Top 1200 Videos Quotes & Sayings - Page 18

Remember, when YouTube was founded in the U.S., America's Funniest Home Videos had been around for a long time. In China, the history of TV as well as user-generated video is very, very short. So, we've actually had to do a lot of things to motivate that.

I'm in so many videos. There was a period of about two years where I danced for everyone: Kylie Minogue, Ed Sheeran, Jessie J, Taio Cruz. It got to the point where my fees were double the other girls', and I wouldn't even have to audition. They'd call my agent directly and say, 'We want twigs to come in.'

Now in the States if you look at the TV, you see the advertisements, the TV programmes, the pop videos, and the movies, they're all the same style. I think it's very condescending to the audience to assume they only have a three second attention span and so they don't leave anything on the screen for any longer. I don't understand that.

I'm inspired by my surroundings. That's why I create dresses or videos around simple everyday things! I also love playing with nostalgic things from my childhood like cartoons. I like my art to trigger some sort of memory from my viewers, something they can relate to.

The stereoscopic panoramic videos that we're showing on Samsung VR are getting a lot of positive traction. It's exciting when you see creative types - whether from the music, film, or video industries - look at this stuff. The gears are turning in their head almost immediately about how they can use it as a new medium.

Why is the world round? Why do the suckas bite? Why do the freaks come out at night? Why they paint Jesus white? I sit and wonder why we breakin hip-hop laws, Doing videos in houses that we know ain't yours.

The belief is more and more as we use iCloud services for documents and our photos and videos and music that perhaps the most price-conscious customers are able to live in an environment where they don't need gobs of local storage because these services are lightening the load.

I have an office full of product from brands trying to be in videos and an inbox full of songs from artists, but at the end of the day if the artist doesn't support the brand or it doesn't make sense for the song, then it will never work. What we do is try to pair them up so that both sides are happy.

The queen of aggregation is, of course, Arianna Huffington, who has discovered that if you take celebrity gossip, adorable kitten videos, posts from unpaid bloggers and news reports from other publications, array them on your Web site and add a left-wing soundtrack, millions of people will come.

I'm a commercial director; I do some very very commercial stuff in the commercial world. My music videos are always analyzed. I need to think about what the audience is going to think.

I've learned to wait 'til an idea is worth making. That's not really a lesson I've learned; I sort of always did it that way. But there's no reason or need to make videos prior to when you make a show, because then you need material for it.

As a kid, I'd watch MTV and think how great it would be to have my own music videos on those shows. Now I turn on MTV and, along the bottom of the screen, it often reads, 'Coming next... Pixie Lott.' That's so strange that I can't even begin to make sense of it.

Obviously, people who commit crimes should be punished. Even people who steal socks and 'Snow White' videos should probably do time if they have priors, especially serious priors. But the punishment has to fit the crime, and the standard has to be the same for everyone.

Making YouTube videos while I was in school, I was fortunate enough not to really have any negative repercussions from it. I had a lot of positive feedback from my friends, who thought they were great and thought they were funny and that what I was doing was really cool.

I was cast in commercials, music videos, and booked a lot of modeling jobs. But my acting career never took off because I was holding myself back. I was acting across from male partners who didn't know that I am trans. I was being taught by teachers who didn't know.

Every day, three times per second, we produce the equivalent of the amount of data that the Library of Congress has in its entire print collection, right? But most of it is like cat videos on YouTube or 13-year-olds exchanging text messages about the next Twilight movie.

I feel like once the song is done, you put it out there and if people want to do bizarre remixes, if people want to make strange videos, great. You know, like chaos theory applied to the music business.

One night I couldn't sleep and I was up and just Googling random stuff and I'm like, 'Hmmm, PETA.' I saw all the videos and I just thought it was horrible, Pickler told People. It's animal cruelty. A lot of it has to do with knowing what happens to the animals and it really bothered me and so I will not eat meat.

Technically, my first acting job was in one of my videos for a song called 'Retrospect For Life,' which Lauryn Hill directed and featured an actress by the name of N'bushe Wright, who played my girlfriend who was about to be pregnant. I remember being so nervous about it, but now I feel like I can conquer the world with it.

