Top 549 Viewer Quotes & Sayings - Page 4
Explore popular Viewer quotes.
Last updated on April 21, 2025.
The fear for a network is the viewer gets tired of you. Not that you lost any credibility, but they get tired of you.
I aim to create furniture that appears in a room as buildings on a skyline and reminds the viewer of the interaction between objects of design and architectural space.
The internet creates chaos and a dangerous kind of piracy but makes the viewer much more active and gives the voice to minority players.
The problem with shooting in Paris is, it's been shot to death. When you're in it, you already think you're in a movie, so how do you get away from that feeling, and give some frisson to the viewer?
If Im feeling outraged, grief, disbelief, frustration, sympathy, that gets channeled through me and into my pictures and hopefully transmitted to the viewer.
As an actor, the whole process of shooting for movie or television is so artificial though the final product may be extremely realistic to the viewer.
'The Wire' is my all-time favourite show. It takes its time, and it doesn't spoon-feed the viewer.
I don't believe in using too much graphic violence, although I've done it. It's better to be suggestive and to allow the viewer to fill in the blanks in their minds.
As an anchor, I want to make sure we're exploring all angles on a story. The viewer can make up their own mind.
My ideal audience is on the young side, eager to mutate and move to a higher level of consciousness. I want my images to turn the viewer's brain into what it is: a flying carpet.
There's that rule: Don't show any of the other cameras. Why? Do you think the viewer doesn't think we filmed this?
As a writer, I've tried to avoid strong opinions about morality. You just want to present things as they are and let the viewer come to their own conclusion.
As a viewer myself, I tend to gravitate toward projects that have a really strong voice of a strong creator.
I love Vines. You make this 6.4-second drama, and you can reach 6 million viewer, and make people laugh. I find it so fabulous.
Not everything in life can or should be explained. Part of every painting should be incomplete...to be completed in the mind of the viewer.
It's always been about when I do theater, the audience is just a viewer, not taking part in what's onstage. Whereas if you're doing stand-up, it's inclusive.
Every viewer is going to get a different thing. That's the thing about painting, photography, cinema.
I've learned that the effort sportsmen and women put in is incredible. Their commitment to their sport is phenomenal. Sometimes as a viewer, as a sports fan, you only see the end result.
Painting has this ability to send the viewer [backward], but it's also this physical object in the room with you. It's always knocking you back into the present moment, which I find very pleasurable.
I always say that photography's closest cousin is poetry because of the way it sparks your imagination and leaves gaps for the viewer to fill in.
The job of the director is to suggest two plus two. Let the viewer say four.
The one thing that seems to be consistent through all my work that I like, and I experimented a lot, is the viewer is allowed to meditate on something that normally we don't stop and stare at, whether it's people or a cactus.
Every role is physical to a certain extent, but as a viewer, I don't respond well to actors doing more than they need to tell a story.
The promise of any artwork is that it can hold us - viewer and maker - in a conflicted or contestable space, without real-world injury or loss.
We provide new programmes, concepts, shows, regardless of what's on other channels. After all, we command viewer loyalty and we are trustees of public faith.
If I'm feeling outraged, grief, disbelief, frustration, sympathy, that gets channeled through me and into my pictures and hopefully transmitted to the viewer.
In episodic TV you have to keep things secret to keep the viewer in suspense.
As a viewer I came of age during a time when cast members were prone to fistfights. So I may be carrying a little of that kind of image in my head.
My work has threads of ideas from all over the place. I try to crystallise them in something simple and direct that the viewer can then take where they want.
In virtual reality, we're placing the viewer inside a moment or a story... made possible by sound and visual technology that's actually tricking the brain into believing it's somewhere else.
As a viewer, I really want to watch author-backed stories, and there is something amazing about thrillers, the way it captivates your imagination.
If the actor points a fake gun and pulls the trigger, and you have to fall to your knees, you really do have to sell it. Otherwise, it takes the viewer out of the moment.
The greatest skill that I have is what the viewer has: I listen. I try to listen silently.
Are we blasphemous in saying that 2-D is largely a thing of the past, and computer-generated animation is the present and future? It's all about creating a better experience for the viewer - and that includes 3-D.
I believe art should be an integral part of life. I try to give my work an almost magical energy that makes the viewer feel good.
Everything you do is about creating an experience in the viewer's head. If you're rude or irritating as a performer, then your magic is irritating.
I am not the most objective viewer of my own work. So I have different thoughts about my work.
What exactly is 'viewer discretion'? If viewers had discretion, most television shows would not be on the air.
If the face appears, the picture is inevitably a portrait and the expression of the face will dictate the viewer's response to the body.
I don't like reverse-angle shots - I find them very fake and very untruthful to the viewer.
Put a symbol, or language of some sort, in a painting and it will be noticed by the viewer whether or not they can read that particular language.
I'm not sure I'd have said, 'I'm a fantasy viewer.' Now I know I am, because I sat and watched 'Game of Thrones' and have never been more invested in a show in my life.
I don't like the idea the viewer can kind of sit there and go, 'Make me like this person.' People aren't inherently sympathetic.
As a viewer, you can comment on an actor's looks, but don't target him/her. As it is, he/she may be battling certain physical, emotional or health problems.
All we do is bring the debate from both sides, and let you as a viewer decide where you want to end up on the issue. That's very important. That's exactly what happens in 'Redemption Inc.'
I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer.
I often concentrate on the eyes and lips, they are great indicators of mood and feeling, and I find that I can project character into my portraits by bringing the viewer's attention to these areas.
We live in an age now where so many people watch movies based on what Netflix recommends. It learns your taste and they really understand viewer habits.
As a reader and as a viewer, usually when I watch a movie, I'm caught up enough in the movie that I'm not breaking it down to the details anyway.
I'm not going to let people get away with either a dishonest or inaccurate premise to what we're talking about because I think that does the viewer a disturbance.
I like movies as a viewer that challenge me to actually think rather than spoon feed everything to me.
The power and appeal of Documentary is the way it alters and plays with the way the viewer relates to and understands the subject.
It's always fun when somebody who you admire and respect is the voice - is your voice, as a viewer.
I just feel like you've got to leave the viewer wanting more, and that's what those kinds of videos from the early 2000s made me want.
I have great faith in the intelligence of the American viewer and reader to put two and two together and come up with four.
What I learned, a little too late, was that the 'traditional' Martin Short target viewer weighs under 300 pounds. Unfortunately, I was on during daytime.
When I do watch things, they tend to be a lot of comedies. I actually like some of the British comedy series. But, on the whole, I'm not a huge viewer of anything.
I thought I would call myself a pig before the viewer could, so they could only think more of me.
I am often dishonest in my techniques ... I happily admit to cheating, it's all part of the game. I hope some of the fun for the viewer comes from not knowing what's real and what isn't
It's healthy to have two car shows. Why not? The viewer gets twice as much car show to watch.
