Top 1029 Urban Quotes & Sayings - Page 16

Human beings everywhere in the world are affected by the global media now. Still, what I have noticed in the east Asia, in the indigenous world, Alaska in particular, and in back country farm and ranch country, is a higher sense of etiquette, and more respectful manners. Urban middle class cosmopolitan world peoples of all races have become speedy and rude. This is a pretty big generalization though.

When I thought about Detroit, I would think big city, very urban - not a lot of places to walk around, not a lot of parks. I sort of pictured Manhattan almost, where, besides Central Park, it's all city and big buildings. But now that I'm here, you see people pushing strollers, people hanging out in the park.

Getting to do shows with Lady Antebellum, Keith Urban, and Sam Hunt is just awesome. It's so inspiring because I grew up such fans of Lady A and Keith, and to be able to sing my songs on the same stage as them and then stand side stage and watch them is just a really special thing.

Now we have so many different genres of music, it's amazing to me. Even in the gospel music arena, you've got hip-hop, you got contemporary, urban contemporary, you got traditional, you got neo-soul gospel, you've got all of these different things.

It is not education, but education of a certain kind, that will serve us. And the current model of western, urban-centered, school-based, education, which is so often more focused on turning children into efficient corporate units rather than curious and open-minded adults, will only lead us further down the wrong path.

I love 50 Cent. I know it sounds weird 'cause a lot of kids might not say that right now, but I definitely want to work with 50 Cent, Jay-Z, Coldplay: I want to work with different artists that are going to push my music to a new level. Not just in urban music.

In the planning and designing of new communities, housing projects, and urban renewal, the planners both private and public, need to give explicit consideration to the kind of world that is being created for the children who will be growing up in these settings. Particular attention should be given to the opportunities which the environment presents or precludes for involvement of children both older and younger than themselves.

I do a lot of urban fantasy, which is modern-day cities, but you've got magic, you've got fairies running around, or cryptozoological creatures running around, and I'm pulling very heavily on my background as a folklore major and having done some animation work and all of that, and I'm pulling from the modern fairy tale narrative.

The rage building up, generation after generation, among what has become a permanent underclass in many parts of the world cannot continue. We are desperately undereducating our children. In the United States, we are turning prison-building into the single largest urban industry. These are like toxic chemical factors any one of which could cause a raging fire. God help us if they begin to interact.

In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style. The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste. There are few violations of this taste, and there is exemplary architectural consistency. Paris has defined the aesthetics of a sophisticated urban culture.

You might declare that global warming and energy insecurity, not to mention urban sprawl and pollution, have intensified the sin of indulging one's motoring desires. And I would not argue with that point. You're right. I am a bad man. But over the long term, if you want to develop a new transportation and energy policy, you'd probably want to err on the side of assuming that people won't change much. And it is human nature to like to be empowered.

Obviously Muslim societies, like societies elsewhere, are becoming increasingly urban, many are becoming industrial, but since so many have oil and gas, they don't have a great impetus. But again, the revenue that natural resources produce gives them the capability and so countries like Iran are beginning to develop an industrial component.

Whenever we make changes in our surroundings, we can too easily shortchange ourselves, by cutting ourselves off from some of the sights and sounds, the shapes or textures, or other information from a place that have helped mold our understanding and are now necessary for us to thrive. Overdevelopment and urban sprawl can damage our own lives as much as they damage our cities and countryside.

What really drives the battle against law enforcement and punishment is not a commitment to treatment, but the widely held view that, first, we are imprisoning too many people for merely possessing illegal drugs; second, drug and other criminal sentences are too long and harsh, and third, the criminal justice system is unjustly punishing young black men. These are among the great urban myths of our time.

Perhaps I can also add something about the rural setting of Remember You're a One-Ball! The countryside is a place - in mythological and perhaps in very real terms - of mixed innocence and sin. It is seen by townsfolk as idyllic, lazy, free of urban crime and social problems. But those who grow up in the country can tell stories that often surprise those who grow up in the towns.

Building a smarter grid has long been a key part of our government's plan to modernize our energy infrastructure and provide clean, reliable affordable power to consumers. By supporting Ryerson's Centre for Urban Energy we are building a whole new landscape for innovations that will be the backbone for our energy system for future generations.

