Top 326 Vogue Quotes & Sayings - Page 5

I got an offer at 'Vogue.' And I desperately wanted to work in magazines. My interest wasn't in fashion, but when you get an offer right out of college for a magazine that big - I decided that it was probably better to start at a big name magazine, even if I wasn't necessarily fascinated with the subject.

In former days, when there were Whigs instead of Liberals, it was almost a rule of political life that all leading Whigs sould be uncles, brothers-in-law, or cousins to each other. This was pleasant and gave great consistency to the party; but the system has now gone out of vogue.

The vogue of the New Negro . . . had all of the character of a public relations promotion. The Negro had to be "sold" to the public in terms they could understand.

So rich people could go slumming? Come on, give me a break [it’s a] masturbatory fantasy for Anna Wintour and Vogue. They always go and try to co-opt what they can’t own. They try to co-opt authenticity and turn it into something boring.

I don't look at 'Vogue' to ask what I'm going to wear. Because it's something on a body too young. I have to look at the social pages to see women my age. To see how Amanda Burden is dressed and say, 'Hmmm. Maybe I should try that.'

If a passion for freedom is not in vogue, patriots may sound the alarm till they are weary. The Act of Habeas Corpus, by which prisoners may insist on being brought to trial within a limited time, is the corner stone of our liberty.

When I was young, I wanted to be a movie star. But I realized that you have no control being an actor. So I went to architecture school in NYC, because I was crazy about buildings. Then I began to realize that I got more excited about Vogue coming out each month than I was about my projects.

I think one of the best jobs in the universe must be being the editor of 'The New Yorker', but there are a number of magazines that I'd be excited to be the editor of. They would be 'Wired', 'The New Yorker' and probably, 'Vogue'.

I first thought about doing a project about Anna Wintour and 'Vogue' when I read an article in 'New York Magazine' about the Metropolitan Museum Costume Institute Ball, the annual fundraising gala that Anna oversees. It created such a fascinating portrait that I couldn't help but be compelled.

'The September Issue' is really a film about Anna Wintour's relationship with long time 'Vogue' Creative Director Grace Coddington. The two of them have been working together for two decades, and the extraordinary symbiosis between them has left an indelible mark on the fashion industry.

Why then should words challenge Eternity, When greatest men, and greatest actions die? Use may revive the obsoletest words, And banish those that now are most in vogue; Use is the judge, the law, and rule of speech.

In 2017, there is more than one way to be beautiful and more than one way to be cool. And when you put an image on the cover of 'Vogue,' that means something that goes beyond fashion.

Many photographers feel their client is the subject. My client is a woman in Kansas who reads Vogue. I'm trying to intrigue, stimulate, feed her. My responsibility is to the reader. The severe portrait that is not the greatest joy in the world to the subject may be enormously interesting to the reader.

People hate politicians, it's really in vogue right now to hate politicians, but we need someone to lead us into the new world economy, we actually need to make decisions and we actually need grownups.

I want 'Vogue' to be pacy, sharp, and sexy - I'm not interested in the super-rich or infinitely leisured. I want our readers to be energetic executive women, with money of their own and a wide range of interests. There is a new kind of woman out there. She's interested in business and money.

When I was kid, I remember playing 'Vogue' by Madonna over and over and over again. And ah, you know, something about the beat was really cool, and Madonna, visually, was on TV all the time and I thought she was just so beautiful.

Something like small English films were in vogue you had something like The Crying Game and everyone piled into London and wanted to make small English movies.

My mother was a beauty queen in her hey day. That's where I learnt a little about makeup and hair... I had never picked up or even seen a 'Vogue' before I was 17. I had no idea about fashion, magazines, models or designers. No idea.

The aliens on this planet are also attempting to clone or replicate the human form artificially. Their original form, being humanoid, cannot pass the field that was established around the Earth. But if they can clone or cybernetically change their forms, it may help their designs. This is why virtual reality, cybernetics, cloning, and nanotechnology are in vogue today.

It's hard for me to say really, I've never taken any relationship seriously apart from this one. I'd never given any thought to getting married, ever, apart from Vogue.

Without discipline and detachment, an actor is an emotional slob, spilling his insides out. This abandonment is having an unfortunate vogue. It is tasteless, formless, absurd. Without containment there is no art. All this vomiting and wheezing and bursting at the seams is no more great acting than the convulsions of raving maniacs.

