Top 275 Verses Quotes & Sayings - Page 4

Thank God for the battle verses in the Bible. We go into the unknown every day of our lives, and especially every Monday morning, for the week is sure to be a battlefield, outwardly and inwardly in the unseen life of the spirit, which is often by far the sternest battlefield for souls. Either way, the Lord your God goes before you, He shall fight for you!

Youth is the time to go flashing from one end of the world to the other to try the manners of different nations; to hear the chimes at midnight; to see the sunrise in town and country; to be converted at a revival; to circumnavigate the metaphysics, write halting verses, run a mile to see a fire, and wait all day long in the theatre to applaud Hernani.

The wonderful 17th Century poet, Robert Herrick, wrote a poem entitled, 'To Live Merrily and to Trust to Good Verses.' Easy to say, Robert Herrick; not always easy to do. But it's a good slogan, I think.

I hate my verses, every line, every word. Oh pale and brittle pencils ever to try One grass-blade's curve, or the throat of one bird That clings to twig, ruffled against white sky. Oh cracked and twilight mirrors ever to catch One color, one glinting flash, of the splendor of things.

The verses talked about other Prophets as brothers preaching the same unifying script of mankind, showing every man and woman the way to Paradise. I saw the names of Jesus, of Moses, of Abraham, of Jacob, of Noah and of course, crucially, the name of this last messenger, the last Messenger of God, Muhammad.

If anyone comes to the gates of poetry and expects to become an adequate poet by acquiring expert knowledge of the subject without the Muses' madness, he will fail, and his self-controlled verses will be eclipsed by the poetry of men who have been driven out of their minds.

With 'Love Shack,' once we put that chorus in, it did have more of a song structure. Even though the verses are all kind of different, the chorus was there along with 'The Love Shack' - I think that really made it a hit. Once we heard it in the studio, we played it for R.E.M., and they were like, 'Yes this is a hit.'

We start a lot with melodies and instrumentation and trying to figure out good melodies for verses and choruses. We get to lyrics sometimes second, so we'll start humming a melody, finding something, and see where the music takes you as far as lyrics are and what you want to say and go from there.

These days, I find I'm applying a little more patience to my process. If I look back on my work, I can see those songs I bailed on could have been better, that had those great two verses and then I kind of coasted from there. These days, if a song is giving me trouble, I put it aside and pick it up later, and keep doing that, for a year if I have to, until it takes shape.

Nearly all men and women are poetical, to some extent, but very few can be called poets. There are great poets, small poets, and men and women who make verses. But all are not poets, nor even good versifiers. Poetasters are plentiful, but real poets are rare. Education can not make a poet, though it may polish and develop one.

If I do a song with a chorus and a verse, it takes me about 25 minutes. If I do a song with two verses or stretch out the song, it takes me about 30 to 35 minutes.

I always hesitate to call myself a children's poet, and I always hesitate to call what I write for children poetry. Though a few of the verses that I've written, yes, I think they are truly poems.

One of the most beautiful verses in the Bible about Heaven is in the 21st chapter of Revelation, the fourth verse. John says, And God shall wipe away all tears from their eyes; and there shall be no more death, neither sorrow, nor crying, neither shall there be any more pain: for the former things are passed away.

I opposed the Fatwa against Salman Rushdie. I read the book and took a critical distance. I did not think The Satanic Verses is a blasphemous book. I did not consider the book as being a great read, but as an intellectual I read, I assess, and I respond. I make a difference between true freedom of expression to which we owe a response and provocation, which we ignore.

Toxic thoughts leave no room for truth to flourish. And in the absence of truth, lies reign. Spend some time soaking in your favorite verses from Scripture tonight. The more we read God's truths and let truth fill our minds, the less time we'll spend contemplating untruths and toxic thoughts.

A true poem is distinguished not so much by a felicitous expression, or any thought it suggests, as by the atmosphere which surrounds it. Most have beauty of outline merely, and are striking as the form and bearing of a stranger; but true verses come toward us indistinctly, as the very breath of all friendliness, and envelop us in their spirit and fragrance.

How many chapters have been written about love verses - and how many more might be written! - might, would, could, should, or ought to be written! - I will venture to say, will be written!

One of my main problems with music is that the basic formula is always the same: verse, chorus, verse, chorus, bridge, verse, chorus, chorus, chorus, end. One of the bands that changed that was The Beatles. If you listen to 'Everybody's Got Something to Hide Except Me and My Monkey.' It's three verses, bridge, end.

One of the things that is wonderful about hymns is that they are a sort of universally shared poetry, at least among certain populations. There isn't much of that anymore either. There are very few poems people can recite, but there are quite a few hymns that, if you hum a few bars, people can at least come up with two verses. Many of the older hymns are very beautiful.

'Gorilla Man' is a composite of a few individuals, but the song itself was actually inspired by James Taylor. I spied his 'Gorilla' album laying on my floor and in some altered state, instantly started singing the chorus. It was fun to write. There's an old notebook with at least three more verses in it somewhere.

