Top 1200 Visual Artist Quotes & Sayings - Page 2

Abstract means literally to draw from or separate. In this sense every artist is abstract for he must create his own work from his visual impressions. A realistic or non-objective approach makes no difference. The result is what counts.

I'm very attracted to schematic structures. My brother is a chemical engineer, he has a very mathematical mind, and he's also a visual artist. I think we have a lot in common. And my first film had a very tight structure, narratively.

At times I can't help going for visual comfort. Sometimes a picture fills up your head, and you try to move the actors around to make that visual statement.

I have so much music that I do. Just like how a visual artist is always sketching something but they might not share it, I'm always writing songs or coming up with melodic lines on piano or guitar. It's therapy. It's always happening.

A photograph presents itself not only as a visual representation, but as evidence, more convincing than a painting because of the unimpeachable mechanical means whereby it was made. We do not trust the artist's flattering hand; but we do trust film, and shadows, and light.

The idea of using media for expressing yourself artistically is kind of something I learned from my mother and my father. So for me, I think growing up wanting to be an artist, I always imagined myself sort of crossing over or mixing media and so it was a natural evolution for me to try to express in a filmic way or in a visual way. It just kind of seems like a natural sort of progression for me in terms of what I'm trying to do as an artist.

Because it's visual art, a lot of it comes from childhood experience but then a lot comes from the visual language - in advertising and stuff like that - which is around us.

What to paint was a problem for the war artist... the old heroics, the death and glory stuff, were gone forever... the impressionistic technique I had developed was now ineffective, for visual impressions were not enough.

We all accept the visual shorthand used throughout comics: if something's farther away, it'll be drawn with a thinner, simpler line, eventually leaving out most visual information and becoming a gesture, a skeletal representation of a thing.

For ages I thought I'd wasted my career doing visual effects, I wanted to be a filmmaker. And then I've learnt at the end of it all that actually visual effects was probably the best training ground I could have had.

My mother is an artist, and I have a strong visual sense. I almost always choose the cover art for my books. I've learned that the more I collaborate, like by having someone do a soundtrack to one of my books, the more I see my own work differently.

I was always a visual artist my whole life, and I came to music really late - when I was 21 or 22 was the first time I ever touched a musical instrument. For me, it was always this fun side hobby.

You can sustain visual beauty and innovative visual ideas for a certain length of time, but in a two-hour experience, which is really what movies are, usually audiences - whether they know it or not - most want an emotional connection to character.

You are born an artist or you are not. And you stay an artist, dear, even if your voice is less of a fireworks. The artist is always there.

As human beings we're visual creatures, and it's so easy to play the guitar by looking at it. It's a real challenge to go from that visual way of perceiving the guitar to getting back to that pure sound connecting to the instrument.

When you are writing for an artist you are trying to get into that artist's point of view. What does that artist want to say? What do they care about? And musically, you want to show off that artist.

The visual world has blown up, the world of writing has blown up; there's so much text online. Anyone and everyone can express themselves. It's a lot to think about as an artist. Also, that the persona of the artist might actually be of some importance. When I came of age, it was important to be quiet and hang back and be mysterious. I knew artists who didn't even want to show up at their own openings. They never wanted to have their picture taken, didn't want to autograph a book, didn't want to answer a question. I came of age in a world where it was "Let the work speak for itself."

I spend just as much time on how people hear my music as I do the actual music, no matter how long it takes. I'm such a visual artist as well that it always goes hand-in-hand.

The first choice an artist makes is precisely to be an artist, and if he chooses to be an artist it is in consideration of what he is himself and because of a certain idea he has of art

The artist does not illustrate science; ... [but] he frequently responds to the same interests that a scientist does, and expresses by a visual synthesis what the scientist converts into analytical formulae or experimental demonstrations.

I haven't had the opportunity to study visual art, but it was always my first love when it came to artistic expression. I started drawing and experimenting with visual art when I was 5.

Why take notes? The obvious reason is to remember. Visual note-taking translates what we hear into pictures that give context, color, and meaning. By adding symbols, visual metaphors, likenesses of people, and room layouts, we add several dimensions.

Judging your early artistic efforts is artist abuse. . . Remember that in order to recover as an artist, you must be willing to be a bad artist. Give yourself permission to be a beginner. By being willing to be a bad artist, you have a chance to be an artist, and perhaps, over time, a very good one

I would have been a visual artist. When I was in high school, that was one of the things... I had to make a decision what I was going to go to college for, and at the time, I also painted and sculpted. I got more attention for my performing, so I thought that was a better idea.

Why was the painting made? What ideas of the artist can we sense? Can the personality and sensitivity of the artist be felt when studying the work? What is the artist telling us about his or her feelings about the subject? What response do I get from the message of the artist? Do I know the artist better because of the painting?

My father is a visual artist, so I was influenced by him, and my mother is an English teacher who forced me to read a lot of books and poetry and get involved in theatre. I developed a varied taste for different arts.

I have a longstanding fascination with visual art. I do, in fact, draw as well, as I did in 'The Summer without Men.' I also write essays about visual art.

I wouldn’t want to be labelled unless it was something much broader and inclusive such as an ecological artist or a visionary artist, but there’s a constraint in the definition of a feminist artist, you’re an artist and you’re a feminist.

I think that a visual artist's philosophy develops much more freely than a writer's or a thinker's philosophy. It is not so disciplined. The photographer works with both his eyes and his mind.

