Top 571 Viewers Quotes & Sayings - Page 9

I've never bought a Dylan record. A singing poet? It just bores me to tears. I've got to tell you, if I had 10 Dylans in the final of 'American Idol,' we would not be getting 30 million viewers a week. I don't believe the Bob Dylans of this world would make 'American Idol 'a better show.

Viewers don't see more of anchors because we shoot only once a week and it's aired across three months; so, you always feel that a certain person is only anchoring. I've been acting for fifteen years and hosting for seven years, but I haven't done a soap, so a lot of people tend to think I'm not acting anymore.

When I have my Afro and walk down the street, there's no doubt that I'm black. With this [straightened] hair, if I talk about being black on air, viewers write and say, "You're black?!" I feel [straightening your hair] is giving up a sense of your identity. Let's be honest: It's an effort to look Anglo-Saxon.

Without courage, honor, compassion, pity, love and sacrifice, as William Faulkner pointed out, we know not of love, but lust. We debase our audience. But we can ennoble and enrich our viewers and ourselves in our journey through this good time, this precious time, this great and wonderful experience we call life.

Every 'Oprah Winfrey Show' has about it the aura of Oprah's own life, just as the rituals and sacraments of a religion are suffused with the life of the religion's founder. Above the testimony of Oprah's guests hovers what viewers know about Oprah's experience.

'Moonlight' undoes our expectations as viewers, and as human beings, too. As we watch, another movie plays in our minds: real-life footage of the many forms of damage done to black men, which can sometimes lead them to turn that hateful madness on their own kind, passing on the poison that was their inheritance.

'The Sopranos' gets praised as novelistic, but it follows the most banal of life patterns, showing the sheer tedium of being a mobster. It has dead spots, boring plotlines, weak episodes. Characters develop slowly, or don't. Like viewers, a gangster might get bored, fade out of the action, then come back to find none of his debts forgotten.

Laughter on American television has taken the place of the chorus in Greek tragedy. In other countries, the business of laughing is left to the viewers. Here, their laughter is put on the screen, integrated into the show. It is the screen that is laughing and having a good time. You are simply left alone with your consternation.

Television, above all, is the place where people can see the world they live in, and if the world they live in is a world without the arts, so much the worse for television, and so much the worse for the viewers.

With each project, I'm going for something that makes viewers think, 'Wow, I've never seen a film like this before,' and later think, 'Wow, I've only seen a film like this once before. I saw it in theaters and am watching it now on Netflix or a similar streaming service.'

It's no accident that Julia Child appeared on public television - or educational television, as it used to be called. On a commercial network, a program that actually inspired viewers to get off the couch and spend an hour cooking a meal would be a commercial disaster, for it would mean they were turning off the television to do something else.

I've been missing playing Pragya ever since I started shooting as Munni. I hope viewers will be happy to see their favourite character Pragya back on 'Kumkum Bhagya' and will welcome me back with the same love they have been showering all this time.

When you have Candidate A saying the sky is blue, and Candidate B saying it's a cloudy day, I look outside and I see, well, it's a cloudy day. I should be able to tell my viewers, 'Candidate A is wrong, Candidate B is right,' and not have to say, 'Well, you decide.' Then it would be like I'm an idiot.

I think "Heroes of Cosplay" will show a lot of the positive things, like how much effort it takes to make a costume. These people on the show aren't taking shortcuts. As long as that effort gets through to the viewers, we will be inspirational. Then there will be people who watch the show that want to get in and hands-on make outfits.

I think movies are expressions of our imagination; they are expressions of our conscious and of our subconscious. I think that movies can be analyzed the way dreams are analyzed, and sometimes I feel that the viewers or the journalists I discuss the film with are psychoanalysts who are trying to make sense of my dreams.

Broadcast TV has a very classy but old-fashioned way of doing television. That's what it's always going to be. But you've still got to introduce young talent and ideas and shows to the masses. That's the way you build a bigger and younger audience, introducing younger writers, comics, TV shows to viewers.

I think that the most important thing to me is fans. Without the viewers, without the fans, we have nothing. So I think the fans are awfully important.

I believe you shouldn't force the audience's interpretation of a character or a story. The more you explain things, the less intriguing and imaginable they are for viewers. . . . Film to me, in its essence, in its ultimate nature, is silent. Music and dialogue are there to fill what is lacking in the image. But you should be able to tell the story with moving pictures alone. For my next project, though, I'd like to make the kind of film where the characters blabber all the time.

Fox gets two million viewers a night, and MSNBC gets one. It's four million people, five million people, and 130 million people are going to vote. There are an awful lot of voters, and an awful lot of politically engaged, intelligent people who are not hanging on whatever happens on Bill O'Reilly or Rachel Maddow.

That's why I love doing television because it's something that fans and viewers can sit down each week and get to know your character and get to know the show and get to know what's going on and fall in love with you all over again, like they did in previous shows.

For me, the biggest thing I've learned is how to be myself and the fact that viewers actually want to feel like they're getting to know you as a person. They value you because you're a reporter and you're bringing them new information, but they also want to feel like they get a sense of your sense of humor and what things you're interested in.

