Top 1200 Unfinished Work Quotes & Sayings - Page 14

Explore popular Unfinished Work quotes.
Last updated on November 15, 2024.
I find that a man is as old as his work. If his work keeps him from moving forward, he will look forward with the work.
I am deeply immersed in my medical work, and it can get very intense, but I believe that the connection and devotion is key. You can not work on diseases as devastating and deadly as Lassa and Ebola without complete trust and respect for the individuals with whom you work. My lab and colleagues are just extraordinary, and we are a family.
I'd like to work with Outkast, I'd like to work with RZA, I'd like to work with Timbaland, York, a whole bunch of people. — © Talib Kweli
I'd like to work with Outkast, I'd like to work with RZA, I'd like to work with Timbaland, York, a whole bunch of people.
I just wanna build momentum again. Keeping yourself in work is one thing, keeping yourself in good work's another. But if it doesn't work out, so be it. As the Taoists say, Learn to accept that which you cannot change.
A treatment method or an educational method that will work for one child may not work for another child. The one common denominator for all of the young children is that early intervention does work, and it seems to improve the prognosis.
Art demands persistent work, work in spite of everything, and continuous observations. By persistent, I mean not only continuous work, but also not giving up your opinion at the bidding of such and such a person.
I like to make sculpture because it makes my life social. When I make drawings, I work alone. When I work with sculpture I have someone I can work with.
I'm tired of hearing you men say that this and that and the other isn't woman's work. Any work is woman's work that a woman can do well.
I had prepared myself for the second half of my life [to be] filled with other passions that don't include being in front of the camera. And then all of a sudden I got more work and more work and more work. And I went, "Well maybe things have shifted." And I think they have.
You make good work by (among other things) making lots of work that isn't very good, and gradually weeding out the parts that aren't good, the parts that aren't yours. It's called feedback, and it's the most direct route to learning about your own vision. It's also called doing your work. After all, someone has to do your work, and you're the closest person around.
We all wish we could stay with one franchise and it work out the way it work out but it doesn't necessarily work that way, but you've got to keep balling.
You get work however you get work. People keep working, in a freelance world, and more and more of today's world is freelance, because their work is good, and because they are easy to get along with, and because they deliver the work on time. And you don't even need all three. Two out of three is fine. People will tolerate how unpleasant you are if your work is good and you deliver it on time. They'll forgive the lateness of the work if it's good, and if they like you. And you don't have to be as good as the others if you're on time and it's always a pleasure to hear from you.
As we grow spiritually, God begins to wean us from things that we think we can't live without: things, comfort, the longing for life to 'work.' That's a childish instinct, to say, 'Life has to work the way I want it to work, and now'.
The return from your work must be the satisfaction which that work brings you and the world's need of that work. With this, life is heaven, or as near heaven as you can get. Without this - with work which you despise, which bores you, and which the world does not need - this life is hell.
A finer body of men has never been gathered by any nation than the men who have done the work of building the Panama Canal; the conditions under which they have lived and have done their work have been better than in any similar work ever undertaken in the tropics; they have all felt an eager pride in their work; and they have made not only America but the whole world their debtors by what they have accomplished.
One clear difference between art and commercial work is that commercial work is exploitive: the work may be high quality but the intention is to sell product or tickets. Art exists with or without ticket sales.
I've always looked at filmmaking as a lifestyle. There is no decision of when you go to work. It's a way of life: you're thinking about scripts; you see things and think, 'That could be interesting'... I don't think about my work as, 'Today I'll work on this, this and that.' It just comes to me.
I'd love to work with Missy Elliott. I'd love to work with Bonnie Raitt. I'd love, love, love to work with Barbra Streisand. I'm reaching, because why not? You don't know what's going to happen in this life.
Long ago you may have given up control of your brain and set it on autopilot either because it just felt like too much work. And it is work! But for me, this work was well worth it for the prospect of not waking up sad every day.
