Top 650 Vibe Quotes & Sayings - Page 10

It was important to me to be cool as a comedian. I didn't want to be a crowd-pleaser who sent out the vibe of, "I need you guys." I wanted to be so cool that the audience could leave and I would still be killing, that I didn't want to have to rely on them or need them. That really appealed to me.

That's the best part of being a DJ. Everyone's looking at you and really, I'm a shy person; I like to stand in the back of a room, not talking to many people. But having a chance to play music, the stuff that I want to hear, and getting people going, it's just a different kind of vibe. It's like a different side of me.

My comedy isn't clean; it's just friendly. So I get asked to do a lot of clean shows. It's like, 'Oh, I have a clean vibe, but I say gross, weird stuff.' It's just, it's very gentle the way I say it. It's not upsetting or jarring to people, because I'm not very aggressive.

The truth hit him. Jason wasn't quite Roman anymore. His time at Camp Half-Blood had changed him. Reyna had recognized that. Apparently, so did the undead legionnaires. If Jason no longer gave off the right sort of vibe, or aura of a Roman leader.

Find something that you love to do, and find a place that you really like to do it in. I found something I loved to do. I'm a mechanical engineer by training, and I loved it. I still do. My son is a nuclear engineer at MIT, a junior, and I get the same vibe from him. Your work has to be compelling. You spend a lot of time doing it.

I think the rebuilding of the city has to start with the spirit first. So the music, the vibe, the connection spiritually with the artists. Everybody out here is the main key. A lot of people are still in a lot of tough situations. My heart still goes out to the people of New Orleans.

DJ-ing itself is not just about playing songs. The art of DJ-ing is presenting new songs to the crowd that they haven't heard before and creating a party vibe that's different than just listening to anybody's playlist. It's the only way to truly be big and respected in your craft.

Sometime when I was in my mid-twenties I noticed, "Hey, even I don't go into too many art galleries. Why? Because I don't like the vibe in them. If even I'm not going into galleries, then who goes into art galleries in the first place?" It's just a certain, very narrow percentage of the population.

Future's the guy, like, where, if I send him some beats while he on the road, and there's a pack of beats that he really like, if there's a new vibe or new wave, he's like, 'Man, keep feeding me more. Feed me more of this every day.'

Puerto Rican culture is very lively; very lively people; very warm people; and the food is really great. We're all about cooking a lot of food and having family around, we're kind of loud. It's that sort of vibe and it's great.

If the song was upbeat, we'd get out a funky Harry Connick, Jr. album, some Louis Prima big band, or a Bob Wills swing record for inspiration and swing for the fence, hoping to get that 'soundtrack to your life' vibe. And if it was a slow song, we'd go the other way and really make it worshipful.

I think that we have two things going on in the world right now. We have one sort of vibe that's love who you are, be yourself, love your flaws, embrace your body, embrace your inner beauty, all of that. And then we have another very looks-based thing happening at the same time, you know?

I'm addicted to Jack's Wife Freda, a South African - Jewish-inspired restaurant founded by my brother Dean and his amazing wife, Maya. The vibe is cool and relaxed, perfect for a daytime bite or a nightcap. I always get the Peri-Peri chicken and the kale Greek salad, but all the food is delicious. You simply cannot go wrong!

But for me, you also have to be conscious of what is going to play. And that includes playing with. Sometimes it's just a vibe. It's what's going to make this scene work. And sometimes there may be something that restricts you that has to do with something that maybe is historically accurate. And then you have to weigh that decision and give up something for a scene to work.

I remember the 'Jenny McCarthy Show' being kind of funny, and I remember her being just like one of the boys. I remember her being counter to everything I thought girls should be on TV, or whatever. I kind of liked her vibe.

One nice thing about being a woman in Hollywood is that the women tend to be very close-knit. All of us writers and directors know each other and cling to each other for safety and support, and it's really a completely different vibe than the men experience out here, where they're all trying to murder each other.

My mom used to make sure we stayed dressed nice going to church. And when you're young, and people compliment you, you want to keep that feeling. You want to keep that vibe, that energy. Because it makes you feel good. And then clothes make you feel good too.

Brexit is not ideal. I'm famously not a Brexit negotiator, but relations between Ireland and the U.K. have been getting stronger, and a big part of that has been trade and feeling like sister countries within the E.U. I don't think it will affect the 'vibe' of relations, but it will have a significant effect on trade and business.

I want to create music that you can just vibe to. Put in your car and just you know like you roll all the windows up and you're like dancing and you just don't know why you're dancing but the music just makes you move.

I love coming out to Australia, if it weren't so far away I would go all the time. I've worked with a lot of people down there so I love Australia, I have a lot of great relationships down there... it's such a great vibe.

