Top 415 Violin Quotes & Sayings - Page 6

There are some days I take my violin out and it feels dreadful, like nothing is responding, and I want to sell it and get rid of it. And the next day suddenly the skies open up and the sound is glorious again. So it's like a relationship: There are good days and bad days.

I was trained classically in violin and voice, which led to musical theater. Then I left the music scene to chase acting, which is when 'Neighbours' came along. It was a fantastic playground for actors, and the cast around me taught me a lot.

What I like about 'Game of Thrones' is that there's such a wide range. We have everything from very small, just solo instrument pieces, just the solo violin or solo cello, and then we go all the way to these bigger action moments.

I am happy because I want nothing from anyone. I do not care for money. Decorations, titles or distinctions mean nothing to me. I do not crave praise. The only thing that gives me pleasure, apart from my work, my violin and my sailboat, is the appreciation of my fellow workers.

Take a sound from whatever source, a note on a violin, a scream, a moan, a creaking door, and there is always this symmetry between the sound basis, which is complex and has numerous characteristics which emerge through a process of comparison within our perception.

I play guitar a bit. I'm trying to learn drums - I feel like I can play violin. I've never tried, but I just feel like I can.

Dance me to your beauty with a burning violin Dance me through the panic 'til I'm gathered safely in Lift me like an olive branch and be my homeward dove Dance me to the end of love

I had different bands. I played with the Acoustic Warriors for the most part, without girl singers. It was the same kind of sound, acoustic guitar, bass, with violin and sometimes accordion, and the guys would sing, that kind of thing.

I'm a pretty good drummer. I'm pretty good at guitar, bass and piano. I can play accordion; I'm not virtuoso. I've played cello before. My sister played it, and I know how to play it, but I'm not the best. Violin is kind of the same thing.

It's hard to explain what happens when jazz and punk fuse with a violin twist but it works. Probably because Anson Choi takes off his shirt while he's playing the saxophone. Whoever's not chatting up a Cadet or a girl from Darling House or playing chess with the guys is watching the band. I turn into a groupie.

We must face the fact that many today are notoriously careless in their living. This attitude finds its way into the church. We have liberty, we have money, we live in comparative luxury. As a result, discipline has disappeared. What would a violin solo sound like if the strings on the musician's instrument were all hanging loose, not stretched tight, not disciplined?

I go to restaurants and the groups always play "Yesterday." I even signed a guy's violin in Spain after he played us "Yesterday." He couldn't understand that I didn't write the song. But I guess he couldn't have gone from table to table playing "I Am The Walrus.

I know a girl who cries when she practices violin because each note sounds so pure it just cuts into her, and then the melody comes pouring out her eyes. Now, to me, everything else just sounds like a lie.

I'm happy to have interns at The Weekly Standard and happy to have readers of The Weekly Standard, but if you all tell me that you were busy reading Plato and [Lev] Tolstoy and playing violin in the orchestra, I'd say that was great. I wouldn't tell you to take time out from that to get involved in political journalism.

Playing the violin and singing and whistling are just three different ways of making sound. It's not trying to replace a band, per se. It's become a completely different thing. And it's not just simply an effect. It's just a very surprisingly intuitive thing.

I first played the Royal Albert Hall when I was 14. I was a violinist with the Birmingham Schools Concert Orchestra, and we travelled down from the Midlands for the last night of the School Proms. We played some pieces from the Harry Potter films, and the violin parts were really hard.

I use to think that the friction was a bad thing. Everything is to ease pain in our society; pain is very much the enemy. And I don't think that's true. Tension is a good thing. To be pulled tight: that's the only way you can make a proper noise on the guitar or violin.

The actor must know that since he, himself, is the instrument, he must play on it to serve the character with the same effortless dexterity with which the violinist makes music on his. Just because he doesn't look like a violin is no reason to assume his techniques should be thought of as less difficult.

You know, I always say musicians, they can do it on their own. They can practice their violin on their own. A painter can paint by himself. A writer can write by himself. But an actor needs a group, and the hardest thing about expanding your ability and your craft is to have a group to do it with that is of a caliber where you can grow even more.

In contemporary music, the challenge for me is to make the recorder sound as naturally expressive as, for example, the violin - without doing it too much and forcing the instrument. It is very easy to be overly expressive on the recorder, and finding the balance is quite difficult.

