Top 1200 Underground Music Quotes & Sayings - Page 18

I mean, I do consider that my music is pop because Ive been influenced by pop music my whole life; I grew up in the States and 80s pop music was my biggest influence.

I always think about fashion when it comes to making music and music videos... what the colours will look like, what the material will be, how will it work with the sound of the music.

But back then the thing that saved me was the music, and it's certainly the music that saves me now. The music, my family and my friends and everybody around me.

Fear is a strange soil. It grows obedience like corn, which grow in straight lines to make weeding easier. But sometimes it grows the potatoes of defiance, which flourish underground.

We are Korean, so obviously they call our music K-pop. But we never thought of our music as K-pop. Our music is just our music.

Music is generally important to blind people, and most of the blind people that I have come into contact, through my parents, music is very special to them. Obviously, because it is more salient, you know? We might like going to the movies, and of course we like music too, but when the eyes don't work then the ears pick up slack. Music is all the sweeter at that point.

Some leaders of denominations are not of the Bride of Christ. They are leaders in a Church in which many have long since betrayed the Master. When they meet someone of the Underground Church, a martyr, they look at him strangely.

I love old-time music, I love country music and I love the American music that we have to offer the world. And any part of that is fine with me, as long as it's pure.

The work of Liszt I most admire is the music he wrote toward the end of his life. This is often music of tremendous inventiveness. The music seems to be seeking something. It tends to be restless, unpredictable, often very sad.

Poems have a different music from ordinary language, and every poem has a different kind of music of necessity, and that's, in a way, the hardest thing about writing poetry is waiting for that music, and sometimes you never know if it's going to come.

Basically my influences have been American influences. It's been blues, gospel, swing era music, bebop music, Broadway show music, classical music. It's like making a stew. You put all these various ingredients in it. You season it with this. You put that in it. You put the other in it. You mix it all up and it comes out something neat, something that you created.

I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so.

There's a certain fast-food approach to the whole music thing that's changed the role it plays for us all. You are doing it while you are doing other things. Not that that is new - people have had music on in the background as long as there has been music.

Rome is a city where in every corner you have a reminder of the sacred world. That's why I have sacred music, minimalist sacred music, which is also music I like, because at the end of the day, that's what I want to do.

It's easy to get next to music theory, especially between your peers and music classes and so forth. You just pay attention. I had a good ear, so I realized that printed music was just about reminding you what to play.

As far as using electronics in my music, I have to do that as honestly as possible. Also, I have a broad range of listeners from a classical music base, as well as people, like me, who listen to a lot of different music. So I'm mindful of letting my sitar playing remain at the center of what I do.

When you face obstacles or go through different phases, I always relied on my music. I depend on my music, my teammates. So at the end of the day, having incredible music, for me, would keep me in the space I want to be as an artist.

I'm a born music lover and want to sing for all music composers as well but due to some false impression many makers feel that I prefer to make my own music and sing, though I'm equally comfortable in both.

If I make a movie that has a whole bunch of music in it, I get to listen to the music all day long, and I don't have to say, 'Well, I gotta go back to work and I gotta stop listening to the music.' I get to listen to music and go to work.

I kind of always wanted my own music to just sound like, like me, I suppose, like if I was music it would be the music I make, I think.

A lot of artists get famous overseas first. I don't know what it is here. I have a large underground following in the U.S., but I don't get the airplay as much as I do in, say, Australia. Over there, they can play whatever they like, it seems, but not so much here.

I mean Iggy and The Stooges first couple of albums I think sold twenty five thousand between the two of them you know and so to talk in terms of an underground I mean you have to go really to the independent labels and things like that.

Some people draw a line between music videos and short films, looking down on music videos as a format, but there's so much potential in music videos.

My art gives contemporary art a juvenile-delinquent phase. Its self-made style gleefully trashes conventions of beauty and society while pick-pocketing from the coolest underground styles and beliefs of the previous centuries.

In the 1960s, people like Bob Dylan, his music and words were a threat to the society and mainstream of the time. It shook people alive, and directly and indirectly things changed. But, as I see it, the change is never through the music alone. It's also the circumstances around the music that will cause/create the effect. And sometimes it's just strictly accidental that a piece of music becomes a form of protest.

We [with Cisco Adler] came back to the concept that our music, our lifestyle, and what we stood for was dope. So whoever the show brought to the music, they would stick. It was a way to bring people to the music, and I'm still doing that.

Rotgut was, to me, just this way to get into the underground of Manhattan where you have these little pockets a villain could rise from; a rot in the bowels of Manhattan. It led to these stories that were just very creepy.

I was kind of, I would say, even obsessed with music. I wanted to start learning piano when I was six years old, and after that, my parents were very supportive and they took me to several kinds of music lessons. So music filled all my childhood.

I didn't like any British music before The Beatles. For me, it was all about black American music. But then I became a successful pop singer, even though the kind of music I liked was more elitist, which is what I'm trying to get back to.

Obviously, I love country music, so I wanna be able to live in the country music genre and then play to country music fans.

Companies that pretend to care about music and really care about other things - whether it be hardware, whether it be advertising - and now they look at music as a loss leader. And we know music isn't a loss leader; music is an important part of our lives.