Of what is lost, irretrievably lost, all I wish to recover is the daily availability of my writing, lines capable of grasping me by the hair and lifting me up when I'm at the end of my strength. (Significant, said the foreigner.) Odes to the human and the divine. Let my writing be like the verses of by Leopardi that Daniel Biga recited on a Nordic bridge to gird himself with courage.

Flexibility, openness and softness are consorting with life. When you are rigid and you know the answer and don't listen to other people's point of view, you are consorting with death. Everything that is old and close to death is brittle and breaks apart including our thinking. So always stay flexible and soft and listen to others with caring. And truthfully, all of the verses hit me - especially when you think about them for days, and then write on them.

Verses are not, as people think, feelings (those one has early enough) -- they are experiences. For the sake of a verse one must see many cities, men, and things, one must know the animals feel how birds fly, and know the gesture with which the little flowers open in the morning.

Poets may boast (as safely-vain) Their work shall with the world remain: Both bound together, live, or die, The verses and the prophecy. But who can hope his lines shou'd long Last, in a daily changing tongue? While they are new, envy prevails, And as that dies, our language fails.

We hardly know an instance of the strength and weakness of human nature so striking and so grotesque as the character of this haughty, vigilant, resolute, sagacious blue-stocking, half Mithridates and half Trissotin, bearing up against a world in arms, with an ounce of poison in one pocket and a quire of bad verses in the other.

He who writes prose builds his temple to Fame in rubble; he who writes verses builds it in granite. - Edward George Earle Lytton Bulwer-Lytton, first Baron Lytton

I will keep a Bible or Koran on me at all times - the Bible I can actually carry on my phone, and any hotel you go to has a Bible, but the Koran is harder. I keep a physical Koran in my guitar case and put it on the table in hotel rooms so after a day's work, I can read a few verses.

The Bible is not a book of magic. It's a book of mystery. You can't just quote verses that support your prejudices or guarantee your health, wealth, and happiness and demand that God 'follow through' as promised. God is not limited to the words of Scripture. God is still speaking.

Throughout the whole Stroll album, I'm breaking barriers. Whether I'm doing acoustic hip-hop, singing my own hooks or singing my own verses... There's always going to be people who don't like it, cause they're stuck in their ways, or they just don't like you in general... but it's been good.

Some people like to read so many [Bible] chapters every day. I would not dissuade them from the practice, but I would rather lay my soul asoak in half a dozen verses all day than rinse my hand in several chapters. Oh, to be bathed in a text of Scripture, and to let it be sucked up in your very soul, till it saturates your heart!

It's just interesting to me that the physical enactment of that mind moving has gradually changed for you in the last few years. It made me wonder if the change was deliberate in any sense, or procedural, like when A.R. Ammons stuck an adding machine roll into his typewriter to squeeze his verses into shorter lines.

With rock music, it usually revolves around the band. You go in as a band and probably take about a year to record an album. But for a hip-hop song, you can create a track and an idea with verses and choruses in a day, and get three different people on it. It seems like you're able to do more with hip-hop.

The Holy Spirit can’t remind you of something you never read which is why it’s important to memorize scripture. When you have Bible verses inscribed in your mind, you’re carrying a concealed weapon to use against the enemy in battle. Find a passage today and begin laying up His words in your heart and in doing so you will be prepared for any trials that will come.

" Science is beginning to encroach on every level of our volition". And to me, that is a frightening social concept. It doesn't have anything to do with the right to have an abortion verses the right to life. It has to do with the ability of science to keep things alive and the ability of science to really control our lives.

All right, so there he is, our representative to the world, Mr. Western Civilization, in codpiece and pantyhose up there on the boards, firing away at the rapt groundlings with his blank verses, not less of a word-slinger and spellbinder than the Bard himself and therefore not to be considered too curiously on such matters as relevance, coherence, consistency, propriety, sanity, common decency.

My hermeneutics is when I see verses in Scripture that are "apparent" contradictions - I don't believe they are contradictions - I believe them both. I believe them both. I believe take up your cross and deny yourself and follow me, and I believe come unto me all you who are weary and heavy laden and I will give you rest. They are different sides of the same thing.

The only band I was really over-into was Cream. And the only thing I really liked about them was their live stuff 'cause they played two verses, then go off and jam for 20 minutes, come back and do a chorus and end. And I love the live jam stuff, the improvisation.

There were a few verses that I wrote literally on the spot. But the concept was there. It's about being in your own world musically and waking up in the morning and walking outside and being consumed by everything around you. Just being aware of the good things in art and music and life. It's also about how the world is at a boiling point, in a way.

In the U.S.A., we want to sing along with the chorus and ignore the verses, ignore the blues. . . No one is going to hold up a cigarette lighter in a stadium to the tune of "mourn together, suffer together." City on a hill, though -- that has a backbeat we can dance to. And that's why the citizens of the United States not only elected and reelected Ronald Reagan; that's why we ARE Ronald Reagan.

Limericks don't come from Limerick. But it comes from that between the verses when they used to have those competitions that they would put in the refrain, "follow me up, follow me up, follow me up to Limerick Town."

