Top 1200 Universal Studios Quotes & Sayings - Page 5

Explore popular Universal Studios quotes.
Last updated on November 23, 2024.
The normal Hollywood approach is to have a super-charged production company and then go to the studios for distribution and marketing.
Studios are passe for me. I'd rather play in a garage, in a truck, or a rehearsal hall, a club, or a basement.
Science provides an understanding of a universal experience, and arts provides a universal understanding of a personal experience. — © Mae Jemison
Science provides an understanding of a universal experience, and arts provides a universal understanding of a personal experience.
People who believe in 'universal health care' show remarkably little interest - usually none - in finding out what that phrase turns out to mean in practice, in those countries where it already exists, such as Britain, Sweden or Canada. For one thing, 'universal health care' in these countries means months of waiting for surgery that Americans get in a matter of weeks or even days.
I don't like recording studios - except my own, which is just a little room above the garage.
I don't have a stack of scripts that, when I get home, studios are clamoring, saying, 'Has Bob read ours yet?'
There's so many characters they [studios] are not letting me play. And I thought, "Why don't you just go produce it yourself?".
Music was definitely a way out. Instead of playing basketball, I was going to recording studios.
Rappers aren't the really rich ones. We all have nice houses with studios and cars, but you need a piece of someone's business to be super wealthy.
Most architects work in studios largely divorced from academia, as if ideas, criticism and historical research were irrelevant.
When I look at commercial studios, I think, "Oh, they're all so nice and tidy," but it's because they don't actually write music in them.
And I maintain good relationships with all the studios so I've never been bullied into any cut, frankly.
I don't see why it's such a stretch for distributors, buyers, and studios to put cartoon characters into adult situations on film. — © Bill Plympton
I don't see why it's such a stretch for distributors, buyers, and studios to put cartoon characters into adult situations on film.
I hate the idea of people thinking that I'm just a little girl who goes into studios with pop producers, and they work their magic.
Studios are mercurial kind of creatures. A lot of the times getting a movie out can be as much luck as anything else.
It's always a shock to the people who run studios when a movie that is for women is a hit. They have an infinite capacity to be shocked.
Trust me: Studios, investors, filmmakers, they will shift because they just follow the money trail.
I'm thinking of doing a marital comedy for one of the studios, but I want it to be so painful that it'll have a profound effect on married couples who see it together.
Being a working person who works for the studios. It's a minefield and there's tons of stuff you need to know. And people mess it up all the time.
Many will tell you with mockery and ridicule that the abolition of war can only be a dream . . . But we must go on or we will all go under. And the great criticism that can be made is that the world lacks a plan that will enable us to go on . . . We must have sufficient imagination and courage to translate the universal wish for peace - which is rapidly becoming a universal necessity - into actuality.
I use the same big studios that everybody else uses, but my attitude once inside is that of a total barbarian.
There's an anxiety of wanting to please the studios. You want to prove to them that you can do it and sometimes you might jump at a project that you're not totally passionate about.
Getting a movie made is a miracle... because the studios are only interested in making 'The Avengers.'
These audiences are so damn smart, way smarter than the studios give them credit for.
You're fighting a losing battle if you expect the people who own the studios to make moral choices.
Studios are run by those who are way too old or mostly young, who don't think creatively.
A lot of people think that I grew up in recording studios and knew the whole process, but that was never the case.
With 'Soul' I was just here in Aotearoa, New Zealand the whole time so I never got to go to the studios.
...We then examine a particular coding system in DNA and discover that UI [universal information] is conveyed within the genes. Using this DNA evidence and scientific laws governing UI as premises, we are able to develop sound, logical deductions. This leads us to the following conclusion: the God of the Bible exists and He is responsible for originating and embedding Universal Information into biological life.
Well, my closest friends are still the ones that I went to school with, but it's nice to go to work, at the studios, and have people there that you're willing to talk to and have a good conversation with.
You have to strike the deals, and they have an interest in them. With a revenue share model where you're already splitting with the studios, you have to do something with Fandango and so on.