My true memory has been tainted by old home videos of my sister and I, ages 3 and 5 respectively, singing karaoke to Britney Spears' 'Lucky' in our living room, and tape recordings of my parents trying to elicit songs out of our throats at a similar or younger age.

Growing up, I watched other teams, and I fell in love with Arsenal. I wasn't really interested in posters, but I saw many, many videos. Players like Thierry Henry and Patrick Vieira made me love the club, and I dreamt of going there.

He [Mark Webb] is very savvy, technically, he's shot so many videos, he knows how to get what he wants. The surprise, of course, is that he's also an extremely humanistic story-teller. He's obsessed with story and character, and not just making it look right, which is a double-thred that's rare in directors.

I have seen videos of Sugar Ray Robinson and Willie Pep who did a million other things than just punch, to set up a perfect shot or to offset their opponents' rhythm. Boxing is incredibly complicated. It's not Rock'em Sock'em Robots.

Most contemporary artists are behind the bubble in time. They're making videos that are so incredibly boring compared to a good movie. Or they're making work where I say, "You realize minimal art is 50 or 60 years old?" That's what I tell people to shock them. They just blanch.

All the information you could want is constantly streaming at you like a runaway truck - books, newspaper stories, Web sites, apps, how-to videos, this article you're reading, even entire magazines devoted to single subjects like charcuterie or wedding cakes or pickles.

We have home videos that are really great tape on my parents being hysterical. So I think I always knew that my parents were funny, so I think that I always felt comfortable using comedy in my real life.

Michael Jackson loved epic symbols. In his shows and his videos, he always destroyed or salvaged worlds; he was the hero of parables about street violence, sexual combat, war and natural disaster. It was always apocalypse or apotheosis now.

When my YouTube videos started to get really big, I was like, 'Man, this is pretty sweet.' It started as my hobby, and then I started traveling and learning how to play different instruments, and then it just kind of became my life.

I wanted people to know that I'm not just a guy who does weird videos on the Internet. I actually am a filmmaker, and I can tell stories, and I can create something that's 90 minutes long that feels just like any other movie you see in the theater, and hopefully enjoy.

It is easy to fall into despair thinking about all that is wrong with the world. The joys seems so small in comparison. Internet videos of cats riding Roombas just can't compete with a father talking about how his dead 13-year-old son had wanted to be a pilot.

Every day, three times per second, we produce the equivalent of the amount of data that the Library of Congress has in it's entire print collection, right? But most of it is like cat videos on YouTube or thirteen-year-olds exchanging text messages about the next 'Twilight' movie.

I don't work with Sia every day; it depends what we do, whether we do performances or music videos, so the schedule is weird, but when we're off, we always try to see each other in between. We just hang out; we went to brunch one time, but for the most part I go to her house, and we eat and watch TV.

When you are doing music videos through the '90s, which I did, and the 2000s, you were put in the position, really, as an independent filmmaker. You were being financed by a major record company or a minor record company or whatever.

A lot of people were getting million-dollar deals from music I felt was trash, because their videos were going viral. I wanted to put out music that had soul, because that's what was missing.

I grew up watching MTV, so it's very surreal to me to think that there might be someone out there watching MTV, looking at us the way I used to look at Davis Madonna and Duran Duran videos.

Now it seems like hip hop belongs to the people you see in the videos and radios. So I want to give it bring it back to the hood, make a statement for NY to put us back in our proper perspective, and of course let them know that Ra still spits fire.

The Grime guys have kind of rewritten the blueprint for people as far as creativity, songwriting, ownership, doing your own videos... So they're sending out a real positive message I think to people, that you can do it yourself in a punk way, and you can still potentially be successful and get to people.

I originally started GoPro with the sole purpose of helping surfers capture photos of themselves and their friends while they were surfing. I thought it was crazy that very few surfers had any photos or videos of themselves.

Two things - one is obvious: always keep making. The second thing, with regard to music videos specifically - the music video industry can be a place that takes advantage of young freelancers and filmmakers. Make sure you're making stuff that you're proud of and you can get behind.