To call yourself a Chinese artist or woman artist or African artist reflects a certain kind of condition. To me, that is not necessary.

The advice I would give to any photographer - young, old or in-between - is to explore anything visual because this is, after all, how you express your artistry. Look at paintings, movies, drawings, sculptures - look at anything visual and try to integrate that into your visual sense. After that, go out and take pictures and keep on taking pictures!

With regards to music, I don't want to pigeonhole myself and say I am a musician or a visual artist, because I feel like it's all-encompassing, and I feel like every bit of my art is related to the other.

I always say that I'm an artist who works with pictures and words, so I think that the different aspects of my activity, whether it's writing criticism, or doing visual work that incorporates writing, or teaching, or curating, is all of a single cloth, and I don't make any separation in terms of those practices.

I'm so in awe of what visual artists do and I do understand the differences of what visual artists do. I have a small art collection I hope to expand.

Nothing scales quite the way a sci-fi feature does, I mean, you can always add more visual effects; you can spend a lot of money on the visual fidelity alone.

I just think that Jack White is the consummate artist - an artist's artist. I'm a huge fan.

Israel is a wonderful place to be an artist - a place where imagination flourishes. Israeli culture is refreshingly avant garde - making films, music, performance art and visual art that continues to push the envelope, inspire and empower.

Musically, it's difficult to believe Jim has only two hands and one set of vocal cords. You would think that there were a dozen of him if you closed your eyes and listened. From a visual artist's standpoint, Jim is a man of a thousand faces, all spellbinding.

Images are not only visual. They're also auditory, they involve sensuous impressions, bundles of information that come to us through our senses, and mainly through seeing and hearing: the audio-visual field.

I was at a time of my life of making choices, I suppose: am I a writer, am I a visual artist? And when I was a teenager. I thought I would be a film-maker. Am I a musician? If so, what kind of musician am I?

It wasn't supposed to work - being a new artist, a female artist, an artist on an independent. That's what made it so much sweeter when we hit No. 1.

The world of visual perspective is one of unified and homogeneous space. Such a world is alien to the resonating diversity of spoken words. So language was the last art to accept the visual logic of Gutenberg technology, and the first to rebound in the electric age.

Billions of photos are shot every year, and about the toughest thing a photographer can do is invent an original, deeply personal, instantly recognizable visual style. In the early nineties, Wolfgang Tillmans did just that, transforming himself into a new kind of artist-photographer of modern life.

I don't think you have to earn your income as an artist to be an artist. But if you are an artist, then art is what you do, whether or not you're paid for doing it; it is what you do, not what you are. I regard artist not as a description of temperament but as a category of profession, of vocation.

My fiction has been influenced by the visual arts, though not in obvious ways, it seems to me. I don't offer tremendous amounts of visual information in my work.

For me art is a continuous discovery into reality, an exploration of visual data which has been going on for centuries, each artist contributing to the next generation's advancement. I wanted to go a step further and extend the boundaries.

Video is a funny thing. It's one thing to be an artist, singer-songwriter, and use words and create pictures in people's minds. And then be asked to do video for it, to actually give a certain visual for your song.

The much-lauded visual artist Roni Horn got her Master's in Sculpture from Yale in the Seventies, but in the course of her career she has moved, among other media, from watercolors to photographs to floor-sized installations and mats of poured gold.

Visual supervision is a joke for development workers. Visual supervision is for prisoners.

Music has always been a visual thing to me, so writing and drawing the 'Skin&Earth' comics, which tie cohesively with the music, was an obvious move for me as an artist.

No other creative field is as closed to those who are not white and male as is the visual arts. After I decided to be an artist, the first thing that I had to believe was that I, a black woman, could penetrate the art scene, and that, further, I could do so without sacrificing one iota of my blackness or my femaleness or my humanity.

It's a tremendous asset if you have a visual eye because you can make huge visual statements in a very theatrical way and play to the strength of theatre. But the high end of directing is working with actors and making the acting the best it can be.

The idea of discussing psychological and philosophical ideas in a visual medium was really exciting to me. I thought I was going to go into philosophy...and suddenly I found this way to combine that with my love for visual mediums.

I was a rapper and a DJ, and if you wanted to be involved in hip-hop, you had to be involved in the sonic, the kinetic and the visual aspects. The visual was graffiti.

Schiaparelli was almost like a pop artist. Even the first sweater had a naive visual impact. You immediately get it, and you love it or you hate it. There's nothing in between. But she had a proper upbringing, so she also understood about quality and luxury.

The function of the artist is the mythologization of the culture and the world. In the visual arts there were two men whose work handled mythological themes in a marvelous way: Paul Klee and Pablo Picasso.

I'm a recording artist, a performing artist and a producing artist. All those things have everything to do with the outcome of my shows. I get myself studying every part of the game and not everyone has the characteristic to do that. In my mind, you need all three to become an artist.

I am a musician who stopped working with music. Now I work with visual music, or audio-visual music.

I never considered myself an artist. I aspire to be an artist, but I never thought I had the depth or substance or gift to be an artist. I do think I have some talent, but it doesn't go as far as being an artist.

I wanted to be a visual artist because I grew up around a lot of painters and photographers and had a very artistic upbringing. And I fantasized about being a drug-dealer when I was a kid. I thought it would be a good opportunity; I knew that the market would be strong. Is that bizarre?