Top 1200 Urban Renewal Quotes & Sayings - Page 20

I had to create a children's show, because we wanted the money - and it was, interestingly enough, the first project at the Angel Island theatre space. We did the show, an adaptation of Grimm's Fairy Tales. It was hardcore Grimm - nothing was sanitized - and it was called 'The Mary-Arrchie Kid's Show.' It was well-received, and so I applied to do it through Urban Gateways in Chicago.

Unfortunately, we have a 50% unemployment rate among our urban youth of color. It's not about making green jobs more attractive. It's about making them more available. And that requires Congress passing legislation that will give a real break to the people who want to introduce new technologies to the American marketplace.

Kids coming from very difficult economic circumstances in urban areas are in some ways discriminated against in ways that are similar to the way people with intellectual disabilities are discriminated against. People are afraid of them. People sometimes assume that they don't have skills, gifts or abilities to contribute.

In bullfighting there is an interesting parallel to the pause as a place of refuge and renewal. It is believed that in the midst of a fight, a bull can find his own particular area of safety in the arena. There he can reclaim his strength and power. This place and inner state are called his querencia. As long as the bull remains enraged and reactive, the matador is in charge. Yet when he finds his querencia, he gathers his strength and loses his fear. From the matador's perspective, at this point the bull is truly dangerous, for he has tapped into his power.

Well, I'm kind of an urban girl, I like big cities. I like New York, I like London, I like L.A. I like people, I get lonely, really, really easily. But, I think it was good. It was very different and I think that's good.

Art is the one form of human energy in the whole world, which really works for union, and destroys the barriers between man and man. It is the continual, unconscious replacement, however fleeting, of oneself by another; the real cement of human life; the everlasting refreshment and renewal. For, what is grievous, dompting, grim, about our lives is that we are shut up within ourselves, with an itch to get outside ourselves. And to be stolen away from ourselves by Art is a momentary relaxation from that itching, a minute's profound, and as it were secret, enfranchisement.

I am a person that believes in different emotions with music. Music can bring about different vibes on the field, off the field, urban life, going to church, leaving church. Everything the world may bring, there's a song for it to put you in the right frame of mind.

Christmas is a time for remembering the Son of God and renewing our determination to take upon us His name. It is a time to reassess our lives and examine our thoughts, feelings, and actions. Let this be a time of remembrance, of gratitude, and a time of forgiveness. Let it be a time to ponder the Atonement of Jesus Christ and its meaning for each of us personally. Let it especially be a time of renewal and recommitment to live by the word of God and to obey His commandments. By doing this, we honor Him far more than we ever could with lights, gifts, or parties.

In New York the stakes are so high. In urban centers the stakes are so high. You marry the wrong person, you go to the wrong college, you take the wrong job. Any of these things could really get you in trouble down the road. Or in your mind anyway. You're afraid to make any move, it's paralyzing.

What I did was go into the studio and make music that I love. Make music that when you hear it, it feels good. Whether it was urban inspired, dance inspired, HipHop inspired or it just feels good period.

He did not know that the new life would not be given him for nothing, that he would have to pay dearly for it, that it would cost him great striving, great suffering. But that is the beginning of a new story -- the story of the gradual renewal of a man, the story of his gradual regeneration, of his passing from one world into another, of his initiation into a new unknown life. That might be the subject of a new story, but our present story is ended.

We are contemporary citizens living in a technological world. Swimming in crosscultural waters can be dangerous, and if you are honest you can't stay there very long. Sooner or later you have to look at your own reflection and decide what to do with yourself. We are urban people. We make periodic pilgrimages to the country. . . . If we align ourselves with the spirit of place we will find humility fused with joy. The land holds stories.

In Africa, you cannot come into a comfortable material lifestyle without going through Christ. So many Africans say, "I'll take the whole package. That way I'm sure I'll get what I want." This is the compromise the rising urban class of Africa makes. Christianity is not seen as a soul-transforming device capable of producing redemption, but as a source of substantial material gratification.

I think of my life as divided between a lot of different periods. I grew up in the country, but as I got older I became more of an urban person. That's really when I started to become more of a creative person who was interested in fine arts, painting, drawing, and music. I studied jazz for a long time. Looking back, all those things were great training.

I have always been interested in crafting films that use long, static urban landscape shots as a way of manipulating the emotions of the viewer and forcing them to slow down, which I think simultaneously makes them more vulnerable as spectators, and also puts them in a position of being more than just spectators.