Hip hop has been an integral part of my life and my whole career. I started off doing videos with Ice Cube, and Dre, and Mary J. Blige, and TLC. So I've been involved in hip hop since the beginning.

Films and things like that are really my first love and, so when we get to make videos it's just as important as the song. To me it's not a commercial, for me it's a whole work of art on it's own so, we plan on working on a movie and things like that in the future so.

We knew how important it was to have a DP, because most web videos are horrible, because they shoot against a white apartment wall with no directional mic, you know? Those simple things, like knowing you have to have a sound guy, and that a YouTube video needs as much color as possible.

I write my own blog every day. I do the Twitter every day and the Facebook. Without a gap. I do everything myself: I load my own photographs; I sometimes take my own videos and post them.

Videos are tricky because stuff sounds amazing on paper and it seems like it's going to be this mystical experience and you're going to look back and go, "Wow, that was magic." But more times than not, it doesn't end up that way, so I never know what I'm going to get.

I weep when I see these videos that are sent to me from all over the country. Whole groups of bodies jerking out of control, falling on the floor, laughing hysterically, staggering around like drunkards Anything that cannot be found in Scripture has to be rejected outright - totally rejected.

There are really cool or funny videos, or visually stunning photos, and that's fine, but none of them really give you more when you close that tab, you know? I try to find stuff that a little bit, in a tiny way changes how you see something about the world.

I care about making music and I care about creating experiences for my fans with my music and my videos and my performances.

We counsel you, young men, not to pollute your minds with such degrading matter, for the mind through which this filth passes is never the same afterwards. Don't see R-rated movies or vulgar videos or participate in any entertainment that is immoral, suggestive, or pornographic. Don't listen to music that is degrading

I learned how to make videos, I learned how to make music, I learned English from the Internet. It's such a great platform, too, to release your stuff.

I think that now that we are seeing multimedia types of productions with videos and pictures and human beings performing the acts that animals used to perform, such as in Cirque du Soleil and other traveling troops, there is no need to parade animals around anymore in cages for personal gratification.

Well, I think that the image is a part of me. I wear the baggy pants, the hats, the whole nine. And you know, I may add a little for the excitement and the intrigue in the videos, but my family has told me that little air of mystery that surrounds me is for real.

I don't think we should see the world of books as fundamentally separate from the world of the Internet. Yes, the Internet contains a lot of videos of squirrels riding skateboards, but it can also be a place that facilitates big conversations about books.

On the videos for '1234' and 'My Moon My Man' I wanted to make the songs visible. And, really, what way can you make sound visible other than good old naive dancing? I was working with a choreographer, but I'm not a dancer. Any notion of elegance is impossible with me.

I think it's important to find somebody who you trust, who has the same vision. If I were to do that myself, and not trust anybody to do it for me or with me, I would have to spend as much time as I have learning to make music on making music videos.

For a million dollars, the Russians would take two people, a million apiece, around the moon and back. However, stories, videos that come from the space station, and other people, are a great inspiration to young people for an exciting career field.

When we first started making videos, we didn't have a boom mic, so we had to talk really loud. And then we got a boom mic and were like, 'Wow, we're shouting,' and had to learn to bring it back.

I find it so funny that for the first time in history, people have access to this great equalizer in the Internet, which grants everyone the same knowledge base, and we use it to read album reviews and watch kitten videos... not to put those two things in the same light!

Fueled by Ramen was maybe the first company to see YouTube as a place where music videos would go. The music video, which could never quite find a place on TV, has found its final form on YouTube.

The queen of aggregation is, of course, Arianna Huffington, who has discovered that if you take celebrity gossip, adorable kitten videos, posts from unpaid bloggers and news reports from other publications, array them on your website and add a left-wing soundtrack, millions of people will come.

Oh first, let me tell you how amazed I am by the wealth of talents in the Philippines. I remember watching a lot of home videos about Filipino artists, and they are really very talented. That really motivated me to always do my best and to stay inspired.