Top 1200 Urban Legends Quotes & Sayings - Page 19

The ability to look at certain patterns with regards to urban fashion, with regards to swagger, with regards to cultural hegemony, with regards to the ways in which young people look at resistance culture as a pattern that should be mimicked and admired.

I recognize that it is through the engagement with my craft - by recognizing an idea and drawing it out, building physical models, collaborating with experts, constructing the sculptures at urban scale, and maintaining them through years of weather and interaction with the public - that a new art for cities has become real.

Even when I meet people, they start talking to me in Telugu, even though I'm a Kannadiga. But my character in Hello Guru Prema Kosame' will change that image of mine. You'll see me as an urban city girl in glamorous clothes.

Part of the mystique of shows like 'Curb Your Enthusiasm' is the idea that they begin with a couple of plot lines, and then a bunch of geniuses improvise dialogue. It's not quite that unstructured and loose. It makes for a good urban myth, but everything's a little more tightly scripted and programmed than that.

I had 10 No. 1 country records before I ever crossed over, and the only reason I ever crossed over was because of a fad. It was that 'Urban Cowboy' thing, where everybody was riding fake bulls.

The 1890s was a decade when life began to change in urban America. Modern conveniences that we now take for granted came into use; women's roles became less restrictive; and San Francisco, a port city with influences from all over the world, was a lively place in which to reside.

My dreams as a kid were so far below the Grammys, like, maybe selling out a show, or, like, seeing your album on a shelf in an Urban Outfitters... and the Grammys are so far above that. It's very ridiculous.

Kindness is a virtue neither modern nor urban. One almost unlearns it in a city. Towns have their own beatitude; they are not unfriendly; they offer a vast and solacing anonymity or an equally vast and solacing gregariousness. But one needs a neighbor on whom to practice compassion.

In the We Connectivity Hub, three global classrooms fitted with Skype technology from Microsoft will bring workshops, leadership training and mentorship to the most remote and unreachable rural communities in Canada - especially Indigenous communities - without having to fly thousands of kilometres to an urban centre.

The urban, on the other hand, is often seen as more real and mundane, even though it is obviously far more recent in terms of planetary development. I think this might be because nature corresponds to the unconscious and the artificial world of the city and human culture to the conscious mind.

I came to a point where I couldn't walk into an urban store and find anything I liked. Everything was just getting too baggy, everything was getting so over [priced]. It's as if what I wanted in street wear was nowhere in stores, with no disrespect to any hip-hop brands.

Draw a balance between the present and the future and one advice I give to every young Indian - the most difficult thing in India, urban India, is housing. So first thing that you do is try and buy house as that gives a great sense of security.

My first mentor and inspiration was my Irish Dancing teacher Patricia Mulholland. She created her own form of dance known as Irish ballet and created stage productions of old Irish myths and legends. They were my first experiences on stage. She told my mum I was destined for the stage, and I took that as my cue.

One of my unsung heroes is Erich Mendelsohn. I met him when I was a student and he was a cranky old man and very unpleasant. But if you go to his Einstein Tower in Potsdam, Germany you see an enormous intellect at work with a language that was personal and new. It has a sense of urban design and of theater and procession I hadn't seen before.

People don't know where they stand and what they're going to lose, and that makes things uncertain. The political parties try to meld people together, but then that becomes a problem. There are parallels here, to American cities, which, in the '80s, with massive rural to urban migration, saw incredible amounts of violence.

We need a principled leader who will unite our party by respecting all conservatives. A leader who can show more urban and suburban Canadians that their values of liberty, family and equality are at the core of our party.

In Cardiff, I've heard a number of accent mixes that weren't previously heard before such as Cardiff-Arabic and Cardiff-Hindi. This pattern is repeating itself in many urban communities across the U.K.; people are especially keen to develop a strong sense of local identity.

So, is there hope for a truly democratic Africa? Long answer: Only if continent-wide improvements in education, human rights and public health are coupled with an aggressive and far-sighted debt-relief program that breaks the cycle of subsistence farming and urban squalor. Short answer: No.

