I can do more than anyone suspects. I pride myself on my versatility. It took 32 years of difficult parts, second leads, villains and juveniles. The Oscar changed the quality of the roles I was being offered.
When Alan Rickman, a dear friend of mine, played villains, he always made it complicated. He didn't redeem what they did, but he made you feel that it was hard for them to be so horrible.
What I'm saying is people like Hoodwink are not kind of evil villains, they're part of humanity. We can choose to disassociate ourselves from them and we can choose to pretend they're not there, but they are. We're all together in this.
I sometimes find that playing the bad guy, or villains, or psychopaths tend to be much more psychologically rewarding. And you can really push it, you can push the limits, and get away with it.
Well, I don't feel that I've played so many bad guys, and I'm rot really drawn to villains per se. I think a lot of people relate to some of my characters' inner struggles.
When you're writing a story or an actor playing a role, you should never think of your characters as heroes or villains. You have to think of them as people first.
When I met Feroz Khan, he offered me a role of a villain in 'Yalgaar.' He also asked me to build my physique. As for villains action is a must, so I joined a gym.
Let me put it this way: I definitely need to understand the villains I play. The best cause pain to anesthetize themselves against their own pain.
It was interesting to have humanoid villains that were rooted in our three-dimensional reality... or four dimensional reality, I'm not sure which!
I always felt that heroes were essentially dull. Villains were more exotic and could do more interesting things.
To be honest, until I started dubbing, I didn't realize the amount of work of a dubbing artiste puts in. Especially the artistes that dub for villains. They really stretch their vocal cords to a different dimension.
I love writing villains because I was the big sister of five girls, so I had heavy responsibility growing up. I had to be 'the good girl.'
When you imagine the Koch brothers, it's hard not to think of the 1983 film 'Trading Places,' which featured as its villains a pair of brothers, commodity brokers named Randolph and Mortimer Duke.
The villains will come along. There were plenty in the Carter administration, and there will be plenty with Reagan.
Comic book companies are like comic book villains; they keep coming back after they die.
No health care for poor kids? You know, I thought something like that was only done by cartoon villains. You're (Pres. Bush) slowly going from being Nixon to Mr. Burns.
When I wrote my eighth thriller, Inside Out, in 2009, the villains were a group of CIA and other government officials who colluded to destroy a series of tapes depicting Americans torturing war-on-terror prisoners.
There are no self-proclaimed villains, only regiments of self-proclaimed saints. Victorious historians rule where good or evil lies.
At one point, I animated villains in our stories, a bear or a giant, then on The Little Mermaid Ariel just called to me and I started to fall in love with characters who had that burning desire inside of them, this hope.
great villains make great movies.
I would much rather read a book about Ty Cobb, who was quite possibly a sociopath. It makes for more interesting copy. Some of the most memorable characters in literature were villains.
Some people that are heroes to some can be looked at by another group of people as villains. As far as a middle point, just speaking for myself, that's exactly what to avoid.
Part of what's interesting about the 'Star Wars' world is, villains are complex, obviously, and they occupy, as in life, different roles within different organizations.
Villains are not fun for me to play, as such. But caricature-ish, intense behaviors that are based on real human traits are interesting. That makes an interesting story.
I've played villains on stage - you know, the Iagos and so on - but I think of myself as a funny person. I mostly did comedies before I did TV work.
If you stop to think, the only films that don't include at least one punch in -the jaw are musical comedies. And even then some of those villains get brained in the middle of an aria.
It's supposed to feel good to throw a brick at the right people. There is a long tradition of naming and ridiculing and shaming and calling the villains what they are. Usually it was the artistocracy of the day and satire was the only way to speak truth to power.
Browning's tragedies are tragedies without villains.
Discrimination is not done by villains. It's done by us.
The lessons of the past suggest that racism and resentment against people of color will continue to flourish in America as long as the history that is taught transposes the heroes and the villains. That is the unspoken truth at the heart of the nation's racial divide.