The city is a fact in nature, like a cave, a run of mackerel or an ant-heap. But it is also a conscious work of art, and it holds within its communal framework many simpler and more personal forms of art. Mind takes form in the city; and in turn, urban forms condition mind.

Urban farming appeals to people on the right and the left. People have different reasons for getting into it. Some people are like doomsdayers, they think there's going to be some horrible catastrophe and how will we survive? And then there's people that are more like, "We want to be socialists and have communal chicken coops." It really runs the whole gamut.

Join with the Earth and each other, to bring new life to the land, to restore the waters, to refresh the air, to renew the forests, to care for the plants, to protect the creatures, to celebrate the seas, to rejoice in the sunlight, to sing the song of the stars, to recall our destiny, to renew our spirits, to reinvigorate our bodies, to recreate the human community, to promote justice and peace, to love our children and love one another, to join together as many and diverse expressions of one loving mystery, for the healing of the Earth and the renewal of all life.

Only rarely do we see beyond the needs of humanity, and he linked this blindness to our Christian and humanist infrastructure. It arose 2,000 years ago and was then benign, and we were no significant threat to Gaia. Now that we are over six billion hungry and greedy individuals, all aspiring to a first-world lifestyle, our urban way of life encroaches upon the domain of the living Earth.

What I find more remarkable, however, is how readily many people in our society believe outlandish and unsubstantiated urban myths and conspiracies (Pop Rocks and Coke, JFK assassination, AIDS is man-made, etc.), yet disregard thousands of personal and consistent testimonies of miracles and near-death experiences from people throughout all cultures and religions.

In architecture it isn't enough to just have the right building that works well. It can also be beautiful. It can also be different. It can create surprise. And surprise is the main thing in a work of art. [] I like and respect Brasí­lia very much. It is a simple city, a rational one. I always defend the urban design of Brasí­lia

Getting to do shows with Lady Antebellum, Keith Urban, and Sam Hunt is just awesome. It's so inspiring because I grew up such fans of Lady A and Keith, and to be able to sing my songs on the same stage as them and then stand side stage and watch them is just a really special thing.

We are all susceptible to the pull of viral ideas. Like mass hysteria. Or a tune that gets into your head that you keep humming all day until you spread it to someone else. Jokes. Urban legends. Crackpot religions. Marxism. No matter how smart we get, there is always this deep irrational part that makes us potential hosts for self-replicating information.

Cities must urge urban planners and architects to reinforce pedestrianism as an integrated city policy to develop lively, safe, sustainable and healthy cities. It is equally urgent to strengthen the social function of city space as a meeting place that contributes toward the aims of social sustainability and an open and democratic society.

I think there's no question that the barriers, the fences and in certain urban areas, the walls, have had an important effect in terms of increasing the manageability and the security of the border. But in fact as Secretary of Homeland Security General John Kelly acknowledged at his confirmation hearing, walls and barriers alone are insufficient to insure security.

Just in time for the renewal of the war debate in Congress, the University of Chicago Press has released The U.S. Army / Marine Corps Counterinsurgency Field Manual. . . . It's a nifty volume, not only because it gives you a sense of what our most highly regarded military theorists are thinking but because sometimes what they're thinking is the last thing you'd expect. Especially interesting is a section called 'Paradoxes of Counterinsurgency Operations,' which tells us: 'Sometimes doing nothing is the best reaction' and 'Sometimes, the more force is used, the less effective it is.'

We need a comprehensive renewal of the nursing care system in Germany, and quickly. The two-tier medical system must be abolished. Patients with public health insurance are waiting months to be seen by a specialist doctor, while doctors increasingly give priority to privately insured patients. That's unacceptable. We also need an educational revolution. Medicine, nursing care, education: Germany is not a modern country when it comes to these three areas. We have to adapt our policies to the social reality. These are projects that can awaken Germany out of its torpor.

I was done with my second major label deal, and I was doing a lot of urban sessions, and I had an acoustic itch. And you know, I picked up a ukulele. I always wanted one. And it just resonated with me. I would wake up with this uke in my hand. For me the ukulele just opened this door in my heart.

