Top 1200 Videos Quotes & Sayings - Page 19

I just feel like people would watch me do anything. I could make two hour videos of me putting bracelets together and people would watch that.

It's been a very strange trajectory because I struggled for so many years. I mean, I was doing these videos, I was doing these live shows, I had a lot of fans in New York, the press would write about me, but I couldn't get a paying job, and so my father and I were really like a team.

Going on You Tube, you see a lot of my videos. And I'm glad; there's numbers there. And I get this all the time, that when I'm actually in concert, there's a whole new level to it. There's this whole new energy level. It's hard to describe. But I just love to play, and I never take it for granted.

When I started 'DailyGrace,' I was dating a 26-year-old guy I thought was the funniest person in the world. My creation process every day was imagining him watching my videos and wondering, 'Will he laugh at this?' But somehow that's turned into an audience that's mostly 15-year-old girls.

My career was exploding at the same time that social media itself was expanding. But when my online videos were taking off, I didn't think, 'Oh, great! I'm going to be able to parlay this into a career!' I just wanted to be a comedian. I just wanted to perform live.

The thing is, I am addicted to social media. I can while away hours scrolling through posts and pictures, wallowing in the details of other people's lives, catching up on news, giggling at funny videos, all the while oblivious to a sunny afternoon or the washing up.

There were a lot of times people would do my makeup, and it would be awful, and I would be orange. Nothing matched. So then you learn how to do your own makeup. I watched a lot of YouTube videos when I was little and taught myself.

I never thought to look at the New York Times one, even though I knew people were pissed off. I've seen YouTube videos from people who are pissed off at me about that and that takes a lot of effort to go find.

'Bad Boys', which Bay made when he was just twenty-eight, having never made a movie before, having done a string of commercials and music videos with artists ranging from Donny Osmond to Meat Loaf, grossed more than $140 million worldwide.

I'm not really big into Twitter and stuff, but I like to post really cool music videos, just sort of spread a positive light on things that interest me. As opposed to, "I hate so-and-so because they were wearing the same hat as me." That's just so pointless.

A film album has these big stars - like a Shah Rukh Khan or a Salman Khan. Independent music videos don't have that luxury, and you cannot feature big stars in all the songs of your album.

Rodney King is a progenitor of all these cell phone videos that we have. It was unusual that a person had a video camera to take a picture of the Rodney King beating. Now, of course, everybody has a phone, and that has been one of the key factors in all the new attention to the issue.

Robots already perform many functions, from making cars to defusing bombs - or, more menacingly, firing missiles. Children and adults play with toy robots, while vacuum-cleaning robots are sucking up dirt in a growing number of homes and - as evidenced by YouTube videos - entertaining cats.

Kids today are sold so much, by corporations and media and commercials and advertising and music videos, that I do. A lot of times, they retain that stuff and wear it, and that's the concept of a hipster. It's about owning it and redefining it, on your own level. It's a way of retaining control and meaning, in a world where you're being told to think in a certain way.

I had a strong interest in free online education, and I was interested in what videos and formats would work for it. A lot of education workers were very sceptical about what computer scientists were doing. It was only after the first visible success of MOOCs that they started to take it seriously.

We live in the world of images, but we also live in the world of the Internet, of zapping and where people move. You can make little videos on your phone. I love very composed images, but the idea of moving pictures with a story, with a plot is quite interesting, too.

For me and MTV, it was always the MTV year-end countdowns. It was what I'd look forward to honestly every year just as much as Christmas. When Christmas was over, the top 100 videos of the year would lead up to the ball drop.

No matter how many great things you say about Jacques Pepin, there's always more. Through his books and videos, he taught me the importance of technique in the kitchen, but, more significantly, he showed me what it means to be a great teacher and educator.

Whenever I felt tempted to, I don’t know, watch cat videos or bad Netflix TV instead of writing this Brandeis biography, I thought of his stern but kindly visage and buckled down and wrote the damn thing, because there’s so much information out there, and these are such anxious times in democracy, such unreasonable times.

My guiltiest pleasure? 'Untamed & Uncut'. Videos of people being attacked by animals. Yeah. I don't know why. I just love seeing guys who say, 'I'm gonna stick my hand in that crocodile's mouth and see what happens.' And then it snaps down on them. There you go - that's what you get! It's a wild animal, my friend.

You don't make stupid internet videos or show people you have too much free time, you just say the right things and they'll be like, "Damn this dude's a real person and I can relate to that." That can make somebody's life, that can make somebody's day, that can be a line that they never forget.

