Top 1200 Voice Acting Quotes & Sayings - Page 20

It is said that anyone who does commercial cinema is not acting, and anyone who does an art film is acting. I don't believe it. I feel whenever you are doing a film, you are acting. So you need to be applauded for that. I won't do art house cinemas. I want to make commercial films. I want my films to make money.

Words are really beautiful, but they're limited. Words are very male, very structured. But the voice is the netherworld, the darkness, where there's nothing to hang onto. The voice comes from a part of you that just knows and expresses and is.

Stylized acting and direction is to realistic acting and direction as poetry is to prose.

Art and activism seem to go together naturally, the idea being that if you're an entertainer, you can have a voice, and if you have a voice, you can make a difference. But if I were not an actress, I would still try to extend myself beyond my little micro-universe of my job, family and personal joy.

I went to theater school in France, and when I finished I thought I would never go back to acting again. I don't want to be acting in theater. It's not for me. I'm sick of all this theater world, all these actors, and all that.

I consider myself fortunate that in my home, acting or the creative arts were a good option. This was a respected tour of duty in my family. Acting wasn't something that was left to tragic bohemians. But we weren't a family that obsessed on cinema.

The Voice did not consider itself a conventional magazine. It took me awhile to realize that it was named The Voice for a reason. They wanted voices. At the time, good magazine stories were still believed to be written in the third person based on the false belief they were more objective. Of course some conventional stories require third person, but in the really interesting stories - the ones I got do to at The Voice and Esquire - were about subjectivity, subjectivities.

Mandy is not calm. So that's acting. I'm acting. And, and I love playing someone calm.

The song and the drumming were like this: Behold, a sacred voice is calling you; All over the sky a sacred voice is calling.

The voice of the people has been said to be the voice of God; and, however generally this maxim has been quoted and believed, it is not true to fact. The people are turbulent and changing, they seldom judge or determine right.

What is a barrier to one person to creativity is a springboard for another. And the thing that makes the difference from one person or another is how they deal with and are affected by their inner voice of blame and criticism, so-called the VOJ or Voice of Judgment.

I don't like acting and I never have liked acting and I never wanted to be an actress.

I try not to talk during the day when I have a show that night. My voice is my instrument, just like a saxophonist's instrument is his saxophone, plus also his voice, if he's the one between tunes that makes announcements.

My very first acting job was with Alan Parker on' Angela's Ashes,' but as a child, I had written to so many other productions just applying for any role. I always wanted to be an actress, and I did loads of acting summer schools.

As you get older, your voice changes, as well. Your voice should be able to last as long as you last.

I don't think that acting is as youth-obsessed as the general culture. In acting, as you get older, you get better, and the parts you get improve, too. But that's only true for a man, not a woman.

TV is all about learning to write in someone else's voice, so if you do it long enough without selling your own project, they assume you don't have your own voice; you're just a good mimic.

I think the best thing is having a voice and being able to give people a different perspective and a different opinion and voice my emotions and how I feel. To be heard by people, it feels good.

I went to performing arts high school, and I took dance and acting every day. Then, I went to Marymount Manhattan College and I have a B.A. in acting, with a concentration in theater performance and a minor in musical theater. I studied there for three years.

Will you stay with me ” she asked. Her voice was the thinnest whisper almost canceled out by a low groan of thunder.... Forever ” he whispered back. The sweet sound of his voice filled her up.

I would rather do a play because it's instantaneous. You go on the stage, and you know whether it's happening or not. Somebody asked me 'What is acting?' And I said, 'Acting is listening.' And if you ain't listening, nobody's listening.

I went whole hog at the actor's lifestyle - really embraced it. I had by then known how much I loved acting already, because I discovered acting from a teacher in the seminary - that's the first place I ever did it, in the seminary.

Good acting is good acting, whether it's on stage, on TV, or in films.

It's important to raise your voice in things you feel passionate about and things that you know about. Don't raise your voice just to raise your voice if you have nothing behind it and don't know what you're talking about.

I stopped acting, as I was not curious about it anymore. I was not passionate about acting.

I couldn't pick up a sword and go fight anyone, let me put it that way. It's choreography and it's acting. The best sword fights you see look amazing, but it's the acting that sells it more than anything.

It's - you know, acting's all about relatability and finding empathy for a character, which is essentially, kind of, you're finding empathy with a part of yourself, which is a part of a character that was written by someone else, which was essentially kind of a part of them as well because it was a voice in their head they wrote down.

There are a couple of things that are, in the present, floating in front of my face, and once one of them gets enough energy to become a voice that I cannot not hear, then I will become a steamroller. When you've made your film, you stop hearing the voice.

I've never had a voice coach, but I am about to name drop horrendously here: I did once get some advice on how to project my voice from Sean Connery, which was lovely. It's all about where you breathe. That's my claim to fame.

When I started acting, everyone told me to get a backup in case it didn't work out; if there was something else I could have done, I would have done it. Acting should never be your chosen path if you can help it.

I've been acting all along. I understand that I haven't been in people's viewers, but acting has never not been a part of my life, just more time in between and less high-profile.

My mother was an actress and my voice teacher, an incredible voice teacher. My biological father is an actor, and my stepfather, who raised me along with my mother, is a psychotherapist. I was always supported in creative ventures.

