Top 311 Typewriter Quotes & Sayings - Page 4

You will never work through writer's block if you walk away from your typewriter. That will only make it easier to walk away the next time.

When I was very little, four or five, I did comic strip drawings, so my first novel had no words. I couldn't write and thought adult handwriting was a mysterious scribble. When I was 14, my grandmother gave me a typewriter and I started writing in a different way.

I suppose if I have an epitaph it would be: "Curiosity Did Not Kill This Cat." I don't see retiring in the sense that we view it - I don't see how I could. Dying at the microphone or at the typewriter would not be bad.

the ordinary man's experience is chaotic, irregular, fragmentary. [He] falls in love or reads Spinoza, and these two experiences have nothing to do with each other, or with the noise of the typewriter, or the smell of cooking; in the mind of the poet these experiences are always forming new wholes

My aunt got me interested in journalism - she found an old typewriter, had it worked over, put it on the dining room table, gave me a stack of paper and said, 'Play like you're a writer.'

Although I long to get away from the typewriter, if I think I can produce a better opening or a better closing to a chapter, I'll change and change round again until I'm satisfied.

His [Sam Fuller] self-discipline was amazing. No matter what happened, he'd always go out to his Royal Upright typewriter and just keep working on his stories, his "yarns" as he called them.

It's no coincidence that I began writing the day my daughter started school. I knew everything I knew before I began to write, but I was raising two children and didn't have the time to get to the typewriter.

I like to believe that I don't think of myself as a writer. I am an amateur. Back when I was teaching, I wrote when I could. Weekends were good typewriter time. Now, it's whenever I feel there's something to be put on paper. I don't care what time it is, though I always write in the notebooks at night.

You can lie to your wife or your boss, but you cannot lie to your typewriter. Sooner or later you must reveal your true self in your pages.

When you make the film, there's a big difference between when you're in your own home at the typewriter, and when you're standing on a mountain, or on a street corner, and buses are coming by-it's a different reality. You make a million changes that were never in the script, but that reality dictates.

Much as I like owning a Rolls-Royce, I could do without it. What I could not do without is a typewriter, a supply of yellow second sheets and the time to put them to good use.

The more I hear of ban-the-gun legislation forming in Washington, and the more I hear it advocated from the editorial pulpit of the New York Times, the more I want my own .45 holstered within easy reach of this typewriter.

It all depends on what I'm working on and if there is a deadline involved. Anything that's headed toward a magazine or newspaper is hacked out on the computer; that's a matter of efficiency. I write longer pieces of prose on a typewriter because the act of retyping it for the computer is a useful tactic for revision. Poems tend to be written longhand.

A typical wine writer was once described as someone with a typewriter who was looking for his name in print, a free lunch, and a way to write off his wine cellar. It's a dated view. Wine writers now use computers.

I remember the early days when every month I had to decide whether I should continue to lease a typewriter or if I could finally afford to buy it. Yes, that $12 a month really made a difference in our budget.

First we thought the PC was a calculator. Then we found out how to turn numbers into letters with ASCII — and we thought it was a typewriter. Then we discovered graphics, and we thought it was a television. With the World Wide Web, we've realized it's a brochure.

I don't write a play from beginning to end. I don't write an outline. I write scenes and moments as they occur to me. And I still write on a typewriter. It's not all in ether. It's on pages. I sequence them in a way that tends to make sense. Then I write what's missing, and that's my first draft.

Writer's block is real. It happens. Some days you sit down at the old typewriter, put your fingers on the keys, and nothing pops into your head. Blanko. Nada. El nothingissimo. What you do when this happens is what separates you from the one-of-thesedays- I'm-gonna-write-a-book crowd.

I remember being two, maybe, and hearing my mum's typewriter in the other room and sticking my hands under the door and screaming, 'Mum! Mum!' I was so angry she wouldn't come out. I got used to it quickly.

I was set free because my greatest fear had been realized, and I still had a daughter who I adored, and I had an old typewriter and a big idea. And so rock bottom became a solid foundation on which I rebuilt my life.

I don't read anything electronically. I don't write electronically, either - except e-mails to my family and friends. I write in longhand. I have always written first drafts by hand, but I used to write subsequent drafts and insert pages on a typewriter.

I understand the self-loathing and the resentment, and the discipline that it takes to sit down in front of a typewriter or computer every single day, whether it's going well or not going well.

In my fairly disorganized life, yellow stickies are too easily lost, and as for software, I try to avoid using my computer as much more than a typewriter and a post office. I rely on my lifelong habit of daydreaming to spin my stories.

As the 19th century teetered into the 20th, the clank of typewriter keys went from solo to symphony. They were the weapon of choice for professional writers, the business elite, people with things to say and the need to say them quickly.

Throw up into your typewriter every morning. Clean up every noon.

I love how easy it is to run my business, Writing Workshops Los Angeles, with the help of email and my website. I love that I don't have to use cuneiform, a quill, or a typewriter to write my novels - I love to write on my laptop!

After all, most writing is done away from the typewriter, away from the desk. I'd say it occurs in the quiet, silent moments, while you're walking or shaving or playing a game, or whatever, or even talking to someone you're not vitally interested in.

You get attached to the way you write, and I'm attached to notebooks. That's where I really write the plays. Just two or three pages at a time, then I transfer to the typewriter and rewrite while I type.

I always value my large kitchen because it was better to do everything there, you wash up, you do everything, rather than messing up another room and I pop my typewriter just next to it. So I still write now but I was doing more writing when the children were younger.

