Top 1200 Two Guys Quotes & Sayings

I'm more attracted to the bad guys. Why? Because in real life, I don't know any good guys. I know okay guys. I know polite guys. I know people who can control themselves.

There are guys on different teams across the league who are bench guys, and guys who that - that's their role, to be on the bench encouraging guys to play hard and get good minutes.

My career had been split pretty evenly between good guys and bad guys until I finally grew into myself enough to play a decent antihero, where you can combine the two.

I play in a league that's 70 percent black and my peers, guys I come to work with, guys I respect who are very socially aware and are intellectual guys, if they identify something that they think is worth putting their reputations on the line, creating controversy, I'm going to listen to those guys.

Growing up, I was a typical high school kid when YouTube first came out, and I was just watching a whole lot of videos of guys in the league I'm playing with now, guys that aren't in the league, and guys that came before me, just watching the moves that they do, and going out in my backyard and trying them. I did it almost every single day. And I didn't do any crazy dribbling drills or any two-ball dribbling drills. I'm really not good at two-ball dribbling. Nah, never did that. I just went out and tried the moves that I saw.

When you think about the guys who started Twitter, and the Google guys, and the Facebook guys and the Napster guys, and the Microsoft guys, and the Dell guys and the Instagram guys, it's all guys. The girls, they're being left behind.

For me the music community was always like a model for what could be. The way people would play together, just harmony and being - old guys and young guys, black guys and white guys. It was setting an example for what the rest of us could be.

When I see two guys kissing, I'm like, how come I can't kiss one of those guys? They look like they're having a good time.

Guys who are my friends, guys who I visit their homes, I don't feel like fighting those guys.

However, the positive, and I mean this, Jay Lethal and Kyle O'Reilly are two of my favorite opponents. I couldn't ask for two guys I'd rather be in a triple threat match with. On top of that, creatively, if we are able to make something that's really exciting for the fans, any time there are more bodies in the ring, you can always create something that's different because there's more than two people in the ring.

Why can men no longer be best friends? This is so stupid. Today if you show two guys being best friends they end up giving out an image that they’re gay. But guys don’t always need to be drinking beer, fighting in pubs or pulling women by the hair. They may have a deep affection.

There's always a wild card or two when you're casting. I'm usually the wild card. In a room of Caucasian guys, a director might be like, 'OK, let's see, like, two guys who aren't. And maybe they'll be the wild card choice.'

People should be able to dance with whoever they want. If two guys or two girls want to dance together, that's great.

Some guys are real noble guys, like Rich Franklin or Randy Couture. These guys are just really good people who happen to fight.

A bank in Washington was robbed by two men in George W. Bush masks. Luckily, right afterwards two guys in President Obama masks came and bailed the bank out, so everything is fine.

To me, what I realized when we were doing 'Spinal Tap' - and the four of us wrote that - is, really, the core of that is the relationship with the two guys who grew up together and that strain when the girlfriend comes in. If that wasn't there, it's a very different movie. Then it's just bumbling guys stumbling along.

Superhero creators who engage in deconstruction fall into two categories: There are the guys who do it because it's easy, because it gets an audience reaction if you point out that superheroes must be a bunch of psychotic nuts. And there are the guys who do it because they're actually interested, and they're trying to get at what's going on underneath. They're interested in the process and the results.

Many intellectuals in America and in Europe, they are in the habit of taking sides: who are the bad guys? who are the good guys? They launch a demonstration against the bad guys, sign a petition in favor of the good guys, and going to sleep feeling well about themselves.

So guys who are otherwise sensitive and thoughtful say and do ridiculously dumb things to impress other guys. It's an enormous performance, but guys know that if they fail, they'll be ridiculed as sissies mercilessly.

Two farewell gifts," Sadie muttered, "from two gorgeous guys. I hate my life.