It's so important for me to do my own stunts. The sense of achievement is so immense. But the studios don't want to take the risk.
Most studios in Memphis had a house set of drums; the drummers just brought their own sticks.
Yet, that's what studios do. If one thing works, they'll keep doing it till it runs its course and people aren't interested anymore.
The major studios don't differ very much from one another as they all operate under essentially the same principles and pressure.
I believe that to meet the challenge of our times, human beings will have to develop a greater sense of universal responsibility. We must all learn to work not just for our own self, family, or nation but for the benefit of all humankind. Universal responsibility is the key to human survival. It is the best foundation for world peace, the equitable use of natural resources, and through concern for future generations, the proper care of the environment.
The magic happens in the creative studios. But sometimes you're inspired when you're removed from it a little bit. That's when the juice starts to percolate.
Let me tell you, there's nothing like pulling up to Fox Studios bumping Jeezy in your Mercedes. — © Lil Rel Howery
Let me tell you, there's nothing like pulling up to Fox Studios bumping Jeezy in your Mercedes.
Perhaps the place to start looking for a credibility gap is not in the offices of the Government in Washington but in the studios of the networks in New York!
A creative space is an important thing. There are so many studios that feel like doctor's offices in Nashville. I couldn't write there.
If Shakespeare were alive today and writing comedy for the movies, he would be the head-liner for the Mack Sennett studios.
I made my own contacts and I recorded in different studios, and it was something that I did by myself without the assistance and help with my family at first.
I don't know when the last time was that Steven Spielberg or George Lucas made a movie with Universal, but I can tell you that Universal is leading the charge. They're looking at film differently. They're planning ahead in a way that I've never seen a studio do before. They're believing in a relationship between fan and film franchise, in a new way. They're more receptive to an audience, in part because of social media, in a way we've never been allowed.
The studios mostly threw away the negatives of the classic films. They had no interest in their legacy.
It's hard to get movie studios to pay a lot of money for movies that don't have robots or explosions.
I've never had an issue with studios. I believe in them as true creative partners in the process.
I've really pushed the limits of what you can get away with at big studios, and I've been extremely well-supported.
To argue that universal health care would wreck the U.S. lead in cancer survival, you'd have to argue that universal health care would wreck the entire U.S. economy. — © Timothy Noah
To argue that universal health care would wreck the U.S. lead in cancer survival, you'd have to argue that universal health care would wreck the entire U.S. economy.
I've been very thankful in my state legislative career to have gotten support from both the MPAA and various movie studios.
It is one of my targets to show people that a lot of things that are part of their landscape - that people are universal - are the result of some very precise historical changes. All my analyses are against the idea of universal necessities in human existence. They show the arbitrariness of institutions and show which space of freedom we can still enjoy and how many changes can still be made.
Most architects work in ­studios largely divorced from academia, as if ideas, criticism and ­historical ­research were irrelevant.
We were shooting for 'Aiyyaa' in Yash Raj studios, and I got an offer for 'Aurangzeb.' That's the only time I went for an audition.
I don't think that I am a Lefty in the sense that I grew up in countries that have a universal health-care system, but I also think that I'm a little Right in other directions. I also think that - in regards to the whole health-care thing - that yeah, they should repeal and replace Obamacare with universal health care.
I don't like recording studios - except my own, which is just a little room above the garage.
Producers and studios know what sells. It's nice to be one of the guys that can help sell a movie by taking his shirt off.
We were like a stock company at Warners. We didn't know any of the stars from the other studios.
To me, the essence of keeping the soul nourished is obedience to one's conscience. I don't think that the soul can be nourished unless people have a strong sense of conscience that they have educated and developed and soaked in the universal and timeless principles of integrity and service. This way, the individual's soul becomes part of the universal soul of service, contribution, and making a difference.
The core of the movie business remains intact and it's not descending in scope. Studios want movies that are bigger than ever.
I lived in an area where there were a lot of rock musicians, and we got together regularly in our studios.
I think that probably the - I don't give quotes to studios. They have to get those out of the paper or from television. So they wouldn't have had my quote opening day.
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