Top 1200 Visual Effects Quotes & Sayings - Page 20
Explore popular Visual Effects quotes.
Last updated on November 6, 2024.
The abstracting of visual elements in order to recognize their particularity has become automatic, but seeing, combining, and creating them as integrated 'wholes' will remain a lifelong challenge.
My bottom line is that I think Ridley Scott is one of the greatest visual artists of our time and I feel very privileged that he wants to work with me, so I go with that flow.
No one likes to admit that in the end we all die by inches, gradually losing all the defining visual characteristics that make us us
PowerPoint is like being trapped in the style of early Egyptian flatland cartoons rather than using the more effective tools of Renaissance visual representation.
I am a visual person, given that I am deaf.
It's hard to brief in the Oval. You know, you can't - no visual aids, hard to roll out something in front of somebody.
Big cities are chaotic. And chaos for humans - who have experience from their ancestors - is the last step before conflict. So, in the park, every kind of visual contradiction has been eliminated.
I think setting a goal, getting a visual image of what it is you want. You've got to see what it is you want to achieve before you can pursue it.
Language, I think, has nothing to do with film-making. It is how you make your point and whether you exploit the visual medium maintaining a certain standard that does the trick.
I am a great lover of art, in many forms: paintings, objets, textiles. I don't have the talent for painting, but I have a very good sense of colour, a love of visual beauty.
I'm a Mac user. I think it depends on how you were brought up, and I was introduced to Apple quite early. They're certainly the best for visual stuff and film-directing.
Design must be functional and functionality must be translated into visual aesthetics, without any reliance on gimmicks that have to be explained.
In a film we have limited time and space to say what we have to, hence the visual language and brevity needs to be paramount. In a novel, however, we can dissect each thought and emotion and build on it.
Just as we ban smoking and drinking for under 16, because we want to shield young people from their harmful effects, we should do the same for smartphones.
No article of faith is proof against the disintegrating effects of increasing information; one might almost describe the acquirement of knowledge as a process of disillusion.
I love visual gags and gimmicks; I love them.
Writers need their totems, their altars. Mine, I feel, share the same randomness and utility of those belonging to painters I know, who are relentlessly visual and even poetic.
As a visual person, I love a creative resume. Putting in a little effort on the design side will show that you care about making things look good.
Observe your actions but be so busy that you never contemplate their possible effects. It is only this consciousness that leads to liberation. Everything else is illusion.
What I like best about underwater photography is giving a visual voice to the invisible. What I like least is the prospect of drowning.
From my personal taste, it needed more of a visual style. It's so hard when you're adapting something that's so visually scrumptious like Mike Oeming's drawings. They're so unique to comics, but they're a voice.
I discovered on my own that I could cope better with the crippling effects of grief by taking care of myself, eating right, and working out.
I try to educate people about materialism through my work. I try to show them real visual luxury.
I'm very open to any visual conceits and any possibilities at my disposal to be better explain to people the ideas I'm exploring.
I go to a very visual place when I'm singing. It's very cinematic and I get this feeling of space. I love when music does that.
Fat people are so rarely included in visual culture that fat is perceived as a blot on the landscape of sleek and slim.
The visual quality of the cameras now is such that you can shoot with available light, and if people are willing to mount a microphone on the camera and maybe even on the subject, then you're good to go.
Design must be functional, and functionality must be translated into visual aesthetics without any reliance on gimmicks that have to be explained.
I think so. I can't think of anything that requires more finesse than comedy, both from a verbal and visual point of view.
If we have to save the world from the adverse effects of climate change, then developed nations must lift the deprived with financial and technical resources.
I have a crazy imagination, and it's a visual one that can be scary from time to time.
In virtual reality, we're placing the viewer inside a moment or a story... made possible by sound and visual technology that's actually tricking the brain into believing it's somewhere else.
I have been collecting pictures of airport carpets since the early 2000s because I am fascinated by their role as the world's largest interior visual design medium.
And also the idea of not making it apparent that it's different from the rest of the film, even though there are visual differences, the audience is supposed to think that they are with him when he wakes up in the morning.
For me the visual is just as important as the music. I would never record without my red lipstick. It was my way of getting into character, sort of like Method singing.
. . . woman is a being dominated by the creative urge and . . . no understanding of her as an individual can be gained unless the significance and effects of that great fact can be grasped.
When I was a kid, it was thought I would do something in the visual arts because I was always drawing, but when we emigrated to Australia from Holland when I was seven, I learnt the English language, and I fell in love with it.
Visual journaling allows us to access our inner language of imagery and express it both verbally and visually, while exploring the connection between image and word.
Fine taste is an aspect of genius itself, and is the faculty of delicate appreciation, which makes the best effects of art our own.
Dialogue should simply be a sound among other sounds, just something that comes out of the mouths of people whose eyes tell the story in visual terms.
The 'Star Wars' universe is full of technological and cutting-edge effects, which Base FX will be a wonderful partner to create with.
Mankind may amuse themselves with theoretic systems of liberty... but we can only discern its true value by the practical and wretched effects of slavery.
I'm frustrated with Hollywood and television and the movies because they see science fiction as an excuse for eye candy, for lots of great special effects.
Everything I do is very visual and very aural, so I don't read music, and I draw as much as I write out lyrics.
We love displays and symbols and stuff that quickly and silently tells the world who we are. Better yet, we love visual reminders of who we want to be.
The theme, or harmony, of a painting can be created by any one of its visual elements. A single colour... repetition of shapes... Light can be a theme.
Some people... cling to the idea that the photograph is an inherently real or honest image and as such is always on a different plane from an obviously subjective form of visual communication such as painting.
We're visual creatures. Probably, when we were hunter gatherers... that was the kind of thing that mattered. And remembering, say, phone numbers was, like, not that important when you're hunting down a mastodon or whatever.
Anger is the most impotent of passions. It effects nothing it goes about, and hurts the one who is possessed by it more than the one against whom it is directed.
When I was in the first years of university, I fell in more with the visual arts crowd because it was more interesting than where music was.
As someone who's built business, I take tariffs and their effects very seriously and would only employ such negotiation tools when absolutely necessary.
I'm never going to be one of those people who is good at organization. But I'm very visual. I have a catalog in my head of things I already own, so it's easy to shop and I always know exactly what I'm looking for.
We are attacked by radio and television and visual communication at such speed and with such force that painting seems very old fashioned ...why shouldn't it be done with that power and gusto [of advertising], with that impact.
The paradox in the evolution of French painting from Courbet to Cezanne is how it was brought to the verge of abstraction in and by its very effort to transcribe visual appearance with ever greater fidelity.
It behooves every American to encourage home manufactures, that our oppressors may feel through their pockets the effects of their blind folly.
My greatest strength as an actor is that I follow my director's brief completely. The film is always the director's visual baby.
?omen, we think differently than guys. Guys, you know, are very visual. Women, we work a little different.
Work a great deal at evening effects, lamplight, candlelight, etc. The intriguing thing is not to show the source of the light but the effect of the lighting.
For some reason I have a visual intuition that allows me to design things in an interesting way, and I don't know where that came from. Because I don't have this formal training, I seem to drift in a different direction.
It is tempting to ascribe Katrina, Rita and now Wilma to global warming effects, but I am not sure that would pass statistical muster.
