Top 845 Vocal Cords Quotes & Sayings - Page 11

Being onstage is like being rock star. Whereas if you're doing a movie, it's such a confined space. You know, you do a comedy, it's so hard, too, 'cause with a comedy, there's no vocal reaction, there's no energy that you get back that spurs you on to be funnier because everyone has to be quiet.

Where I think the American actor is slightly at a disadvantage is in vocal technique. I don't think that words are their friend in the same way that English actors are used to using words: understanding about consonance and how to shade a vowel to show emotional color.

I've been a vocal advocate for Medicaid expansion, which is why I co-sponsored legislation to incentivize states like Kansas to expand Medicaid by starting the amount the federal government matches state's investment for expansion at 100 percent.

Just every day try to be a leader, try to get better and to help my team win. I just want to be more vocal, like talk more so my teammates can know I got their back.

James Ralston, my guitar player, has performed with Tina Turner for about 22 years. Jim Hanson on bass has played with Johnny Cash, Rodney Crowell and Bruce Springsteen, and they're fantastic musicians and amazing singers they get a really cool vocal sound together.

I had throat surgery. We had to check that out and make sure it wasn't cancerous. I had a polyp on my vocal cord, so I had that taken out.

You want to win races? You've got to get out there, and you've got to be vocal, and you've got to work. When you win, you've got to actually represent. You've got to be willing to fight your party.

A vocal performance “Coming Together” is hard, but it's the kind of hard that if you work hard enough at it, you can do it and it feels great, because it was so hard. So we'll continue maybe even over the next couple of years to perform that and to expand our collaborative repertoire.

Most records, you build from the drums and bass up. This one, we started with the vocals in Nashville and recorded them live with just the guitars and tried to make that complete and lovely-sounding without any adornment at all. I really wanted to get something with the vocal that I've never gotten before Armchair Apocrypha.

I think one of the biggest sleepers that people are going to be able to dig into later is 'Fermi Paradox,' it's the song before 'Exist.' To me it's got the coolest, it's just so bizarre because it's got one of the most melodic vocal melodies, but we put it over a black metal blast beats.

'Fix' - definitely, when I first heard the demo of that song, it was kind of intimidating because of the high falsetto parts. It was one of those things. I got into the vocal booth and wasn't sure I could do it or how well I could do it. There was something about the song that I really took to.

It's not like you're being fake, it's just the way you color it, like a guitar player uses pedals or different effects. That's why I get so mad about people who are down on vocal reverb. It's not a crutch, people, it's an aesthetic choice!

You don't realize it until you go out and take a look, but there are so many ways in which sexism is just allowed in our culture, not just in the entertainment industry. It's just allowed to be there, and that's not acceptable anymore. And I think it's really important to be very vocal.

In vocal prayer we go to God on foot. In meditation we go to God on horseback. In contemplation we go to God in a jet.

'Can't Get Closer' I originally recorded in about half an hour, just on my bed with a microphone. I actually re-recorded the song with a cleaner vocal take, but I decided to leave the demo version on there, just because I felt that instant where it was created is what captured the most emotion.

A visit to the Rennes market, one of the finest I have seen in France, alone will convince you of the virtues of Breton gastronomy. It's a testament to the fact that Brittany is Frances' most agriculturally active region, with the producers themselves peddling their products, a vocal bunch, full of recipe ideas and passion.

I was too shy to do any vocal lessons or go to choirs; I just didn't want to be seen doing it. It's something that I kept to myself. I started easing into it, and I started doing talent shows, and YouTube really helped with that, too.

If you ask me about vocal technique, I don't know anything. I could never be a teacher. I just know what my teacher told me: 'Always sing with a full voice. When they tell you, less sound, more piano - no.'

I have songs that sound like this and songs that sound like that. I think it's just my vocal that keeps it all together.

The same song can have drastically different feels and personalities just by changing some minor things. A different drumbeat or some vocal overdub could completely transform the song.

The vocal arrangements are a big part of the formula for a Bad Religion song - layered harmonies and background vocals. So when I start to describe the elements of Bad Religion's sound, it starts to sound like a Christmas choir.

Rebecca Black might sing like a robot, but that's just proof she has evolved beyond us. Her vocal is just a slightly exaggerated version of the robot glitch-twitch stutter that's been mainstream pop vocalese for the past 10 years or so.

We heard about the Smiths later, through friends. What attracted us was how they could get across the meaning of the lyric through the tone of the vocal. A lot of bands just try to be catchy. The Smiths wanted to be more.

As a state representative, I have consistently supported our state's investment in Israel and our vocal support of Israel's right to exist.

Media is very different from financial services. People are very fickle and very vocal. They believe that things should be one way and not the other. It's still very rewarding to build products for huge audiences. It feels like you're making an impact.

Being a mom makes it harder to find time to write and it gets harder to find time to sit down and do a vocal, because there's a baby behind you crying.

The inspiration for our vocal harmonies was sort of Appalachian. It's sort of at weird intervals, and it almost has an Appalachian kind of feel to it. The harmonies were really spontaneous. And the way we jammed, we would just get into a trance.

Vocal rest is awesome. It is like any kind of fast. Firstly, it is a purification of speech. It made me realize how not careful I am with the things I say. It also makes you find new ways of communication and new methods to connect with people.

The intruder hesitated, turned, and anchored itself in the corner, where the ceiling met the wall. It sat there, fastened to the paneling by enormous yellow talons, still and silent like a gargoyle in full sunlight. I took a swig from the bottle and set it so I could still see the creatures reflection. Nude and hairless, it didn't carry a single ounce of fat on its lean frame. Its skin stretched so tight over the cords of muscle, it threatened to snap. Like a thin layer of wax melted over an anatomy model. Your friendly neighbourhood Spiderman.