Find something that you love to do, and find a place that you really like to do it in. I found something I loved to do. Im a mechanical engineer by training, and I loved it. I still do. My son is a nuclear engineer at MIT, a junior, and I get the same vibe from him. Your work has to be compelling. You spend a lot of time doing it.

The thing that's nice about working with Adam [Sandler] is that there's sort of a family vibe, cause people who have worked on his movies have worked on many of his movies, so along with the kids and the cast, all the people that worked on the movie, it was like a family and every day we'd make each other laugh.

I listen to other guitar players, yeah. It gives me new concepts and shows me where the instrument is going for the future and it is going some places. There are some musicians who are really putting out a good vibe with new theories. I try and keep up.

I acted all the way up until Princeton. It was just one of my favorite extracurricular activities. Then I got to Princeton and had a really conservative vibe. All my friends were planning on law school, med school, or Wall Street, and suddenly acting seem like a really risky proposition.

I first met Linda Lawrence in March 1965 in the green room of 'Ready Steady Go!,' the British pop TV show. Linda was a friend of one of the co-hosts. She had an art-school vibe, and after a brief conversation, I asked her to dance to a soul record playing. As we jazz danced, I fell in love.

That's why when major badasses greet each other in movies, they don't say anything, they just nod. The nod means, 'I' am a badass, and I recognize that you, too, are a badass,' but they don't say anything because they're Wolverine and Magneto and it would mess up their vibe to explain.

I love Sweden. In Sweden, the women are just so hot. Their vibe is so amazing. You feel like every girl out there was genetically altered to just be hot. I did not see one ugly woman out there, it was just a line of continuously hot girls.

I feel like my place is to connect hip-hop... with the youth, the older, the middle. Just everybody that's listening to me. My place in hip-hop is really to just connect and show positivity. Put my vibe out there.

I just see potential in things that aren't there and how it's going to make you feel. Like, if it makes me feel a certain way, I try and create the vibe of how that felt to me. And try and create it for someone else.

You'll go into a fancy hotel and you'll hear this track where someone has sampled 30 seconds of a really good song. Your ear picks it up and you get excited but then it goes into some monotone thing. The Buddha Bar stuff annoys me. I don't need to be on a beach and hear this stuff through little speakers, but people think it creates a "cool vibe".

We have this really retro vibe and style of songwriting and, personally, I wasn't embracing the current state of music until I fell in love with hip-hop. It felt good to suddenly embrace where music was headed, and I think hip-hop is the best at that, because it feels so progressive and everybody wants to be the best.

My first official teaching job was at GIT, which was fantastic because I wanted to pay the rent and I got to stay in the building, which is an inspiring place to be - the vibe was there. My first gig was doing private lessons. It went great. Then they decided to promote me to a classroom teacher. I taught a class called Single String Technique.

I think quite often, being on the new set is not what you expect. The most serious film can be the most fun. The one that's supposed to be fun can be the most serious. I don't think there are any hard-and-fast rules. I just think it really depends on your director and what the general vibe is.

I want to write a score for a film. It can be a proper film, maybe for a film kind of like... I saw that movie 'Drive', or a bit of a 'Blade Runner' vibe. A little bit sci-fi, but I don't know. I've just always wanted to write a score for a film.

Each book requires a different look. Sometimes I get to take a personal direction that's appropriate for the story. I try to push things within a range. Some are rougher, some more expressionistic, some are slicker graphically and call for a prettier drawing style that I can do. Some have a more classical vibe, and some are in between.

I really like the reggae concepts like the culture vibe. They speak on everything that's going on, they don't have limits. They speak on politics, they speak on life, they speak on the troubles of poverty, everything. The message, the melodies and the concepts of reggae music are unbelievable.

I decided to do what I do when I was 2 years old. At 2 years old, you know, I heard the sound of a drum playing in the village, and I found my own drum and just picked it up and started playing, the worst song ever written by Wyclef Jean.But it actually started a vibe.

'Life Changes' is a song that we feel really connects to the spirit of our band and our fans. It's got that positive vibe we always want to put out there, and the message - no matter how many times you get knocked down, always get back up - will forever be part of the GC story.

One of the things about crowd work that's so exciting is when you discover a character in the audience who's interesting or funny, who you can vibe off of. If someone's got a weird job that you can make reference to throughout, or you can bring that person onstage - humiliate them, or celebrate them! You can put people in conversation with one another. The best is when something that they're doing can reflect back on something that you're doing.

I'm a Sufi Muslim, I would say. I believe in using the medium to create a good vibration because art is so important to society. Some projects I don't do because I feel that it's going to create a bad vibe. I don't do propaganda films that are anti another religion, anti-Muslim or anti-Hindu.