I've always listened to music while I write, but none of my work has been so directly impacted by a song as my new novel, 'So Cold the River,' for which the brilliant strings piece 'Short Trip Home,' composed by Edgar Meyer and featuring the incredible Joshua Bell on violin, inspired much of the story.

The Christian idea of marriage is based on Christ's words that a man and wife are to be regarded as a single organism - for that is what the words 'one flesh' would be in modern English. And the Christians believe that when He said this He was not expressing a sentiment but stating a fact - just as one is stating a fact when one says that a lock and its key are one mechanism, or that a violin and a bow are one musical instrument.

I started taking piano lessons when I was 8 and I wrote my first song shortly after. Music was really important in my family. My grandma was a professional violin player and my parents first met when my dad was giving my mom guitar lessons.

I guess as a kid, I was always creative, and I was involved in music, like piano and violin and choir, so I always knew - I always knew that I wanted to do something that would allow me to be who I am. Generally, that was creatively, imaginatively.

If you asked someone, 'Can you play the violin?' and he says, 'I don't know, I have not tried, perhaps I can,' you laugh at him. Whereas about writing, people always say: 'I don't know, I have not tried,' as though one had only to try and one would become a writer.

Yes, I am sad, sad as a circus-lioness, sad as an eagle without wings, sad as a violin with only one string and that one broken, sad as a woman who is growing old. Sad, sad, sad.

I play trumpet. And I took all the music courses in college, so I can also play the string instruments, keyboard, the brass and woodwinds - but only well enough to teach them. If you put a violin in front of me, you wouldn't say, 'My God, that guy can play.' It'd probably sound more like Jack Benny.

My father was a trained accountant, a BCom from Sydenham College and a self-taught violinist. In the 1920s, when he was in his teens, he heard a great violinist, Jascha Heifetz, and he was so inspired listening to him that he bought himself a violin, and with a little help from an Italian teacher, he learned to play it.

While I was writing the songs for 'Fuzz Universe,' I was immersing myself in Bulgarian Female Choir music, Baroque lute and violin pieces, Johnny Cash songs about trains, cows, mules, and mining coal, the Bee Gees, and Ronnie James Dio.

I played violin from when I was about eight to thirteen, so I could read a little bit, but if you put a piece of music in front of me now, I would probably know the notes, but not the timing, how they're supposed to be played, and I just don't know how to read chords. If I'd stuck with it, I'd probably have more jobs.

My family was very open. My grandfather was German and a Protestant. My father, a lawyer, was Greek-Catholic and played the violin. My mother was very religious and went to church twice a day. My grandmother was Armenian. So I was raised with three different faiths - that's why I am so open.

Some pianists seem to really remember the keys and not so much the notes they play. They want to learn until it's a physical habit that can be replicated. For pianists, this is much more of a problem than for other instruments, like the violin, where you actually have to think of the pitch.

The same way that I practiced the violin, the same way that I practiced my dance moves, I decided that I was going to practice being positive and practice loving myself.

A violin is nothing more than a piece of wood and a dead cat. But it's a piece of technology. So when computers came along, in the '70s, I suddenly thought, hang on a second, this is interesting. These things can become an instrument. So I just became very interested in them, and started, playing with electronics.

For me, science is just a bunch of tools - it's like playing the violin. I just enjoy calculating, and it's an instrument I know how to play. It's almost an athletic performance, in a way. I was just watching the Olympics, and that's how I feel when proving a theorem.

There are so many things that can go wrong while performing. I've had violin strings break; I've had pants that were slowly falling down, and I'd have to pull them up in between every song; my hairpiece was falling out, so a big chunk of hair was just flapping around as I danced, and I've completely fallen on my butt.

I started off with violin, then I started learning guitar, then I went to piano. But I self-taught piano just because I enjoyed it. I've always really enjoyed music.

I played the violin my whole life. I wanted to play from the time I was just a little kid, and I've always loved dance as well. I wanted to make people smile. I wanted to add an extra energy to my playing and make it visual and make it unique and fun.

Art begins where technique ends. There can be no real art development before one's technique is firmly established. And a great deal of technical work has to be done before the great works of violin literature, the sonatas and concertos, may be approached.

As Magnus turned to walk away from the church, he heard the sound of violin music carried to him on the cloudy London air, and remembered another night, a night of ghosts and snow and Christmas music, and Will standing on the steps of the Institute, watching Magnus as he went.