'Gossip Girl' was an adaptation that, although very different from a Marvel property, had a vocal fan base. On that show, we started off very nervous about making any changes from the book. As we got our sea legs underneath us, we became more bold.

One of the things that helps my vocal health immensely out on the road is stopping all my eating/drinking at least four hours before I go to bed. I actually set a timer after my last meal so I can't cheat. This is to prevent acid reflux when I lay down in my bunk at night.

The 'I Wanna Dance' hook actually came to me when I was in bed and just in that lucid moment between consciousness and sleep... I jumped out of bed and recorded a voice note of the vocal hook and I went into the studio the next day fully inspired.

I'd like to think that I'd helped people all over the world to question the things they otherwise would have accepted as the truth. I'd also like to think that I'd charmed them a bit with my lovely vocal stylings and the baring of my lovely arse.

I've never taken vocal lessons. My early trumpet training and a fortunate talent for singing has always been enough for me. In the case of rock singing, I've always felt it was better to remain a bit untrained to maintain your individuality.

I danced for a while, and I knew I could sing, so I just began singing in a praise band at church and doing musical theater and jazz vocal performance in school. One didn't really lead to another; I was just always interested in the performance arts.

I've always been vocal in my matches, and I've always made a lot of noises, a lot of random noises.

I can play a song for somebody, and when certain parts come on, I cringe. I might not like my vocal or the way I sang a certain word. Playing intimate shows is when I feel the most vulnerable; you can hear and see everything. Those are the most rewarding as well.

I keep these songs in my head until I get behind the microphone. I never spend more than 30 or 40 minutes singing the vocal or it will sound mechanical. There are always mistakes, but it's about feeling more than being perfect.

Everything we do is different like we have photoshoots, then video shoots, rehearsals, vocal warm up days, learning all the different harmonies then we have recording days. Every day is different.

I'm very much of that old-school mentality of believing that if it works with an acoustic guitar and a vocal, then it should work within any format - and especially when most of my live work is just guitar and vocals, so it really does have to work with only that.

Silence is never-ending speech. Vocal speech obstructs the other speech of silence. In silence one is in intimate contact with the surroundings. Language is only a medium for communicating one's thoughts to another. Silence is ever speaking.

The short story and the truth is that I was taking vocal lessons here in New York... One day, instead of my lesson, the piano player and I went into a studio... and we put down some demos... Those demos got to Quincy Jones through an agent... He listened to them, he called me, and we started to record.

I feel there are tone singers, and there are more vocal gymnastics singers. And I think that's amazing when people can do that, but I think there's room for the tone singers. And there aren't a lot of them.

I've been singing all my life. I've always wanted this. I sang in church, in school plays, and my parents gave me vocal lessons. My parents always said this was destined for me.

Inspire the Vocal Brass, Inspire; The World is past its Infant Age: Arms and Honour, Arms and Honour, Set the Martial Mind on Fire, And kindle Manly Rage.

Shareholder activism is not a privilege - it is a right and a responsibility. When we invest in a company, we own part of that company and we are partly responsible for how that company progresses. If we believe there is something going wrong with the company, then we, as shareholders, must become active and vocal.

I just used to love the sound of especially a female vocal like Ella Fitzgerald for example, it's just that empowering self-control that can make a whole room go silent. I fell in love with that sound.

I think it was definitely a love for the four- or five-part vocal male harmony groups that really took me away. I'd always try and be, like, the fifth Drifter; I'd always try and find another harmony that wasn't there.

I remember being really young and having this voice inside that told me to trust my gut. And my gut has been really, really strong in my life. It's pretty vocal and it leads me.

I would like to learn so many things: I'd like to take tennis classes, I'd like continuing vocal lessons, and I'd definitely like taking more ice skating and more tap.

Vocal prayer . . . must be accompanied by reflection. A prayer in which a person is not aware of Whom he is speaking to, what he is asking, who it is who is asking and of Whom, I don't call prayer-however much the lips may move.

As vocal as some people have been about how emotionally attached they've been to celluloid, I've been equally emotional in my stance that nothing is more valuable than this. Than being able to see the result of your work quickly.

I do loads of pitch writing as well, where you write a pop song and then pitch it to DJs who can then work with the song, and sometimes they keep your vocal on it. It's just good to be involved in different things.

It took me a month to get out of the mindset of O.J. But even now, still, I think it might have done something to my vocal chords. I went to see the doctor, and he was like, 'I don't see anything. You're fine.' But mentally, I might have broke a little bit.

I've learnt there's nothing you can't do. I danced, for instance. I am not as reserved as I used to be. I've been on the reserved side since I was growing up perhaps because I was an only child, but that changed. I am way more confident. I'm more expressive and vocal.

I can't bear working with a click track, we're not click track people. But for "Mercy Is ..." we all got in one mind because the song is delicate; it's not a song that showcases a vocal or some virtuoso.

What I love about piano and vocal is it's incredibly pure, and it gets down to the essence of the song because you're not distracted by an orchestra. When it's just a piano and a voice, it's about the purity of singing the song.

Like my writing, my voice has been something I've worked at. I knew I had a good voice but it was a matter of time before it was what I've got now. I've had to build my vocal muscles up until they were like Arnold Schwarzenegger.

In vocal prayer we speak to God; in mental prayer he speaks to us. It is then that God pours Himself into us.

Everything has become so pop-rock oriented that finding a role for a soprano, and finding an audience for a soprano, is tricky. Unless you're dealing with a revival, which is why I do so many revivals - because my specific tone and vocal quality lends itself to that type of writing.