Top 993 Velvet Underground Quotes & Sayings - Page 5

Explore popular Velvet Underground quotes.
Last updated on November 15, 2024.
In the town live witches nine: three in worsted, three in rags, and three in velvet fine.
Of course, I started really being a comics fan with the underground stuff in the '70s.
Mixtape legend, underground kings... Looking for the right way to do the wrong things — © Drake
Mixtape legend, underground kings... Looking for the right way to do the wrong things
Cat got your tongue? And what a lovely tongue it is. I know. It licked every inch of me. Repeatedly. For months," He purred but with steel in the velvet
Generally speaking, moving water is the most dangerous thing you can encounter underground.
If this is airing in the future and no one knows who Karl Rove is - he's the reason you all live underground.
It wasn't the first film to show a kind of alternate vision of suburbia, but it left an indelible impression, I think, on everybody, and all films like that will forever be measured against 'Blue Velvet.'
Tom Ford gave me high heels for the baby. They're a little kitten heel with a velvet rope that you tie. It's like a collection piece. I have to put it on the bookshelf, framed.
Race baiters and discriminators may go underground, but they never move out of town.
It was humbling to see how many fans there are of 'Serenity.' It's like an underground fan base.
I just finished Colson Whitehead's "The Underground Railroad," which I think is a work of genius.
When beholding the tranquil beauty and brilliancy of the ocean’s skin, one forgets the tiger heart that pants beneath it; and would not willingly remember that this velvet paw but conceals a remorseless fang.
They who derive their worth from their ancestors resemble potatoes, the most valuable part of which is underground. — © Francis Bacon
They who derive their worth from their ancestors resemble potatoes, the most valuable part of which is underground.
I think there's so many amazing LGBTQ artists, ranging from commercial to underground, that are influencing people at large.
Go ahead, climb up onto the velvet top of the highest stakes table. Place yourself as the bet. Look God in the eyes and finally, for once in your life, lose.
Underground issues from one relationship or context invariably fuel our fires in another.
I've always been ahead of the curve when it came to trying new stuff in the underground scene.
What Public Enemy and Underground Resistance had in common was a rejection of the idea of music as entertainment.
With 'Lucha Underground,' it's really tight, and you don't need to fast-forward. Everything you're watching is important and entertaining.
I don't write songs in order to stick it to my exes. I don't release underground dis tracks.
I bought a gun safe with velvet shelves and a built-in dehumidifier to house the hundreds of original [Barbara] Stanwyck letters I amassed that I first kept in the lettuce crisper of a refrigerator in my basement.
Underground hip-hop is, like, one of my foundations, I would say a cornerstone of my foundation of my musical tastes.
I wish I could write 'Taxi Driver,' or 'Blue Velvet,' something brave, audacious, dramatic and dark. I don't know if I have the darkness in my own soul to be able to tap into it, unfortunately.
Anurag was always too passionate about 'Raman Raghav 2.0' to care about anything else. There never was a 'Bombay Velvet' hangover.
Society is like a lawn, where every roughness is smoothed, every bramble eradicated, and where the eye is delighted by the smiling verdure of a velvet surface
The American underground punk scene, though, is a story worth remembering.
He earned his love through discipline, a thundering velvet hand, his gentle means of sculpting souls took me years to understand.
I never felt like 'I'm an underground dude' or 'I can only be hot in New York.'
I first was introduced to really, I guess, underground electronic music when I was in middle school.
In my 20s, when I was a photojournalist in Beijing. I joined an underground art group and put on clandestine exhibitions of my paintings.
I feel like I just wanna go back to being more underground.
I have found truly jubilant Christians only in the Bible, in the Underground Church and in prison.
Just the other day in the Underground I enjoyed the pleasure of offering my seat to three ladies.
You're not to wallow, but if you don't process your regrets, then they remain emotional underground toxins.
I think that Rey Mysterio should come to 'Lucha Underground,' and I hope that he does.
I spend so much time in my studio, which can be very dark, so it can begin to feel as if I'm a mole underground.
I went underground. So I didn't see [my father] for 11 years. So that was pretty traumatic time for my parents for sure.
Taking people on a journey is the fundamental element of underground dance music. I don't sell records. — © Seth Troxler
Taking people on a journey is the fundamental element of underground dance music. I don't sell records.
With 'Mask,' 'Smooth Talk' and 'Blue Velvet,' I loved the specific experiences so much. Each one was a specific filmmaker with a specific vision.
Snakes are a very real thing in Egyptian tombs, they like to hang out underground.
The challenge artists face today is whether to be an underground, unheard genius, or to dilute their art for the marketplace.
A price on carbon sufficient to keep 80% of current reserves underground, rebated directly to citizens.
You shouldn't judge someone until you've walk a mile through an underground tunnel in her uncomfortable shoes
Marge, when I join an underground cult I expect a little support from my family.
If people didn't read books on the subway, underground journeys would be dreary.
Red velvet cake is my absolute favorite. It has to be an actual slice of cake, not a cupcake; there's more surface area, so the icing ratio is higher.
My great-grandmother was in one of the first girl bands, in the 1920s. Their outfits were mental: velvet bloomers with big ribbons and headpieces. They were brilliant.
I didn't expect my popularity to be a mainstream thing, 'cause I'd only ever been an underground artist. — © Corinne Bailey Rae
I didn't expect my popularity to be a mainstream thing, 'cause I'd only ever been an underground artist.
I played in Velvet Revolver, which is a raw, bombastic blues band with a punk rock edge to it. It's like everything is based around the blues, no matter what the groove is.
At the end of the '90s and into 2000, electronic music was still an underground phenomenon, especially in America.
He had never known such gallantry as the gallantry of Scarlett O'Hara going forth to conquer the world in her mother's velvet curtains and the tail feathers of a rooster.
The people definitely shape the two, put stamps and classify mainstream and underground music.
The main difference between the Prague Spring and the Velvet Revolution was that the former was mostly the work of Communist party members and others who wanted to bring about 'socialism with a human face.'
The Underground Railroad was a spy network for the North and that story has never been told.
Words, isolated in the velvet of radio, took on a jeweled particularity. Television has quite the opposite effect: words are drowned in the visual soup in which they are obliged to be served.
I'm an underground mix-tape artist who's had a level of commercial success.
Of course, I started really being a comics fan with the underground stuff in the '70s
If there's a more helpless feeling than trying to reach someone you love who's trapped underground, I don't know it.
There's a lot more hypocrisy than before. Racism has gone back underground.
I think vampires have gotten maybe a little bit silly in the last years where they're all wearing crushed velvet and reading poetry and making sweet love to their victims, you know, it's not really all that scary.
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