God, as a loving Father, will stretch our souls at times. The soul is like a violin string: it makes music only when it is stretched. . . . God will tutor us by trying us because He loves us, not because of indifference!

My mum would take us to ballet, and we used to go as a family to Brownies. My dad used to take us to Saturday music school. My parents would never say: 'Oh, you've got to practice your violin now before tea.' We were self-motivated.

Philosophy, astronomy, and politics were marked at zero, I remember. Botany variable, geology profound as regards the mud stains from any region within fifty miles of town, chemistry eccentric, anatomy unsystematic, sensational literature and crime records unique, violin player, boxer, swordsman, lawyer, and self-poisoner by cocaine and tobacco.

We have a lot of pressures on children very young. We have ambition. We over-schedule our children. We want them to have soccer lessons and violin lessons... I think children need to have at least an hour of fun a day.

I'm incapable of functioning without music. I've always had it in my life. I played the violin when I was a kid, and my mother was a violinist at that point, so it's always been important to me in one way or another. When I work, there's always music cranking.

Often the 'lead' of a classical song will have something really cool to its melody that - even though it might be a violin or something doing it in the song - I end up wanting to try something like that with my voice.

Psychologists call it "defocused attention," where you broaden your horizons, let your mind float and drift a bit. Coffee keeps us sharp and alert. It's great if you're driving at 3 o'clock in the morning. It's not so great if you're trying to come up with the next violin concerto.

If you take a violin, you can make it sound 50 different ways. Not just pizzicato and played by the bow, but ponticello, and harmonics, and tremolos. If you take an oboe and play it, there's about one way you can make it sound: like an oboe.

I don't want somebody who writes like me [in my writing staff]. Because I can write like me. I know what I'm capable of and what my limitations are. If you're going to build an orchestra, you don't want all tubas - you want a violin and you want a cello and you want a drum set.

There's times I've been quite nervous doing session work, such as when I'm asked to play the violin in a 'country and western' style or a 'gypsy' style. I'm not very good at that sort of playing at all. I think it's important as a session musician to have your own voice.

I injured myself quite badly when I was seventeen. I broke my ankle, and it didn't heal in such a way that I could keep dancing at the level I wanted to. It wasn't like, 'Oh my god, I'll never play the violin again.' I could, but not at the level I wanted. So, I segued into acting, the other thing that was also meaningful to me.

I thought about what I wanted to do besides playing violin and singing backup in a band. Don't get me wrong, playing and singing in That Dog was really fun, but I wanted to work on other musical projects and sing more. So I started a vocal project, i.e. Imaginaryland.

I always think of a voice as an instrument, whether a voice is a trumpet, or violin, or bass. You know what I mean? A horn or wind instrument versus a string instrument. Horn instruments are definitely more toward jazz.

Would you just strap some toe shoes on and dance 'Swan Lake?' No. Would you just put a violin in your hand and - ? No. I felt that way about acting, and I was taught to feel that way. I didn't come to it on my own.

I had no interest or intention of ever writing music. I was a professional violinist in my 20s. I was obsessed with conducting, and I was conducting as much as I could, and I was studying as much as I could. I went to USC; I got an undergrad degree in violin and a master's degree in conducting.

If I wanted to play the violin, I had to work. Because anything that one wants to do really, and one loves doing, one must do everyday. It should be as easy to the artist and as natural as flying is to a bird. And you can’t imagine a bird saying well, I’m tired today, I’m not going to fly!

The moment you tell someone else is the moment you become a whiner and the world’s smallest violin starts to play. The truth is, we all have problems; we all go through hardships and pain, and my pain is paradise compared to a lot of people’s and I really have no right to whine at all.

I never felt like a prodigy. For one thing, the root of the word is rather monstrous, literally. I never really felt like a monster or anything abnormal, because I always had a lot of different interests. But kids tend to focus on one thing, and for me it was violin.

My mum was very good at making me take up musical instruments, so although there was no popular music she made me learn the recorder when I was three, the violin when I was five and the piano when I was seven. I took up the guitar myself when I was 14.

The thing that influenced me most was the way Tommy played his trombone. It was my idea to make my voice work in the same way as a trombone or violin-not sounding like them, but "playing" the voice like those instrumentalists.