And finally, I just felt it was crucial for some of us in the hip hop community to speak up on the issues of teen suicide, bullying, and the overall anti-homosexual sentiment that exist within hip hop culture. I felt so strongly about these issues and this song that I had to do a video that would command some attention, even if it makes some viewers uncomfortable.

The networks are different so they have a different approach. Obviously, with The Shield - that was on FX so they had a little bit more leeway as far as the dialogue was concerned and even the content and what they showed the viewers, which is a great thing. But we will push it to the limit as far as FOX will let us go; that's for damn sure.

People can now get to see anything they want, in any shape or form, anywhere, on laptop, iPad or 'phone. What's not controllable, though, is the live element. So there's still a real thrill for TV viewers in watching actors pulling it all together and performing live, and a real challenge for the actors.

Visionary art sure has played a vital role in my own "soul's journey," and I would say it's been important for many artists and viewers throughout history. Visionary art is one of the primary ways that human contact with higher subtle dimensions gets translated into our communally shared physical dimension.

I don't know if you've ever seen this film called Elite Squad, which, actually Wagner [Moura] is the one narrating that. José Padilha, one of creators of our show, that's where the style comes from. It has a heavy narrator. But I thought about it a lot. You [the viewers] have to work for the show, unless you're bilingual. It's a really aggressive type of filming, it's engaging, you've got to read.

If you look at comparative figures, the last two episodes of 'Six Wives of Henry VIII' were watched by 4m. Graham Norton, who is very funny, gets 3m. Johnny Vaughan's comedy, which I have never seen but people say isn't very good, got less than half the viewers of 'Six Wives.'

I think that people are taking our artistry a little more serious compared to when we started. They are of course fascinated and entertained by who we are as performers and what we do in terms of our artistry, but a lot of viewers identify with us as human beings. I think that that has helped change how people view drag.

Regardless of how often the appetite for entertainment violence becomes addictive, increased exposure does risk further desensitizing viewers. And the element of pleasure that they derive may lead them to regard violence as a more acceptable way of dealing with problems, and victimization as more tolerable so long as it befalls others, not themselves.

The difference between a regular camera and a 3D camera, for an actor, is really no different except that the turn-arounds are longer. It takes a lot longer to set up a shot because the cinematographer is really trying to set up a whole world, so it can't be more intricate and more beautiful to the viewers, in 3D.

I have had viewers that come up to me, and they're, like, "You know, we used to watch ('Breaking Bad') as a family, and once the melted body came falling through the ceiling, my mom was just, like, 'I can't watch this show anymore. This is just way too disturbing for me.' So it's not for everybody.

In England "The Day After," though unpopular with viewers, seems to have confirmed the average Englishman's mindless prejudice against Kansas. Shortly after the film portrayed that state being turned into an overused barbecue pit by nuclear weapons, support for British nuclear weapons rose a full percentage point.

If the ad is bad people get turned off. That's 125 million potential viewers, so you just killed reach. But there's also a big potential payoff. I think it does pay off because you get a lot of traffic, a lot of free public relations(in media stories). It helps position themselves for the next round of financing.

Donald Trump's a hell of a performer, he's a hell of an entertainer. If you put him on and let him say his crazy stuff, you're going to get a lot of viewers. If you take him off and have some sober discussion about what's going on in Syria, you're going to lose 80 percent of your audience.

Beginning, perhaps, from the reasonable perspective that absolute objectivity is unattainable, Fox News and MSNBC no longer even attempt it. They show us the world not as it is, but as partisans (and loyal viewers) at either end of the political spectrum would like it to be. This is to journalism what Bernie Madoff was to investment: He told his customers what they wanted to hear, and by the time they learned the truth, their money was gone.

There are lots of reasons fewer people are watching network news, and one of them, I'm more convinced than ever, is that our viewers simply don't trust us. And for good reason. The old argument that the networks and other `media elites' have a liberal bias is so blatantly true that it's hardly worth discussing anymore. No, we don't sit around in dark corners and plan strategies on how we're going to slant the news. We don't have to. It comes naturally to most reporters.

Pay-per-views bring conclusion to storylines and what has been going on from television. It is important to give viewers satisfactory pay off over storylines and that is why pay-per-views are important.

I am guided by the vision of what I believe this show can be. Originally our goal was to uplift, enlighten, encourage and entertain through the medium of television. Now, our mission statement for The Oprah Winfrey Show is to use television to transform people's lives, to make viewers see themselves differently and to bring happiness and a sense of fulfillment into every home.

Festivals are where I see other peoples' films, where we talk, where I get to learn what was working about the film, I get to have a discussion with viewers... and people who enjoy reading films - I enjoy reading other peoples' films, and what discussions can come of that.

I decided to host my show 'Kiss and Cry' hoping that people actually want to participate and feel more familiar with figure skating. When I see these people enjoying themselves, it's a great joy to me. Although some of them get hurt once in a while, they enjoy it a lot, and I hope the show makes the viewers want to give it a try.

