Top 526 Versions Quotes & Sayings - Page 8

I used to write my own versions of famous tales, such as William Tell or Robin Hood, and illustrate them myself, too. When I entered my teens, I got more into horror and science fiction and wrote a lot of short stories. A literary education complicated things and for many years I wrote nothing but poetry. Then I got back to story-telling.

We have two alternatives: either we question our beliefs - or we don't. Either we accept our fixed versions of reality- or we begin to challenge them. In Buddha's opinion, to train in staying open and curious - to train in dissolving our assumptions and beliefs - is the best use of our human lives.

Liberal Christianity, of course, has enemies, but they are everyone's enemies - sexism, racism, homophobia. But liberal versions of Christianity, which can be both theologically and politically conservative, assume that what it means to be Christian qua Christian is to have no enemies peculiar to being Christian.

The music industry isn't converging toward dance music. Dance music is dance music. It's been around since disco - and way before disco. But there's different versions of dance music.

Those who delight in bad movies and enjoy producing their own unfilmed versions of Mystery Science Theater 3000 may gain a measure of semi-masochistic enjoyment out of Van Helsing . There are quite a few unintentionally funny moments, although the overall experience was too intensely painful for me to be able to advocate it as being "so bad, it's good."

With the Health Impact Fund, the innovation is paid for separately, through publicly funded health impact rewards, and the product is sold at the cost of production to all. Here, the cruel injustice of preventing the poor from buying at cost - evidenced by today's suppression of the trade in generic versions of patented medicines - would no longer be needed.

But we did see the process develop. I remember going to the Rocket Pictures base and they had something like 40 people there, drawing. They didn't know what the characters looked like yet and I remember on the walls seeing 30 or 40 different versions of Juliet. So, it was then that I realised that someone's got to come in and make some really executive decisions.

Usually, when you get early versions of scripts, they are not very good. I found 'Borgen' amazing from the very first read-through because of how fast-paced and gripping it was. It felt more international because of the way it didn't dwell on the characters' personal lives as many Danish shows used to, but still, nobody thought it would travel.

I think that's there are a couple of reasons for that. One is as you're introducing the fourth and fifth versions of these MacGuffins that we've been playing with for a long time, you wanna do something different with them and not just have them be an object passed around. So the notion that something is inherent in the literal body of one of your lead heroes is interesting. And the idea that the Eye of Agamotto's a great relic over the course of Doctor Strange comics anyway.

Everything is just make believe. They're just different versions of make believe. I love the period of this movie [The Finest Hours]. I love the '40s. I love the '50s. I love the style of the clothes. I love how the women looked. I love the dances. I love the music. I love the amber of the lights and the cars. I'm in love with all of it.

One of my favorite tricks was taking a page and having the first student translate it from English into whatever language he or she was working on, and the next one would translate it back into English and then into the foreign language, and we'd go around the room and compare the two English versions at the end, and it would be amazing how much survived.

The federal Religious Freedom Restoration Act passed unanimously in the House, won 97 votes in the Senate, and was signed into law by President Bill Clinton. Twenty states have passed their own versions of this law, and 11 additional ones have religious-liberty protections that state courts have interpreted to provide a similar level of protection.

All those "getting hit/losing rings" sounds tend to be recorded toward the end of a recording session. Depending on the type of game, those efforts and screams can be pretty rough on the voice, so they usually like to record them at the end. You might do hundreds of versions of vocal sounds for a game and you can come out a little hoarse afterward.

We need a home in the psychological sense as much as we need one in the physical: to compensate for a vulnerability. We need a refuge to shore up our states of mind, because so much of the world is opposed to our allegiances. We need our rooms to align us to desirable versions of ourselves and to keep alive the important, evanescent sides of us.

Playing octaves was just a coincidence. And it's still such a challenge, like chord versions, block chords like cats play on piano. There are a lot of things that can be done with it, but each is a field of its own. I used to have headaches every time I played octaves, because it was extra strain, but the minute I'd quit I'd be all right. But now I don't have headaches when I play octaves.

Papal infallibility and biblical inerrancy are the two ecclesiastical versions of this human idolatry. Both papal infallibility and biblical inerrancy require widespread and unchallenged ignorance to sustain their claims to power. Both are doomed as viable alternatives for the long- range future of anyone.

One of my main wishes in wanting to write about my mother was to explore the impact of her death on my life, explore our relationship, think about the different versions of myself that I was with and without her. I also had the really strong wish to bring her to life for my children, who were born after she was gone.

The fascination with the music stayed with me for years and I wanted to find out why I liked it so much and to learn the grammar of it, and that's why I tried to write the sheet music down. Writing it down gave me some ideas of other versions of the music and I wrote the first string quartets and piano pieces based on transcriptions.

I would start by writing to an adult, maybe a high school teacher, or maybe an aunt or uncle, and writing and telling them why you want to go to a particular university. That's probably what you would actually sound like. Then write your letter to the university, and put those 2 versions in front of you, and look at the difference between those 2 things.

I've had that recurring dream since I was a child, and a lot of people have different versions of that same dream, where you're running away from something, and it's going kind of slowly, but it's catching up with you, and it will not stop, and you cannot get away from it. Those dreams are manifested in different ways, but most people have them.

