're doing a TV series.
Really, the golden egg of doing a series is that you cross that very stupid bridge that says 'Name Actors Only' in casting sessions. All of a sudden, you become a name actor; it gives you marquee value. That's all that a series does.
The next series of 'Mr Selfridge' has moved on five years. It's 1914 now, and the war is brewing. Halfway through the series, some of the Selfridges staff have to go off to fight, so they get women in to do the men's jobs.
I think a series risks straying into self-parody if you get into a fourth series... sometimes even if you get into a third, because the audience knows how it's going to go.
My favourite books series as a young child was the Frank L. Baum 'Wizard of Oz' series. They were beautifully written, oversized fat books with wonderful type and illustrations.
I don't usually watch a lot of TV, but 'Mad Men' changed my perspective. I admire Matthew Weiner who came up with the idea and wrote such a great TV series, and the broadcasting company for being bold enough to air such a series.
I worked on Crash, the TV series, some Disney shows like Get Connected, Brain Surge & iCarly on Nickelodeon, but Make It Pop is my very first lead role in a series. — © Megan Lee
I worked on Crash, the TV series, some Disney shows like Get Connected, Brain Surge & iCarly on Nickelodeon, but Make It Pop is my very first lead role in a series.
'Rescue Me' is the first book in a three-book series. Although, like all my series, the books are purposely written so that readers do not have to read them in order.
In elementary school, I loved the 'Bailey School Kids' series. It was about a group of classmates who would speculate whether adults in their lives were supernatural beings. I read literally every single book in the series.
I had never worked in television before 'Freaks and Geeks,' and 'New Girl' is the first time since that I've worked on a series that is actually a series and not just a pilot.
I'll be in a series for three or four episodes, but then I'll be off the series, and downtime, as an actor, is a little more than most people understand. Most of the time you're just sitting around taking coffee with friends.
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