People in Detroit aren't just urban gardening. They're starting a new mode of education. They're trying to give children the education to be "solutionaries" rather than people who are going to get jobs in the system. And that is a huge change, a cultural revolution. The things that are happening in Detroit would amaze you if you're used to only looking at statistics, and only thinking of blacks as sufferers and not as activists.

I realized some time ago that, while there are really, really high quality schools in urban India - my daughter attends one - there are very few high quality schools in rural India. And that is mostly because of the perception that there are not enough people to pay a reasonable fee in rural India.

'All Def' is unlike any other comedy show or set because 'All Def' goes back to the essence of how urban comedy started. We give it a 'stoop appeal.' A stoop appeal is important for us because it's where pretty much all black comics started doing their standup: cracking jokes on the stoop, in the hood.

Merrie Destefano storms the world of urban fantasy with AFTERLIFE, breathing new life into the vast genre of the undead. Gritty, poignant, in the tradition of Bladerunner, with the nostalgia of New Orleans. With crisp and beautiful prose, AFTERLIFE blurs the line between the living and the dead to ask life's ultimate questions-even if they take nine lives to solve.

I have the greatest appreciation for [producers] Matt Alvarez and Ice Cube. They put me in Friday after Next, and now this, which I hope is just the start of a long, wonderful relationship. I love the urban comedies, because they keep you famous, keep you having fun, and keep you in love with the business. Those are my roots. I'll always love doing those.

L.A. as a geographical entity is very much a mixture of surf, desert, and the mountains, earthquakes and urban sprawl. Within an hour of driving, you can be out into the desert. I like that very much about living on the edge of a continent, conceptually is an interesting place to be. You're at this kind of juncture of a tectonic plate. The idea that the Pacific Ocean is right behind us, on a macro scale, is an interesting place to be.

Only rarely do we see beyond the needs of humanity, and he linked this blindness to our Christian and humanist infrastructure. It arose 2,000 years ago and was then benign, and we were no significant threat to Gaia. Now that we are over six billion hungry and greedy individuals, all aspiring to a first-world lifestyle, our urban way of life encroaches upon the domain of the living Earth.

I think of my life as divided between a lot of different periods. I grew up in the country, but as I got older I became more of an urban person. That's really when I started to become more of a creative person who was interested in fine arts, painting, drawing, and music. I studied jazz for a long time. Looking back, all those things were great training.

Part of my life is spent designing in urban centers, and part of my life has been spent in factories. But the other part of my life is spent in nature.

Young poets worry that their experiences - whether urban or rural, immigrant or native, small town, suburb, or big city - aren't worthy of the written word. But for me the urge toward poetry, that seductive feeling of being swept away by words, was enough for me to overcome that fear that my experiences weren't worthy of poetry itself.

Over 1 billion people have no access to clean drinking water, and more than 2.9 billion have no access to sanitation services. The reality is that a child dies every eight seconds from drinking contaminated water, and the sanitation trend is getting sharply worse, mostly because of the worldwide drift of the rural peasantry to urban slums.

I don't necessarily think stories have functions any more than diamonds have functions, or the sky has a function... Stories exist. They keep us sane, I think. We tell each other stories, we believe stories. I love watching the slow rise of the urban legend. They're the stories that we use to explain ourselves to ourselves.

I love the combination of smartness, pain, and what one might call conscious postmodern trashiness in this book: a version of the erotic full of nervous tension which animates the sensuality, and also Zimroth's feeling for words, compressed, ironic, withholding, but also 'asking for it . . . the siege, the thrill, the battle fatigue.' A profoundly urban book, of harsh memory and fantasy, set in harsher reality.

To the extent that the (ISIS's) advance is a series of urban revolts against the government of PM Nouri al-Maliki, the US would end up bombing ordinary city folk. For the US to be bombing Sunni towns all these years later on behalf of Mr. al-Maliki would be to invite terrorism against the US.

In the urban community, the church doesn't just take people to Heaven; it feeds, clothes, and houses them. It teaches them how to read and gets them jobs. The church should be doing all that. What the government should be doing is freeing up the church and supporting the church, as long as it is providing social services.