I'm no longer beholden to the sacredness of the recorded song as some kind of ultimate standard by which every performance of the song is measured. I like to diversify, that there are multiple versions of every song. And the songs incorporate a lot of improvisation, and an element of chance, and I think that's exciting. There's no one true formulation of a song, they have various manifestations depending on the space we're in. I like that.

I suppose in some ways doing some of the songs in the show felt a bit like I was doing cover versions. I was covering myself. Not that they didn't feel like my songs, but the way I was approaching them was from a place so outside where they were written. The fact that these songs were in the context of a live show was a new thing.

I don’t think that actors are necessarily any more uncomfortable in their skin than anyone else. I suppose I feel more comfortable in my skin now, but you’re always playing a character, aren’t you? You tell different versions of yourself to different people and vice versa. Here, or in the photo shoot or wherever, it’s a representation of you. It’s not you-you. That’s how you get through it.

My colleagues and I were engineers who worked for DCM's calculator division. These electronic calculators used digital integrated circuits, and then they started using chips. The advanced versions of those chips were used for programmable calculators, which were the forerunners of PCs.

Scent is the only sense that bypasses the conscious hypothalamus filter of the brain. It triggers an instant, uncontrollable reaction. I am also a big believer in the power of transformation, and I believe in giving women the tools to become the most beautiful, powerful, and confident versions of themselves. I always say look good, feel good, and smell good!

'Teenage Dream' was the most difficult song I've ever been a part of. We wrote five different versions of it. We couldn't get the lyrics right. Max Martin and Dr. Luke wrote most of the melody, and then Katy Perry and I were responsible for getting the lyrics right.

When I make a film, I am hoping to reinvent the genre a little bit. I just do it my way. I make my own little Quentin versions of them... I consider myself a student of cinema. It's almost like I am going for my professorship in cinema, and the day I die is the day I graduate. It is a lifelong study.

I wish I knew how we achieve the goal of world peace. My bumper sticker reads 'Just Another Version of You.' The sooner we agree that we're just other versions of each other - we human beings - the sooner we will find some sense of world peace.

You have hundreds of artists you're dealing with across the world and the scale of this movie [Kung Fu Panda] was insane - we had a parallel pipeline going on where you had two versions recording Mandarin voice actors, getting it to be funny for Mandarin audiences going beyond a straight translation, and then animating it and lighting it, it's a lot of work.

For the third generation Unreal Engine, we are building two versions of every model in our game. We are building a source model with several million polygons, between 2 and 6 million polygons. We use that model for all the lighting detail on the mesh. Then we go to the in-game version, which is usually about 10,000 polygons.

Trump has picked the more extreme versions of all Republicans so far, the more aggressive. And I think the thing to watch out for is, I could totally paint a scenario where Trump runs an authoritarian regime. I can totally paint a scenario where he has no control over his own government.

No, make something different from war. Don't allow your enemies to be enemies. Make them something else, because otherwise they have a power over you that they should not have. If you think in the same ways as the past, you will only get new versions of the past. Think differently. That's what I'm saying.

A masterly analysis of how political interests, economic circumstances, development strategies, and local history have shaped what are surprisingly different versions of the welfare state across the developing world. The authors combine fine-grained country analyses with intelligent use of data, and explain and extend the theory and literature on the modern welfare state. The book is both scholarly and readable.

When it came time to make the audiobook, Audible did an ingenious thing: they asked both Wil Wheaton and Amber Benson to record entire versions of the book. As the author, I'm impressed with Audible's commitment to my narrative -- and I'm geeking out that both Wil and Amber are reading my book. This is fantastic.

I think there is some truth to the fact that yeah, okay, cool, obviously the more mainstream kind of easier-to-grasp-onto dance music has become popular, but that holds true with almost any genre. It wasn't like the Sex Pistols hit the radio. It was poppier versions of that is what hit. It's never, like, the true core stuff.

Across all Cinderella versions it was clear that the 21st century was not very much in evidence, particularly in the character of Cinderella so it seemed, it felt actually as though it hadn't been done for quite some time, not with the kind of lushness that we could do it with, with an absolute removal of the passivity of Cinderella and finding an amusing way, a lighthearted but significant way of making her proactive and not a girl who's life is about waiting for a bloke.

The first video I shot for "A Zip and a Double Cup"â€"I have two versions, a remix video and a the originalâ€"because I wasn’t really trying to do anything. I just came home and got kind of high and shot a video in the parking lot. I just shot the video how I wanted to do it and posted it online and the next day it went crazy.

I make unpopular versions of popular things. I make a horror film and it's not a horror film. None of my genre movies function as genre movies.

'Paranormal Activity' had fifty versions because it was $250 to reshoot. We'd screen it, see one thing wrong, shoot for an hour, fix it, and then screen it again. You don't have to be disciplined about it. On a regular movie, you have to screen it and think of every problem, reshoot for three days and solve every problem, and then you're done.

There's nothing wrong with me, and I'm not going to apologize for the amount of time that I spent in two countries and I'm not going to apologize for the fact that I speak two languages and I'm not going to apologize for the fact that I have two versions of my name.