The gradual depletion of the ozone layer and the related "greenhouse effect" has now reached crisis proportions as a consequence of industrial growth, massive urban concentrations and vastly increased energy needs. Industrial waste, the burning of fossil fuels, unrestricted deforestation, the use of certain types of herbicides, coolants and propellants: all of these are known to harm the atmosphere and environment.

Obviously Muslim societies, like societies elsewhere, are becoming increasingly urban, many are becoming industrial, but since so many have oil and gas, they don't have a great impetus. But again, the revenue that natural resources produce gives them the capability and so countries like Iran are beginning to develop an industrial component.

Why should we tie everyone's future to athletic success? I think organic farm has saved our school. It saved it because it changed the narrative of the institution. We're the first urban work college in the country. And so our students learn what it means to be effective and to have job skills and work skills.

Dizzee's just my childhood hero. He's definitely the inspiration. He's got himself to a very good place. He's defied the expectations of what British black urban music was like. He was the first person who made the rest of Britain realise it wasn't just a one-album-type situation. You've got to take your hat off to somebody like that.

I think what is true is that there's been an underlying division in the United States. Some of it has to do with the fact that economic growth and recovery tends to be stronger in the cities and in urban areas. In some rural areas, particularly those that were reliant on manufacturing, there has been weaker growth, stagnation, people feeling as if their children won't do as well as they will.

The Place of Religion in Chicago is a clearly written account of a little-studied aspect of American landscape. Based on unique field surveys and supported by photographs, tables, and beautifully crafted maps, the book will form a lasting contribution to our understanding of an overlooked element of the American urban scene: the religious landscape of a major metropolis.

So here's my advice to city planners. Make your city runnable. Runners are the first wave of troops bringing human activity back to the urban core of any city. Where we go, others will follow. The connection between runnability and livability is so clear (at least to me), that it's surprising that new developments consistently leave pathways out of the plans.

Part of my life is spent designing in urban centers, and part of my life has been spent in factories. But the other part of my life is spent in nature.

The fields are still ripe for harvesting (cf. Jn 4:35); God continues to give the growth (cf. 1 Cor 3:6). We can and must believe, with the late Pope John Paul II, that God is preparing a new springtime for Christianity (cf. Redemptoris Missio, 86). What is needed above all, at this time in the history of the Church in America, is a renewal of that apostolic zeal which inspires her shepherds actively to seek out the lost, to bind up those who have been wounded, and to bring strength to those who are languishing (cf. Ez 34:16).

I remember the president-elect [Donald Trump] saying that I`m going to do something to dramatically, positively change communities, particularly in urban areas, and I think we`ve got to hold his feet to the fire to all those issues as well as all the issues that you addressed, you and many others addressed yesterday as it relates to criminal justice, as it relates to voting oppression.

I think, first of all, I don't think people understand Ice Cube's body of work. Ice Cube is a, and I hate to use the word 'urban' but - when you think of Judd Apatow, and a person who's launched so many careers, Ice Cube has done that for so many comedians, you know?

I know that I come from mid-20th century America, urban, specifically downtown New York, specifically an Italian-American area, Roman Catholic - that's who I am. And a part of what I know is there's a decency to people who tried to make a living in the kind of world that was around us and also the Skid Row area of the Bowery; it impressed me.

I think a current understanding about urban behavior tells us that it's important that people get out and be able to get away from the concrete jungles and the dense environment where they live for their own mental well-being. If they don't do this, the costs in human loss and human sickness will be far greater than what we would be expending for these kinds of releases and open spaces.

I do a lot of urban fantasy, which is modern-day cities, but you've got magic, you've got fairies running around, or cryptozoological creatures running around, and I'm pulling very heavily on my background as a folklore major and having done some animation work and all of that, and I'm pulling from the modern fairy tale narrative.

It's very important to not repeat yourself. After 'Delhi Belly,' I was offered 40 'Delhi Belly's and you can't do that! So 'Revolver Rani' is dark and gritty with action, 'Sooper Se Oopar' is a big commercial love story, 'Santa Banta' is a 'theth' Punjabi comedy, 'Golu Aur Pappu' is a kids' film and 'Amit Sahni Ki List' is an urban romcom.

There couldn't possibly be a more label-driven industry than acting, seeing as every audition comes with a character breakdown: 'Beautiful, sassy, Latina, 20s'; 'African American, urban, pretty, early 30s'; 'Caucasian, blonde, modern girl next door'. Every role has a label; every casting is for something specific.

