Top 1200 Very Quotes & Sayings - Page 14

Though I am still very vulnerable to audiences - and it happens all the time - where for some reason the energy doesn't connect and, since the film is very personal, obviously I am made to feel very vulnerable by that.

It is very hard leaving home for life on the road. The toll that it takes is actually immeasurable, and you can think all you want about what it does to your relationships, but the way it actually plays out is very deep and very unique to those personalities that are involved.

The old boy network is still very strong and very true. Just look at the stock exchange and how many men and women are there. It is still very much run by men.

Our politics is very masculine, very aggressive, and it's very polarizing. And the pace of this development has increased in recent years. Erdogan is, in my eyes, the most polarizing politician in recent Turkish political history.

My mum used to work for the Chanel store in Paris, so for me, I've always been very familiar with the brand because of her. I remember when I was very, very, little, our flat had Chanel shoe boxes, makeup, and some jackets.

I remember we were out on the road when the album finally came out in February 1973. I listened to it in my hotel room and just got this really big smile. I was thinking, 'It's amazing, we're really pulling this off'. The album was very, very unique and very, very different. I was really proud of the songs, especially 'No More Mr Nice Guy', 'Billion Dollar Babies' and 'Generation Landslide'.

The people I coach are very successful people, so it's very hard for winners to not constantly win. Even if it's trivial and not worth it, we still want to win - because we love winning. It's a very deep habit.

I have always been very obsessed with time. Time's passage makes us all very vulnerable and because we all experience it in our own way, it can make us feel very alone.

I think something that's very important for us to communicate is usually very simple. Like breathing: Breathing is very simple. You don't do a dissonant 9th harmony or something in breathing. You just breathe, you know. I think that's how it is with very important messages.

I came to N.Y.C. in 1988 and got very involved with Act Up. I also started making movies, including two very gay shorts, 'Vaudeville' and 'Lady.' It was the height of the AIDS epidemic, and New York City was both dying and very alive at the same time.

We must have song and dance in our lives; we've had it ever since the inception of cinema in India. Our stories are very social-based, very human-based. We are a very emotional nation.

That's the great thing about Apple: it's very focused on the things that we know how to do very well and not try to extend ourselves to areas that we know very little about or don't have a lot of expertise in.

I'm very open and very honest about my actions, especially to the NXT universe. I never lie to them. I never do. I am very real with them.

I'm a very practical, pragmatic capitalist. I was trained at Goldman Sachs. I went to Harvard Business School. I was as hard-nosed a capitalist as you get. I specialized in media, in investing in media companies, and it's a very, very tough environment.

I had very supportive parents that made the way for me, even at a time when there were very few women - no women, really; maybe two or three women - and very few, fewer than that, African-American women heading in this direction, so there were very few people to look up to. You just had to have faith.

I have modes, mental modes that I get in, and when I'm on the road, I focus very much on doing the work. On playing the show, on being good every night. And part of me just gets switched off. The part that's very private and very personal and very intimate. That especially, that part of me gets shut off.

Mainstream media tends to showcase a very specific kind of Mardi Gras, but my experience of Mardi Gras is very different; it's very cultural.

When I turned about 14, I developed a friendship with this guy whose mom was the secretary to Ernest Angley, the faith healer, who's very popular in the Midwest. He had a television show, and he was sort of like Liberace mixed with Jerry Falwell - very glitzy, very high-tech.

My character Kabir Raichand in 'Haasil' is quite a brat. It's a very naughty character... very impulsive. He does a lot of things without thinking and then realises that 'oops I messed it up.' But he is very clean hearted, straight forward and a nice guy.

I do not wish to lose my temper because very shortly I will lose my head. Nevertheless, upon leaving this spark of earthly existence, I have this to say: I shall see you all very soon ... very soon.

Though I am still very vulnerable to audiences—and it happens all the time - where for some reason the energy doesn’t connect and, since the film is very personal, obviously I am made to feel very vulnerable by that.

I was so poor for so long that I didn't use anything. I didn't drive cars, I didn't eat very much. So, I figured the world owed me a debt, so I've been eating very well and have had a very big car for a long time. But I still haven't caught up with my youth.

Being an actress wasn't a plan at all, so what's happened to me is very strange. Life isn't very normal, even though I'm still very much a normal girl. I ride the subway, I ride the bus, and all of that.

It was a great joy for me to develop a strong female character in the spirit of an Icelandic woman. Icelandic women tend to be very strong and very independent, and I think that came in very handy.

There are always leading characters. There are always complex characters; there are very rewarding plays with great directors and tremendous playwrights, yeah. I've done a lot of things with theater that I'm very, very proud of.

You do have to learn how to wear a kilt, and it's certainly very liberating and very freeing, but surprisingly very comfortable to wear, to ride a horse in a kilt. I was surprised by that.

Some other people are very lucky and always get in to the very best teams at the very best times and therefore go out and score lots of championship points and be in with a chance of the championship.

It turns out that if you optimize the performance of a car and of an airplane, they are very far away in terms of mechanical features. So you can make a flying car. But they are not very good planes, and they are not very good cars.

The Green Lanterns are very forward and very courageous, very forceful. The Red Lanterns are out of control, and they're not in their right mind because when we're angry or in rage, we say things and we do things we wouldn't normally do.

It's the hardest thing for an actor not to speak because you take away their main tool. So for an actor, it's very frustrating and very challenging, and very few people can pull it off. Some actors can say a thousand words with just a look, and it's a unique gift.

Women are very attracted to a low voice because it's linked to testosterone, which for millions of years was a sign that men had very good spacial skills and would have been very good at hunting and finding their way back home.

