Top 1200 Very Quotes & Sayings - Page 19

In relationship you gotta have friendship because if you don't, even if things may seem perfect in the beginning, times like this when you are married and you have a kid, you have to still be able to have that spunk, that sass, that fun, and that friendship. Because yeah, jumping into something so quickly can very much turn sour very very fast.

If you just fight against everything willy-nilly, then the message is you're just gonna obstruct on anything. I would rather fight very, very hard on matters of fundamental principle and then have the critique be that Trump is violating the very foundations of America.

The spring of 1942 was given over to a very impassioned, strategic debate about where we should first attack in counterpunching against the Germans and Italians. The British argued very persuasively on the part of Winston Churchill, prime minister, that this was a very green American Army, green soldiers, green commanders.

ECW was the most fun for me artistically. And then, WWE, it was also very fun, but that was part of it. It was also a very stressful, monotonous schedule. There was a lot of politics, adjusting to that, and I am not a politician, and I don't play those games. So that was very frustrating for me as well.

I was living in Paris, which is a very beautiful, very wonderful place, but a tight place as a city, a tight place culturally. Its people are very brilliant, thoughtful, the place functions, but it's a historical place in some ways, like a big museum.

I understand we have, you know, a very unique situation, a very volatile election, two very high-profile candidates. You want to be very careful about what you do. But, you know, my sense is always - this is with respect to any decision maker - and that is you have procedures in place, when you follow those procedures, you're more likely to get the right outcome and you're less likely to be second guessed simply because you have the procedures and you take away the argument that there are politics involved if you follow the procedures.

I am a big fan of Neil DeGrasse Tyson. He's the voice of science and scientific thinking in the United States and the world. He's the most visible proponent of scientific thinking, and he's very unflinching about it. He knows that it's correct and vouches for it in a very intelligent and very firm way, which I really appreciate.

God teaches you to forgive people when they mistreat you. That's something that we have to do as Christians, as children of God. It's very hard to do. It's very, very hard. When someone lies on you, when someone tries to ruin your reputation, because everyone knows what kind of person I am.

I think America is a new country. It is a young culture. The spirit of the opening of the West is still with the Americans. It's a very practical and individual-based kind of philosophy that had worked in America for a long time, had been very successful. And the spirit is very much there.

Theatre, when it is at its best, takes a lot of beating - the live experience and the shared collective experience of live storytelling is really special when it is good. Particularly here in New York because the audiences are amazing, very vocal and very engaged, and that makes theatre very exciting.

I very much love Los Angeles, and I love working here. I find it very inspiring and very creative, and some of the best crews are in Los Angeles.

When I moved to Bombay, it was very harsh. I was nothing like what I am today. I couldn't speak a word of English. In England, people might be very understanding about that, but in Bombay, they're not very forgiving. 'If you don't speak English, how do you expect to work in Hindi films?'

I want to say that this business of corruption and the fight against corruption is a very serious matter, and sometimes I'm amazed that very little is being said outside of those who are saying so in government. It's an existential matter. I don't know whether it is possible to overemphasize the point, but I think it's a very crucial matter.

I think, for a shy person - and I was very shy until my mid-20s - having been to an all-girls' school is not brilliant on the boyfriend front later. Because when I went to university, it was definitely like meeting a new species of people. Suddenly, at age 19, I was thinking: 'Can you speak to these people?' I was very, very nervous.

GO FOR HIS EYES! OR BITE HIM ON THE NOSE! DRAGON NOSES ARE VERY SENSITIVE!" Oh, very helpful, Camicazi, very helpful...thought Hiccup. What if he doesn't obligingly hold me up to his nose? What if the only part I get close to is the TEETH?

We live in a very dysfunctional society, and this is a very, very dysfunctional Administration.

I saw Ben Whishaw playing Hamlet at the Old Vic and straight away had a very strong sense that he might be the end of a very, very long road of searching for the right guy. He did an amazing audition, where it all came across this, instinctive feeling that he obviously had for the character in the Perfume: The Story Of A Murderer.

Most gospel music is very vertical. And there's nothing wrong with that - there's nothing wrong with, you know, 'God, we praise you,' and 'hallelujah.' Those songs are very important. But I also like to do songs that are very horizontal, that kind of fit within the fabric of people's everyday life.

I think 'Speech & Debate' surprised people because it's a play about teenagers that took the teenagers very seriously. They are very real. People wanted to see if they identified with one of the kids, that loneliness, that yearning for something bigger. That feeling of being stuck, it's very adolescent, but those kinds of feelings linger on.

