Top 571 Viewers Quotes & Sayings - Page 10

It's very important for us because we are viewers, first and foremost. We view more than we make. For us, it's important that the viewing experience is fun and thrilling and exciting and fresh and different. Those are our goals when we are writing something. When you watch it in the theatre, which I hope you will, how will you have the best experience possible? That's really important to us, and is the most thrilling.

If you read Martin Luther King speeches and sermons in the last two years of his life - you might want to - ?when I read these to my students, they think it's Malcom X because it's so radical. And if you read nothing else - if your viewers read nothing else - then the April 4, 1967, speech at Riverside Church called "Beyond Vietnam," that's where he says the greatest purveyor of violence on earth is my country. And he connects the triplets of evil, racism, militarism, and materialism, and that connection makes him a radical.

I've found that photographs from different genres can be extraordinarily generous with each other. I started out photographing myself in a landscape, moved on to landscapes with and without other people, and then onto buildings, still lives, portraits, and body parts in rooms. If certain aspects of my production are getting more attention right now I think it is directly linked to a general absence of dreamed bodies in contemporary art. Viewers who mainly follow fashion have most likely not noticed this lack.

Television thus illustrates the mixed blessings of technological change in American society. It is a new medium, promising extraordinary benefits: great educational potential, a broadening of experience, enrichment of daily life, entertainment for all. But it teaches children the uses of violence, offers material consumption as the answer to life's problems, sells harmful products, habituates viewers to constant stimulation, and undermines family interaction and other forms of learning such as play and reading.

I like Twitter more than Facebook. Twitter is a great way to deliver and get news. In news writing less is more and 140 characters is great. If you can't grab that headline in 140 characters than it's not a story. Viewers tweet all the time and they tell what stories they like and don't like. It's great to interact with them and get that instant feedback. It's great for the viewer and the journalist.

One thing Fringe has is no shortage of ideas. There are so many jumping off points that we could use and have thought about. I just wouldn't want to pull a trick like that on the viewers. I really want to reward them. I honestly and sincerely feel that it's the most miraculous fan base I've ever seen, so I just want to make sure I use every fiber of my body to deliver for them what I think is going to be satisfying for their loyalty.

When I'm in the process of making a movie I'm not thinking about the finished result, and whether people have to see it once or more than once, and what the reaction to it will be. I just make it, and then I live with the consequences, some of which may not be as pleasant as I'd like! I know one thing, however. Many viewers may come out of the theater not satisfied, but they won't be able to forget the movie. I know they'll be talking about it during their next dinner. I want them to be a little restless about my movies, and keep trying to find something in them.

And you've actually watched it yourself?' I asked. 'Willingly?' Sure. I had to see it, you know? Besides we should be safe. Only one in twenty viewers actually had a bad reaction. And it was mostly kids who were affected. I mean younger than you guys. I think the average age was about ten.' That made me feel somewhat better. But that was a kid's show,' said Jen. 'Maybe it affects everyone, but not that many adults were watching.' That made me feel less better. I wanted my protective bangs back.

You've got the right - you've got a wonderful person with Sheila Bair, most of the viewers have never heard of Sheila Bair. [She] has taken eight percent of the deposits in the United States and seamlessly moved those over to sound institutions which in turn have gotten more capital, ended up, it's been a magnificent job.She'll never get a golden parachute or any severance pay or anything. She's done a great job. We've got some great public servants. We have I think the right people in there to get the job done, and then they need more tools.

It was hard for me to do the show (All-American Girl) because a lot of people didn't even understand the concept of Asian-American. I was on a morning show and the host said, "Awright, Margaret, we're changing over to an ABC affiliate! So why don't you tell our viewers in your native language that we're making that transition?" So I looked at the camera and said, "Um, they're changing over to an ABC affiliate."

I sort of feel that the role of a portrait in society is to represent the sitters, we see paintings of Shakespeare and we believe that it is what he looked like, well maybe a little older, fatter and with a higher hairline. I guess it would be cool if the portraits that were painted really did look like the sitter or expressed some sort of emotion that gave the viewers in the future a sense of the sitter's pathos at the time it was painted.

The whole world knows that American TV companies have monopolized Olympic broadcasts and in order to please the fans in their country they do everything they can to keep American viewers interested in what is going on at the hockey rink in Sochi. According to their logic, Americans should always win, no matter what. It was absolutely obvious that [Fyodor] Tyutin's goal yesterday should have been allowed. This was clear to the whole world except the American referee, American TV and those officials with American passports who rule international hockey, grossly neglecting all Olympic principles.

I can definitely tell you what viewers can expect from Season 2 [of 'Zoo']. It picks up right where Season 1 left off - the gang facing this wall of animals charging at a car. And so, it'll be satisfying in that way. The cliffhanger in Season 1 just kind of went to black screen. It picks up right where that left off. And from there on, the stakes just continue to rise in the season, and I think it's really adrenaline-filled.

To me, it's an assignment, and my job is to tell the story. To me, it's easy, and to me, it's what I'm paid to do and what I've dreamt about doing from day one. Sometimes people don't like the stories, but it is what it is. So to me, I absolutely feel like no matter, if I'm calling a game between my brothers or my parents, the facts are the facts. The story dictates itself to me, and I relay the message to the viewers as well as I possibly can. That's going to be my job whether it's the Warriors or anybody else.