I am very harsh on myself. I can point out a list. My nose is very strange. I have a very round face. I sound so ungrateful. Obviously I'm being hard on myself. Whether it's body dysmorphia, or whatever it is, I can always find something wrong.

If you've worked together with somebody very well, leave-taking is very difficult. But we are all politicians. We all know that democracy lives off change. So, in the United States of America, the Constitution has very clear stipulations on this. It's a tough rule. Eight years and that's it, out goes the president and a new one comes in.

I take all my characters very seriously - the main, secondary, and supporting characters. Even if they only appear once, they still need to have their own life. Some characters are absent literally but at the same time very, very present.

Activism is very seductive, and writing is painful and hard. It's very scary to have a death threat living over your head. Activism is very sustaining. But I don't view myself as a political person. I'm just someone who desperately wants to stay alive.

In 1948, I began coaching basketball at UCLA. Each hour of practice we worked very hard. Each day we worked very hard. Each week we worked very hard. Each season we worked very hard. Four fourteen years we worked very hard and didn't win a national championship. However, a national championship was won in the fifteenth year. Another in the sixteenth. And eight more in the following ten years.

I don't think I have changed my personality as much as I have evolved as a human. Before the name change, I was very timid, very self-conscious. Just not very confident. When I changed my name, it came from a place of power.

It's a very defined area, Newfoundland. It's an island - Labrador is a huge empty space. It's a very defined area with a very few number of people.

When you're guest-starring, it's very nice, but you're there very briefly, and it's right there in the name: You're a guest. It's very hard to get a real sense of belonging. With recurring and regular roles, at least you have a sense that this is a home and a steady place.

You can be very feminine and be a leader. Christine Lagarde, she's very chic and she dresses very well, and she's a woman. And she has a lot of power.

A lot of cats in New Orleans, very soulful, very soulful musicians and they assume that they're singers. And they just make that assumption. And so when there's a little intonation problem, people are very forgiving of them because they heard how soulful they play.

I wanted Jesus in 'A.D.' to be very, very, very human - to have those qualities of vulnerability and doubt and pain and sadness and loneliness. Once the resurrection happens and we see that Jesus has risen, it's almost complete, right? It's all about the joy and the smile and the happiness and the closeness to the disciples.

It may very well be that people in San Francisco don't think we have any culture in Nebraska, but we have a different culture, and it's a very deep culture. We have these Czech immigrants, who are making this marvelous ethnic food and their Catholic lives and it's very fascinating stuff.

Preparation for marriage is very important. It's very, very important because I believe it is something that in the Church, in common pastoral ministry, at least in my country, in South America, the Church it has not valued much.

The thing about the 600 words, I mean some day, you can do a very, very, very hard day's work and not write a word, just revising, or you would scribble a few words.

There are times when I do feel very nervous when I start a film. And I feel very nervous before the release. I do get stuck in some scenes, but that's very natural and human. It happens to all the artistes in the world.

I am sure," cried Catherine, "I did not mean to say anything wrong; but it is a nice book, and why should not I call it so?" "Very true," said Henry, "and this is a very nice day, and we are taking a very nice walk, and you are two very nice young ladies. Oh! It is a very nice word indeed! It does for everything. Originally perhaps it was applied only to express neatness, propriety, delicacy, or refinement—people were nice in their dress, in their sentiments, or their choice. But now every commendation on every subject is comprised in that one word.

I had no idea how much music and singing really means to people, and in my own tiny way to be a part of that is very humbling and very sweet, and and I feel very honored. ... I have a great appreciation for this, in every ways and a new understanding, and I'm just as amazed as anyone else.

As a person, he was wonderful. He really was a great person. He was full of life. He had a great sense of humor. Very talented, of course, but very caring to his parents. There was a very endearing quality about Elvis.

I'm very proud with how my story has gone. I've played for some very big teams, and it is not normal how I got there. It is a dream for every player to have this kind of career, so I am very proud of this.

When I was very, very young, I decided that I was gonna catalogue my times because that's what other people who I admired did. That's what Bob Dylan did, that's what Frank Sinatra did, Hank Williams did, in very different ways.

Unfortunately, the issues of climate change, unlike many other issues, are very subtle because the changes we observe are very, very subtle.

With the power of one's will we stop thought and move into alternate forms of perception. We gain that power through practicing very, very, very hard each day when we meditate to stop our thoughts.

There's that effect that is very physical, very down there at the synaptic level, which really means microscopic cellular level, but also molecular level, because all of those structures are operating on an electrochemical basis and so the changes there are very important.

I love Billy Wilder, and I love the way that his films can be very touching and very moving and very romantic, and at the same time there's always a little cynical undertone, there's always something that undercuts things.

I was very young, I was going to clubs underage. I am going to be very honest about it, I am not very proud of it but I did, like many people.

It was very clear that this was a very, very old site. There were remains of sod walls. Fishermen assumed it was an old Indian site. Bu Indians didn't use that kind of buildings and houses.

I've obviously made a very nice amount of money. I have a very nice lifestyle. I get to do what I love. Very few actors get to do that, and even fewer are lucky enough to work steadily for 24 years.

They are very different in terms of the solution. Where 'An Inconvenient Truth,' you really need countries to cooperate and sacrifice and figure out a solution, with 'Fed Up' you can leave the theater and you can be empowered that very night by cooking dinner in your very own kitchen.

I talk very slow. I move very slow. I definitely have that Southern drawl and although I never necessarily participated in the activities that go along with screw. I definitely was a huge fan of screw. Because melodically, I don't ever really sing very staccato or very fast. It's really about a groove; it's really about a vibe.