I was doing the 'Vogue' fashion awards when I was 16, live on VH1. I was coming down the steps, and I'm a really hard walker. I hadn't had a mistake yet in my career. Everything had been perfect. So I come down the steps on live TV, and I slip. I didn't fall, but you could see the look on my face. I was mortified. I was devastated.

I don't feel pride when I look at a magazine spread I did for Vogue, but writing is really satisfying to me. I can go so deep into people's interior lives, slowly and with complexity, over years and years sometimes. That's very rewarding, in a way that modelling never was.

At 'Vogue,' I was responsible for a lot of production work, and production work is highly detailed, and you have to be very resourceful to fit a square peg into a round hole. I learned to push the envelope when it comes to asking questions or making requests.

My first really big job was an advertorial for Italian Vogue. I cried on set because I didn't know what to do. That was two weeks after being in Milan for the very first time. I think I had one or two test shoots there.

There was a time when idealistic folksingers such as myself believed that Reality TV was a programming vogue that would peak and recede, leaving only its hardiest show-offs. Instead, it has metastasized like toxic mold, filling every nook and opening new crannies.

In the year and a half that I've been sober, in the comfort of married life, Vogue and I have welcomed our first son and become a family of our own. We are busy, happy, and doing well. My finger is on the pulse and things I never bothered to try to understand make sense to me now.

The whole process of being one of the 10 finalists for the 'Vogue' Fashion Fund award has to be my biggest achievement to date. Meeting Anna Wintour, Diane von Furstenberg, etc., has been an amazing experience that even now gives me goose bumps when I think about it.

'Celluloid' is set in the 1930s. During the decade, the folk-classical genre seems to have been in vogue. It didn't take much effort to compose because my guru Neyyattinkara Mohanachandran and his guru, M. M. Dandapani Desikar, used to sing this genre.

My mum was very glamorous, an incredible seamstress. She made up those Vogue, Givenchy and Yves St. Laurent patterns they used to sell. It was church couture, darling! Because my dad was a pastor, she could get away with more than other women. Her skirts were that bit tighter.

When I was having my hair and make-up done backstage at a fashion show, I would sneak in a copy of Dostoevsky and read it inside a copy of Elle or Vogue. But it would be pretentious of me to say I was more intelligent than the other supermodels.

Part of the pleasure of editing 'Vogue,' one that lies in a long tradition of this magazine, is being able to feature those who define the culture at any given moment, who stir things up, whose presence in the world shapes the way it looks and influences the way we see it.

As women, we can't look old. We can't be fat. We're supposed to look like the 14-year-old models in Vogue, who are younger and younger and skinnier and skinnier, and they are air-brushed and contoured and Photoshopped.

Liberman said to me, 'I must cut back on the work you do for Vogue. The editors don't like it. They say the photographs burn on the page . After some years, I began to understand that what they wanted of me was simply a nice, sweet, clean-looking image of a lovely young woman.

I was doing the Black Issue in 2006 and then went to Africa for Uomo Vogue. I've worked with Gucci and Fendi, committed to create jobs. Fifty percent of those ads went to non-government organizations in Africa. [Nelson] Mandela was on the cover, it helped create attention.

I have performed for thousands when they found me exotic, the vogue, daring, but I have danced, at any given time, for about ten people... They were the ones that left the theater forever different from the way they were when they came in. All of my long, long life, I have danced for those ten.

My life isn’t theories and formulae. It’s part instinct, part common sense. Logic is as good a word as any, and I’ve absorbed what logic I have from everything and everyone… from my mother, from training as a ballet dancer, from Vogue magazine, from the laws of life and health and nature.

Who are these bloggers? They're not trained editors at Vogue magazine. There are bloggers writing recipes that aren't tested that aren't necessarily very good, or are copies of what really good editors have created and done. Bloggers create a kind of a popularity but they are not the experts. We have to understand that.

The book of the moment often has immense vogue, while the book of the age, which comes in its company from the press, lies unnoticed; but the great book has its revenge. It lives to see its contemporary pushed up shelf by shelf until it finds its final resting-place in the garret or the auction room.

Pay no heed to the passing religious vogue. Go back to the grass roots. Open your hearts and search the Scriptures. Bear your cross, follow your Lord. The masses are always wrong. In every generation the number of the righteous is small. Be sure you are among them.

