Top 836 Van Halen Quotes & Sayings - Page 11

I like so many different directors: Scorsese, Coppola, Cassavetes, Jarmusch, Gus van Sant, Woody Allen and the greats like Fellini, Bergman, Tarkovsky and among current filmmakers von Trier, Ang Lee, Wong Kar-wai.

Pablo Picasso, Frank Sinatra, Ernest Hemingway, Mel Gibson, Lou Reed, Norman Mailer, Vanessa Redgrave, Van Morrison - each is distinguished by controversies unrelated to his or her art; by many accounts, some of them are not nice people at all.

It's super cool to me when my manager screencapped Sharon Van Etten saying my album is great on Twitter and I about cried 'cause she's a hero. And that led to... I got to have lunch with her! I got to meet a hero!

There's the artist's intimacy and truthfulness to himself, but an equal intimacy to the Other [the one drawn]. Picasso drawings are like that... the Rembrandts are like that. The artist who most often did that was Van Gogh.

I saw the gun. I sensed the van as it rushed forward, seconds away and coming faster. I heard the screams of the fight behind us. But nothing that night was louder than the masked man's astonished whisper as he looked at the boy who stood beside me and said, 'you?

Yes, but you are still only human.” I laughed, the sound of it drowned out by the crunch of rocks as the mountain continued to shudder as though in the throes of birth pangs. “So was Van Helsing, yet in every movie, he beat the vampire in the end. Never underestimate the power of humanity.

And then Dick called and said, I'm going to do a special called Dick Van Dyke and the other woman, that would be you, because every time I try to check into a hotel with my wife, they look at me as though I'm cheating on Laura.

I think Jeff [Van Gundy] is really, really good and fun to listen to. And I would be disappointed if - I know he offered to not be a part of the broadcast - he wasn't on the air. We'd all miss something. I think the [brother situation] adds the human element.

Certainly since then many people have taken a lot of those ideas and ridden them for years and years and made careers out of them. Part of that is willingness to do the kind of work that I wasn't willing to do. Get into a van and cover the country.

The artist cannot look to others to validate his efforts or his calling. If you don't believe me, ask Van Gogh, who produced masterpiece after masterpiece and never found a buyer in his whole life.

I close my eyes. An image flashes—emerging from the van with Julian after our escape from New York City; believing, in that moment, that we had escaped the worst, that life would begin again for us. Instead life has only grown harder.

I was at an art museum with my parents, and was quite taken with a [Vincent] Van Gogh painting. I stood admiring the painting for some time, and then realized that in addition to feeling moved by the beauty of the painting, I felt a little jealous of the painter.

Islamophobia first appeared in my life on 11 September 2001. I was coming back from college and didn't know what had happened. A white van stopped and a man got out. He spat on me, yelled a profanity, and then threw a can of coke in my direction. I cried as I walked home.

I had a van that I customized so I could basically live out of that while I traveled and then I graduated to an Airstream. I've got three Airstreams now and they're all customized different ways. The good thing about those is there's not enough square footage to blow all your money.

My first Comic-Con was when I first met Joss Whedon: He introduced me to that world and I'd never been to a convention before that. He and a bunch of the 'Buffy' and 'Angel' writers were all going down in a big van and he invited me along.

When people asked me what I did, I'd say, 'I work in publishing', and when they then say, 'What side of it?', I say, 'Supply' - no doubt leaving them to think I drive the books around in a van and deliver them.

I was in church every Sunday till I was 14 or 15. A van used to come and get us, whether we wanted to go or not. I saw people getting the spirit, talking in tongues, juddering, foaming at the mouth - to be honest, I was a bit frightened of it. The minute I could, I stopped going.

My stage name has always been 'Armin van Buuren.' When I really started DJ'ing professionally, I already had a few U.K. hits under my belt under the name 'Armin', so I couldn't really change that anymore.

I think that's why I gravitated toward slightly broader... ummm, more conceptual kinds of movies, Underworld and Van Helsing. That was as much as I could actually give. But you're actually more of an animated figure. It does go against the grain, as an actor.