I was the first South Asian female to do comedy videos on YouTube. But at the same time, all races face their barriers, and I've learned through YouTube, if it's not race, it will be sexism, if it's not sexism, it will be homophobia. It will always be something, and all voices should be heard.

If you watch Justin's early videos, I never let him say, 'My name is Justin Bieber,' and then start singing - he always just sang. And the reason I did that was I wanted you to feel like you were in the room. Or maybe you were seeing something you weren't supposed to see.

I have a taste for a lot of different kinds of music... everything, from hip-hop to jazz to R&B to top 40 to alternative. There's a lot of good music out there. Every now and then, I'll flip through VH1 and watch the videos... the only thing I really don't listen to is country.

I went with the flow. I never knew this could be a career option. But as a 21-year-old desperate for people to watch his content and hear his music, I could go to any extent. Creating four videos a week, only a man sitting empty can do it.

I have looked at videos of many great champions like Muhammad Ali, Sugar Ray Robinson, and Joe Frazier, who each had special qualities. I never say one particular fighter is the best ever because each has a special unique style of fighting.

I turned on VH1 this morning just to get a little warm-up before I came over here, and I think it's just terrific. There's so much great stuff: diverse and wonderful music, good performances, great looking girls, great videos, the whole thing.

My own experience with that brief moment where I had videos on MTV was that nothing was ever good enough. When you hear people say, "I was unhappy the whole time," that sounds ridiculous. I think this is a theme among people who seek fame, not just musicians. There are a lot of bitter, disappointed people.

More exposure has give to me more discipline because I am seeing that more people are wanting to observe what I am making/filming/singing; this does motivate me to make videos for every week.

Like any other creative person, I would make home videos, and I would make sketches with my friends, and I would make my own movies, so I have some love for the creative process.

She is always going to be Diana Ross; she doesn't have to put out another album to keep at it. I'm not Diana, but people know me from the stuff that I've done. And that stuff, those videos, live forever and will continue to be discovered by a new users.

No matter how much we're on our phones, going to the show is the goal - you look at things online and watch videos and read blogs and comment, all so that you can go in person and see it yourself, and meet these people in real life, and then so you can go home and talk about it again on your screen.

Pop music means everything to me. I've been listening to pop since I was kid, running home from school to watch Britney Spears and Spice Girls and Christina Aguilera music videos, and it felt like it was a world to escape to for me personally.

I submitted videos and applications to talent agencies and TV shows; I drove to Vegas and visited agents. I was on 'America's Got Talent'; I played for free at venues in attempts to be 'found' and yet all the experts in the entertainment industry told me that what I did was not marketable and that I had to join a group or do more traditional music.

When someone tells you they’ve just bought a house, they might as well tell you they no longer have a personality. You can immediately assume so many things: that they’re locked into jobs they hate; that they’re broke; that they spend every night watching videos; that they’re fifteen pounds overweight; that they no longer listen to new ideas. It’s profoundly depressing.

I always felt really alone because no one wanted to talk about the things that I enjoyed, and that was really rap music and hip-hop as a culture. You know, having the shoes, using the words, buying the magazines, seeing the videos. And I had nobody to share it with, so I feel like I lived a lot online.

I love making YouTube videos. I love Tumblr, I love Twitter. I love talking with people I find interesting about stuff I find interesting, and the Internet is a great way to do that.

I always say that there are manufactured coaches and natural coaches. I am one of the natural ones. I do not have to sit there and watch videos for hours. I look at what I have to watch, and in a quarter of an hour, I understand what I can understand.

I think most people, in their lifetime, have seen somebody who has the ability to use force lord it over other individuals. I see a lot of those videos, and I am disturbed by people being yanked out of their cars, and it seems to be a disproportionate amount of young black men. I'm disturbed by it.

Vast volumes of mixed media surround us, from music to games and videos. Yet almost all of our online actions still begin and end with writing: text messages, status updates, typed search queries, comments and responses, screens packed with verbal exchanges and, underpinning it all, countless billions of words.

On YouTube, there's a right-wing extremism funnel. You start by watching a college student ranting about how dumb feminism is. It's wrong, but it's not especially sinister. And then, three suggested videos later, you're hearing about why we need a white ethno-state to save the race from a third-world invasion.