When you go to South Africa, you get a different vibe and a different sound. The music is awesome the people are loving it. When you go to Botswana, it's a different ball game. The people out there love Afro Beat Hip Hop so much. When you go to Sierra Leone it's different, when you go to Nigeria it's different... It's all pretty exciting!

The beauty of Christmas movies is that they make you feel like Christmas is actually the most wonderful time of the year. I don't love one particular movie, I'd rather say that all Christmas movies are great to watch during the festive season. They give a really good vibe and have happy endings most of the time, that's what I love.

I actually met Larson [Paine] on Larchmont in Los Angeles. He was eating and he stopped me because I was massaging my larynx. I was doing a show and trying to loosen up my throat. He had sort of this southern vibe about eating alone and talking to people. And it was funny because I had just having eaten with Larry O'Keefe and Nell Benjamin.

New York sounds like something that I could really listen to. It's like a vibe; it's a hit song. It's a song that you could listen to in five years and still like.

So much about 'Rookie' has been very organically familial among our contributors, among our readers. Yeah, if I interview someone like Lorde, who I do know outside of work - sometimes I'm just so happy; it's so cool that this is organically, effortlessly, the warm, supportive friend vibe that we want here.

What was really wonderful about the 'Doubtfire' shoot is that we had this really long rehearsal period in the beginning. That was a great time to get to know each other. We got to know each other and to create the family vibe. So we really didn't have to force it.

I kind of just want to get to know people and I have a genuine interest in people that listen to my music. I've just always felt like that. I think it's from the days of playing guitar to a few people and being very conversational and very intimate and I've always wanted to keep that vibe.

When I walk into a room in its grey state, I kind of understand what vibe the room should give out when it's done. Sometimes, it's about serenity, sometimes it's about love, it could be about a married couple or, could be about warmth and companionship with your family home, so it depends on the space.

Em reminds me of one of my friends from back home. It was just so natural. I forgot in two seconds that he was the biggest-selling artist of the decade. He knows what he’s doing. Me and him mixed [the song] together and he’s not like somebody that’s telling somebody what to do. We were both on the board turning knobs. The atmosphere and the vibe down there was just super cool.

I'd love to be in action movies. I've been trying to convince people. I don't think it's anything physical holding me back. I think it's a general vibe thing that's holding me back. I don't project action confidence, maybe.

I didn't see that at all. I just saw everyone having a good time and everyone having fun [on set of Romeo + Juliet]. I didn't see anyone having any spats or disagreements. If they did, they hid it very well. But as far as I saw, it was a positive vibe. It was positive energy.

I loved 'Weekend,' and it meant a lot to me when I saw it in the movie theater. I think 'Looking' feels more like that movie than any of those other shows, with a little more comedy thrown in than 'Weekend.' But it's certainly got the vibe and look and feeling of that movie.

I've been thinking recently about all the qualities you need in order to be an actor. First and foremost, you've got to have a thick skin and give out an 'I don't give a monkey's what you think' kind of vibe, while at the same time really caring what everyone thinks. You've got to be tough and sensitive at the same time.

You know a lot of times you'll find girls in a club are jaded to the other girls in the club. There's a nasty vibe between the chicks in the club. It's like a pretty girl can't look at another pretty girl and say Wow she's pretty.

I really try to keep it hip-hop oriented. For me, that's high energy - people being able to dance, being able to vibe out - but with an ethereal factor. When I perform, I'll have a guy doing live visuals for me or I'll have a guitarist playing a lot of solo, really heavy reverbed vibes and stuff like that.

I really would move to L.A. I'm thinking so hard about it. Like, I wanna move to L.A., but I'm such a New York City girl - the fast life, the runways on the street - but I love L.A.'s vibe, so I would move here, but I'm still thinking about it!

'Don't Kill My Vibe' was made in a writing session, by Martin Sjolie and I, after he'd asked me what I'd been thinking about lately. I started talking about this earlier writing session that was quite difficult. The song is about the feeling of not being respected as a person, and I think that's something that speaks to millennials.

Byrd, the former Klu [sic] Klux Klan Kleagle, is taking a stand over states' rights, or his rights over State, or some such. Whatever the reason, the sight of an old Klansman blocking a little colored girl from Birmingham from getting into her office contributed to the general retro vibe that hangs around the Democratic Party these days.

I love music.. everything from R&B to Rap to Modern Country.. I still haven't figured out my own personal vibe.. it was sort of Nora Jones then sort of electronic.. then country.. it is very hard to make it in the music industry so we shall see if I ever find the time to finish it!

It's completely unsexy [Yello, "Oh Yeah" 1985]. It does capture that weird '80s materialism and "We're gonna get it on now" vibe. But it's a very juvenile approach. It also became a weird signal for comedy, in the sense that when you heard the song, it meant comedy was happening on screen. I feel like this song was probably done in a couple of minutes in a studio.