Top 1200 Very Early Age Quotes & Sayings - Page 4

When I was a kid, there was unhappiness in my family - was dealt with partly by escaping to television. And from a very early age, for whatever reason, I became scornful and resistant to and angry about that. And some other time in my life, I realized that there's a lot I loved in television.

I gravitated toward being a funny guy. I liked the radio comedians. I lived in the Golden Age of radio, and the Golden Age of television came along when I was still in my early teens.

At a very early age I began to thump on the piano alone, and it was not long before I was able to pick out a few tunes? I also learned the names of the notes in both clefs, but I preferred not be hampered by notes.

I got into theatre very early, so yes I was surrounded by gay people quite early and frequently.

I believe your personality is formed at a very early age. Fame can magnify that personality, for good or bad, but it can't change it. So when people say to me, 'Don't change,' I'm thinking, To what? To who? Who else would I be?

Sitting around our kitchen table from a very early age on, we talked politics, and we talked policy. Never once can I ever remember my dad saying, 'Go away, this is an adult conversation.'

I was into music from a very early age, and I was also - I don't really talk about this that much - really into horses. I learned a lot about rhythm and about voice from that.

My dad was a congressman, and he taught me at a very early age, 'They voted for me, they view me as theirs, and I am.' Our family's phone in Memphis was always listed. It rang all day and all night.

I'm very pragmatic in that I know there are very few greats in anything. I got lucky just to have gotten two of the real great filmmakers very early on. Better to have had them than to not have had them. I've been really fortunate. That's the key relationship on a movie: the director and the actor. Of course, you can't compare the experiences. When you're in your early 20s, you're a very different person. It was a very exciting time, and my whole world was changing. Now I'm looking back, and hoping I can still offer something. Still do good work.

When I looked further into my mother's history, I realised that her anxieties and her neuroses could be accounted for by facts from a very early age. Her parents, William Henry Jones and Sarah Emily, were desperately poor.

In this respect early youth is exactly like old age; it is a time of waiting for a big trip to an unknown destination. The chief difference is that youth waits for the morning limited and age waits for the night train.

We are very lucky to be living in an age in which we are still making discoveries. It is like the discovery of America-you only discover it once. The age in which we live is the age in which we are discovering the fundamental laws of nature, and that day will never come again. It is very exciting, it is marvelous, but this excitement will have to go.

I'm from a family of 20, so I'm one of the oldest guys, I grew up a lot having my brothers and sisters walk with me to school when I had to be the guy to watch them and all these things, so I kinda learned how to develop those leadership skills at a very early age.

I started to invest in very-early-stage companies where, even though I wasn't the founder, I could help shape the early strategy and culture.

I think LEGOs are one of the best toys ever developed. While LEGOs are sold in kits in order to build specific things, there [are] very few people who leave their LEGOs in those kits. It very rapidly becomes an open system where you can build whatever you want. That's the one thing that signifies my entire life and my career. I learned at an early age that I could make the things that I wanted. That's a very powerful thing to realize as a kid. LEGOs were a key part of that.

Because I know that the early Greeks and Romans and the early Europeans at that age did not see racism as we see it now - because racism was created to justify slavery to build the capital for capitalism - and back in the day they respected talent over race. We had an African Pope in the late 5th century, we had an African Emperor of Rome, and early church Fathers were black.

Youth who have been exposed to immoral images at a very early age are terrified that they may have already disqualified themselves for missionary service and sacred covenants. ... I want to assure you young people [that] through repentance you can qualify for all the blessings of heaven. That is what the Savior’s Atonement is all about.

Authority is supposedly grounded in wisdom, but I could see from a very early age that authority was only a system of control and it didn't have any inherent wisdom. I quickly realised that you either became a power or you were crushed

I think I read Susan Brownmiller's classic book called "Femininity" when I was about 16. So yeah, it's been part of my mindset since a very early age. To me, what's crucial is to tell women's stories but also to tell them in a way that is fearless.

I think this is so important - what's not done well at education at every level - is helping kids find, as I discovered for myself, what I was good at. I was very lucky to find out that at an early age, which set my direction in life.

I heard about Bhagavad Gita very early in my childhood, from the age of five onwards. It was one of the earliest things I started to read when I started to read. And it was very much a part of my consciousness. In the beginning, I saw the "Bhagavad Gita" as a text that was very classical, much like the "Iliad" and the "Odyssey" - a mythical saga that showed the eternal conflict between good and evil. But much later, as I grew up, I realized that it was much more than that.

I'm awful at karaoke, but if I did have to sing, I'd go for my favourite Frank Sinatra song 'I've Got You Under My Skin.' The fact I love Frank is my grandfather's doing: he drummed it into me from a very early age that Frank Sinatra is God.

I was a little ham and was a very open kid, probably because I was around adults all the time. That also forced me to grow up fast, and I learned at an early age about how people lie and deceive each other.

Queer culture was introduced to me at a very early age. It was introduced to me with a semi-positive facet because no one in my family is remotely homophobic or closed-minded.

I think I had only been working nine months when I got 'Star Trek,' and it was huge. It was very overwhelming. So that opened my eyes a bit at an early age, kind of how not be frightened when walking into a responsibility of something like that.

I had examples from a very young age of gay actors or personalities coming out in late '90s and early 2000s who faced a lot of backlash and didn't have a lot of support and risked ruining their careers.

Having a dance background, I became used to rejection at an early age. Dance is very competitive, especially for a sensitive person like me. But I realized it’s better not to take it so seriously. If you beat yourself up, it’s hard to keep going.

I was a young boy when I met the Surrealists and the Dadaists. I admired them, and that is what they taught me: to admire. Admiration is very important. People who are unable to admire others lose an important part of their soul. My soul developed from a very early age through encounters with admired people.

