Top 1200 Videos Quotes & Sayings - Page 2

I'm definitely inspired by Michael Jackson. I watch all his videos all the time. And Busta Rhymes, early Busta Rhymes - I really was inspired by him. He's really the reason why I started rapping. Because all his visuals. I loved his videos when I was younger.

I love everybody that's with me. All these dudes from Paterson - nothing happen to none of us. We won't go to jail. I make sure we don't. We don't stand on no corners. Ain't nobody carrying when they ain't supposed to be carrying. We don't pose with guns in the videos; we don't leave guns in the house. You'll never see Fetty Wap posting no videos with no guns.

The videos I put on YouTube have expanded my audience beyond what I could have done at just a Hamburger Mary's. People saw the videos, started booking me, and literally 40-plus countries and thousands of gigs later I can basically say that YouTube has bought me a house.

Music videos are so incredibly relevant, but I don't think they're relevant on broadcast television anymore. I think they're much more about the power of the Internet. The stakes in advertising is a very different game. There's a lot of money involved and a lot of pressure. I miss the freedom and the rock-'n'-roll spirit of doing music videos

I never knew I wanted to become a ballerina. I was discovered at the age of 13. I had a love for movement even though I had no exposure to dance other than what I saw in music videos, like hip-hop music videos. But I knew that I loved moving.

I have my website, The Ruckus, which is an Internet site, similar to the Funny or Die format, where people post funny videos. I get a chance to rate their videos; they get a chance to blog and kick it with me.

A Red camera is the best. When I started shooting videos, I had to pay ten thousand dollars just to rent one. I was like, 'I do all these music videos, and I still don't own a Red camera?' So I spent about a hundred thousand dollars to buy one. My own bread. Boom!

Make movies. Don't make videos. Videos are evil.

I still direct my own videos.

I do not click on random youtube videos.

What I realized with Funny or Die is that I could take it into my own hands. On a much smaller scale, I think these videos are an accurate representation of who I am. As weird as they may be, I'm at least proud of them, and it showed that I do have a slightly different voice. I can't tell you how often people bring up these videos in interviews, and I'm so happy to talk about them because we created them from the ground up.

I carry my own film guys with me now. People think that's a huge expense, but with technology like it is these days, it's not. You can film videos and everything with a Canon Mark II, and shoot a movie. They're doing it for next to nothing, by comparison. I can do ten videos for a project for the price of one mainstream video in the past.

You know that that thing is going to be as crisp and as clean, as many times as you want to watch it. So, I knew that the film was going to be watched multiple times, a lot like with music videos. Music videos aren't designed to be watched once. They're designed to be watched hundreds of times. On a certain level, the film was dream logic-ed, like a music video

The production value of YouTube videos is not there.

I don't want to make silly videos.

I'm perfectly happy for my videos to be on YouTube, whether I'm getting paid for them or not. If they're on YouTube, people will see them. If for some reason my videos get taken down from YouTube, well, I apologize. If it was up to me they'd all be up there and they'd all be free.

I'm usually so in control, especially for YouTube videos.

I'm all the way hands-on when it comes to my videos.

Don't go to college. Make videos on YouTube.

When I started out the videos, I was dealing with depression, and I wanted to make inspiring videos for others, which would end up inspiring me in turn. I wanted to show the world that it was possible to make a positive switch in life and start over.

We started about three years before YouTube existed, so we had to host all the videos on our own servers at a co-location facility. When we got so many hits on our first few videos, and we estimated our bandwidth bill was going to be about $12,000 a month, we knew that we had to establish a business model ASAP.

I have videos of me playing basketball in diapers.

I accept that appearance is a big thing in this business. But being around Hollywood and having actor friends and doing music videos, it does make you more aware of how you look. With music videos they send you rough cuts, and in certain frames of me, I just see a nose advert.

Music videos may seem old hat now, but let me tell you, in the summer of 1981, MTV was indubitably the coolest thing ever invented. And the people who were in the videos... coolest people ever. No question.

I just made random videos with my mom's camera, before YouTube even started. It was just my family and friends in a few spoofs of scary movies and mock talk shows. And then I found out about YouTube so I posted a ton of those videos on there.

YouTube has a stigma about only kids watching it. That's true. It is mostly kids and teenagers who watch it. But I've never made videos for teenagers. They should not be watching my videos.

The visual side of being a performer or in a band is, to me, as important as the music. I know not everyone shares that same opinion, but when I'm writing songs or working on lyrics or coming up with an idea, I think about videos as I'm in the studio. If I had all the money in the world, I would have the most amazing videos ever, you know? You're saying grandiose, and big; if the song warrants it, I try to push the visuals as far as I can.