Nothing is more futile than theorizing about music. No doubt there are laws, mathematically strict laws, but these laws are not music; they are only its conditions? The essence of music is revelation.

We're just nerds that play music. Because we get played on the radio and have a Vitaminwater ad with Aaron Paul dancing on a treadmill, people are going to say we sold out. I don't write music for that. I write music for me.

I don't have any sympathy for the subject matter, [but] I have great respect for rap artists. In fact, not for the rap artists, but the people who make the music over which they rap. Rap music - the music itself is incredible - but [the people that make the music] are hardly ever credited.

What is very interesting when talking about electronic music is that - I would say that rock and roll is called the ethnic music born in America that invaded the world. Electronic music is certainly kind of ethnic music born in countries like Germany and France that has invaded the world.

I love music, and can dance on the desi beats. Punjabi music is my favourite. I listen to artists like Honey Singh. I love his music. I also love watching Bollywood films.

I was in punk rock bands, heavy metal bands, world music bands, jazz groups, any type of music that would take me. I just love music.

When you're talking about your own music every day, listening to bands, going to festivals, you can kind of lose sight of your initial connection with music. Instrumental music - especially jazz - helps me refocus.

I have a music-video background, and I feel like the responsibility of a music-video director is to do something that hasn't been done before in a really cool visual way. So much innovation has come in filmmaking through music videos.

Bob Marley is a huge influence. I love reggae music, but I also love the purpose of the songs he writes and the style of the music - it takes your worries away and makes you feel good, and I think that's what music is about.

I'm a music storyteller and collaborator. I hear character, location, and story as music. For me a score is there to both heighten the story and to actually tell the story with the unique emotional and narrative powers of music.

In Mexico, theater is very underground, so if youre a theater actor its very difficult to make a living. But its also a very beautiful pathway to knowledge and to an open education.

I always did music, but music is an easier thing for me. Making videos and doing comedy things was more of a challenge, so I was more interested in that. Music is a little bit more automatic.

We've always been kind of an underground band in a way that had the respect of our peers on the road. I like to say we're the world's most famous opening act because we've opened for every huge band on the planet.

Engaging with children in troublesome thinking is problematic, but important. Ignoring the hard stuff and only engaging in the fluff and fun from curriculum choices is to keep underground issues of social justice and to further silence and compound the inequity

If it's true, why do they leave us to live like this? With the hunger and the killings and the Games?" And suddenly I hate this imaginary underground city of District 13 and those who sit by, watching us die. They're no better than the Capitol.

The Underground Railroad, which was the first integrated civil rights movement, is a part of our history that not a lot of us know about. And it's actually a very empowering side of our history.

Honestly, if you talk to a lot of artists that have either made it or have done something in music, chances are they'll tell you their family was in music too. Or one of their parents was in music. Or they had a fat record collection or something. Yeah, I owe everything to that.

In Mexico, theater is very underground, so if you're a theater actor it's very difficult to make a living. But it's also a very beautiful pathway to knowledge and to an open education.

... the hardest studio music to play is Tom & Jerry - cartoons. The music makes absolutely no sense, as music. You can't get into hearing it. There's nothing to hear-'bleep!, blop! scratch!' and it comes fast; everything's first take. That'll change the way you look at life.

Some guys that know me from when I was a kid say "My son, oh he's just like your father." It's just a natural part of our lives. But, within the music industry and within the industry of the critiques of music, where it becomes "Ziggy's music is not as good as Bob's music," I don't understand. But I don't really pay much attention to that because I'm just expressing myself.

Music is endless and even though I've heard a whole bunch of music from so many different places and fallen in love countless times with all kinds of different music.There's still something about it,I guess it's called Freedom.

Maybe love is like rain. Sometimes gentle, sometimes torrential, flooding, eroding, joyful, steady, filling the earth, collecting in underground springs. When it rains, when we love, life grows.

I love commercial music! I can dissect it and criticize it with any critic in the business. But without any thought, I just enjoy it. It's folk music. That's what I'm doing, folk music. I'm not intellectualizing it . . . and making it into a phoney art form. I'm just doing the music I enjoy.

The Florida peninsula is, in fact, an emerging plateau, honeycombed with voids and vents, caves and underground waterways. Travelers on Interstate Highway I-75 have no idea that, beneath them, are cave labyrinths still being mapped by speleologists - 'cavers,' they prefer to be called.

I want to travel around the country and make my living playing music. I also try to behave in a way that I would appreciate as a music fan. That's how we conduct ourselves, be it in writing music or playing it live.

What's wrong with the 'Laffy Taffys' and the Soulja Boys? We need fun records. We gotta have dance music. We gotta have club music. We gotta have kids' music.

The music video, Lil Nas X, he asked me to be in the 'Panini' music video. It was crazy. I was just listening to the song and I was like, okay, this is going to be my first music video but it was really fun.

I always felt that the music sells by itself. The music has always been the successful aspect on my career, and that means that, to me, I can always still stay very focused on music.

I was always into the music. Music, in general, saved my life. But the fame part... I would look up, see what was going on around me, the reporters and photographers and all, and then I would just go back to making my music.