Top 1200 Very Quotes & Sayings - Page 18

Develop resilience and be brave. There are days when it is very discouraging. You have to develop personal resilience to environmental things that come along. If you let every single environmental challenge knock you off your game, it's going to be very, very hard.

I loved the idea that I had an alter-ego but that my true identity was very well known and very much on the surface. I was the only one who didn't know who Stardust really was. So it was very much tied to comics - everything I've done. I did a whole run where I'd wear a face mask when I was on SmackDown, and that was based on Dr. Doom.

My mum had a very strong moral code, which I kind of came with. I never really had to be told what was right or wrong - I knew. I was very mature from early on and I was a very good girl, so she never had any trouble with me.

I was a very focused kid. I always had this crazy lifestyle... billions of jobs, two hours of gymnastics every day, handball, anything with a ball, really. I must have had ADHD or something. I was very energetic, and very small. I didn't start growing until the last year of high school.

I'm somebody who is very, very proud to have been a part of the British film industry all my life and to have kind of been involved with a very important piece of British film history.

Will Brooks is a very tough guy. He's an ex-champ and beat very tough guys. The same way I fought very tough guys.

Ted Baillieu certainly has served the state very well. He has served the Liberal party extraordinarily well, and he can be very, very proud of his achievements. I am honoured and proud to say that he is not just a colleague, he is a great friend.

I work very regular hours, roughly 9 to 5:30. I think I have it much easier than a lot of parents. I just sit at home, I have a very flexible timetable, and I'm very fortunate in that I don't have money problems. I have lunch with my wife at home. I don't have to commute, so I have much more time with my family.

To grow, to become spiritually alive, and vibrant, you really have to struggle. Without struggle, you do not move at all...I would appreciate it if readers who come to my work would try very, very, very hard not to think narrowly as we are taught to think in America.

Jack Lemmon is my best friend and he's a very wonderful actor. A very talented, very funny man. A lovely man. We're like brothers! We are gifts to each other. He's such a fun personality. There will only ever be one Jack Lemmon.

I perceive the world in fragments. It is somewhat like being on a very fast train and getting glimpses of things in strange scales as you pass by. A person can be very, very tiny. And a billboard can make a person very large. You see the corner of a house or you see a bird fly by, and it's all fragmented. Somehow, in painting I try to make some logic out of the world that has been given to me in chaos. I have a very pretentious idea that I want to make life, I want to make sense out of it. The fact that I am doomed to failure - that doesn't deter me in the least.

New York was very frightening and very overwhelming, and I didn't really know anybody. My sister had some friends there, and I stayed with them, then I moved in with a friend of a friend. I was very outside my comfort zone. Then again, I was pretty uncomfortable in general - but I knew it was where I was supposed to be.

Isaac Watts, of course, is a hymn writer in the tradition of Congregationalism who lived in the seventeenth and early eighteenth century. He is very interesting and important because he was also a metaphysician. He knew a great deal about what was, for him, contemporary science. He was very much influenced by Isaac Newton, for example. There are planets and meteors and so on showing up in his hymns very often. But, again, the scale of his religious imagination corresponds to a very generously scaled scientific imagination.

I think it's very valuable as an actor to throw yourself back into having that direct connection with an audience on-stage and work that muscle. It is a very different type of work and equally fascinating. I mean, I've very much in love with filmmaking because I really love the way you can tell stories with a camera and how music and everything contributes to the story in a very direct way. But I also think it's very valuable to come back to theatre, so if the right script came along I would love to come back to London and do some more.

But since I did my first film with Shammi Kapoor ji, he is my favourite. I was very shy to face the camera. In my first few shots with Shammi chacha, I was very nervous. He was very patient with me and guided me in every shot.

I don't see myself as famous; I see myself as a normal person with a job that is not very normal. My work life is very out there and very public. But I do my best to maintain my privacy.

It's a wonderful thing to be able to create your own world whenever you want to. Writing is very pleasurable, very seductive, and very therapeutic. Time passes very fast when I'm writing-really fast. I'm puzzling over something, and time just flies by. It's an exhilarating feeling. How bad can it be? It's sitting alone with fictional characters. You're escaping from the world in your own way and that's fine. Why not?

Customers today want the very most and the very best for the very least amount of money, and on the best terms. Only the individuals and companies that provide absolutely excellent products and services at absolutely excellent prices will survive.

There are people, of course, who profess to be libertarian Marxists. I believe they mean very well, and I even write in their periodicals; but I write very militantly that I regard Marxism as a very subtle form of what I would call the totalitarian ideology - all the more subtle because it professes to advance the notions of freedom.

