Top 1200 Vintage Stuff Quotes & Sayings - Page 20

I am grateful for what I call well-spent moments: Making a tuna fish sandwich with the works. Taking at least a half hour to eat it outside. Ironing my vintage tea towels while watching old black-and-white film noir movies and sipping one martini with extra olives - a quirky combination, but it works.

I was so big, so I had to always come up with my own creations. Like, when I would do junior prom and stuff, I would have stuff specially made or added to my outfit. I definitely was always into trying to do something a little over and beyond.

The craft of writing is all the stuff that you can learn through school; go to workshops and read books. Learn characterization, plot and dialogue and pacing and word choice and point of view. Then there's also the art of it which is sort of the unknown, the inspiration, the stuff that is noncerebral.

Playing new songs at festivals is weird, obviously. People at festivals are always a bit drunk, and probably just want to hear stuff they know by bands they love, or are checking you out and don't know your stuff very well.

In my Comedy Club sets, I just work on what is fresh and try to build that show as long as I can. I don't like to do burnt material on stage. Even though my crowd loves to hear me do old stuff, I don't like to do old stuff.

I'm simple. I love hiking, going to the gym, doing some simple stuff. I love being outdoors, I love bike riding. Just stuff that's fun!

I find my dress sense tends to be a bit of a mixture between high fashion and unique vintage pieces with a little bit of street trends. For example, I might find a really nice, suede dinner jacket that I'd wear with a basic plain white shirt and some chinos and a pair of Nike trainers.

Whenever you're playing somebody who is, by all accounts, rotten, don't focus on the rotten stuff. That stuff will take care of itself. It's already in the script; the audience is already experiencing it without you having to add an extra feel of evil. Just play them like regular people.

With 'Seven Deadly Sins,' there was a lot of personal stuff in there that I didn't even realize I'd been carrying around for awhile. And a lot of guilt involved, a lot of emotion, a lot of depression. Once I was done writing that book, I was able to really let go of that stuff.

There's a lot of cool stuff going on in independent film. But obviously, yeah - all the comic-book-franchise stuff is deeply boring. But these comic-book characters are the pagan pantheon of gods in today's contemporary culture. It's so important to so many people.

There are two rules in life: Rule #1: Don't sweat the small stuff. Rule #2: Everything is small stuff.

Your anger will cool into hardened passionate insight if you wait a day. Most of the things that make me angry I let them sit. The heat that remains will be sufficient. The stuff that evaporates is the stuff that would have simply offended or made it histrionic.

All that stuff about my father and my childhood is interesting up to a certain point, but I kind of capsized with the family drama a long time ago. Now I want to get away from that. Not that I won't return to it, but a certain element has been exhausted, and it feels like why regurgitate all this stuff?

I started acting when I was about nine. I always wanted to get into acting since I was really little but my parents would never let me because they'd heard all the bad stuff about being in the business as a young actor and stuff like that.

Classical stuff takes a lot of rehearsal time and preparation, but with stuff that involves improvisation, you can over-rehearse it and it gets stale. You don't want it to be too comfortable. In fact, a good sound check, a good rehearsal usually means a bad performance.

I am semi-ambivalent about being on camera - sort of low-key. I don't like being on camera stuff that much. I like radio and live performing stuff. I don't like the television stuff as much. Some people do. It takes a certain breed of cat. There is a ton of pressure and you need to read cue cards. I am not a good cue card reader. Being a poor reader was enough to make me not want to do that type of formatted show.

It keeps me moving when I see people doing stuff that I see as "my" direction. I think, "Oh, it's been tainted. Now I've got to do something new." There's nothing worse than working on your own stuff and thinking that someone else is following you along.

Stuff Happens.’ That’s the G-rated version. That’s a bumper sticker that only a straight white upper middle class male could have made. Because anyone who isn’t straight, anyone who isn’t male, anyone who isn’t white, anyone who isn’t upper middle class knows that stuff doesn’t just happen. Stuff gets done by people to people. Nothing is a coincidence. Nothing is random. This isn’t osmosis. And so we act as if it’s this passive thing, but yet that’s not the case.