With pornography, if you don't get hard or wet, depending on your gender, it didn't work. With humour, if you don't laugh it didn't work. And with horror, if you don't get scared or haunted, depending on what it's trying to do, it didn't work. I'm fascinated by those three categories.
For me, storytelling is what I love to do and that's my life's work. Football is not my life's work. It's just part of my life's journey, but creativity is my actual life's work.
Thanksgiving and Christmas then, for us who love God, are not mere time outs from work days. They are a celebration of the gift of work itself, days on which we celebrate work by declaring our freedom. In a manner of speaking we announce that on this one day we may rest from our work, and without pressure or guilt, we may be glad. A holiday is a holy day-meant for rejoicing in God.
There is no business in the world - I don't care what it is, whether it's I.T. or manufacturing - that does not have what I may refer to as a blended resource base. You have high-end work. You have engineering work. You have some local knowledge you require. Then, you have some very low-cost work to be done.
I look at some of my work and say, "Oh, that's where I can be better." I want to continue to grow and do things that do scare me. I want to work with filmmakers who will help me go deeper in my work.
I don't look for roles, for they come to me. Mind you, it's not like I'm sitting in the middle of the floor with thousands of scripts around me. When work comes up, it's good. I love it. Work doesn't feel like work.
I am fairly concise when I work and I work quickly because I think work is done better in a high gear than done our in a gear when everyone's exhausted. Get focused, do it!
I believe in saying 'yes.' I love to work, and I always believe that the schedule can work out if everything is willing to allow it to work out.
It used to be that you could do these nuggets of a movie and it would attach itself in terms of credibility to your work and the style of work that you did, that people would be interested and curious about you and your work as an actor.
Sometimes it's a struggle to make everything work. I usually work on music from nine in the morning until three in the afternoon. Then there are the family activities. Then I work again at night - from nine to as late as two.
The extreme proposition on which Giacometti based all his mature work was that no reality... could ever be shared. This is why he believed it impossible for a work to be finished. This is why the content of any work is not the nature of the figure or head portrayed but the incomplete history of him staring at it.
I told my kids, 'It doesn't matter if this person or that person in the family isn't perfect; this is what you've got. We have to work with that, and if you can't work with that, then you're just jumping into someone else's family, and there's always going to be something missing if you don't work that out.'
There isn't a lot of work in Australia. I think that's why everyone comes over to America to find jobs and pilots and things, because there's not enough work to justify staying there, unfortunately. Like, I wish there was. I would love to stay home and be working with my family around the corner, but the work just isn't there.
You see, without hard work and responsibility, there is no American Dream. Hard work lays the foundation. Our solidarity makes work pay - for all of us. For the greater good. That's what our vision of shared prosperity is all about.
Every day is a work day, and I have to work my ass off just as much as any other guy, doing whatever job they're doing. I believe in commitment and hard work, and hopefully, after that, success comes.
Lucky accidents seldom happen to writers who don't work. You will find that you may rewrite and rewrite a poem and it never seems quite right. Then a much better poem may come rather fast and you wonder why you bothered with all that work on the earlier poem. Actually, the hard work you do on one poem is put in on all poems. The hard work on the first poem is responsible for the sudden ease of the second. If you just sit around waiting for the easy ones, nothing will come. Get to work.
I feel that opiates - I include opium and all its derivatives, such as morphine, heroin, pantopon, etc. - are quite useless for any sort of creative work, useful though they may be for routine work. Much of the hard physical work in the Far East is done by opium addicts.
At times, you get going and you think you need to work, work, work, and your body is going to get fatigued at some point.
Your life's work is to find your life's work-and then to exercise the discipline, tenacity, and hard work it takes to pursue it — © Oprah Winfrey
Your life's work is to find your life's work-and then to exercise the discipline, tenacity, and hard work it takes to pursue it
I believe in my work and in the joy of it. You have to be with the work and the work has to be with you. It absorbs you totally and you absorb it totally.