I was born very, very lazy and I don't always practice very long. but I must say, in my defense, that it is not so good, in a musical way, to overpractice. When you do, the music seems to come out of your pocket. If you play with a feeling of 'Oh, I know this,' you play without that little drop of fresh blood that is necessary – and the audience feels it.

I lost my father when I was 13 years old. He was a great man, my father, and very intelligent. I love him very much. I believe it's very important that parents have a personal connection with their children. It helps kids feel more secure, have a feeling of family, makes them feel loved.

When you look at the early-'30s movies, like King Kong, the codes of acting are very similar to those of silent movies. In some of the silent movies - the good ones, the ones done by the best directors - the acting is very, very natural

The very beautiful and very touching thing about opera singers is they are very willing to do whatever you want. Unlike actors, who constantly want to know why they're doing something, opera singers will sort of follow you into the fires of hell.

That is - the use of the subjective camera is an idea that's been around in movies for a long, long time. And it's an idea that was seized on very notably by Sam Fuller and by Alfred Hitchcock in two different very kind of - otherwise very different styles of filmmaking.

LA's a very hard place to be unless you have people there that love you. It can be very, very lonely, and it can eat you up if you don't take care of yourself. In LA, nobody wants to talk to each other, everybody's giving each other catty looks.

We need a visionary leader with very big and bold ideas. This is a very big, very bold country.

I was very aware of office politics because I was so baffled by them. So much so goes unsaid. No one says 'you're a cheeky so-and-so,' no one says 'you're so moody,' nobody ever confronts anyone else about anything. But I'm very crass, and I'm very confrontational, and I have a temper. I had to be hyper-vigilant in every office I worked in.

I think that the world is in a very serious decline - very, very serious.

Scott Ritter is a very well-known archetype of a certain U.S. military officer. Very hard talking, very ambitious, zealous, and completely consumed with carrying out his mission. He's a guy who, throughout his career, I would say, did not break rules, but he worked around road blocks.

When you look at the early-'30s movies, like King Kong, the codes of acting are very similar to those of silent movies. In some of the silent movies - the good ones, the ones done by the best directors - the acting is very, very natural.

I am very humble, and I am very gracious and very grateful for everything that happens to me and about me and around me.

It's very hard sometimes when you can't crack something or can't solve something and you keep trying and trying and you know it's falling a little bit short. That's very hard, but then when you finally do it, it's very rewarding and the process is good too, I like working with people this way.

I'm focused on the next generation, because I think it's very hard to break the habit of adults who've got salt and sugar addictions and just ways of being in this world. It's very hard even for the most enlightened people at famous universities that are very wealthy to spend the money that it takes to feed the students something delicious.

I dream of not having access to technology. I think it's a very wonderful time that we have found ourselves in, in terms of access to information, but alone time is better for some personalities than others. And I would very gladly give it up. I think I'd do very well.

Very good training to just be a person is growing up in Canada. People say a lot of things about Canada, like that it's boring, but if you look around the world, you can praise boring. It's a very civilized place to grow up. I'm very proud of it.

If you like Harry Hill, you'd really like Tony Law. He's a Canadian comic who's done a few appearances on 'Never Mind The Buzzcocks' and '8 out of 10 Cats.' Nobody else could do his stand-up; it's very idiosyncratic, very daft, very silly, but really well structured.

We also have a piece about the Mayflower, but it's just a very different, very gritty, very character-driven version of why those people were on that boat and what the experience was like for them, emotionally, physically and spiritually, and also the Native Americans and what the state of Native American society was at that time.

I went back to work right away [after prison]. I was very lucky — a friend of mine created a job for me at his company. Most prisoners who come home face really significant challenges when it comes to finding work. It’s very, very hard for most people who have a criminal record to get a job. I think the system is very wasteful of taxpayers’ dollars. It’s also very wasteful of human potential. I found that most people whom I was locked up with were, you know, good people who have skills and value. Prison is a missed opportunity to nurture those things.

I'm very blessed, mainly because even though my family is mostly in show business, it's really centered around music. My parents were very successful in many ways, but they weren't necessarily top of the charts. We were never wealthy because of music. We always had to work and we always had to struggle a little bit, and I think at the end of the day that's been very good for me, because I have a sense of it being very ephemeral.

Sarah Palin kept talking and talking, and the more she talks, the less compelling she can be. People say, "She's a very good politician, very deft at what she does," and whatever. And I hear that sometimes and go, "I don't know much about this stuff, but I would say no." Because the really good politician expands the audience, not contracts it. She may be getting a very vocal crowd, but it's a very specific group.