Tabitha was always trying unorthodox ways to set her up with guys. Although, to be fair to her sister, Tabitha didn't usually knock the guy unconscious before she forced them together. Still, with Tabitha there was a first time for just about anything. And extreme blind-dating was very vintage T.

At home, I have lot of pictures from 'The Walking Dead' and some stuff from comic books. At comic conventions, people will give me a lot of autographed stuff, so a lot of those are on my wall.

I think Desperate Housewives is a pretty good show, I watch it, I like it and I don't love reality tv that much. I do watch some, I've got three daughters so we'll watch the good stuff, the fun stuff.

Your skin is your largest organ, and it wants to breathe. There are so many times, like Fashion Week, when you [need to] think about all the stuff your skin and body have absorbed through makeup and products and all this stuff.

The Wonderful pistachios campaign is a great example - I don't involve myself with a project I don't feel passionate about. I could talk your ear off about internal statistics for WWE and what we have planned for the future. Why do I know that stuff? Because I like to do all that stuff.

I remember when I first started putting things on the web and people were writing about it. I totally didn't keep up with what was going on because I wanted to present stuff in museums and galleries and have some presence on the web. I feel fortunate to have posted stuff in the beginning.

I lose tons of stuff on the cutting room floor. For Scary Movie 3, for example, we had a lot of Matrix spoofs, a Hulk scene, and some of that stuff just doesn't hold up - it's too much plot, audiences just didn't want to hear about it.

I've done a lot of period stuff but that's mostly because, in England, we get off on a lot of period stuff, but it's not any kind of particular choice. That's where a lot of the work is.

If I can get a hike in on a regular basis I know I will feel better and I will be stronger. I set goals for myself - like learning to sew, learning to dance - things that are not work related. I find that play and craft with my family bring me a lot of joy, along with all things vintage.

I always have Aquaphor which is just for like chapped lips, especially in the wintertime when you're traveling a lot. That's just the worst combination of things. And always a really good pair of jeans. Something vintage-y, a little loose and boyfriend-y, but not over the top. They're just comfortable but could still be dressed up or down.

I don't use any real vintage hardware any longer. That's always been the object as far as gaining control of the studio environment, going back to when I built my first studio, Secret Sound, in New York City. The whole point was to not have to pay studio bills anymore and not be looking at the clock.

The movie that we could've finished in 2001 would've sucked. The movie that we could've finished in 2002 would've just been a disaster, even into 2003, it would've been very cobbled together, amateuristic stuff. But as we went along, we really did stumble upon some accidental themes, and with the things you could do with computers, and all that sort of stuff just sort of really accelerated into where the stuff that we could do right here at my house became - you could almost do anything.

Besides film, I'd like to be the young Regis. That would be great. Going back and forth from L.A. to New York. Doing stuff on food. Doing stuff on kids. Just talking about issues that are relevant. Doing things on the Olympic Games.

I think it's very important - no matter what you may do professionally - to keep alive some of the healthy interests of your youth. Children's play is not just kids' stuff. Children's play is rather the stuff of most future inventions.

I'm always open to new, innovative stuff and people trying to do stuff in a different way. I knew that the theatrical release would be like getting on the launch pad for Amazon Prime but I was okay with that because I think what Jeff Bezos and Ted Hope are doing is innovative.

In Jamaica, them always have throwback riddims, recycled old beats, and the hardcore reggae scene is always present. You have faster stuff like the more commercialized stuff, but you always have that segment of music that is always from the core, from the original root of it.

My followers are some of the most loyal people out there. They know everything about me and my life. They know all my drama with guys that I have crushes on, all that stupid stuff that doesn't really matter. But all that stuff allows me to build a close relationship with them.

I used to throw stuff out of the window and trash hotel rooms - and superglue all the drawers shut and superglue the toilet seat down and superglue the phone to the nightstand - and all kinds of stuff. I had a chain saw for a while. I didn't really use it but once or twice.

I did go to fashion college, where I was a little punky, a little Bow Wow Wow. I wore red eyeliner. At the time, Vivienne Westwood was really big, so it was a lot of that. London was having a really big moment. I was mixing vintage with things I had made.

- But Abraham, you mean I'm supposed to make stuff up !?!? - You are creators, you make stuff up all the time!