When I go to work, I don't want to make depressing, gritty, urban stories that are depressing to watch. I want to give people something to enjoy. When people think I'm a control freak and an ogre - which I am - it's only because I want my work to be accessible and Everyman, in a way.

In the 18th century, James Hargreaves invented the Spinning Jenny, and Richard Arkwright pioneered the water-propelled spinning frame which led to the mass production of cotton. This was truly revolutionary. The cotton manufacturers created a whole new class of people - the urban proletariat. The structure of society itself would never be the same.

I'm trying to discover - invent, I suppose - an architecture, and forms of urban planning, that do something of the same thing in a contemporary way. I started out trying to create buildings that would sparkle like isolated jewels; now I want them to connect, to form a new kind of landscape, to flow together with contemporary cities and the lives of their peoples.

Yeah, you got the family dog and the white picket fence, and you just think that's all there is. Some of us had to grow up in poverty-stricken urban neighborhoods, and we just had to adapt to our environment. I know that it's wrong. But people act like it's some crazy thing they never heard of. They don't know.

Young poets worry that their experiences - whether urban or rural, immigrant or native, small town, suburb, or big city - aren't worthy of the written word. But for me the urge toward poetry, that seductive feeling of being swept away by words, was enough for me to overcome that fear that my experiences weren't worthy of poetry itself.

Daily life is a comprimised blend of posturing for the sake of role-playing and of varying degrees of self-revelation. Under stressful conditions even the "true" self cannot be precisely defined, as Erving Goffman observes. ...Little wonder that the identity crisis is a major source of modern neuroticism, and that the urban middle class aches for a return to a simpler existence.

In 2011, I was in Hollywood peddling 'Sicario' to constant and resounding 'no's. Texas was suffering the worst drought on record. Wildfires spread across West Texas, burning some 4 million acres and 3,000 homes. While the urban centers in Texas were experiencing an economic boom, West Texas was collapsing under the weight of drought and fires.

I am very happy to announce my renewal with HRC. I had always dreamed about being part of the Repsol Honda Team, and thanks to Honda, the dream came true a year and a half ago. Everything happened very quickly last season, and I would have never imagined that I could achieve what we did. Becoming World Champion during my first s eason was another dream turned into reality. It is a great honor to be a part of the Honda family, and I'm glad to remain with this special group of people for another two seasons.

In his study of Atlanta over the last 60 years, Kevin Kruse convincingly describes the critical connections between race, Sun Belt suburbanization, the rise of the new Republican majority. White Flight is a powerful and compelling book that should be read by anyone interested in modern American politics and post-World War II urban history.

I wonder, What is it to be human? Especially now that we are so urban. How do we remember our connection with place? What is the umbilical cord that roots us to that primal, instinctive, erotic place? Every time I walk to the edge of this continent and feel the sand beneath my feet, feel the seafoam move up my body, I think, "Ah, yes, evolution." It's there, we just forget.

I love 50 Cent. I know it sounds weird 'cause a lot of kids might not say that right now, but I definitely want to work with 50 Cent, Jay-Z, Coldplay: I want to work with different artists that are going to push my music to a new level. Not just in urban music.

I'm going to be a fashion icon in a minute. I'm not going to do it in a corny manner. I have a voice that speaks for a whole other market - not just black people, but high fashion urban people. I mix street wear with high fashion. It's never been seen before.

If you paint a building shocking pink, that has no scale, it is just a huge mistake, but it's not in the scale of the city to have things like that. You know. So, not only because it's not appropriate, not only because it's offensive to the environment, I mean but among them also because that quantity of that color in the urban scale, is out of scale.

Mostly the natural landscapes work as a sounding board for my characters, so they can understand themselves, and it acts as a mirror in which we readers see ourselves. The natural world is the place into which all my characters have to situate themselves in order to be who they really are, and that makes my rural fiction feel different from a lot of urban fiction.

I probably lead a very spoiled life, because I travel from people interested in permaculture to people interested in permaculture. Some of them are tribal, and some of them are urban, and so on.

I went to South Africa - Durban, Cape Town, Johannesburg - and those were definitely the "I've arrived" shows. Outside of the money, the success, the accolades ... This is a place that we, in urban communities, never dream of. We never dream of Africa. Like, "Damn, this is the motherland." You feel it as soon as you touch down. That moment changed my whole perspective on how to convey my art.