Top 1200 Untold Stories Quotes & Sayings - Page 10

If you find my stories dirty, the society you are living in is dirty. With my stories, I only expose the truth

The video game market is huge, and the ability to tell stories, and tell different kinds of stories in the gaming space is quickly evolving and changing for the better.

A lot of my stories are inspired by Japanese folklore or literature or movies: I've done stories based on Kabuki and Noh plays, and on Kurosawa's 'Yojimbo' movies.

So many of us are hungry for stories with more racial diversity, more truth in representation, and I am anxious to help tell those stories in the future.

Getting to share the stories in my head with other people and have them enjoy those stories, and having them come to see my characters as real. That's so cool.

I think the basic thing that happened is we have lost our story. Humans think in stories, and we try to make sense of the world by telling stories.

The only thing that I am trying to do is to find stories that I like, stories that are meaningful and that can connect and question, since I am not 18 years old anymore.

I love telling stories; I always have, and I think women need to be more proactive about telling their own stories and sharing their points of view.

I liked myths. They weren't adult stories and they weren't children stories. They were better than that. They just were. Adult stories never made sense, and they were slow to start. They made me feel like there were secrets, Masonic, mythic secrets, to adulthood. Why didn't adults want to read about Narnia, about secret islands and smugglers and dangerous fairies?

I remember when I was about 12, I read M. R. James' 'Ghost Stories Of An Antiquary' under the covers, way too young to fully understand what was going on with those stories - completely terrified but absolutely loved them.

My best clients tell stories that inspire. They tell stories about situations that you can identify with.

Women writers have been told, forever, that our stories were not valuable. Not as valuable as men's stories about wars, business, power.

We don't run out of stories, because of the characters. But also every year, the NFL, like a crazy rich uncle we never see, just drops some stories off at our door.

If we take seriously the idea that the stories we want to hear shape the stories we can (and want to, and are allowed to) tell, then the canon emerges as something to examine very carefully.

Word spread because word will spread. Stories and secrets fight, stories win, shed new secrets, which new stories fight, and on.

'Aye Zindagi' is a show which is about stories inspired by real-life incidents. You might be able to relate to these stories, as it can be about anyone around you.

Even if I never sold another book, I'd keep writing, because the stories are here, in my head. Stories that just need to be told. I love watching a plot unfold, and feeling the surprise when the unexpected happens.

It's really humbling and gratifying to see that people are finally realizing that we are talented and we have things to say and that our stories are just like your stories. There's no reason that anybody from Wisconsin or Turkey can't relate to 'Atlanta.'

Well, Bradbury's a genius. Fahrenheit 451 is one of my favorite books of all time, and The Illustrated Man as a collection of short stories ranks up there. When you read it you realize how influential it is on so many other stories and people.

We live in a world where bad stories are told, stories that teach us life doesn't mean anything and that humanity has no great purpose. It's a good calling, then, to speak a better story. How brightly a better story shines. How easily the world looks to it in wonder. How grateful we are to hear these stories, and how happy it makes us to repeat them.

I don't want to be a propagandist, no matter how good the cause. I want to tell stories. It's just that the stories have to square with my consciousness as a woman and my conscience as a human being.

I've always liked telling stories. That probably came from my dad, who definitely had the gift of gab and who wove a kind of personal folklore about his youth - stories full of adventure and ghosts and wild antics.

False stories used to affect me initially. But now, I've come to understand that if false stories are created, they are also forgotten in the long run.

It is sad that some people in the media like to create stories to sell their media, without any real facts to back up their stories.

The stories about broadcast dying or it being overtaken by cable have stopped. Same goes for the stories about the Internet hurting our business.

Women need to tell their stories from their experiences, and that may not mean that it would be all stories with women as protagonists.

So writing stories is not easier in comparison to the playwriting or translation; the stories are easier in league with them.

I have a book in the pipeline of short stories. You want to hear an agent scream, say 'I'm thinking about doing a collection of short stories set in the Ozarks.

I think indie films are really important, because they show the studios and the audiences when they see them, great stories. Really interesting, small stories.