Today is such a time, when the project of interpretation is largely reactionary, stifling. Like the fumes of the automobile and of heavy industry which befoul the urban atmosphere, the effusion of interpretations of art today poisons our sensibilities. In a culture whose already classical dilemma is the hypertrophy of the intellect at the expense of energy and sensual capability, interpretation is the revenge of the intellect upon art.

Every other word out of every other Chinese mouth is "development, development, development, development." And that's what they're talking about it - because they believe it, A, enables them, with development, to have the kind of status they want in the world, and B, it enables them to deal with their internal problems, having to do with poverty, urban-rural as well as the environment.

YIMBYs should embrace a housing reform agenda broader than increasing urban density. This should start with ending tax shelters in the form of land conservation easements to cattle ranches and farms that abut suburbs. This would create an incentive for landowners convert them either to new housing subdivisions or to genuinely new natural areas.

At Tennessee, I said I can't wait to beat Florida in the Swamp and sing 'Rocky Top' all night long. The thing at Tennessee I felt was that there needed to be energy in the program immediately. Two of the last three years there, they were 5-7. Urban Meyer and Nick Saban were at all-time highs. I felt like the fan base and players needed confidence.

When I was younger, definitely getting people to listen to me and believe in me. I think it's hard when you're a young girl in a record label full of male urban artists, which is definitely what Atlantic Records was and still is. Also, getting people to trust a young, female pop star that doesn't just want to be puppeteered was definitely a challenge for me.

And that is true in 85 percent of kids; it's kids who live in old, dilapidated, mostly urban housing. But that still leaves 15 percent of the cases that occur in middle- or upper-class families, usually associated with home renovations. People are sanding paint, removing banisters, cleaning up windowsills, and they don't realize that they're spewing lead dust around in the house. And then the kids get it.

'Recreative' is a word that I invented because in urban culture, with colloquialism, we invent so many slangs. I don't like the way that 'recreational' sounds - I don't like to say I do a lot of 'recreational' reading. I like to say that I read 'recreatively.' I do a lot of 'recreative' reading.

In my opinion, if most urban meat-eaters were to visit an industrial broiler house, to se how the birds are raised, and could see the birds being "harvested" and then being "processed" in a poultry processing plant, they would not be impressed and some, perhaps many of them would swear off eating chicken and perhaps all meat.

'We Are Pop Culture' is my clothing line for women that started with just T-shirts. The clothing line is urban street wear. It's for women that feel confident in their own skin and want to express themselves. The whole idea is to play with modern pop culture and previous pop culture using art and sayings.

It is a fact that the entire Kentucky River system, which the central part of the state complacently depends upon for its future water, is deteriorating rapidly because of strip mining, because of bad farming, because of industrial and agricultural pollutants, because of urban sewage. It is deteriorating, that is to say, because almost nobody cares, or cares to know, where water comes from, so long as it keeps coming.

The People's democratic dictatorship is based on the alliance of the working class, the peasantry and the urban petty bourgeoisie, and mainly on the alliance of the workers and the peasants, because these two classes comprise 80 to go per cent of China's population. These two classes are the main force in overthrowing imperialism and the Kuomintang reactionaries. The transition from New Democracy to socialism also depends mainly upon their alliance.

All communities, and low-income communities especially because of food insecurity and lack of access to healthy foods, need more farmers markets, need more community gardens and urban farms. It would be great if people living in communities had the tools and resources to grow food in their own backyard - community-based food systems.

Mostly the natural landscapes work as a sounding board for my characters, so they can understand themselves, and it acts as a mirror in which we readers see ourselves. The natural world is the place into which all my characters have to situate themselves in order to be who they really are, and that makes my rural fiction feel different from a lot of urban fiction.

I think a current understanding about urban behavior tells us that it's important that people get out and be able to get away from the concrete jungles and the dense environment where they live for their own mental well-being. If they don't do this, the costs in human loss and human sickness will be far greater than what we would be expending for these kinds of releases and open spaces.

It's very important to not repeat yourself. After 'Delhi Belly,' I was offered 40 'Delhi Belly's and you can't do that! So 'Revolver Rani' is dark and gritty with action, 'Sooper Se Oopar' is a big commercial love story, 'Santa Banta' is a 'theth' Punjabi comedy, 'Golu Aur Pappu' is a kids' film and 'Amit Sahni Ki List' is an urban romcom.