I enjoy doing my work, and I don't want to deal with the other things. When you enjoy doing your work so much, why deal with where to show, how to show, what to do? If the artist finds the right gallery which respects their work and gives them that freedom to do whatever they want to do, the artist can focus on his work.
hard work is a misleading term. physical effort & long hours do not constitute hard work. hard work is when someone pays you to do something you'd rather not be doing. anytime you'd rather be doing something other than the thing you're doing...you're doing hard work.
The person who appreciates a great work of art has the feeling that the work grows in him as he becomes involved in a prolonged capturing of emerging marginal meanings. He feels that he, too, is creative, that he himself is adding to his experience and understanding. Moreover, he wants to confront the work of art many times. He is not easily tired of it, as he would be had he read a purely logical statement. He realizes that the work of art does not merely transmit information; it produces pleasure.
Conversion is a work above man's power... Never think you can convert yourself. If ever you would be savingly converted, you must despair of doing it in your own strength. It is a resurrection from the dead, a new creation, a work of absolute omnipotence... Conversion is a supernatural work.
To me, that's one of the things that I love about doing this stuff. One day I can work on this piece in watercolor, and then work on something else on the computer, or work on something else that's a completely different approach.
When I see my work in a gallery I often wonder how I got to this point. Sometimes the process of making the work feels like a blur, and I look at the work and wonder how I actually made it.
The work environment is very important in determining how enjoyable work is. It is very important to work with smart guys who have a superior level of intellectual bandwidth and still have softer skills as well.
When you and I go to work, and we use a computer to work and find that our work apps are completely onerous and the apps we use at home are quite easy, we wonder, why can't it be simpler, easier, quicker, and less expensive?
Helen Vendler calls this kind of interrogation of a work "roads not taken," suggesting that it's useful, when writing critically, to consider what differences it makes to the work or the encounter with the work if changes are made. It's one way of better understanding your experience, comparing it to other possible experiences you can imagine having.
I believe that if we are going to create jobs in this country, then let's create jobs that will absolutely put the working-class people at work to the point where they have one job. They don't have to work three because they have to work Wendy's, McDonald's, and Walmart to survive.
The artist has the power to signoff the work by deconstructing the work itself: I've finished this work now and I'll sign it and relegate the painting to simply something that services my signature. The painting becomes the colorful backdrop of the signature.
Any strategy to reduce intergenerational poverty has to be centered on work, not welfare--not only because work provides independence and income but also because work provides order, structure, dignity, and opportunities for growth in people's lives.
Most of the criticism of my work was pretty good, but occasionally it would not be. And I just sort of felt that they absolutely didn't get what I was doing. It was their limitations on what they thought art should be or what they thought my work should be in relation to earlier work or whatever.
I have a pretty crazy work ethic, most people around me think it's a little off the charts, like I'm always working on something. The thing is, as hard as I work at what I do, I love it so much it really never feels like work at this point in my life.
I'm pretty much a 9-to-5 kind of guy. I usually get to work about 8 in the morning, and I work until 4 or 5, and sometimes I work on Saturday and Sunday mornings. Pretty much I keep the same hours as an accountant or clerk or whatever.
Being in a relationship, I only appreciate when I come home from work how much I've given of myself at work or how depleted I am, and I sometimes worry that I've given all my best energy to my work, and all I can offer you is the emptied out shell.
The work element comes into it as well - how much you train and how much work you put into your craft, in the same way a carpenter would perhaps work under a great teacher, etc.
I feel more at home in London than in Los Angeles, definitely. If I could have my choice, I certainly would live in London as opposed to LA. I just prefer it here. But I love the work and in LA there's just so much more of it, and as an actor you kind of have to go where the work is. Luckily, I've been able to get the work out there. If work brings me back here, and a project is here and I can do it, I'll jump at the chance.
There's a lot of great stuff on television and that's very appealing to actors who want to work, who do good quality and high quality work. But you're always concerned that the time demands on television will interrupt or interfere with your film work.
Most people grow up dreaming of going to Hollywood and some of them work and work and work and finally end up in Hollywood.
If we do not live where we work and when we work we are wasting our lives and our work too.
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