I think 'Heroes of Cosplay' will show a lot of the positive things, like how much effort it takes to make a costume. These people on the show aren't taking shortcuts. As long as that effort gets through to the viewers, we will be inspirational. Then there will be people who watch the show that want to get in and hands-on make outfits.

I try and remind our viewers that climate is always in a state of flux and yes, the world has warmed over the last 25 years but claiming that Katrina is a product of global warming is absurd. We have had much stronger hurricanes hit the United States in the past, the Labor Day or Keys hurricane of 1935 and Camille in 1969 to name just two. There is much more development now on our shores.

Because there are so many factors when considering the potential impacts of GMOs on our health and environment, we wanted to make a film that could unpack complex subject matter, while taking the audience on an entertaining ride. It is a very powerful tool because it allows viewers to understand the nature of these very complicated issues in a digestible format, and then hopefully engage in a dialogue about them in their respective homes and communities.

At 3-D Imax theaters, audiences have shown they are willing to pay a premium to wear headgear fitted with liquid-crystal lenses synchronized via infrared signals with the movie projector, which runs at twice the normal frame rate. These movie viewers plumb new depths in depth perception - they experience extreme realism.

Widespread state control over art and culture has left no room for freedom of expression in the country. For more than 60 years, anyone with a dissenting opinion has been suppressed. Chinese art is merely a product: it avoids any meaningful engagement. There is no larger context. Its only purpose is to charm viewers with its ambiguity.

My initial thoughts about what a title can do was to set mood and the prime underlying core of the film's story, to express the story in some metaphorical way. I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it.

Right now the producers of 'Modern Family' have no idea how many people watch our show each week on all platforms, and nobody seems to want to tell us. If a disproportionate number of any show's viewers watch in alternative ways, then, under the current system, that show may not appear to be as strong as it actually is.

A TV show has to be a certain length and, you know, you have expectations from the viewers. You know, you want to see the characters again, or you want to see certain dynamics between the characters or certain kinds of storylines. And you kind of figure out how to best fit what you want to say into that format.

In my art and life, I really strive to reverse the old adage that what you see is what you get. If I can be Coyote and practice my sneak-up, I can engage the viewers from a distance with one image and lure them in for exposure to another layer, which changes the initial view into quite a different reality. After all, that is what ethnic culture is all about - or even an ongoing relationship. What you see on the surface is never the same again one you begin to plumb the depths.

My fear -- and what Ive read and heard -- is that lesbians feel like [The L Word cast] all have long hair, and everyone is too pretty. Theres so much pressure on this one show, the first of its kind, to represent every dyke or lesbian in the world. But [lesbian viewers] are not going to be disappointed, because by the end of the first season [there are] a lot of diverse characters.

Viewers have a way of remembering the celebrity while forgetting the product. I did not know this when I paid Eleanor Roosevelt $35,000 to make a commercial for margarine. She reported that her mail was equally divided. "One half was sad because I had damaged my reputation. The other half was happy because I had damaged my reputation." Not one of my proudest memories.

Jeff always says, "In the cinema, everybody goes to sci-fi. Those are the biggest movies. But, in television, nobody wants to touch it with a barge pole." It's strange. I think it's because maybe there's a legacy of television shows that depicted sci-fi in a certain way that turns off a lot of viewers, so maybe there's a negative connotation.

Whatever I have been able to achieve in all these years is good for me and I feel God has been kind to me. Having said that I have been part of the limelight all these years but my fans and viewers don't know my real side. With 'Bigg Boss' they will get to know who Shefali Zariwala actually is.

For all reality TV, and all the viewers of reality TV, just be entertained. Don't invest your feelings, your heart, your soul into reality TV. It is entertainment. And that's all that it should be.

I love having millions of viewers and I want the show to grow. But more than anything I hope it always impacts people's lives with the honest presence of God and that His authentic power is felt by everyone who watches. I hope it gets so important that it will become the first faith based talk show to find success even on secular TV where people so need the message.

I think the resolution involved in the high-def, Blu-ray image demands we pay attention to every detail to a level we've never seen before. The audiences have to believe everything they're seeing. As viewers, we're all so experienced and so much smarter than we realize. With Blu-ray, there will be less tricking of the eye.

Gerry Fialka's annual PXL THIS is a reliably surprising and seductive round-up of recent work achieved with the PXL 2000 camera. This humble outdated “toy” continues to bring out the visionary child in filmmakers and viewers alike, and no one has kept the PXL flame burning longer or brighter than Gerry.

As an actor, you don't want to know the beginning and end to your character's arc. It makes it more fun. You're not playing the end. You're playing it realistically. You don't know where this character is going to go and what's going to happen to him, which just makes it more interesting for the viewers to watch.

I try to surround myself with a good support system. Whether that's other creators or my family or my friends, or even my viewers, who encourage me just as much as I might encourage them and they're just as much a part of my life as they let me be a part of theirs.

I think its going to be continually tougher on the big networks as more cable channels do really interesting television. The big networks have a choice to make: Do we try to be all things to all people and get the shows that will deliver 20 million viewers a week? Are we the McDonald's of television? Or are we going to try to be more specific?