The very large, very respectable, and very knowing class of misanthropes who rejoice in the name of grumblers,--persons who are so sure that the world is going to ruin, that they resent every attempt to comfort them as an insult to their sagacity, and accordingly seek their chief consolation in being inconsolable, their chief pleasure in being displeased.

I wanted my art to deal with very formal concerns and to deal with very material concerns, and to deal with antecedents and art history, which for me go very far beyond just the influence of African-American artists.

I had a happy childhood in a nice suburban area, pretty idyllic, upper middle class and very, very white. My dad is an attorney. My mother is a housewife. They had five kids in seven years: me, my brother, and three sisters. I'm the oldest. We were all very active. My mother was exhausted.

In Puerto Rico, we have a lot of traditions. We eat a very typical thing that's called 'pasteles' - it's almost like a tamale made of bananas, and we make it all together. Like, all the women of the family unite, and it's a very big deal, a very big thing.

When I speak about 'we,' it gets very complex very quickly. Having grown up in the United States, but also being very much a member of Nigerian societies and also different parts of Nigerian societies, I understand that we construct particular 'we's.'

...the computer models are very good at solving equations of fluid dynamics but very bad at describing the real world. The real world is full of things like clouds and vegetation and soil and dust which the models describe very poorly.

We still dislike hypocrites. It's a very American characteristic. We still like people who have ideas and who are willing to stand up for what they believe in. We're very forgiving of failures and very willing to give people a second and third chance if they mean to do better and are sorry for what they've done.

A lie is a very short wick in a very small lamp. The oil of reputation is very soon sucked up and gone. And just as soon as a man is known to lie, he is like a two-foot pump in a hundred-foot well. He cannot touch bottom at all.

Noah's daughter is different from the girls of 'Suburgatory.' She goes to Brown, so she's in college, and she's very smart. And his wife is very much a very strong woman. She's certainly in charge at his house. She's Dallas's polar opposite.

There's nothing worse than the frustration of having somebody who you feel doesn't get what you're doing, trying to turn it into something else. It's a very, very annoying and sort of frustrating thing and I just never wanted to go through it. I was very fortunate as I came up through the film business that I was able to insulate myself from that.

I'm very critical of myself and I know the levels I want to achieve so I'm very hard on myself. So the staff and players are very hard on me as well, which is what I want as I want to get to as high a level as possible.

In the course of the world, a man must very often put on an easy, frank countenance, upon very disagreeable occasions; he must seem pleased, when he is very much otherwise; he must be able to accost and receive with smiles, those whom he would much rather meet with swords.

I think there's nothing more painful for anyone than unrequited love. If you've ever had that kind of physical access to someone and then, all of a sudden, that is denied, and yet you're still in love with that person, it's very, very, very painful to be around that person in a certain way.

Cats are very independent animals. They're very sexy, if you want. Dogs are different. They're familiar. They're obedient. You call a cat, you go, 'Cat, come here.' He doesn't come to you unless you have something in your hand that he thinks might be food. They're very free animals, and I like that.

One respect in which I'm very much my father's son is how I feel about Joyce. 'Ulysses' is very much about daily life, when you get into this other guy's life and you learn about the things he cares about, and why he cares about them. And then, very indirectly, very subtly, you learn why politics has impacted his life, too.

Especially working in infectious disease, it's very interesting because these infectious diseases, these agents, they evolve over time. So it's very much an arms race and understanding how each changes to protect itself and to continue. And so it's very much this puzzle-solving but with this great urgency and importance in what you find.

In 2010, when the Lotus Sutra was made available to me by a private dealer, I was very fortunate to be able to have it. It is very long, 30 feet or something crazy like that. It has some 15,000 very small standard script characters that the artist Zhao Mengfu in the Yuan dynasty made when he was in his 60s.

I am very picky with my career. I don't need to do it for the money or the fame. I'm very choosy, which is why I haven't played the typical role that people expect to see from someone of my stature and size, as the mean jock or the preppy. It's very easy to see me like that. That's why I go against it in different roles.

People have responded to the pictures I make as mystical things, and they somehow carry the illusion further thinking that the place is this mystical, magical place. The desert is also a very barren place, a very lonely place, a very boring, uneventful place.

Sometimes, people who are very fastidious about what they're going to do in their work are not very fastidious in their private life. I'm like that. I love it when people do really nice things around me, but I don't have time to do it for myself. It's very hard for me to even buy a new pair of trousers.