I always kind of divided the gay guys I met up into two groups when I first started coming out. There were the guys who thought there was something fundamentally wrong with them and hated themselves and were so burdened with shame and internalized homophobia. It just really paralyzed and shredded them. And then there were guys like me who thought, "I'm fine, everybody else is crazy. My church is sick and the family's crazy, but me? I'm fine."

And guys don't get attached, guys don't give themselves over completely, and guys lie. That's why they should be handled with great trepidation, not trusted, and held at arm's length whenever possible.

When I grew up Carl Lewis was still running, Maurice Greene was running - he was that figure I see, like Michael Johnson. I really wanted to look up to the fast guys - so those two guys were some of the guys I looked up to.

The only difference between baseball guys or football guys and wrestling guys is that when you go to the game, you see a team out on the field wearing uniforms. In wrestling, you see a two-thirds naked guy up real close.

The thing that's great about those guys at Miramax is the Weinstein brothers. They are the two funniest guys I've ever met in my life.

If I could have picked two guys on the planet, to have some exposure to at that age, those were the two right guys [Phil Woods and Charles McPherson].

You know, Kiss can always go on as long as Gene and Paul want it to go on. Static-X is the same way. We're the two founding guys and the two vocalists and the driving force of the band. We can go on as long as we want, as long as the two of us are together. If I ever lost Tony, I'm sure I'd start something else.

One day she told me that they'd decided that my gender was divvied into two neat piles-Men and Guys. Basically, all the saints of the world: Men. The jerks, the players, the wet T-shirt contest aficionados? They were Guys.

Remember how last year there were two more girls than guys and I had to be on the guys' side and dance with all the girls? That was a lot of fun. I love being tall.

My best moment in the UFC, I guess now that I look back, I guess my biggest accomplishment is the two belts in two weight classes. I really wanted to see if I could make it three, but you know, you're talking about the best guys in the world.

There was one time where I failed to perform sexually. My girlfriend said to me "oh don't worry, it happens to a lot of guys". Ok, there are two things wrong with that. First of all who are these other guys?, and second of all if it's happening to more than one of us, don't you think it could be YOUR fault?

I only know two cats in this business that really had it all; Elvis was one of those guys, the other was Ricky Nelson. There was a difference in those two guys though. Elvis moved...Ricky never had to; he stood flat footed and captivated his audience with his good looks. We grew up with him; those who didn't missed something. History books are gonna have to say that he played a big role in Rock 'n' Roll music.... and he did it his way.

Just because two guys are homosexual and happen to be the only two homosexuals on-screen doesn't mean they're going to be like, 'Oh yeah, let's get together!' It doesn't always happen like that.

I'm sounding like an old fart talking about how bad advertising is today, but it's true. Advertising sucks. Guys like me and Bob Gage and certainly Bill Bernbach and two or three other guys, we exemplified and led the creative revolution.

Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]

I think whenever you have a common goal with someone, you're going to bond. It's really hard to get two people together and be like, 'Hey guys, why don't you just bond!' But if you say, 'Listen, I need you guys to build this house, or I need you to do this or I need you to make this movie,' you'll get to work and you'll get close.

Everyone deals with criticism in a different way. Some guys read it, some guys don't really listen to it, some guys try to stay away from it, some guys get angry about it.

Band on the Run' was pretty significant for me because two of the guys didn't turn up to record it. It was just me and Paul. The two of us had to go into the studio and make that album ourselves. With Linda of course.

I was working, like, 14-hour days on 'Fargo,' and now if I schedule more than two things in a day, I'm like, 'Whoa, you guys. That's two train rides, and I have to plan for an hour-and-a-half lunch with my cat.'

The first joke I got on the air I remember clearly. Dennis McNicholas and Robert Carlock wrote a sketch where they were evacuating the Titanic, and the last two guys on the entire ship were the two black guys, Samuel L. Jackson and Tracy Morgan. So Will Ferrell was running back and forth, saying, "All first-class passengers get in the lifeboat. All second-class passengers and third-class passengers get in the lifeboat. Let's get all the animals in the lifeboat. Let's put all the empty luggage in the lifeboat."