My father was a TV scriptwriter. He would perform his dialogue out loud, while my mum transcribed it at the typewriter. So I grew up thinking that plucking characters out of the air was an extremely normal way to behave.

If you're a photographer, they give you a camera. If you're a writer, they give you a typewriter. If you're an umpire, they give you an unseen object and they call it a strike zone, and nobody seems to agree with you no matter what you call.

I think that's why I've lasted this long because I love everything I make fun of! I make fun of myself first! I mean, I started my career by calling my films "trash" - the local critics used to complain that I beat the critic to the typewriter.

If I had my choice, I would be writing by typewriter. I worked on newspapers for 10 years. I typed with the touch system, and unfortunately, you can't keep typewriters going today. You have to take the ribbons back to be re-inked. You have to - it's a horrible search to try to find missing parts. So I went to the computer.

I know there are writers who get up every morning and sit by their typewriter or word processor or pad of paper and wait to write. I don't function that way. I go through a long period of gestation before I'm even ready to write.

I don't consider writing a quiet, closet act. I consider it a real physical act. When I'm home writing on the typewriter, I go crazy. I move like a monkey. I've wet myself, I've come in my pants writing.

When I'm writing it's as if I'm the observer. It's as if that computer screen there -it used to be the typewriter - just kind of dissolves and there's this whirling tunnel of mist and there's a kind of proscenium arch, and then there are my characters, and they say what they say, and I laugh sometimes in surprise at what they say.

When you're all alone out there, on the end of the typewriter, with each new story a new appraisal by the world of whether you can still get it up or not, arrogance and self-esteem and deep breathing are all you have. It often looks like egomania. I assure you it's the bold coverup of the absolutely terrified.

My first typewriter cost me $75. I can't tell you how many hours it took me to earn that money, or how proud I was of that object. I wrote my first books on it. They will never be published, but that's all right.

I'm not a writer. I marvel at writing. I am sometimes absolutely astounded when I read something and I think how in the world did that man or that woman sit down at a typewriter, a computer or a pen and an ink well, and seemingly have nothing come between their heart and that pen.

When I was younger, I dreaded having to write. I would find every possible excuse not to sit down at the typewriter (this was a long time ago). As I've gotten older, I've learned to enjoy putting sentences together, though I still believe that writing, unlike sex, is always better after you're through.

If I'm reviewing a record, man, I play that record to death, which is ironic in a way because if I review a concert I feel very confident in myself, certainly at this point, and have for most of my career. You're only hearing it once and then you go to your typewriter and you write the review.

I've been a Mac guy for almost my entire adult life. I wrote my first college papers on a typewriter, but by the end of my freshman year - almost 20 years ago - I was on an IBM PC. Then, in 1984, I found the Mac, and I never looked back.

No one uses a ribbon typewriter any more, but your final draft is not the time to try to wring a few more sheets out of your inkjet cartridge.

Take a woman talking, purging herself with rhymes, drumming words out like a typewriter, planting words in you like grass seed. You'll move off.

Prior to 1980, people used to dictate to a secretary for preparing written documents and that person would then punch keys on a typewriter. I was inspired to invent a medium for doing this work by engaging just one person.

My boyfriend got me a computer three years ago. I'll admit it does make things a lot easier. When I was working on a typewriter and I whited out a line, often I would choose a word to go in the space just because it fit. Now I don't have to do that.

I never had a typewriter. I never had any machines.

In writing 'The Satanic Verses,' I think I was writing for the first time from the whole of myself. The English part, the Indian part. The part of me that loves London, and the part that longs for Bombay. And at my typewriter, alone, I could indulge this.

A catless writer is almost inconceivable. It's a perverse taste, really, since it would be easier to write with a herd of buffalo in the room than even one cat; they make nests in the notes and bite the end of the pen and walk on the typewriter keys.

Ever since I can remember, I've always wanted to tell stories, but I never had the patience to sit down at a typewriter and write short stories or anything like that. I started writing songs as a way of communicating ideas the best way I could.

I wasn't as used to the new dumb questions, so when men I had once thought of as wise daddies now asked me 'How do you write?' I did not try and spill red wine in their suede pants. I would just smile and say, 'On a typewriter in the mornings when there's nothing else to do.'

The only good writing is intuitive writing. It would be a big bore if you knew where it was going. It has to be exciting, instantaneous and it has to be a surprise. Then it all comes blurting out and it’s beautiful. I’ve had a sign by my typewriter for 25 years now which reads, ‘DON’T THINK!’

I have always been pushed by the negative. The apparent failure of a play sends me back to my typewriter that very night, before the reviews are out. I am more compelled to get back to work than if I had a success.

You know... that a blank wall is an apalling thing to look at... The wall of a museum - a canvas - a piece of film - or a guy sitting in front of a typewriter. Then, you start out to do something - that vague thing called creation. The beginning strikes awe within you.

To say, "Well, I write when I really get into it" is a bunch of bull. Put the paper in the typewriter, stare at it a long time, get snowblindness if you have to, but write something.

I take a certain pride in having maintained a reputation for fast copy throughout my newspaper career. Fast-breaking stories left my typewriter in a hurry. Not great literature, perhaps, but fast, and usually accurate.

I type most of my books for the first chapter or two - I use a manual typewriter for the first 50 pages or so - and then I move to the computer. It helps me keep the work lean so I don't end up spending 10 pages describing a leaf.

I remember being out here at the Sunset Marquis, and whoever knocked on the door, I would take that picture that I was writing and I would put that in the typewriter, so when I had the meeting, they would say: 'Oh, you're working on it right now?'

The typewriter is holy the poem is holy the voice is holy the hearers are holy the ecstacy is holy!