I was so urban-centric once. I did not want to see a patch of grass. I did not want to look at a tree. I didn't want to be anywhere near a sparrow, or a squirrel, or a pigeon, because I just wanted to be consumed by the asphalt-jungle aspect of New York.

I don't have them down here asking me what my urban agenda is. I don't find them really doing in-depth stories on community-based organizations that have been struggling for a long time and who are out trying to get funds. They aren't interested in those stories.

Music can bring about different vibes on the field, off the field, urban life, going to church, leaving church. Everything the world may bring, there's a song for it to put you in the right frame of mind.

I run a lot. If I don't have time to go to the gym or don't have time to work out properly, I will go for a quick run. I think running is a great way to stay fit, and I really concentrate on fitting into a realistic urban lifestyle.

Because they [Americans] want to be thought of as a rich nation, they are very ashamed of this place [Appalachia] that has come to represent poverty, even though poverty exists all over the country, and exists as much in urban areas as it does in rural, if not more.

I'm not sure I could write a straight urban fantasy any more than I could write a straight contemporary story. I would end up being intimidated by all the small details.

I always tell people that being the mayor of an urban city for eight years was like getting run over by a truck every day. There's inner satisfaction, but 24 hours a day, every day, I'm on duty.

Israeli ingenuity was never more evident than in the Ayalon bullet factory built during the British occupation of Palestine. It was constructed underneath an urban kibbutz. The workers had a bakery and laundry which provided constant clatter to disguise the work carried on below ground.

As for genre, my adult books are usually filed under science fiction / fantasy, although some stores put them into romance, and few have stuck them into horror. I consider all my books a mix of steampunk and urban fantasy.

This is the mythosphere. It's made up of all the stories, theories and beliefs, legends, myths and hopes, that are generated here on Earth. As you can see, it's constantly growing and moving as people invent new tales to tell or find new things to believe. The older strands move out to become these spirals, where things tend to become quite crude and dangerous. They've hardened off, you see.

Because the Internet's there, I have access to a lot of the legends, like Fela Kuti. I used to watch a lot of Fela Kuti videos, just to see how he performed. He inspired me a lot, actually, because he was a man of many words, many good words.

Bomber jackets, for me, are the new blazers. They're something I can wear with suit pants or slacks - or I can go really urban with it. I think, as men, we don't have the little black dress that women do to go from day to nighttime, but the bomber can be the LBD for men.

You could call it that [urban Western], I guess, you could certainly call it that. A lot of these types of films are, really, if you get down to the core most suspense thrillers in this genre, the Western is sort of the birth of it all.

I've started ordering out of teen catalogues! T-shirts, little coats, and jackets for around $35 - they're amazing. I've become a really big fan of Urban Outfitters, Alloy and Anthropologie. Because I'll pay for quality, but I will not just pay for trend. Psychologically, I have trouble with that.

I was never particularly a part of the following of tango; I just liked it... most of all, I recognized that the urban content and the approach seemed very familiar and very connected to the songs that I was doing, the kind of songs that I wanted to write - the songs about the street.

My girlfriend is a fashion designer. She has her own company called Rachel Antonoff. She is doing a collaboration with Urban Outfitters right now, a shoe collaboration with Bass. She sells to Barneys, stuff like that.

In small towns, bored teenagers turn their eyes longingly to the exciting doings in the big cities, pining for urban amenities like hipster bars and farmers' markets and indie-rock festivals. Like everyone else, they want the vibrant and they will not be denied.

For my part, I make this pledge to all of you: The politics of division, of pitting east against west, urban versus rural, region against region, and people against people will have no place in my Administration.

When I do music I don't think about urban music, pop or country, I just think about a good song.

I assume the president's going to say he got bad intelligence... I think that wherever you see poverty, whether it's in the white rural community or the black urban community, you see that the resources have been sucked up into the war and tax cuts for the rich.

I always loved LeAnn Rimes and especially Clint Black for his soulfulness. As I've gotten older, my influences have broadened - John Mayer, Michael Buble, Stevie Wonder, Keith Urban, Stevie Ray Vaughn, the Beatles - all of these artists have somehow been a part of my development as a songwriter.