If you take five white guys and put 'em with five black guys, and let 'em hang around together for about a month, and at the end of the month, you'll notice that the white guys are walking and talking and standing like the black guys do. You'll never see the black guys going, "Oh, golly! We won the big game today, yes sir!" But you'll see guys with red hair named Duffy going, "What's happenin'?"

I have always been amazed guys read my books and seem to enjoy them. Because I've raised boys, I like to think I can get inside a guy's mind. I try and make the boys talk like guys, sound like guys and react like guys.

There's two to wash, two to dry; There's two who argue, two who cry; There's two to kiss, two to hug; and best of all, there's two to love!

I just thought it could make a really cool movie. It's not that it's just a buddy comedy but it's all about two guys hating each other and towards the end they're good friends. I liked that these two guys were best friends from the very beginning, and they're crazy.

Man, we were so opposite. One guy sang high, the other low. One guy tall, one short. We were like a quartet without the two guys in the middle. If you were putting two guys together to make hit records, you wouldn't have picked Bobby and me.

In my opinion, whenever you get two guys who want to fight each and two guys who want to be in a good fight, you let them fight.

I took a lot of pride, honestly, in hiring these young guys, that not only to become future head coaches, but I wanted young guys that could help me - guys that can coach, guys that could study, guys that loved it, that would do it for nothing. That's how I got into coaching with the 49ers when John McVay hired me.

That's why I train with faster guys, lighter guys, my category and with the heavyweight guys. Because I want to be ready for everything.

I brought in two genius guys from Korea. Guys who did my favorite movies like Oldboy and The Man from Nowhere. It was fun working with them. Even though they don't speak Japanese and I don't speak Korean, I knew from day one we were speaking the same language because they love my work and I love theirs. We instantly connected. There was zero frustration.

I think any time you bring those guys in, one with a lot of playoff experience, with rings - those guys won - guys in the locker room gravitate towards those guys. Those guys have been there, so there's a lot that they can teach the guys.

Leadership is one of sports intangibles. Guys can score, guys can fight, guys can skate faster than anybody else. But not everybody can say, Follow me.

Dance is about portraying and telling a story and whether that be two males, two females, a group of guys, or a group of girls, it doesn't matter as long as the story is beautiful.

Man, I have absolutely zero ability into narrowing absolutely any of my favorites into just one, but I have to say, I gotta go between Undertaker and Triple H. Other than all the obvious reasons, but the biggest one for me, those are the only two guys, I could make a mistake and it would be okay. I could put the trust of the match, the story, and absolutely everything into their hands and let go of my control. I'm a control freak (laughs). Those are the only two guys I can let drive and take my hands off the steering wheel.

More eyes on the court is better than just two eyes. There's always a time for one voice. But when the guys are working, I believe in those guys working and making the players better. Hands-on.

Leadership is one of sports' intangibles. Guys can score, guys can fight, guys can skate faster than anybody else. But not everybody can say, 'Follow me.'

In a movie like this, the relationship between the two guys is crucial. It sinks or swims on how these two guys are together. I think we did a good job.

I have two or three guys that I'm really close to. We have a great friendship, and I think that helps our songwriting relationship. It's hard to start... with new people and cover the ground that I've covered with those guys.

The guys who stick around are the smartest guys and the guys who are the most self-driven. You have to have drive. The coaches can only take you so far. You have to want to learn and work.

There's something that's sexy about a guy who has the strength to kill somebody, but is also vulnerable enough to be in love. It's just those two sides - like, I don't know why, but women for some reason aren't attracted to normal guys, like, guys who are in between.

I think there are so many guys coming up that are ready to bust loose. All they need is that one little flame of confidence that starts the inferno. And when you get those guys, once it starts happening, nothing can stop you. And you can tell which guys have it. You always know which guys have it.