I had proposed to HBO a series about the city cops in Rome at the time of Nero. What had interested me was the idea of order without law. The Praetorian Guard, who were the emperor's guards, understood how they were to proceed. But for the city cops, who were called the Urban Cohorts, there was no law at all.

I am very determined when it comes to my music, and I grew up just loving those singers who had that urban sort of feeling. So when it came down to making my record, I wanted to have that as well. ForeFront was really good about letting me go in that direction and then of course adding the more pop sounds. I feel very fortunate that I got to explore some unique and creative angles musically.

I think that in his 39 short years of life, Malcolm X came to symbolize Black urban America, its culture, its politics, its militancy, its outrage against structural racism and at the end of his life, a broad internationalist vision of emancipatory power far better than any other single individual that he shared with DuBois and Paul Robeson, a pan-Africanist internationalist perspective.

Most people just aren't clear-eyed about the rural South. We think that the urban centers are the problem, and the rural areas across the country are idyllic, suffused with good old American values, social values, religious values, moral values. It's what we tell ourselves to keep this political power structure in place, and it's what we see in pop culture, too.

In Brazil, even inside the same city, people from different parts dress differently. Sao Paulo, for example, is more connected to global trends and urban movements. Rio de Janeiro is more influenced by the beach, and has a sort of Cali vibe with the way people dress. Porto Alegre down in the south has a hard winter, so people have to dress to face the cold days.

At the risk of quoting Mephistopheles I repeat: Welcome to hell. A hell erected and maintained by human-governments, and blessed by black robed judges. A hell that allows you to see your loved ones, but not to touch them. A hell situated in America's boondocks, hundreds of miles away from most families. A white, rural hell, where most of the captives are black and urban. It is an American way of death.

Commercial jazz, soap opera, pulp fiction, comic strips, the movies set the images, mannerisms, standards, and aims of the urban masses. In one way or another, everyone is equal before these cultural machines; like technology itself, the mass media are nearly universal in their incidence and appeal. They are a kind of common denominator, a kind of scheme for pre-scheduled, mass emotions.

It will be interesting to see if Seoul's urban vocabulary of numerous, ever-present interactive screens will translate to other cities such as Beijing, London, and New York. It will also be intriguing to see if smaller cities and towns adopt aspects of Seoul's screen culture throughout Asia, Europe, and North America.

What is missing in a lot of urban music is perspective. You hear a lot of regurgitated perspective. It's a lot of: out at the club. Had drinks. Patrón. Big booties. It's this regurgitated idea of living in this, I don't know, one-night-stand moment that always starts at the club and Patrón. And so perspective, perspective, perspective is what I'm an advocate of.

In 2011, I was in Hollywood peddling 'Sicario' to constant and resounding 'no's. Texas was suffering the worst drought on record. Wildfires spread across West Texas, burning some 4 million acres and 3,000 homes. While the urban centers in Texas were experiencing an economic boom, West Texas was collapsing under the weight of drought and fires.

Industrial tourism is a threat to the national parks. But the chief victims of the system are the motorized tourists. They are being robbed and robbing themselves. So long as they are unwilling to crawl out of their cars they will not discover the treasures of the national parks and will never escape the stress and turmoil of the urban-suburban complexes which they had hoped, presumably, to leave behind for a while.

I don't know Greg Schiano personally. But what I do know is Bill Belichick has vouched for him. OK? Urban Meyer has vouched for him. He's coached the Tampa Bay Buccaneers, a professional organization. So many people have vouched for Greg Schiano. Now, all of a sudden, Tennessee is too holy that they don't want Greg Schiano?

DiMaggio was never a rube. He was very smart and very urban. Coming out of the Great Depression, he was the immigrant boy who made it big. Coming back from World War II, he had all the wealth and power that New York aspired to. When New York saw itself as the center of the world, he was its paragon of class.

I try to encourage young people to follow their dreams. Even if you're born in an urban community it's always something available to you whether it be a dance class or whether you do really good in school and you can get a scholarship. So if you just put your mind to it and if you educate people enough and they know that they can find resources to help them get to where they need to go then that's really important.