I did that for 40 years or more. I never had any writer's block. I got up in the morning, sat down at the typewriter - now, computer - lit up a cigarette.
You are just in the middle of a struggle with words which are really very stubborn things, with a blank page, with the damn thing that you use to write with, a pen or a typewriter, and you forget all about the reader when you are doing that.
There's no rule I want to break or ever wanted to break - I find the conventional life gratifying - as long as I can sit at my typewriter, alone, for half a day.
There's no agony like [getting started]. You sit in a room, biting pencils, looking at a typewriter, walking about, or casting yourself down on a sofa, feeling you want to cry your head off.
I would write my editorials using a manual typewriter in pitch-black darkness... I would produce the whole thing without having seen the text.
Nowadays people write English as if a rat were caught in the typewriter and they were trying to hit the keys which wouldn't disturb it.
When I write a novel, I am God at my own typewriter, and there is nobody in between. But when I write a screenplay, it must be a compromise because there are so many elements which are outside the writer's province.
In spite of advances in technology and changes in the economy, state government still operates on an obsolete 1970s model. We have a typewriter government in an Internet age.
There may be writing groups where people meet but it's occasional. You really do it all at your own computer or your own typewriter by yourself.
I still use a typewriter from time to time, but because I can't type as well as I used to, I really don't use one very much.
The reason I was able to give up smoking was because of the computer. You couldn't lean a cigarette on a computer, like you could on a typewriter. So it just made it that much more difficult to smoke. So I quit.
For decades I'd flit from drawing table to typewriter to guitar with no sense of strain or contradiction. They all exercised the same psychic muscle (the Imagination), and working in one medium refreshed my appetite for the others.
I think the computer is a hindrance to good writing because it is so tempting to leave what you've written. If you use a typewriter, you must retype if you make a mistake, and thus, you must re-examine every word.
With a computer, you make your changes on the screen and then you print out a clean copy. With a typewriter, you can't get a clean manuscript unless you start again from scratch. It's an incredibly tedious process.
The typewriter separated me from a deeper intimacy with poetry, and my hand brought me closer to that intimacy again.
My dad is a writer, and to see him always in front of a typewriter gave me the inspiration to write. He was my idol, my hero. I wanted to be just like him.
It's not very glamorous. People certainly wouldn't think so if they saw me sitting in my woolly socks at the kitchen table. Many times I sit at the typewriter and think, 'Why am I doing this?'
I write on the typewriter. I like it because I like the feeling of making something with my hands. I like pressing the key and a letter comes up and is printed on a piece of paper. I can understand that.
Like Paul Kraston said, all I ask in life is a water bed, a TV and a typewriter. Well, I'll just have an ordinary bed, a TV and a guitar.
Poetry for me is very easy. It's like a lightning bolt. I feel this calling, and the first line of the poem comes into my head, and I just have to go to the page, to the typewriter, to the computer or whatever and write it.
The first thing I remember is that my dad had a big iron Olivetti typewriter and he worked all night. He was a staffer at Punch but in the evening he wrote columns for the Evening Standard and The Times.
Whenever I have endured or accomplished some difficult task -- such as watching television, going out socially or sleeping -- I always look forward to rewarding myself with the small pleasure of getting back to my typewriter and writing something.
I'm sitting in my office trying to squeeze a story from my head. It is that kind of morning when you feel like melting the typewriter into a bar of steel and clubbing yourself to death with it. (“Advance Notice”)
I pecked my stories out two-fingered on the Remington portable typewriter my mother had bought me. I had begged for it when I was ten.
Using a typewriter, at times, feels more like playing piano than jotting down notes, a percussive exercise in expressing thought that is both tortuous and rewarding.
I think I'm from the 18th century, not even the 19th. I don't even use a typewriter. I prefer longhand, and that's how I submit my manuscripts to my publishers.
You know, my first three or four drafts, you can see, are on legal pads in long hand. And then I go to a typewriter, and I know everybody's switching to a computer. And I'm sort of laughed at.
Whenever I try to do anything on a typewriter, it's like having this machine between me and the words; what comes out is not quite what would come out if I were scribbling.
I learned to distrust writers who talked about how they squeezed the blood onto the typewriter. They just don't want you to know how much fun they have - you'll resent it.
Something mystical happens to every writer who goes to the Masters for the first time, some sort of emotional experience that results in a search party having to be sent out to recover his typewriter from a clump of azaleas.
I had one typewriter for 50 years, but I have bought seven computers in six years. I suppose that's why Bill Gates is rich, and Underwood is out of business.
