Top 982 Versus Quotes & Sayings - Page 14

How has the world of the child changed in the last 150 years?" The answer is. "It's hard to imagine any way in which it hasn't changed.They're immersed in all kinds of stuff that was unheard of 150 years ago, and yet if you look at schools today versus 100 years ago, they are more similar than dissimilar.

People are, by and large, quite poor at judging correct absolute values but are astute about determining relative values. Psychologists call this coherent arbitrariness, which suggests that individuals are coherent when they compare prices on a relative basis but arbitrary when those prices are considered versus fundamental value.

Anna followed, keeping a sharp eye out for things he might back into or over. She wondered if Isaac did this all the time-and, if so, how he avoided getting photos in the paper with captions like "Local Alpha Trips Over Child" or "Wolf Versus Street Sign, Street Sign Wins.

We suffer one of two things. Either the pain of discipline or the pain of regret. You've got to choose discipline, versus regret, because discipline weighs ounces and regret weighs tons.

In the early 1990s, there was a debate among economists over shock therapy versus a gradualism strategy for Russia. The people in Russia who believed in shock therapy were Bolsheviks a few people at the top that rammed it down everybody's throat. They viewed the democratic process as a real impediment to reform.

Small hotels are going to be in vogue. In my view, small is going to be the new big, wherein people will rethink a lot about going back to that 1,000-room hotel versus going to a 40-room niche hotel.

Hypocrisy versus authenticity among men is not always so black and white, and as is righteousness, humility is often self-proclaimed. The Church is most definitely supposed to be a hospital for the spiritually, emotionally, mentally, and physically sick, hurting, and broken individual, yet ironically, many of its critics are those who ran away and permanently denounced its members after they visited and felt that they were sneezed on.

Complicated Grief was written in larger and more coherent (if disparate) shapes. The question was how they fit together. The mind is coherent, trust that was the best writing advice I ever got (I got it from Carole Maso and I pass it on). It's true, and clearer and clearer as one grows and gains an improved sense of who one actually is (as versus who one was supposed to be).

I think context, location matters a lot. Because location obviously in my situation, it's the space in which the work is going to be exhibited. And since some of the work I do is created onsite, it requires a different type of space, versus the smaller drawings or more subject-oriented work. So that the context becomes important.

I have to dig from myself versus digging from something that I like. Digging from something you like is easy whereas from your inside, it's a totally different ballgame altogether. That's not a matter between picking red and blue, it's not like that. It's a decision, it's a choice and, like I've said in the past, it's like jumping off a cliff and hoping you survive the jump.

Just do Conor McGregor-Nate Diaz 3 for the 165-pound title. You want to talk about a big fight? That's a big fight. Let's add some weight classes. Let's see more champion versus champion. Let's get some more two division champions.

I'm not a crazy horror fan. At that time i wasn't really looking to do something like that. But I thought to put a twist on it to put a werewolf versus vampire... 'What's the best opponent for a werewolf?' Became the idea of vampires and what about putting those two together? And ultimately it got turned down. But we loved the idea and shopped it around.

The essence of the conflict today, really, is cars versus people…We can have a city that is very friendly to cars, or a city that is very friendly to people. We cannot have both.

It helps so much being on location. It's like the difference between performing for the rectangle of the camera versus a world being created and then the camera finds things within that. There's a huge difference in that, because what it takes away is performance. You don't feel like performing. You're just kind of doing it. You're existing.

One of the biggest benefits of playing box for a young lacrosse player is in the development of lacrosse IQ. Because everyone plays with a short stick [in box lacrosse], you have to focus on being a complete lacrosse player versus specializing as an attackman or d-man. That is how your IQ grows and skills improve.

It really gets on my goat that people keep quoting Dorothea Mackellar's 'My Country' as proof that there is no such thing as climate change. A poem written more than 100 years ago by a homesick 19 year old versus an ever-increasing body of refereed scientific thought... hmm, hard to know which way to jump, really.

We live in a world of absolute immediacy. It is an interconnected, combustible world, where technology and many other actions have given nonstate actors a reach, into countries and societies, for both good and evil, that we have never seen before. So it isn't a matter of just state versus state challenges or conflict. The bigger problem is nonstate actors.

Digital platforms are worthless without content. They're shiny sacks with bells and whistles, but without content, they're empty sacks. It is not about pixels versus print. It is not about how you're reading. It is about what you're reading.

Elections in India are not contests between personalities. They are ultimately battles involving political parties; promises and pledges that political parties make; the vision and programmes that political parties bring to the table. So although, Modi's style is 'I, me, myself,' I don't think 2014 elections as a Modi versus Rahul contest.

