Top 64 Veronica Quotes & Sayings

Explore popular Veronica quotes.
Last updated on November 8, 2024.
The idea that Veronica Wadley has no artistic credibility is just crazy. She has a strong reputation and when she was editor of the 'Evening Standard' she was very highly regarded in the arts sector.
Now you get off that Pegasus and come down here and start acting your age!" "Honey, he's four thousand years old," Veronica said.
Veronica solves little puzzles because she, like all of us, cannot unravel the bigger ones. — © Joss Whedon
Veronica solves little puzzles because she, like all of us, cannot unravel the bigger ones.
I'm kind of a disciplined person but I don't take anything too seriously. And I think a lot of that had to do with the raising my parents gave me and my sister - Veronica Cartwright, who's an actress in her own right.
I'm not recognized very often, and if I am, it's a die-hard Veronica Mars fan. Which is usually flattering and an honor. I really try not to think about it.
Who doesn't love Veronica Mars?
I had read the 'Wonder Woman' comic books when I was a child; I was much more interested in those than I was in 'Betty and Veronica,' even though I liked those as well.
In all seriousness, I'm flattered and humbled to have been asked to reprise my role as Luke in the 'Veronica Mars' movie.
For tech, I like the 'DailySearchCast', 'TWiT' and anything Veronica Belmont does on CNET. I think Perez Hilton is a riot, and the rest of my consumption is by people: Folks like Dave Winer, Fred Wilson, Mark Cuban, Brian Alvey, Jeff Jarvis, Xeni Jardin, etc.
Although nannies who cover more than one generation are rare, those like Veronica Crook - who looked after me and now looks after my four children - are pearls of great price. They provide a continuity and stability for a family that is of inestimable value for the child and, indeed, the man.
'Divergent,' directed by Neil Burger, displayed an admirable seriousness and some grim verve in laying out the boundaries of novelist Veronica Roth's dystopia - six segregated but ostensibly harmonious regions defined by their inhabitants' skills.
Vivian Abenshushan and Veronica Gerber write brilliant books that defy generic conventions.
I was not the first choice for Veronica in Heathers. I auditioned and they were like, "Oh, thanks." And I went to the Beverly Center to Macy's and had them do a makeover on me. I went back because I kind of knew that they thought I wasn't pretty enough. They were trying to get Jennifer Connelly.
My husband and I oddly have worked together a couple of times. We did a 'Veronica Mars' episode together. We didn't work together, but we were both in 'Ghost World.' We had a theater company in L.A., for a bunch of years. So, we've worked together a fair amount, and it's always just great fun.
Lana Turner was adorable and funny. Jimmy Stewart was such a nice person. I quickly realized that if you're not a nice person, you're not going to last in this business. I mean, once your box office starts to drop off, like Veronica Lake, they'll get rid of you fast.
My mother and my sisters - five girls - were crazy about glamour and Hollywood movies. I styled myself on Veronica Lake and Marlene Dietrich.
This is making me crazy. I hate relying on other people to save me, I hate being clingy, I hate it, and every time you show up, I lean on you. - Matilda Scarlet Veronica Betty Vilma Goodnight
I loved Veronica right off the bat. She was so strong and I think it is so important because there are so few shows that portray women, especially young women, as being strong and being able to stand up for themselves.
So when you go to a set and you just fully trust everybody, you know how hard everybody's working, you know that the people doing it are good and have such a strong vision - that's exactly my experience on 'New Girl,' and what my experience on 'Veronica Mars' was like. Everybody was just so great.
Because the picture is called 'Veronica Guerin,' you expect a biopic. But it's really about the last two years of her life. — © Cate Blanchett
Because the picture is called 'Veronica Guerin,' you expect a biopic. But it's really about the last two years of her life.
When I finished 'Cocktail,' it took me a very long time to get out of Veronica's mindspace, behaviour, and zone. I had to reconnect with who I am. It is a similar story with 'Bajirao Mastani.' Some films demand that.
Veronica ran out to tell Amber the shocking news - and returned in less than a minute with another message for Yo-Yoji: "Amber says she was watching and she knows you got in detention on purpose," she said breathlessly. "Because you have a crush on Cass!" Cass's ears instantly turned red. Max-Ernest looked like he'd been hit by a truck.
I started my career as a novelist. 'Veronica Mars' was first imagined as a novel.
Honestly, it's been amazing to be a part of this journey on 'Veronica Mars.'
I definitely look up to Veronica Roth, Suzanne Collins, and J.K. Rowling.
The world domination plan goal is that I would love Veronica Mars to become a brand like Sherlock Holmes is a brand, like Nancy Drew, in a way, is a brand. When people start listing who are the great fictional detectives, I want Veronica Mars to make that list. That would be the dream scenario.
I feel for Veronica Mars so much when I'm watching at home. It is a wonderful story. The writing is consistently funny, biting, charming, heart-wrenching, etc. I also like the look of it. The cinematography - different from any other show.
I've definitely grown, and I think I've done enough stuff that people might look at me only as Veronica Mars. But honestly, I really don't mind if they do.
Trying to convince Warner Bros. to make a $30 million 'Veronica Mars' movie just wasn't going to happen, for understandable reasons.
So when you go to a set and you just fully trust everybody, you know how hard everybody's working, you know that the people doing it are good and have such a strong vision - that's exactly my experience on New Girl, and what my experience on Veronica Mars was like. Everybody was just so great.
In library science school, back in the years of glowing green non-graphical screens and protocols called Archie and Veronica, I wrote Internet documentation.
One reason I relate to 'Veronica Mars' fans is because I can totally geek out about shows. I mean, I write Vince Gilligan fan mail every year.