What I never wanted in art - and why I probably didn't belong in art - was that I never wanted viewers. I think the basic condition of art is the viewer: The viewer is here, the art is there. So the viewer is in a position of desire and frustration. There were those Do Not Touch signs in a museum that are saying that the art is more expensive than the people. But I wanted users and a habitat. I don't know if I would have used those words then, but I wanted inhabitants, participants. I wanted an interaction.

I want viewers want to talk about The Conquest. I want the dialogue to start after the movie. The cinema is there to leave a trace. I hope my film leaves a trace and that it will open a door for French cinema and that tomorrow other directors will make political movies. The job of a filmmaker today is to talk about the world surrounding him and, through his movies, to both entertain and raise questions about modern society.

I've all venture a guess as we saw a lot of those executives going in for the viewers, we saw a bunch of Fox News executives going in there. We saw Jeff Zucker president of CNN standing there, just in case you don't know those faces. So there was all of muckety-mucks from all of the media, cable, broadcast, you name it.What is fairness to [Donald] Trump? With President-elect Trump?

I guess what inspires me most is the desire to draw out feelings that feel best expressed on the written page by really good authors, and I'm not a really good author. I feel like my job as a filmmaker is to eff the ineffable, to take feelings that only poets could describe with words and try to project them on the screen for viewers to feel. I don't think I've succeeded once but in the act of trying I've come up with all these other results which sometimes intrigue me.

Maybe because All About Steve is about offbeat people, viewers don't want them to be heroes. There is something archetypal in us that we like a leading lady, we like a leading man, and we like people with my features to get killed. Maybe that's why the reviews were so severe - because good Lord, I've seen much worse films!

As Elder George F. Richards, President of the Council of the Twelve, said in a conference address in April 1947, 'when we say anything bad about the leaders of the Church, whether true or false, we tend to impair their influence and their usefulness and are thus working against the Lord and his cause.' ... The Holy Ghost will not guide or confirm criticism of the Lord's anointed, or of Church leaders, local or general. This reality should be part of the spiritual evaluation that LDS readers and viewers apply to those things written about our history and those who made it.

The image of how power shows itself to the public is important... CNN was an inspiration to do the project in color because power confirms itself through television... I thought it would be interesting to copy the same language. large color pictures are framed in heavy wooden frames with golden plates and hung slightly higher than normal. So viewers get a sore neck watching these events, this is also the case when looking at paintings of saints in cathedrals.

I'm more attuned than ever to the proliferation of groups that are working for justice and equality. They're all over the country. We want the people who watch "A House Divided" and other stories in our America Divided series to realize that there are structures that reinforce inequality and inequity, and that our job as good people is to work together to dismantle those structures. We're hoping that viewers will see what they have in common with other Americans, have empathy and become more united.

As an actor, you don't want to know the beginning and end to your character's arc. It makes it more fun. You're not playing the end. You're playing it realistically. You don't know where this character is going to go and what's going to happen to him, which just makes it more interesting for the viewers to watch. They're going on the journey with you, as the actor and the character.

If you sit in on a film class with students, their big complaint is "That's not like real life." They don't realize that they don't really want to watch real life. They don't want to sit and watch a security camera. There's a strong gravity in all of us as viewers - even in myself now and then - to want to see real life depicted. But you're looking for it in the wrong places. It's in little allegories, in something removed.

I always have two bracelets on my right arm. One is a purple and white bracelet from a fan. I love it! I also wear a bracelet from a waterpark- I've had it on for two or three years. My mom says it's pretty nasty, actually. But you'll never see me without them ever! In magazine photos, the bracelets are sometimes airbrushed out, but viewers will always see me wearing them during scenes.

In an old model, the way a film would imprint itself on the public's consciousness is to get a theatrical run. But now there are more documentaries and more films in general being released than ever before. There are weeks when the New York Times is reviewing 15 films, so it's harder to leave an impression on the public. A lot of these films are seeing their financial future on digital platforms. Because viewers aren't hearing as much about films in theatrical release, I think the festival circuit is going to have increasing importance for the life of a film.

The weakness of cable news is that it chases its audience around. Your audience wants fast-paced, popular news. It needs real news. Cable news changes its stripes based on audience reaction. Viewers are reacting well to breaking news? You probably do more breaking news than you need to. The struggle is building something so that people will come to you, as opposed to constantly changing what you are because you're unsure of where the audience is.

Even the coverage over the last two weeks since he did win the election, it's been a combination of a few people wanting to cover [Donald's Trump] next 100 days. You know, what he wants to do in office. He's been very clear about 100 day plan is. Your viewers can go pull it off on our Web site right now as 100 day plan for them to see.

Secretary of state, now they're saying it's between Mitt Romney and Rudy Giuliani, which has a lot of our viewers saying, how could Mitt Romney even be in the running given how loyal Rudy Giuliani was to Mr. Trump. And even if you might like Mitt Romney, he was not loyal and in fact he savaged Trump during the primary.

Americans, too many of them, take themselves too seriously. You're going to get rapped - by the viewers, by the sponsors and by the network brass - if you joke about doctors, lawyers, dentists, scientists, bus drivers, I don't care who. You can't make a joke about Catholics, Negroes, Jews, Italians, politicians, dogs or cats. In fact, politicians, dogs and cats are the most sacred institutions in America.

You know, we've got so much on Bravo and coming up on Bravo, and I think we have so much more going on than 'The Real Housewives.' And I think 'The Real Housewives' is a great, you know, great addition to the portfolio. I think it brings a lot of viewers under our umbrella. And I think they stay and sample other shows.