The rainbow flag is beautiful because it's about love. The Confederate flag is ugly because it's about hate. It's pretty simple from the art level: beautiful versus ugly.

A great team versus another great team, your performance is going to go down. But my job is to improve my consistency where, when I dominate against the lesser teams, go and do well and do the same amount of work when I'm going against the Alabamas and the LSUs, and it will come.

I don't necessarily think that having more money helps make you make a better film. Sometimes having less money is better. You're forced into being more original; you're forced into hearing something versus seeing it.

When you say 'the menopause', people understand; when you say 'periods' to someone, even if they don't understand the mechanisms of it, they will understand. But if you say to someone 'I have endometriosis,' they haven't got a clue what it is. There is such a lack of tying it together with what is normal versus what is not normal with a period.

I was all of these women. I've been a young mom; I've been a divorcée; I've been a single mom. I've been the working mom versus the nonworking mom.

Depending on the budget [whether to use 3D on future movies]. I think I prefer 3D to 2D now. Also, because of 3D I have to use a digital camera, which is the way it's going anyway. That still confuses me, a digital camera versus film.

'The A-Team' compared to making 'Narc' was a breeze. There's a whole other skill set and whole other kind of bone structure that goes into making a movie like 'Narc' versus 'The A-Team.'

The culture war in America can best be described by the battle between workin' hard, playin' hard s - tkickers that bust our ass to make America strong by earning our own way and kickin' maximum ass versus soulless weaklings who have been brainwashed into thinking they are entitled to a free ride.

I mean we know that some choice makes you better off than no choice. Now do we get better off if we go from a lot of choice versus a few choices? And there I think the answer is much, much, much more complicated.

If you consider risk versus benefit, I mean, what is the risk of meditating? You just spend twenty minutes meditating. It's one of the things you can say is pretty much zero risk and there is the potential for massive benefit. Even if it's just minimal benefit, who wouldn't want that?

You know, for a long time being a heavily tattooed woman was viewed as something gross, or you're either a criminal or a drug addict. It feels good to be a good representation of the art form versus being the token tattoo girl. I'm just glad that people even consider it to be sexy, because I think I'm just a big nerd so it works out.

I was never raised to think that I was pretty. It's not that I was raised to think I was unattractive, but it was just never something that was pointed out to me by my family. They would point out personality traits — 'our daughter is really quirky' — versus what I look like, because inevitably, looks go, so it makes no difference.

You've never seen me debate anybody. On anything. Ever. My investment of time, as an educator, in my judgment, is best served teaching people how to think about the world around them. Teach them how to pose a question. How to judge whether one thing is true versus another. What the laws of physics say.

It seems that once you achieve something large, the target on your back grows. But I always want to look at life as the glass is half full versus half empty. My father taught me this at an early age - that God is faithful (Romans 8:28), and that in the midst of hardship or attack, God has your back.

People who want to know how stocks fared on any given day ask, "Where did the Dow close?" I'm more interested in how many stocks went up versus how many went down. These so-called advance/decline numbers paint a more realistic picture.

It doesn't sound that cool to say it, but I still get nervous for any show. But it's different degrees - playing a small basement of a club versus playing a festival like Firefly or Bonnaroo. The feeling is, 'Crap, I'm about to be blasted in the face,' and once you get started, then it's like, 'OK, I've done this before. I know what I'm doing.'

It as an argument between the world of emotion versus the world of the intellect. It's the idea that you can suppress a person's mind and a person's experiences, mentally, psychologically and intellectually, but you can't completely quiet them to the point of dormancy and the emotionally life a person. You still have the heart and what the heart remembers and what the heart experiences. And even that isn't important that that comes across.

The "environmental movement" is becoming an economic movement, is joining the social justice movement, is becoming a sustainability movement. It's leaving behind the "People's Needs versus Nature's Needs" conflict in favor of making the case for environmental health as the essential underpinning of prosperous and stable human civilization.

My fans probably know what I had for breakfast that morning. And that's the cool part. And I respond to people, if they post on my blog, I'm like, "Oh, that's really cool you read that book, that fantasy series!" It's almost like they're my friends in a sense. There's less separation. They know me more as a human being with my flaws, versus some kind of actor on a pedestal.

To compare writing an article for 'Sports Illustrated' to doing a piece for 'Real Sports', the article, it was all me. You know, I'm out there by myself with my pad and pencil. 'Real Sports,' I've got a producer, an assistant producer, and cameramen. It's an individual game versus a team game.

I don't even know in American educational history classes how much of D-Day, World War II, all of that is taught versus how much of it is just ignored or looked back on with mockery or insincerity or what have you. But it was one of the most crucially important events in all of human history in terms of the preservation of freedom and liberty and the notion of democracy and things associated with it.