I want to change things with everything I do, not for the sake of changing things, but for the sake of taking greater and greater risks, or how minimalist I might be able to be, or how I can involve elements or ingredients in music videos that are not musical, for instance.

Despite all the videos you see from the Ministry of Defence or the Pentagon, and all the sanitised language describing smart bombs and pinpoint strikes, the scene on the ground has remained remarkably the same for hundreds of years. Craters. Burned houses. Mutilated bodies. Women weeping for children and husbands. Men for their wives, mothers children.

Palestinian militancy has accomplished nothing but increasing the misery of the Palestinian people. If Palestinians instead turned more to huge Gandhi-style nonviolence resistance campaigns, the resulting videos would reverberate around the world and Palestine would achieve statehood and freedom.

I still make videos in my bedroom by choice because that's the feel of my comedy, but the opportunity to make longer format content with a production company, with a team that's a bit more elevated in that sense, is really exciting for me because it's not that it's better than what I've already been doing, but it's different.

I can't even remember anything before Albee. There is this bursting love you feel, but it's so intense and so all-consuming. I've become one of those psychopath mothers who loves looking at my kid and being with my kid, and then, when he takes a nap, I'm just looking at videos and pictures of him on my phone. I'm obnoxious.

If the church could catch a vision for using video technology to present an authentic presentation of the life of the church - not rehearsed videos, but spontaneous records of conversations, laughing with one another, weeping with one another, people sharing their lives, etc. - the average person might take notice.

I do disagree with the way videos of my songs have been made. 'Afreen Afreen' is a very powerful song; it did not require such a video. The emphasis should be on the song. Again, I have told my recording company, and in the future, they will screen the video only after my approval.

The contrast of ISIL's videos - which proclaim a fully-functioning and prosperous state - with those of RBSS, which captured the dysfunction and violence of everyday life, is shocking. In a sense, it's a war of ideas, a war of propaganda, a war being waged with cameras and computers, not just guns.

The DC Universe Animated made for videos, which we do in cooperation with Warner Animation, are very intentionally scheduled at 3-4 a year, depending on whether or not there's a theatrical tent pole release in a given year, in which case we may choose to do four of them a year.

My own personal aesthetic is all to do with real actors and real locations and a kind of almost hyper reality and actuality to things. But the digital world, I explore that through other mediums, with music videos and commercials. Even 'The Road' was a real learning curve for me with digital effects.

It's really important to me to still spend time in the ends - I'm there all the time. I do my videos there, I still talk about it. It's important for me to be an inspiration to the youth of the area and not just leave now I've blown up.

After 'David Pumpkins,' a lot of people were sending me pictures dressed up like David Pumpkins and the skeletons, and videos of kids reenacting the sketch, doing the skeleton choreography. It was really cool to see yourself out there in the pop culture of the world.

I've come across people referring to themselves as 'Vine famous.' Some of them started out by putting up Vines just for fun, then all of a sudden they get a bunch of fans, and a week later their Vines are totally different. They become obsessed with how their videos will be perceived.

I've tried to stay true, in my own fashion, to the ideas of The Sex Pistols, even while I was working with bands like Duran Duran or the Stones, whoever it might be. The thing that was attractive to me personally about videos in the beginning was that it was uncharted territory, and in a sense the record companies didn't know what they were doing.

I have a video store next to my apartment in Paris, and they still have most of their videos on VHS. A lot of people think Be Kind Rewind is set in the past because they just wipe this reality out of their head, but it is true that there are a lot of movies that don't exist on DVD. But I'm not like a big movie buff.

We are raising a generation on the spiritual junk food of religious videos, movies, youth entertainment, and comic book paraphrases of the Bible. The Word of God is being rewritten, watered down, illustrated, and dramatized in order to cater to the taste of the carnal mind. That only leads further into the wilderness of doubt and confusion.

Lives are saved when those potential killers are confronted by a police officer, a strong police presence and actual, honest-to-goodness, up-close 'What are you guys doing on this corner at 1 o'clock in the morning' policing. We need to be careful it doesn't drift away from us in the age of viral videos, or there will be profound consequences.

I was super-obsessed with cover videos. When I was, like, 10, I would come home from school and watch them from 4 o'clock until 8 o'clock every night. I was so intrigued that people took these super-popular songs and did them their own way.

In an age of social media and content being key, it's important to change the mold where you have $100,000 to $150,000 for one video. I hired some guys that are young, just out of college, and we used some new, far-less-expensive cameras and technology to make videos.