We know India is very focussed on black money; it is a very high-focus subject and we have been very careful to make sure the investments into India are legitimate. There is no 'round-tripping' or hot money or bad money being funnelled through Singapore.

I had the fortune to evolve at a time when fashion was very important, and women dressed themselves very well. A woman who dressed very well also had a husband who would have beautiful collections of art and decorative objects.

I'm a very big proponent of cloud. We've used it a lot in private sector, and as far as we can tell, it is not only more efficient, it's probably also more secure for lots of very complicated technical reasons. I think it's a very important thing for government to do, and also to have systems that talk to each other.

But it is very foolish to ask questions about any young ladies — about any three sisters just grown up; for one knows, without being told, exactly what they are — all very accomplished and pleasing, and one very pretty. There is a beauty in every family. — It is a regular thing

I've been really lucky because I've managed to become wonderful friends with a handful of very talented British designers. Christopher Kane has become one of my very good friends - also Erdem. Jonathan Saunders is another brilliant talent who's very kind. We all hang out.

When I grew up in Italy in the 1950s, it was still very agricultural. Food was very important; produce was very important. Everyone made their own olive oil. It took me a long time after I moved here to understand that Americans are much further away from their food.

My mom was very affectionate but also very loud. My whole house was very loud. My father screamed, my mother screamed - everybody screamed.

It's always a surprise to me when someone comes up to me and appreciates my work. I have a very limited body of work, so I feel very lucky to have gathered such an audience. I'm very thankful to them. I'm extremely grateful to them for showing such love.

If you're very, very conservative and you like that sort of practice, go find a very conservative Zen master and just do traditional Japanese practice, which is not that traditional actually.

As a songwriter, I try not to be sloppy; same with the music. You can be very lean, very efficient, so you're not wasting a lot of time getting' to the point. You're saying it with as pure a word or phrase as you can. That's the part that was craft. You refine and refine and refine. Maybe that's why the songs still hang on, because they're very pure. For one thing, they're very short. "Bad Moon Rising" is like 2 minutes and 12 seconds. I would try to do everything as quickly and with as little extra as possible. It was a challenge.

Never imitate. The mind is an imitator, because imitation is very easy. To be someone is very difficult. To become someone is very easy - all that you need is to be a hypocrite, which is not much of a problem. Deep down you remain the same, but on the surface you go on painting yourself according to some image.

I truly feel absolutely at home on the stage. It's very comfortable to me. It's very much my workplace, very much my workplace. I feel that an audience and I are happy with one another. I'm grateful for that.

Those of my generation who grew up in the midst of the Cold War had a very, very strong awareness and very much were sort of influenced by the demonization of the Soviet Union, whether that was through the Cuban Missile Crisis or duck-and-cover, or any of those things that so affected us then.

It's the fun part of this business: you never know what your day is gonna hold. Some things could be very, very last-minute. It could be at that very last second. So, it's pretty wild, and it keeps you on your toes. That's for sure.

The main thing that triggered my depression was my isolation that was imposed on me by becoming the wife of the prime minister, and leaving my home, my family. I was young, very young, and very naive and very hopeful and enthusiastic about my wonderful new life, but it was the loneliness and the lack of being able to properly relate to people.

I went through the workroom at Central Saint Martins in London, which is the most competitive workroom of a design school in the world. Very high creativity, very conceptual, very international, age-diverse and cutthroat - people who have master degrees reapplying into a foundation there is just wild to me to launch their careers.

I enjoyed India a lot. I learned a lot and came face to face with the poverty there, which is very, very tough. One thing's for sure: I no longer have the right to complain about anything. That's impossible now. But I discovered a beautiful country, fabulous and very welcoming people, and the local cuisine.

[My grandfather] was very, very fortunate that he was never trapped in a mining cave-in. But he lost his brother in a mining disaster on a shift that he wasn't working. And he was in a collapse where his brother-in-law was killed very near him in the same section.

What is style? For many people, a very complicated way of saying very simple things. According to us, a very simple way of saying very complicated things.

I think you can have your career and still bring to your family something very, very special. There are some people who are born mothers, who don't want to work and just want to stay at home, and that's fantastic, but for me it was something very difficult.

I think - I think I've always been kind of - I used to think of myself as a piece of rubber when I was a kid because I was kind of very shy and very - very emotional about things, but I kind of would bounce back.

We have to recognize that it is a very, very painful thing for people to be exposed to their social community, to be exposed in the world, as not what they would have wanted to be seen as. This is very painful and difficult for people.