From a pretty early age, my mother realized that I was a little bit more gifted and talented than my own age group. So, she moved me over to play with the boys' travel soccer team when I was about 11 years old.

I suggest...that you develop early in life the habit of retiring and arising early. You remember the advice of Ben Franklin: "Early to bed and early to rise makes a man healthy, wealthy and wise.

I am a great believer that your humor is developed at a very early age, and it doesn't ever change. You're basically the same person forever, so you find the same stuff funny forever.

There are two very different types of artists: those I call Old Masters, who work by trial and error and tend to improve with age, and conceptual people, or Young Geniuses, who generally do their best work early in their careers.

Truly, from a very early age, I started distancing myself from other kids, not out of willingness, but just out of the nature of my energy. I liked to do things solely, and I already had a taste of the quest for perfection, which is unusual in a little kid.

Age is a very psychological thing; I do not know how old I am if you ask my age. Age is calculated by when you get born, but I do not agree with that parameter. I sometimes feel like 25, sometimes 12 and at times 40, and I love that about myself as an artist. I am not stuck to a particular age.

I'm a very early riser, and I don't like to miss that beautiful early morning light.

I would suppose I learned how to write when I was very young indeed. When I read a child's book about the Trojan War and decided that the Greeks were really a bunch of frauds with their tricky horses and the terrible things they did, stealing one another's wives, and so on, so at that very early age, I re-wrote the ending of the Iliad so that the Trojans won. And boy, Achilles and Ajax got what they wanted, believe me. And thereafter, at frequent intervals, I would write something. It was really quite extraordinary. Never of very high merit, but the daringness of it was.

Having a dance background, I became used to rejection at an early age. Dance is very competitive, especially for a sensitive person like me. But I realized it's better not to take it so seriously. If you beat yourself up, it's hard to keep going.

In this respect early youth is exactly like old age; it is a time of waiting for a big trip to an unknown destination. The chief difference is that youth waits for the morning limited and age waits for the night train

I wanted to be a novelist from a very early age - 11 or 12 - but I don't think I ever thought I would write historical fiction. I never thought I might write academic history because I simply wasn't good enough!

From a very early age, I started to get really interested in how songs were put to tape. Not just listening to the songs, but the way the songs were recorded.

The church is like any large corporation in one respect. In its early days, either the early church or the early years of Microsoft, you see all kinds of creativity, innovation, invention, people have nothing to lose, they're trying to find what works. Then you wake up and you're a vast enterprise, and it's very hard, when you have all kinds of buildings and structures and hierarchy and so on, to hang on to these very creative impulses that helped you get your great success in the first place. As a church we're going to have to figure a way out from under this.

I was eccentric, even as a kid. I was an early reader, an early talker. I was very curious in a way that maybe the other kids weren't. I was a little more outgoing.

I knew at a very early age, about 6 years old, that there was something different about me. But being young and not being exposed to people who had gender dysphoria, or role models that you see on TV today, I didn't know what it was.

I took dance from a very early age, although my first recital, I remember refusing to go onstage. I think I was three. It's funny because that stage was also my high school theater stage.

From a very early age I had imbibed the opinion that it was every man's duty to do all that lay in his power to leave his country as good as he had found it.

I have been a believer in the magic of language since, at a very early age, I discovered that some words got me into trouble and others got me out.

It helps to know from a very early age what you want to do. From the time I was five years old, I wanted to be a writer, even though I couldn't even read. It was mainly because I thought of my father as a writer.

Authority is supposedly grounded in wisdom, but I could see from a very early age that authority was only a system of control. And it didn't have any inherent wisdom. I quickly realized that you either became a power or you were crushed.

I was always the type of person, and still am the type of person, that I cannot be creative and use substances. So from a very early age I knew that if I wanted to make music, successfully, in any capacity, I was going to have to get sober.

I understood at a very early age that in nature, I felt everything I should feel in church but never did. Walking in the woods, I felt in touch with the universe and with the spirit of the universe.

I think I had only been working nine months when I got Star Trek, and it was huge. It was very overwhelming. So that opened my eyes a bit at an early age, kind of how not be frightened when walking into a responsibility of something like villain in Batman, or a Hobbit, or whatever it is.

When you're that age - that middle-school age, early high school - you're changing. You're going crazy. So I put all of my energy into pretending I was someone else, battling and screaming and all that stuff - casting spells and getting into a whole fantasy world. It was really healthy for me.

Early access is very valuable, there are a lot of consumers who would love to see something early.

Early to bed and early to rise, and you'll meet very few of the best people.

I was a strange, dark little dude. I fell in love with horror movies, at a very early age. Somehow, as a first grader, I was able to convince my parents to let me go see stuff like 'An American Werewolf in London' in theaters, so I was headed in that direction anyway.

While we support the women who bravely face breast cancer treatments, we should also promote the prevention of breast cancer from a very early age.

From a very early age, my wife and I told our son that there are times and places for everything. I told him, look, when you're in class, you have to be quiet and listen to your teacher, but when you go out to the playground, you can scream and be silly.

I began writing early - very, very early... I was already writing short stories for the radio and selling poems to poetry and art festivals; I was involved in school plays; I wrote essays, so there was no definite moment when I said, 'Now I'm a writer.' I've always been a writer.

I knew from a very early age, that what I saw on tv had nothing to do with real life. So I wanted to make a record of real life. That included having a camera with me at all times.

Humour is learned behaviour, and I know exactly why I learned to be funny. I did it from a very early age. My dad was a hilarious man, and the way we interacted was being silly together. It was a way to hold his attention.