This is how life works. Deciding whom to love is not an alien form of decision-making , a romantic interlude in the midst of normal life. Instead, decisions about whom to love are more intense versions of the sorts of decisions we make throughout the course of our existence, from what kind of gelato to order to what career to pursue. Living is an inherently emotional business.

When faced with the inevitable, you always have a choice... As I learned during my liberal arts education, any symbol can have, in the imaginative context, two versions, a positive and a negative... If you spill your milk you're left with a glass which is either half empty or half full... You may not be able to alter reality, but you can alter your attitude towards it, and this, paradoxically, alters reality. Try it and see.

The image is a great reminder how we create our world through interpretations made up of language and symbols. Our language and symbols are always incomplete versions of a greater reality. Here is why inquiry is such a powerful tool when compared to simple advocacy. Inquiry allows us to discover what might be outside the cave instead of arguing about the shadows on the wall.

There are two versions of math in the lives of many Americans: the strange and boring subject that they encountered in classrooms and an interesting set of ideas that is the math of the world, and is curiously different and surprisingly engaging. Our task is to introduce this second version to today's students, get them excited about math, and prepare them for the future.

nostalgia, underlying cosmological explanation for Weak but detectable interaction between two neighboring universes that are otherwise not causally connected. Manifests itself in humans as a feeling of missing a place one has never been, a place very much like one’s home universe, or as a longing for versions of one’s self that one will never, and can never know.

I think this is the most exciting time to be alive right now. We have a black president. There are transgender movies and media out there now. Gay characters are playing non-stereotypical versions of themselves. I feel like as a society, or in television at least, we're rising up. Even in society we're rising up.

There are a few other things that I built when I was at Harvard that were kind of smaller versions of Facebook. One such program was this program called Match. People could enter the different courses that they were taking, and see what other courses would be correlated with the courses they are taking.

This is an important generation for the future of hybrid vehicles. With these models as well as the Ford Escape and the Honda Accord we're starting to see hybrid versions of mainstream vehicles. The auto makers are giving customers a direct choice: to opt for hybrid technology on a given model, or not. Will they pay the premium for the hybrid technology when everything else about the vehicle is the same?

Whenever someone who knows you disappears, you lose one version of yourself. Yourself as you were seen, as you were judged to be. Lover or enemy, mother or friend, those who know us construct us, and their several knowings slant the different facets of our characters like diamond-cutter's tools. Each such loss is a step leading to the grave, where all versions blend and end.

With The Help, I knew folks involved in the project peripherally. I wanted to audition for Hilly Holbrook and part of the initial feedback was: "No, Bryce is too nice." That's part of the reason why I really love auditions as well - you get to try out a character and try out different versions of a character.

Families and societies are small and large versions of one another. Both are made up of people who have to work together, whose destinies are tied up with one another. Each features the components of a relationship: leaders perform roles relative to the led, the young to the old, and male to female; and each is involved with the process of decision-making, use of authority, and the seeking of common goals.

My guitar heroes are Eric Clapton and Jeff Beck and people like that - so I've tried to make an album of Robert Johnson covers that, well, while not totally faithful for blues purists, is faithful for people like me that grew up with the '60s and the electric blues-rock versions of Johnson's songs.

This drive to always want more is based on the misconceptions that having more will make me more happy, more important, and more secure, but all three ideas are untrue. Possessions only provide temporary happiness. Because things do not change, we eventually become bored with them and then want newer, bigger, better versions.

Go find very early versions of things: the first TV pilot of a later-successful TV show; early audition tapes by famous actors; early demos by famous musicians. Focus on these early examples, not what they became over the next 20 years. Remember that what you're doing will constantly improve.

With vinyl you had twenty-two minutes per side. CDs came along, and you had sixty, seventy, eighty minutes and people felt like they had to fill them up. They were like those Fuji apples from Japan. They look like perfect, super-gigantic versions of American apples.

I have no reason as a director to have films go up in versions that I don't like. My only experience of film after ten years is honestly that if a picture doesn't get second-guessed you're looking at four Oscars, and if a picture does get second-guessed, you're not. I've got an advanced degree in that lesson.

We want to see ourselves - but differently. We want to see these dream versions of ourselves. We want to be surprised; we want to be entertained. I think primarily, especially in this country, we ask that movies entertain us, which seems to be something they're less and less likely to do on a continual basis.

[T]he unsympathetic assessments we make of others are usually the result of nothing more sinister than our habit of looking at them in the wrong way, through lenses clouded by distraction, exhaustion and fear, which blind us to the fact that they are really, despite a thousand differences, just altered versions of ourselves: fellow fragile, uncertain, flawed beings likewise craving love and in urgent need of forgiveness.

When you make an animated film, you make it over and over and over. We almost do ten versions of the film.

Each person is entitled to some version of God that seems real, yet many versions contradict one another. The God of any religion is only a fragment of God. This has to be true, because a being who is unbounded has no image, no role to play, no location either inside or outside the cosmos, whereas religions offer many images--father, mother, lawgiver, judge, ruler of the universe.