The last season of 'Rescue Me' is going to be very sort of half and half: it's how you think 'Rescue Me' would end versus something very outside the box. And, they do it in this sort of perfect way - it's only nine episodes, you know. Very stream-lined.

I think it's fair to say there is a demagogic path that Europeans, South Americans, Asians have pursued, and we know where that leads. It uses xenophobia, it uses paranoia, it uses prejudice, it uses nationalism to really stir people up and to, you know, begin an us-versus-them contrast, which is dangerous and is not something we've had in our politics at a presidential level in America.

The Saudis are so happy. People don't understand, the Saudi Arabian government - kingdom - hates Iran. They're scared to death of Iran. That's Shi'a versus Sunni Muslim, and the Iranians are Persians. They're not Arabs. So it's a double whammy. There is no love lost, and the Saudis have been petrified over Barack Obama's peace dance and nuclear dealings with the nation of Iran. They are ecstatic to have Donald Trump.

I've always been interested with the idea of technology and the way technology affects our ability to communicate - our ability to have a rewarding experience with technology versus a kind of dehumanizing experience with technology.

Yes, it is the precepts of men versus the revealed word of God. The more we follow the word of God the less we are deceived, while those who follow the wisdom of men are deceived the most.

People think that, somehow, size makes you uncoordinated or incompetent. There is a lot of size discrimination out there, and I see the difference in the way people treated me when I was 360 pounds versus how they treat me when I'm 290 - from the industry to day-to-day people on the street.

I feel like if I can help somebody look at money differently or manage their finances differently or spend a little differently, then I feel like I'm doing my job. So I'll try to help them see the bigger picture and think longevity versus the temporary spending that we're kind of accustomed to.

People confuse compassion with government being compassionate with other people's money versus people being compassionate with their own money.

I'm focusing on quality versus quantity - a nicer tee-shirt with organic cotton and buying just one or two instead of five that are cheaper but made with GMO cotton, which is hard on Earth, sewn by slave labor, shipped all the way from China on boats that use lots of oil and can kill whales with ship strikes and sold by (some) companies that could treat their

The way I look at the world is establishment versus change agents. The establishment is those people who want to keep things the way they are. Change agents are people like me.

The look of the movie and the music, which was by Jack Nitzsche, is what really stands out to me. I don't know if the movie succeeds as a political, cultural comment on the times and the war in Vietnam, and the capitalists versus the everyday guy that gets sent off to fight corporate wars. I don't know if the movie ever succeeded in that range. But it was a wonderful part in the Cutter's Way.

The more space you have there, the better it is for the quarterback, because he's got room to move around there to avoid a rush. And also, after the point of contact, if the rusher does beat me, he still has to go another four yards before he makes a sack. Versus if you drop straight back, he only has to go two more yards.

Whenever some kind of mass shooting or any other kind of violent activity takes place, we kind of hold our breath until we are sure that no Muslim was involved, because we know that these incidents will be treated differently if a Muslim is involved versus if somebody of another background is involved.

When I can do an acoustic set, I can sit down and sing. And then when I have a huge arena full of people, there's nothing like that. It's the coolest feeling in the world, but I also like to play small intimate shows because I feel you can connect a little more. And that's something I had to learn - how to connect to a big audience versus the small one.

There is a point where litigious becomes frivolous. And when you file frivolous lawsuits you can be hit by sanctions. I don't see the basis for suing "The New York Times." Ironically, it was "The New York Times" that was the plaintiff in "The New York Times" versus Sullivan.

People always ask why I stay in the online space versus going to TV or film, like most people would do, and the answer is that there's opportunity for innovation online - not only innovation in storytelling, but also innovation in how you interact with your audience and that is very fulfilling to me personally.

Even though you wouldn't want to line a D-lineman and running back up across from each other to block, when you get help initially from the guard, and then the defensive tackle gets picked up by the running back, it's not as bad as a lot of people would think versus if you're just putting that matchup on paper.

If people really stopped and realized how much art and creative people move the world versus politics and religion, I mean it’s not even up for debate. An artist at least creates things, puts things into the world. Where as these other people are destroying things, taking things out of the world.

I think I'm aware of entering my late 30s versus being in my late 20s, when the web was coming out as this new thing. It reminds me of how people used to tell me about my great-grandmother and how they used to gather around a radio listening to soap operas.

Translation is harder, believe it or not. You do have to come up with a story, and actually I'm mystified by that process. I don't exactly know how the story just comes, but it does. But in writing a story that you're inventing, versus writing a story that somebody else has made up - there's a world of difference. In translation you have to get it right, you have to be precise in what you're doing.