On lady novelists: As artists they're rot, but as providers they're oil wells; they gush. Norris said she never wrote a story unless it was fun to do. I understand Ferber whistles at her typewriter.
Somebody said writing is easy, you just sit down at your typewriter and open a vein. It depends on the book. Some, I have to do quite a lot of research, which I like. Others are much closer to me.
I wrote a letter to the CIA on my manual college typewriter. I mailed it to CIA with my resume. I didn't have an address. So I just put, 'CIA. Washington, D.C.'
You are just in the middle of a struggle with words which are really very stubborn things, with a blank page, with the damn thing that you use to write with, a pen or a typewriter, and you forget all about the reader when you are doing that
WHEN YOU LEAVE YOUR TYPEWRITER YOU LEAVE YOUR MACHINE GUN AND THE RATS COME POURING THROUGH.
Your idea of bliss is to wake up on a Monday morning knowing you haven't a single engagement for the entire week. You are cradled in a white paper cocoon tied up with typewriter ribbon.
When I was about 12, I spent the summer writing four plays on my dad's old typewriter for a school play competition. And I wrote little comic bits at secondary school and at university.
... photography is just a medium. It's like a typewriter. Photography as an art doesn't interest me an awful lot; as a participant, though I like to look at it.
Before I liked to write, I liked to type. I remember visiting my grandmother Adele in Ponce Inlet, Florida, when I was three years old, and she had an IBM electric typewriter.
When I have a first draft, I have a floor under my feet that I can walk on. And then, especially with the help of the computer, rewriting is so easy to do with the computer, much easier than it used to be with the typewriter. So the books go through numerous drafts.
I understand that computers, which I once believed to be but a hermaphrodite typewriter-cum-filing cabinet, offer the cyber literate increased ability to communicate. I do not think this is altogether a bad thing, however it may appear on the surface.
All I needed was a steady table and a typewriter...a marble-topped bedroom washstand table made a good place; the dining-room table between meals was also suitable.
My younger daughter told me recently that when she was a child she thought the typewriter was a toy that I went into my room and closed the door and played with.
I'm a relic, and things were a lot different when I was fifteen and sixteen. There were no cell phones, no laptops... I learned to type on an actual typewriter.
For your information, a good novel can change the world. Keep that in mind before you attempt to sit down at a typewriter. Never waste time on something you don't believe in yourself.
I'd started doing fanzines from the age of nine. I'd been doing as many copies as you can get carbon paper into an upright typewriter, and I'd try to sell them at school.
The image of the reporter as a nicotine-stained Quixote, slugging back Scotch while skewering city hall with an expose ripped out of a typewriter on the crack of deadline, persists despite munificent evidence to the contrary.
My two fingers on a typewriter have never connected with my brain. My hand on a pen does. A fountain pen, of course. Ball-point pens are only good for filling out forms on a plane.
Sometimes I can think of so many ways of expressing myself that I feel I'm an old typewriter, and too many keys come forward at once - and I get jammed.
I can't imagine ever writing anything of any kind on a machine. I never tried to write either poetry or prose on a typewriter. I like to do it on useless paper, scrap paper, because it's of no importance.
It took me 20 years to buy an electric typewriter, because I was afraid it would be too sensitive. I like to bang the keys. I'm doing action stories, so that's the way I like to do it.
People on the outside think there's something magical about writing, that you go up in the attic at midnight and cast the bones and come down in the morning with a story, but it isn't like that. You sit in back of the typewriter and you work, and that's all there is to it.
One day I was speeding along at the typewriter, and my daughter - who was a child at the time - asked me, "Daddy, why are you writing so fast?" And I replied, "Because I want to see how the story turns out!
I think there are some writers - like, if you read Kerouac, I think you probably need to take a little break before you sit down to the typewriter because he's the type of writer whose voice infects you.
I figured somebody wrote a story who had a typewriter and I thought that movies were made by the cowboys and that they just said, 'Okay, you fall off the horse this time.'
I have been under considerable pressure to buy at least a laptop computer. I have always turned the suggestions down for the reason that I have never done creative work on a typewriter. There is to me a lack of empathy.
When I have a first draft, I have a floor under my feet that I can walk on. Then, especially with the help of the computer, rewriting is so easy to do with the computer, much easier than it used to be with the typewriter. So the books go through numerous drafts.
I am not lazy.
I am on the amphetamine of the soul.
I am, each day,
typing out the God
my typewriter believes in.
What should I do?" "Throw up in your typewriter every morning." "Yeah." "Clean up every noon.
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