If you look at the great superheroes in any universe, you will always find that they have the very best super villains opposing them. It's because they are foils; they are people that the heroes play off of.
In the real world, most criminals and powerful persons look lean and use only their mind. Only in films we see villains with a six-pack.
We should tell the honest, painful stories of 9/11 because it dishonors the memory of heroes to invent a phony cast of villains when the actual terrorists were terrible enough to tear open this nation's heart.
The villains that I play, I always think that they are grounded, wonderful people with enormous intellects who are very exciting to spend an evening with. I never see them as bad people.
I cannot do the boy-girl romance, villains etc.; I cannot relish such cinema and I cannot make it.
I turned down the OBE because its not a club you want to join when you look at the villains whove got it. Its all the things I think are despicable: patronage, deferring to the monarchy and the name of the British Empire, which is a monument of exploitation and conquest.
There are new words now that excuse everybody. Give me the good old days of heroes and villains, the people you can bravo or hiss. There was a truth to them that all the slick credulity of today cannot touch.
It's more fun to write villains. They are more of a challenge, and I get a sick kind of pleasure out of delving into their minds. There's rarely emptiness, and there is almost always deep intelligence.
Nikolaj [Coster-Waldau] plays one of the ugliest villains. We had to create such a horrible guy, because he is the bad guy in the [The Other Woman] movie. We took him as far pathologically as possible.
There's always the standard six people you can hire that have played all these villains in Hollywood. Instinctively, when they come on screen, you know what's going to happen. You don't know the story, but you know what they do.
It was so much fun to play, that I've now had a taste for it and want to play more villains now.
[J.F.Kennedy] is an iconic figure. And to make it even worse, he's a hero of mine. And every actor will tell you that you can't play heroes. And you can't play villains. You can only play human beings.
This I realized very late, that villain remains villain and are never able to become artists. We are never counted as actors and always addressed as villains.
I've kind of had to make a career of playing villains. In order to stay employed, I had to figure out how to play bad guys.
I think it would be a problem if Hollywood was casting British actors only as villains; if that were the case, then certainly there would be cause for concern.
If you're ruling the world, you can't trust anybody. Because even those who profess to be working in your interest - those are also villains in and of their own right.
I certainly have never been an actor who can play the Everyman guy - or, I don't tend to get those parts. I've tended to play eccentrics. I've played a lot of villains, of course.
When I wrote my eighth thriller, 'Inside Out,' in 2009, the villains were a group of CIA and other government officials who colluded to destroy a series of tapes depicting Americans torturing war-on-terror prisoners.
There are some characters in 'The Names' who are very much heroes and others who can only be called villains. But generally, as we get to know them, we see most of the characters are, or at least become, quite nuanced.
I only help the superheroes, I don't help the villains.
The villains are all parts of me. For years I've been wondering what it would be like if all those negative elements were forced onto the main character's side. I can understand a character with that kind of anger.
I'm for gay marriage. I don't want to do it, but I certainly think people should be allowed to, and I wouldn't vote for anybody that would be against it. But at the same time, why do we have to be good now? Why can't we be villains in movies?
I sympathize with the zombies and am not even sure they are villains. To me they are this earth-changing thing. God or the devil changed the rules, and dead people are not staying dead.
There was a time when villains were stylized as very fashionable with gelled hair, girls in arms and cigar in mouth but now films have come closer to the reality. Realism has entered our industry.
Also for me it was different because I play a lot of villains and in this one I play a dad and I play a good guy, basically. He's the Secretary of the Treasury. I never had a job like that.
The famous names throughout history-be they heroes or villains-if they accomplished anything notable, they were passionate. Passion is what drives those who accomplish momentous feats, for good or evil.
They are superpower of villains. They are superpower of Al Capone.
For mine, the villains of the piece were always important. In a traditional sense, that's always an important role.
My paintings capture the humor, zaniness, and depth of the Batman villains as well as the Freudian motivations of Batman as an all-too-human, venerable, and funny vigilante superhero.
With any good story, you need the adversary, the heroes and villains. You need a good mixture to make it work.
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