I grew up doing all that stuff because I was obsessed with the '50s. I had sock hops for birthday parties. So I've always done The Twist and stuff. It was pretty natural and, with my parents doing it all the time, I'd just copy them. Not very pretty.

I'm super confident about creative stuff, and I'm really not confident about human interactions stuff.

I guess my performance at school was doing school musicals, so I was a knight as well at the back of the stage in Camelot. It was all those kind of things. It wasn't the stuff that I wanted to do. The real funny character stuff came out when I was in control of it myself and writing it myself.

I always laugh when I listen to my old stuff. I was just trying way too much back then. Doing too many harmonies and too many runs and all the crazy stuff. Rapping all funny and animated.

The second one is more about Dopinder working with Deadpool and being like 'I am ready for more stuff.' He is more into work and career stuff than love. But it's really fun. The storyline, where it goes, everyone will be surprised. I even get a catchphrase.

I still love listening to the old stuff - Marvin Gaye, Michael Jackson, you know. I stick to the old school stuff, but I love Mark Ronson. I love John Legend.

I get angry about stuff, I get very emotionally intense about stuff and that's how I get it out - with books, with the band, on my own onstage, but it's always kind of a wail.

I think every culture - you can call it an American Ronin, a medieval knight errant, you could talk about 'Shane.' There is an archetype that I think is actually common to a lot of cultures, and even the Clint Eastwood stuff was probably as influenced by the Japanese stuff, and yet done by an Italian.

My old man taught me a lot of stuff in his death that I don't even know if he would have been able to teach me had he been alive. And that was to never do stuff that can jeopardize the people you love and hurt them.

That was the biggest thrill, going over to these guy's houses and having them want me to practice with them and they would show me a lot of stuff, which was really advanced stuff to me at my age.

I'm so independent in writing stuff and controlling what I do. Sometimes I get calls from people asking to be in their movie, but I'm always writing or editing, and I can never get around to doing it. I'm so much more interested in my own stuff. I think I drive my agent crazy.

You gotta go out and do the stuff that's going to be pushing the sport and stuff that's going to be next level and scary. It's all about going out and doing those tricks and pretty much surviving.

When I started out, I tried out all my stuff on national television. There were no comedy clubs, but even if there were, I don't think I would have gone to them. I used to do stuff in the bathroom, and then I'd drive down to NBC and do it on 'The Golddiggers' with Dean Martin.

I don't believe stuff should be made for the perfect model. I think that's where we go wrong right now in this day and age: We make stuff that's not realistic. I always told myself, if I ever did a fashion show, I'm not going to have models. I'm going to have regular-sized women.

I didn't know anything about fashion. You would see me in the biggest sweater with jeans or the tightest elastic pants. Not nice clothes. My mom took me a lot to consignment stores when I was younger, and I never really got to go to fancy high-class stores, so... vintage was like a step up.

I got to draw monsters, robots and write funny stories. I loved doing that stuff and working with the actors. But it got to be less and less that stuff and more about trying to be everywhere and not being able to do one thing very enjoyably.

I love playing the stuff with McGee at home with Delilah. We've had episodes where it shows them at home arguing over making dinner and things like that. I love doing that stuff because it's different than what the show normally does.

I don't think you can figure this stuff out. If you could figure all this stuff out, then all the great filmmakers would come out of Yale and Harvard. It's not an intellectual process.

I find that there's so much funny stuff in real life, and I am much more interested in super grounded, real stuff, so now I just want things to feel real and authentic.

When I first started, it was the real basic stuff that was being played on the radio, so I was into Zeppelin, and Sabbath, and AC/DC, and all stuff like that. I grew up in New York, on Long Island, so the local radio stations played all that kind of thing.

If you hold onto stuff, it holds on to you. It just weighs you down, and it's a waste of energy. Why would I waste my energy on being bitter and hating when I could be using it to go out and do some really good stuff, you know?

I don't really analyze my stuff when I write. I write about stuff that I'm interested in, that I'm feeling at that particular time. When I stand back and look at the complete work, I might see themes that run through the whole film, but I'm not really conscious of it when I'm doing it.