For several years before I began 'The Folded World,' I worked at an urban college campus and had a job in a tutoring center, and people would come into the tutoring center, and for some reason, they just kept telling me their life stories.

After Land I wanted to continue exploring the theme but I needed a new challenge so turned to colour. I explored Bradford and produced a series of urban landscapes that I liked, but because Land had made such an impact on the general public my colour work wasn't reviewed.

A lot of the stories about urban America tend to be written on the margins. We focus a lot on these big global cities - New York, San Francisco - or we focus on cities that are having the toughest time - Detroit, Newark, Camden.

'Moonlight' is a story that hasn't been told. Whether placed as queer black cinema or urban male cinema, the lack of coming-of-age films featuring people like Chiron and set in places like inner-city Miami is pronounced and unfortunate.

I don't write police stories, per se, but I usually write about areas that are very panoramic, like Harlem, or the Lower East Side, or a small urban city like Jersey City.

So [Republicans] packed all the Democrats into districts, very Democratic districts. What that's done is made our party urban, more liberal, and so those people are doing what their constituents want. But that's not what my constituents want.

I made a note in my head to be aware of things as they were happening, because they might not happen again. Up to that point, I was not really that appreciative of what was going on, or thinking about documenting life in a plainspoken manner. I was talking about my life and writing songs, but then I would go back and listen and they were about dreams, and legends, and metaphors and that was just not my life!

Hours wasted in traffic represent not only lost wages but enormous amounts of economic activity that might have happened. Congestion indirectly increases consumer prices, makes travel times unreliable for commuters and truckers, and precludes many people from accessing jobs in urban hubs.

In truth, there is no rational argument for guns in this society. This is no longer a frontier nation in which people hunt their own food. It is a crowded, overwhelmingly urban country in which letting people have access to guns is a continuing disaster.

Writing became an obsessive compulsive habit but I had almost no money so I thought about being an urban firefighter and having lots of free time in which to write or becoming an English teacher and thinking about books and writers on a daily basis. That swayed me.

Because the Internets there, I have access to a lot of the legends, like Fela Kuti. I used to watch a lot of Fela Kuti videos, just to see how he performed. He inspired me a lot, actually, because he was a man of many words, many good words.

We're a direct mirror of the audience, and that shows how hip-hop has expanded. It's no longer just an urban thing, and it's no longer just an American thing, either. It's a universal thing.

The methodologies of examining hip hop are borrowed from sociology, politics, religion, economics, urban studies, journalism, communications theory, American studies, transatlantic studies, black studies, history, musicology, comparative literature, English, linguistics, and other disciplines.

Hinduism comes closest to being a nature religion. Rivers, rocks, trees, plants, animals, and birds all play their part, both in mythology and everyday worship. This harmony is most evident in remote places like this, and I hope it does not loose its unique character in the ruthless urban advance.

I love jeans and T-shirts, but for red carpets, I like Oscar de la Renta, who is timeless. Marchesa celebrates the female form in an ethereal way. Donna Karan does an Urban Zen collection, which is eco-friendly. I love socially conscious fashion.

I believe anything that anyone tells me. I have found that that is the best way to go through life. When I was younger, I used to be more skeptical, but then I found out that most things were true. So I believe tabloids. I believe legends. I believe anything anyone tells me.

It's become like an urban myth. I don't know her. I don't know anybody she knows. I was standing there at the party by myself for an hour and then I left. Once I got those auditions, I worked really hard. Nobody did me any favors.

Like now what Urban Outfitters has become is very much how I always dressed in high school by going to garage sales and getting stuff for 50 cents. Cost a little more now, to look like crap.

Here in Central Texas, you drive west, you get the desert; you drive east, you get the woods; you've got water, you've got urban environments, you've got country. So you can hit a lot of notes.

I wanted to show the history and strength of all kinds of black women. Working women, country women, urban women, great women in the history of the United States.

I am a curious creature and put my finger in as many cakes as I can: history, film, technology, etc. I'm also a freak for urban history, particularly Barcelona, Paris and New York. I know more weird stuff about 19th-century Manhattan than is probably healthy.