In New York, the street adventures are incredible. There are a thousand stories in a single block. You see the stories in the people's faces. You hear the songs immediately. Here in Los Angeles, there are less characters because they're all inside automobiles.

I've always wanted to be a writer. Ever since I learned to read, I've wanted to share stories with others the way my favorite writers shared their stories with me.

I think that people create the world that they live in. Your existence is very subjective, and you tell stories and organize the world outside of you into these stories to help you understand it.

The best stories in our culture have some sort of subversiveness - Mark Twain, 'Catcher in the Rye.' You provide kids with great stories and teach them how to use the tools to make their own.

I regret the stories we didn't do - the stories that we knew about and talked about but didn't have all of, so didn't publish. The whole idea of Gawker was to remove the barrier between the thought and the talk - and the page.

What I really would like to see is more female stories out there. Particularly older female stories, because women are predominantly ticket-buyers.

Work hard and find stories you want to tell from your heart. The great thing for women is that there are so many stories which haven't been told from our perspective and there is a huge audience just waiting to watch it.

My favorite thing in the world is telling stories, and most of what I do is telling stories through music.

The facts didn't matter. Their stories mattered, and each of their stories belonged to each of them alone.

The U.S. is a rainbow of people with an endless scope of stories. My hope is that writing stories about people of color will become instinctual rather than something to be pushed for.

Diversity in literature is, in part, about representation - who is telling the stories and who stories are told about.

I still read romance, and I read suspense. I read them both. And part of it is, I like stories with strong characters, and I like stories where there's closure at the end. And I like stories where there's hope. That's a kind of empowerment. I think romance novels are very empowering, and I think suspense novels are, too.

Rueful, bittersweet, funny, written with tenderness and bite, Merrill Feitell's stories, like so many classic short stories, are made from the plain and painful stuff of this world, and haunted by the possibility, and the impossibility, of a better one.

I always know exactly where my stories take place, which gives me something certain so I can use my imagination for the other stuff. I worry though, who wants to keep reading stories about Kalamazoo?

Good stories flow like honey. Bad stories stick in the craw. A bad story? One that cannot be absorbed on the first time of reading.

In our present universe, many things are empty stories; amongst all these meaningless stories, love is less meaningless story than others!

As an actress, you go where the stories are. I don't really care where it's seen, at this point. I just want to tell good stories and do good roles that I haven't done before.

Print reporters have the opportunity to go so much more in depth in certain stories than television reporters do because they're working on stories for months at a time.

My dad was a journalist. He was in Rwanda right after the genocide. In Berlin when the wall came down. He was always disappearing and coming back with amazing stories. So telling stories for a living made sense to me.

I grew up reading - and loving - stories by Andre Norton. I admired and idolised her from afar. Her stories helped shape my own internal world.

I have a book in the pipeline of short stories. You want to hear an agent scream, say 'I'm thinking about doing a collection of short stories set in the Ozarks.'

As a kid, I was always the jokester. I was telling stories at dinner and trying to make people laugh. I guess I've always just been naturally inclined to tell stories.

I've written over 100 short stories. You could say I'm obsessed with short stories.

I'm great at telling stories with the kids. I do all my different accents. We make our own stories up all the time, the four of us, me and Hannah and the kids.

It's a really important thing for Aboriginal people to remember how stories are told and the power of stories, and make it an important feature in our world again.

The first fiction I ever wrote was short stories. I was writing short stories in my late teens and early twenties, and I think it's how you teach yourself to write.

I would like to see more female stories out there, particularly older female stories.

The 'Russia collusion' narrative caused untold damage to the Trump administration and its policy goals. It sparked a years-long special counsel probe that pursued scores of Trump associates but found none who had colluded with Russia to steal the 2016 election.

When I discovered that I could write music, it felt like the most natural way for me to connect with people and tell my stories. I've always thought of that as what I do: I tell stories.

It is important to tell good stories. You can tell stories even if they are not huge, epic, and wonderful. You can still take the responsibility for being a scribe of your tribe.

These are the stories of travelers on a spiritual quest between worlds. Part mythmaker, part poet, Omar Castaeda is an original, and these stories are unlike any in our literature.