Once we were driving in the midwest and we pulled into a McDonald's. Someone came up to me and asked me why I have Feynman diagrams all over my van. I replied, "Because I am Feynman!" The young man went, "Ahhhhh!"

I think the action movies in the 80s and 90s were different. It was a testosterone age. Steven Seagal, Jean-Claude Van Damme and Sylvester Stallone - they fuelled my childhood. But now I don't think I'd like to do just action, I don't enjoy that.

My problem was that I was blond. There were no heroes with blond hair. Robert Taylor and Henry Fonda, they all had dark hair. The only one I found was Van Johnson, who wasn't too cool. He was a nice, homely American boy. So I created my own image. It worked.

Considering you are pretty much like this the whole time whether you're onstage, whether you're in the van, whether you're eating, whether you're in the hotel room. So everyone has their moments and you kind of learn to respect people's space when they're not in a good mood.

In the film industry, we tend to pick up where others have left off, and Id like to think the influences I picked up from Bruce Lee, Jackie Chan, Sylvester Stallone and Jean-Claude Van Damme are visible in my work.

I really loved touring with my band, but it felt like we would spend a lot of time playing in empty rooms - empty clubs. We had some good successes, but it's so physically hard to load up a van and drive all day.

We will literally send a van and a photographer to the home of anybody that can say they can't get a picture made and a photo ID and we will do it... at the state's cost and the taxpayer cost and not at the individual cost.

When I was at Hamburg, 17 or 18, Ruud van Nistelrooy signed, and he helped me a lot. He saw my first training session, and he talked to me. He told me I was a good player. He gave me confidence, and I want to thank him for that.

Going all the way back to Jeremiah Wright and Tavis Smiley and Van Jones and even Shirley Sherrod and maybe even Maxine Waters and Charles Rangel. We're going to see what his [Barack Obama] response is.

I love romantic comedies. They're for me the easiest thing to do and the most natural to do. There's nothing natural about holding an uzi hanging out of a moving van shooting at people. That's not second nature to me, thank God.

In my years at United, I witnessed some signings who, over their careers, transformed the fortunes of the team. From Eric Cantona, when I was an apprentice, to Dwight Yorke, Ruud van Nistelrooy, and Wayne Rooney. These were great footballers who became great United players.

There's always a Van der Graaf audience that wants to hear the band's sound. And totally fair enough. Why not? It's a band. You like the band, you like the band.

To me, James Harden is like basketball's Picasso - he's an artist whose work you respect, even if you don't always understand its significance until later. (Or maybe Van Gogh or some other artist - I'm not an art history buff, but you get my point).

All the things people hate about touring, I'm excited for, because I've never done it before. I'm excited to see places I've never seen and be in the van and see if I get carsick while reading.

I like playing the contrasting roles. It what inspires me to act. If I look back on my career I am happy that I have gotten to play a wide variety of different roles, from Mike Dexter, to Van Ray in Fast Lane, to Dr. Cullen to Coop.

I slept in van Gogh's bed. I worked in the room where he painted. I saw the place where he was cared for when he cut off his ear. I lived in the jail cell where he stayed. And I looked out the window. You remember that picture of the cornfields through the bars? That was what I saw.

Manchester United? That's not an option. I am staying at Bayern Munich. Period. I had a great time under Van Gaal at Bayern, he has been very important for my career but I am very happy at my current club.

Oh, I love making independent films, it's such a special, magical thing because you collaborate with a small group of people and everyone's pitching in. You'll see producers setting up the lunch table and the sound guy driving a van. We're all really there because we want to be.

When earth as if on evil dreams Looks back upon her wars, And the white light of Christ outstreams From the red disc of Mars, His fame, who led the stormy van Of battle, well may cease; But never that which crowns the man Whose victory was peace.

I loved Eddie Guerrero, Rey Mysterio, Rob Van Dam, I was a big fan of any of the big, flashy high flyers. They had that high flying, high intensity, and high impact style.

When I started we were travelling in vans, at that time we couldn't afford B&Bs, so after the gig the band would all climb in the back of the van with our fish and chips and then wake up in the morning - six sweaty musicians, all the gear around us, and you'd think 'oh god.'