Skillshare is a terrific online learning community for creative people. It teaches you new skills through well-made videos with great production values. I've been using Skillshare to teach myself Adobe After Effects. All the videos feature people who are professionals in their field. I love this site.

With these Funny or Die videos, I do everything for them. I write them, act in them, and co-direct them with my buddy Brian McGinn, who I grew up with. We also edit them together. We're working on a small scale of Internet videos, but we're slowly trying to make them become a bigger thing.

There was a time when country never used to do videos.

We have tons of live performances that we're putting on there. We have music videos. There's a music video for the song called I Am Jesus what is one of the funniest music videos, like we just could not find a place for it in the movie, but it's like crazy funny. And we have the whole video.

I was doing these music videos online for a couple years, and they'd be doing well to varying degrees. And I released an album, and with the album, I released three new music videos, and one of them was featured on Jezebel.

When I do videos, it's just myself.

Just make videos about things you love, and people who love the things you love making videos about will find you.

I make videos which are works of art in themselves which have nothing to do with Hollywood movies or anything along those lines and I like videos because they deal with light and dark and time and change and they're just another kind of medium that I can get into and work with when I choose to other than, say, doing something on the wall or a window.

Are all my videos a hundred percent real? Absolutely not.

All true artists in the world from all countries and all genres are influenced by Michael Jackson. There were music videos before Michael Jackson, and there were music videos after Michael Jackson. He brought such a huge change in the marketing and positioning of the music video.

Collecting cookbooks is still my biggest passion! Believe it or not, I actually got the biggest form of inspiration from my kids. My kids do everything online. They would have their tablets in front of them watching hours upon hours of online videos. I came to understand that these videos were actually teaching my kids lots of different forms of information.

I don't take my clothes off in my videos.

It's hard for new directors to find good tracks because we don't usually get to choose good music by good artists. I honestly think music videos will slowly die out. There will always be a few directors who do cool things. But look how many great videos there were in the '90s, and then look at the 2000s. It's depressing.

I have some of the old videos of my performances on it.

I think of music videos as commercials for songs.

I don't take my clothes off in my videos

I love movies and I think that we wouldn't ever stop making videos just because people aren't watching them. I think that's just kinda sad. It would be cool to spend a lot of money, but we'll always make videos just for ourselves.

Videos of Antifa violence, some of them doctored, are regularly shared on conservative, pro-Trump and conspiracy theory-pushing websites, often with commentary that suggests the media purposefully ignores those events. These videos often do not often include wider context or numbers.

I produce some of my music videos on a $200 budget. But I produce most of my videos on zero budget. I have a studio in my apartment - which is actually just a green screen I have tacked on my wall and some lamps to light everything.

I've always loved UFC. I watched it back since the days it wasn't big in Australia at all, and you had to watch a Blockbuster videos. They would always come like a year late, but I tried as many of the live ones I could or wait for the videos to come out. So, I've loved the sport for that long. I've always been into martial arts.

I think all my videos suck.

All my records and videos were groundbreaking.

Film was something that I didn't see as a step up from music videos, though obviously, music videos, the fact that you work with a crew and a film camera, are the closest to film I've ever been. That is the only schooling I've ever had.

The videos are definitely as important as the music.

My photography changed from being more documentary-like to arranging things more, and that came into being partly because I started doing music videos, and I incorporated some things from the music videos into my photography again, by arranging things more.

The ice bucket challenge went viral in 2014, partly because it was so much fun to watch videos of celebrities or friends dumping ice water on their heads. Videos of people in the challenge have been watched more than 10 billion times on Facebook - more than once per person on the planet.

We always need to have someone help with videos, I think all of our DVDs could've been better but our music video, I love all the music videos, but the actual behind-the-scenes and stuff of our music video DVD, it was rushed and didn't turn out great.

I occasionally watch provocative videos.

We [musicians] are comfortable in front of the camera doing music videos, and it's almost a form of acting when we're doing music videos. We're acting out our own thoughts and what we've written down on paper.

You don't have to take my word for it, obviously, but in making 1,000 videos, 98 per cent of them I lost money on. So I know a thing or two about staying true and rising above the money. Because if I was for the money I would be someone who'd put up Coca Cola in my videos left and right.

I have a ton of videos on MySpace and YouTube.

Artists frequently argue that videos trivialize a song and that touring for months at a time works against the creative process, not to mention maintaining a normal lifestyle. Doing something about these complaints, however, is rare because promotional videos and touring are considered essential elements in building multimillion-unit album sales.

Goat screaming videos are hilarious.