I saw young women in the street dressing in a way that I thought was influencing the designers. Fashion was being influenced by all sorts of different people, and culture and also across the street. So I saw more as a trickle up, than a trickle down influence. When I came to Vogue, that's what I wanted it to reflect.

Small hotels are going to be in vogue. In my view, small is going to be the new big, wherein people will rethink a lot about going back to that 1,000-room hotel versus going to a 40-room niche hotel.

People ask me 'Why you want to do another magazine - 10 years at 'Vogue,' a great magazine? Why do you want to make a new one? It's so difficult and there's already so many.' I wanted to do something new, bring a new vision.

At an early age I discovered the beauty in pictures in 'Vogue' magazine and Ebony magazine, and I would read 'The New York Times.' I had to make my own world within my world because I was an only child.

I mean, Kim used to be a leper in the fashion community, and now they embrace her and she's on the cover of Vogue, and that's all thanks to Kanye. And her being associated with him was good not just for her, but for her entire family.

Despite the many iniquities that have found entrance into the practices of image-worship as it is in vogue now, I do not condemn it. Ay, where would I have been if I had not been blessed with the dust of the holy feet of that orthodox, image-worshipping Brahmin!

Hence the vogue for double majors. It isn’t enough anymore to take a bunch of electives in addition to your primary focus, to roam freely across the academic fields, making serendipitous connections and discoveries, the way that American higher education was designed (uniquely, among the world’s systems) to allow you to do.

Philately is normally a boys' hobby but for some reason it was in vogue at my junior school. Between the ages of eight and ten I collected avidly. I'd pore over my Stanley Gibbons book, obsessively checking my collection's value. I always hoped I'd stumble across a really valuable one, a Penny Black or an Inverted Jenny, but it wasn't to be.

The only time I was really surprised was the reaction to the [shoot dedicated to the] BP oil [spill in 2010]. I didn't expect it at all. It was for the August issue, perhaps one of the less relevant months, but there was so much buzz. It was picked up all over the American television, but I defended my position. I don't understand those that say that a magazine such as Vogue should not talk about these things.

Cowboy movies aren't supposed to be in vogue. I still like them. You know, I'm still out there pitching the hell out of them.

I envied women with signature hair-dos, signature perfumes, signature sign-offs. Novelists who tell Vogue Magazine: “I can’t live without my Smythson notebook, Pomegranate Noir cologne by Jo Malone and Frette sheets”. In the grip of madness, materialism begins to look like an admirable belief system.

I loved modeling. I absolutely loved it. I was so happy to get the cover of 'Vogue' - 23 times. I keep each copy. I made more money as a model than as an actress or as a filmmaker. In monetary terms, beauty pays more than anything.

You probably won't remember me. I'm probably ancient history. I'm one of the chosen few who went ahead and fell for you. I'm out of vogue, I'm out of touch. I fell too fast, I feel too much. I thought that you might have some advice to give on how to be insensitive.

People often ask us if we had direct influences. Honestly, just a lot of different music - not necessarily individual people. We listen to anything from Bob Dylan to Massive Attack to Aerosmith to En Vogue. We very much enjoy all that music.

A short way into Teen Vogue I realized that teens see it as a guide for their lives and their careers, more than a place to teach them how to get boys. And they don't ask us fashion advice questions; they're too sophisticated. They're inspired by what they see and they think, 'These people at this magazine represent what I want to be, beyond shoes and makeup.'

My mother, all of her sisters and my siblings all went through a stage from the age of about 15 to 19 where they widened and then lengthened. Had I not been modelling, that would have been a phase that was in a family photo album rather than in Vogue.

In those parts of the world where learning and science has prevailed, miracles have ceased; but in those parts of it as are barbarous and ignorant, miracles are still in vogue.

On 'America's Next Top Model,' I mentor girls on television. When that TV goes off, I actually mentor other girls in the modeling industry - girls that have not been on 'Top Model,' but who appear in 'Vogue' worldwide.

'Vogue' is a fashion magazine, and a fashion magazine is about change.

I think it's really cool that there are people like Adele on the cover of 'Vogue' and 'Rolling Stone,' and like I think it's really important that people are talking about your body, because if they don't, then you'll never be able to break that barrier.