I'm feeling more and more thoughts that aren't songs, just reflections. I'm always been very shy and in some ways a prisoner in one language and I feel that the liberation of creativity has to be in all senses. So I've been deciding to publishing something very simple but very small at the same time, nothing egocentric.

I'm a very competitive person, but at the same time, as a quarterback, you gotta be poised; you gotta be very poised and patient. I'm pretty loose and relaxed, but I'm also very competitive.

Some people will know exactly what they want to do at a very young age, but the odds are low. I feel like people in their early- to mid-20s are very earnest. They’re very serious, and they want to feel like they’ve accomplished a lot at a very young age rather than just trying to figure stuff out. So I try to push them toward a more experimental attitude.

My husband and I have always incorporated things into our life that reduce stress. We're very careful with our health. We go to bed early. In this job, fatigue would be very detrimental! We've always eaten very healthily; now it's really particularly easy because we have a chef.

But I didn't really enjoy my secondary education that much, probably because I am a very physical person and don't enjoy sitting at a desk all day. I just dragged myself through GCSE and A Levels, so it suited me very much to go on to drama school, which was very active.

The fans reacted very positively to me being cast [The Mortal Instruments] which, as a Twilight or Harry Potter franchise, when you read a book and you have someone in your mind or you have a vision and then they're cast in real life, it can go either way. So I was very, very honored and happy that they were excited.

The computer is a very regular structure. It's very uniform. It's got a bunch of memory, and it's got a little element that computes bits of memory and combines them with each other and puts them back somewhere. It's a very simple thing.

I've met some very difficult people and I've had some very difficult conversations and had lots of criticism, especially from away supporters who sing songs that aren't very pleasant. So I think part and parcel of life is accepting that not everyone likes you.

The thing I have in common with Donald Trump is about a dozen years ago, we got a "Man of the Year" award in New York City, the Hotel Plaza from the USO. So I met him once and I found him to be very personable. He asked excellent questions throughout the 45 minutes that I was with him. Very, very engaged and very curious about the world and its complexity. Something, let's be honest, that he and many of his close in advisers that he's selected don't have a lot of knowledge about.

People share everything on Facebook. That can be a very good thing or a very noisy thing. With Foursquare, people know that they're getting information specifically about a place, advice about where they are and what they could be doing. It's a very filtered view of the world.

People with eating disorders tend to be very diametrical thinkers – everything is the end of the world, everything rides on this one thing, and everyone tells you you're very dramatic, very intense, and they see it as an affectation, but it´s actually just how you think. It really seems to you that the sky will fall if you are not personally holding it up. On the one hand, this is sheer arrogance; on the other hand, this is a very real fear. And it isn't that you ignore the potential repercussions of your actions. You don't think there are any. Because you are not even there.

I have this very kind of like heterodox idea of what an education is, what underpins identity. I don't think I'm very easily pigeon holed in any of those boxes, so I confront this. I have a staff full of young people who came up in a very different tradition and who feel very fired up about the big identity battles. I listen and I try to navigate them, but I don't find them mapping onto my life in a personal way which is, which is hard.

In my life, I've lived in very different kinds of places - very tiny rooms when I was young. And you do learn to cope with it. The funny thing is, as you begin to inhabit larger places, it's very interesting how quickly you adapt to your space. What seems enormous at first becomes natural after a few weeks.

On the field, I'm very, very arrogant - cocky. I think that's how you have to be as a DB. All the great DBs I know - the best DBs ever - had that. I bet you couldn't rank the top 10 of DBs and say when he was playing he was very humble and didn't talk smack. I think it would be impossible.

The culinary tradition in my family is very strong. My mother, a very wise woman, spent the better part of her life in a kitchen. It's a very strong part of her identity. I grew up there next to the fire.

I've been very involved in this quantum holographic formalism and helping to explore it as explanatory of the very root of our perceptual capabilities. It is postulated, for example, that this very basic entanglement, at the quantum level, at the level of subatomic matter, is really a part of quantum mechanics.

Pennsylvania might be a parochial state, but it's not a homogeneous state. So, even among just Republican voters, to be able to pull that off, when you have very moderate voters on one side of the state and more conservative in the middle, shows that Donald Trump has very, very broad support.

I believe that there should be a very much heavier progressive tax on very large incomes, a tax which should increase in a very marked fashion for the gigantic incomes.

One summer I remember, I got exposed to Chuck Berry and Buddy Holly and Buddy Holly was a very very big, made a very big impression on me. Because of a lot of things, you know, the way he looked and his charisma.