Van Gogh was so under appreciated in his time, he sold only one of his 900 paintings while alive. Posthumously, he became one of the most famous artists of all time and his work is now considered priceless. Oh the irony.

By actually taking Sleepy Hollow and the Rip Van Winkle story, and finding the spirit of what was great about both of them and putting them together. So it felt, actually, like one of those ideas that clicked for us, right away, on instinct.

There's a musicologist named Peter van der Merwe whose theory is that the blues generates tune families, and that their similarity to each other is in fact part of the pleasure you take in them - rather than the differentiation in which Jerome Kern and George Gershwin indulged to great effect.

I thought art was dead rabbits hanging by their feet on a wall. I went to Italy and saw all the religious paintings, and they didn't move me all that much. Then someone invited me to see this van Gogh exhibit at the Rosenberg Gallery in San Francisco.

I saw Ashley train every day and I said, 'This is what I want but better.' That was my motivation. He taught me the game, how to play nicely and sometimes dirty, all those kind of things. But I didn't become Ashley Cole. I'm Patrick van Aanholt.

VW has held a beloved place in American culture. When I graduated from college, many of my friends drove across the country, and most hit the road in a VW van or Bug. Through the years, these cars have represented youth, freedom and quirkiness.

All the musicians I loved growing up were men. I loved Leonard Cohen, Mick Jagger. I loved Alex Turner from the Arctic Monkeys. Even today, I love Van McCann from Catfish and the Bottlemen and Matt Healy from The 1975.

Did Robert De Niro actually look like Al Capone in 'The Untouchables?' Or did Van Kilmer look like Jim Morrison in 'The Doors?' No. It's the core, the essence of the personality that matters.

We are all affected by Le Corbusier, Frank Lloyd Wright, Alvar Aalto, and Mies van der Rohe. But no less than Bramante, Borromini, and Bernini. Architecture is a tradition, a long continuum. Whether we break with tradition or enhance it, we are still connected to that past. We evolve.

I just completed a tour in Europe. I played every night. This requires traveling some days for six hours in a van or a train or a car. After six weeks of that, I checked into the hotel and just fell apart.

When I am travelling or shooting outdoors, and if there is no gym around, I do pull-ups. If there is a bar somewhere, I manage push-ups, squats, and generally I just sweat it out in the room or my vanity van. But I make sure my workout regime is never hampered at any cost!

Wolf in White Van is beautiful, enigmatic, and sad, and like every other brilliant thing John Darnielle has ever done, it seems to come from some fully imagined universe, of which we only get to see this haunting, enticing sliver. I utterly love it.

When I came back from filming 'Abduction', I told my agent: I'm staying in London now. If it takes doing children's theater from the back of a van in Kilburn, that's OK. I need to be with my family. My job is to keep the family together and provide for them.

Usually when I'm in the van or if there's downtime, I'll just mess around in Garage Band and work out melodies or ideas I've had in my head. There was a period where I creatively plateaued and wasn't writing at all. But I have been creatively a bit more inspired lately - it has everything to do with moving and being in motion.

When a chess player looks at the board, he does not see a static mosaic, a 'still life', but a magnetic field of forces, charged with energy - as Faraday saw the stresses surrounding magnets and currents as curves in space; or as Van Gogh saw vortices in the skies of Provence.

[Van Jones] you should be a racial polemicist. You should be a racial reconciler.

I'm such a copycat."I want to try and do this like the Donovan song 'Changes'," or "I want to do this bit from Van Morrison." I don't know how else to illustrate something, because I'm not a super-great musician. In that way, I'm more like the producer.

Nation editor Katrina van den Heuvel told me that the failure to adequately cover the Downing Street Memo epitomizes the timidity, the cowardice of a media that has been manipulated, intimidated, bullied by an administration that has taken it to a high level. . lapdog news media.

Bill Withers, Van Morrison and Marvin Gaye are pioneers in popular music for the last century, and these are people who have influenced me as well, so it's pretty flattering. I've got a long way to go to reach anywhere near what those guys have done. But it's a good encouragement.

I know when I go outside, there'll be a van or two and they'll probably follow us four out of seven days a week, trying to get something. But I'm just going across town and I know they're just wasting their day, so it doesn't bother me anymore.