But theological change happens though selective quoting. Every religious person does it: You quote those verses that resonate with your own religious insights and ignore or reinterpret those that undermine your certainties. Selective quoting isn't just legitimate, but essential: Religions evolve through shifts in selective quoting.

I read the other day some verses written by an eminent painter which were original and not conventional. The soul always hears an admonition in such lines, let the subject be what it may. The sentiment they instil is of more value than any thought they may contain. To believe your own thought, to believe that what is true for you in your private heart is true for all men, - that is genius.

The Profit and Loss Statement tells you a lot about how your business is doing. It can also help you to determine ways that you can go about saving money so that you get to bring more money home! Basically, the P&L statement measures all of your income sources verses all your business expenses for any given period of time.

Well, we're still in the middle of it. And it doesn't show any sign of going away. And these attacks that were - that seemed so odd at the time, with "Satanic Verses," because we didn't have any context for this. You know, where did that come from? It seemed to come out of nowhere.

Even writing verses from my first album, there were songs that I didn't use because I just felt that they weren't really for me. But I think that happens naturally when you write songs. You're in a different mood in every session. There's so many songs out there that could potentially be used by other artists.

We do the weigh-in, then go for a walk, then have breakfast, then I listen to worship songs on my iPod because I'm a Christian. I always read the same Bible verses, too. We do the same warm-up a lot of the time as well. But, I have no superstitions before a fight.

An emperor knows how to govern when poets are free to make verses, people to act plays, historians to tell the truth, ministers to give advice, the poor to grumble at taxes, students to learn lessons aloud, workmen to praise their skill and seek work, people to speak of anything, and old men to find fault with everything.

Sometimes I just start humming something, find a melody I like a lot, and if it sticks around for a couple days, a few words will lock themselves into place. I might just get the first line. Then words just keep falling into the syllables. The choruses kind of write themselves and verses I have to work at a little bit.

I grew up with Bible stories, which are like fairy tales, because my father was a minister. We heard verses and prayers every day. I liked the gorier Bible stories. I did have a book of Chinese fairy tales. All the people except the elders looked like Italians. But we were not a family that had fiction books.

I think one thing Liberty finds frustrating is a lot of this business is conducted through the media. That's something they're not used to with American sport. There's that constant comparison of America sport and franchises verses Formula One - American sport works in America, it doesn't work globally.

You know for some strange reason I like to write the verse first. I mean I know the majority of people do the chorus first and when I think about it, I guess it does make more sense to do the chorus first, but I just like to write the verses first, I don't know why.

There is poetry even in prose, in all the great prose which is not merely utilitarian or didactic: there exist poets who write in prose or at least in more or less apparent prose; millions of poets write verses which have no connection with poetry.

Orion sniffed. "Good. Then, worthy centaur, perhaps you could give me a ride to the village on your way back. Then I can make a few pennies wth my verses while you build us a shack and perform circus tricks for passersby." This was such a surprising statement that Foaly briefly considered jumping into the hole to get away.

We see then how far the monuments of wit and learning are more durable than the monuments of power, or of the hands. For have not the verses of Homer continued twenty-five hundred years or more, without the loss of a syllable or letter; during which time infinite palaces, temples, castles, cities have been decayed and demolished?

I started with the chorus of that song, kind of like a fun bouncy thing to play, and then one of the lines popped up: 'I got things to do today, people to see, things to say.' I wrote about a dozen verses for it, but no song needs to be that long unless you're Bob Dylan. So when we recorded it I started to tear it down to some of the lines I thought were the funniest.

'Blood Host' is super heavy. Especially on the verses, it has an industrial stomp. It's one of my favourite tracks just because the plot of it is so heavy. It's a total crushing tune; it doesn't get any heavier than that main riff, just a straight quarter-note powerhouse.

"Face Again" is actually the most George Saunders-y song. Basically the verses, I'm describing a world where love is being killed, and then in the first chorus, I'm sort of protesting it. It's like, "I don't think you know what's best for me." And then by the end, it's like I've given in, and it becomes very desperate.

The U.N. [the United Nations Working Group on Arbitrary Detention] has looked into this whole situation. They spent eighteen months in formal, adversarial litigation. [So it's] me and the U.N. verses Sweden and the U.K. Who's right? The U.N. made a conclusion that I am being arbitrarily detained illegally, deprived of my freedom and that what has occurred has not occurred within the laws that the United Kingdom and Sweden, and that [those countries] must obey. It is an illegal abuse.

I write my own lyrics completely on my own. Sometimes I have people helping me with concepts or like choruses and stuff sometimes, but mostly I write all my own songs by myself, especially the verses and a lot of the choruses.

A tattered copy of Johnson's large Dictionary was a great delight to me, on account of the specimens of English versifications which I found in the Introduction. I learned them as if they were so many poems. I used to keep this old volume close to my pillow; and I amused myself when I awoke in the morning by reciting its jingling contrasts of iambic and trochaic and dactylic metre, and thinking what a charming occupation it must be to "make up" verses.