From Lady Carlisle's trip to Moscow in 1663 to Veronica Atkinson's tour of duty during the 1989 Romanian revolution, it is clear that very little has changed. Four hundred years of innovation, liberation, and improvement clearly bypassed the Foreign Office while making its rounds through Westminster.
I know that any fan of 'Veronica Mars' is hardcore and loyal, so I give them the time; we spend time talking about it because it warrants that.
'Veronica Mars' was my first job, and for some reason, my character changed her hairstyle halfway through the season from curly to - I don't even know why - suddenly straight.
He never once tells me what Tiffany thinks or what is going on in her heart: the awful feelings, the conflicting impulses, the needs, the desperation, everything that makes her different from Ronnie and Veronica, who have each other and their daughter, Emily, and a good income and a house and everything else that keeps people from calling them "odd.
I used the stormy gray and heather brown shadows from the Lilac Rose Eye Palette to create a soft smokey eye for Veronica Beard's Spring 2013 show. The look was dramatic but delicate.
I love that there are so many 'Veronica Mars' fans. I was not a regular on the show. I was lucky enough to just come on. I loved the character. But, I never really realized the rabid fans that it had. I just didn't know.
In a weird way, 'Veronica Mars' was my reaction to 'Freaks and Geeks' because 'Freaks and Geeks' was the show I wanted to write, the one I wanted to create, where there was no gimmick; you didn't have to have a teenage private eye. It was just these beautiful small stories about real kids.
I think, as an actor, when you're starting off early in your career, you're kind of just seeing what lands. But 'Veronica Mars' definitely primed me to look for surprising, dynamic women. It took me awhile to realize how cool that job was.
'Mafiosa' was written by Veronica Russo. It's her first time making a film, and I'm really proud of her because this woman has a full-time job, and she decided one day, 'You know, I want to write a film, and I want to make it.'
There are so few strong roles for women, especially young women. And Veronica is very serious but also very likable. She's a lone wolf, and it appeals to people that she isn't rich and doesn't have a lot of friends. No posse. She's just like you, like most of us.
I'd love to be on a show like 'ER.' Just watching it is like, 'Phew.' I loved watching 'Veronica Mars.' 'Buffy' was a big... I loved 'Buffy.' I would go out of my way to watch 'Buffy.'
When Veronica Mars was canceled, the following season of pilots for The CW had been announced, and one was Gossip Girl. I read it, and I knew I was sort of old to play any of the kids. I called Dawn Ostroff -- who was the head of The CW at the time -- and said, 'Hey, I did so much narration on Veronica Mars, can I narrate this show? And she said, 'Hey, that's a very good idea.' They knew I had a younger voice, they liked me and they knew I'd show up for work, and I guess that was all I really needed. It was so clear to me how sassy and catty she needed to be.
I advise all my novel students to write in the company of 'Veronica Mars.' — © Andrea Seigel
I advise all my novel students to write in the company of 'Veronica Mars.'
I love 'Gossip Girl'! I still miss 'Veronica Mars,' though.
'Veronica Mars' was my first job, and for some reason, my character changed her hairstyle halfway through the season from curly to - I dont even know why - suddenly straight.
I loved Veronica right off the bat. She was so strong and I think it is so important because there are so few shows that portray women, especially young women as being strong and being able to stand up for themselves.
I pushed myself way too hard during the first year of Veronica Mars and I got moody and run-down. Now I'll go to bed early instead of going out with friends. It's not always the most fun option, but I know I need at least eight hours of sleep to feel balanced.
Having gotten TV shows on the air, that's so much less work that trying to get the 'Veronica Mars' movie made.
I really like dating stories, like in Betty and Veronica comics; I like David Lynch and H.P. Lovecraft for the dark gut-wrenching stuff, and I'm inspired by Miyazaki's films for the subtle heart-warming moments, as well as the moments that blew up my imagination.
I'm so... Honestly, it's been amazing to be a part of this journey on 'Veronica Mars.' Because I started out, really, with a word on the show. So it's kind of fun to look back and be like, 'Wow, I was basically an extra,' but not really - I had a little part.
I'm always excited to see my good buddy Richelle Mead. She cracks me up. I never get to see Veronica Roth enough, either.
My white girl Veronica, black girl Monica, Got me celebrating Christma-Hanu-Kwanzaa-kah, Rocking dashikis with a yarmulke.
Before 'Veronica Mars,' I was not, and probably am still not, much of a crime reader. My mom left out a copy of 'Helter Skelter' when I was 10, and I secretly read it, and then I spent all my teenage years afraid of hippies. I kept away from crime books for, like, ten years.
I don't think I have the stomach Veronica has. I think I have the determination and the stubbornness and a little bit of the go-get-em. But I think I'm about 20 percent more girl than Veronica is. There's a lot of Veronica that hits home with me, the sort of feisty area. But I think that I have a little bit more girl. I'd scream my head off if I saw a body in the freezer.
I think people expect me to dress a bit like Veronica from 'Shameless,' in vest tops and denim skirts. — © Maxine Peake
I think people expect me to dress a bit like Veronica from 'Shameless,' in vest tops and denim skirts.
In 'George Lopez', I played Veronica who's a bratty 18-year-old, and so I feel like it's much easier for me to play that because I feel like a late bloomer. It wasn't difficult or challenging at all because it's not like I haven't been a teenager.
It's part of my job. You can't play Veronica Guerin sounding like this. It just wouldn't wash. But what I find fascinating about doing an accent - unless it's a farce - is that it's not slapped on.
I remember, the first time I played a parent was - I did a guest spot on 'Veronica Mars,' and they were like, 'OK, and this is your daughter,' and there's this little girl standing there. And I remember thinking, 'OK, this is weird... I guess I'm old enough to have a daughter.'
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