I know that composers know my voice type and what songs will suit me. I have been able to mould my voice according to the nature of the song given to me, be it rock, pop or jazz.

Geoffrey's personal style was very different from mine. He has a lovely speaking voice, a quiet speaking voice. But at Cabinet we always reported on foreign affairs - we always had this quiet voice. It was so quiet sometimes I had to say 'speak up'. And he gave it in a way which wasn't exactly scintillating. And you know, foreign affairs are interesting. They affect everything that happened to our own way of life, and they are exciting. And so we just diverged.

When I started covering The Beatles and The Rolling Stones in a rock 'n' roll band, it helped me realize that my natural voice is actually really high. It helped me find my voice.

I never really thought about acting as a child. It wasn't like, "This is the career that I want to pursue." So when I first started acting, I was more concerned with just being on a set and all of the woes of that, and I didn't really know it or understand it as a craft yet.

When you write, it's just a much more crystalline, compressed version of the voice you think with - though not the one you speak with. I think your writing voice is your laser-guided missile. It's the poetry part of you.

I had a real stage school voice and I could do loud things, but it's not about being loud, it's about sensitivity and subtlety in music. You can do so much more with a quiet voice than with a belter.

With voice acting, it liberates you to play characters you'd never do in a million years because you're physically not right. You can show up looking like hell, you don't have to memorize your lines because you can read them right off the page, and you get to play the most fun parts. You come in and you kick everyone's ass and you get your own ass kicked, and then you go home.

I loved the opportunity to just transform my voice. I loved the idea of doing impressions and mimicking and playing around with the spectrum of your own voice. That's what I enjoy most about doing voiceovers.

I'm looking to immerse myself more in the entertainment community and possibly get into doing some acting. Music is my first love, what I was most naturally drawn to and choose to study. Getting into the acting world is like a new exciting challenge.

Acting is the most personal of our crafts. The make-up of a human being - his physical, mental and emotional habits - influence his acting to a much greater extent than commonly recognized.

Who do you think, as you gaze at the entire scene in Washington, who is it that's acting like a bunch of children? It isn't Trump. Who is it throwing the tantrums because they didn't get their way? Who is it acting like hysterical spoiled brats because their side lost the game? Who is it that's insisting, because they lost the game, that the rules be changed? Who is it that's acting like any average eight- to nine-year-old kid who's told he can't have any more Twinkies or whatever kids - marijuana; I don't know.

I stay subjective because that's what I do. That's one of my abilities. I don't need to watch it because I've had the adventure. I don't do low-budget acting. I do the same acting, whether I'm in a Jim Cameron or not. I always try to do good work. There's no snobbery in there

Although I started off as a child artist, I left acting in between, as I felt that I was missing the fun of school days. But a little later, I became keen on acting again and started going for auditions.

Theater acting is an operation with a scalpel, movie acting is an operation with a laser

I must have read every issue of 'Punch' published in the 20th century, and I think in the process I picked up the true voice of English humour - that amiable, fairly liberal, laconic voice which you find in something like 'Three Men in a Boat.'

So many people are campaigning, fighting, and even dying to make a statement in the name of humanity. These people have no voice that can be heard by many. I wish more celebrities would take the initiative to be that voice.

I never attended any acting school, though I've done theatre workshops a couple of times, and it has been an extremely enriching experience. But beyond that, I don't want to acquire the skills of acting and use them on camera. I'd rather learn on the job.

If I give a little hint or clue as to where my voice could be going, that would [be] read. Because people can listen closely, you know, you can sit with headphones or you just concentrate on music, you can just hear, sometimes, the desires of the voice itself.

I never wanted to be an actress, really. I sort of caught the bug fairly late. So many people are so intrigued with the glamour and celebrity of acting, and a lot of actors start acting when they are 9 or 10 years old - so young. I started when I was about 24.

What I like about modelling is that it has given me that opportunity to travel and experience different cultures, work with creative people, and now it's given me a voice, and with that voice hopefully I can do good things with it.

Our voice is an independent voice to represent the dignity and the search for peace and the reformulation of the international system; to denounce persecution and aggression of hegemonistic forces on the planet. This is how Venezuela has presented itself. Bolivar's home has sought a nonpermanent seat on the Security Council.

All of us have a 'voice' inside where all inspired thoughts come from. When I talk to children and aspiring writers, I always ask them to turn off the TV and listen to that voice inside them.

I think it's vital to have something outside your acting to keep you rooted in the real world, and help you fill the vacuum. If you have nothing else, it can be unhealthy. For me being a Christian has been invaluable: it simply means acting isn't the centre of my life.

What I'm saying not a lot of people say: What is considered good acting today isn't necessarily good acting, because everybody knows what they are doing. Doubt is an important part of the human being. Trust has to be attained.

A defective voice will always preclude an artist from achieving the complete development of his art, however intelligent he may be.... The voice is an instrument which the artist must learn to use with suppleness and sureness, as if it were a limb.

I'd started acting as a child. But I wanted to see if it was something my true personality was interested in. I stepped away from offers when I took five years off to go to college. I've only really just decided to whole-heartedly embrace acting.

Better to be miserable with her than happy without her. Let our hearts break provided they break together. If the voice within us does not say this it is not the voice of Eros.

Books are really fun because your 'voice' is pretty undiluted. There is a very direct connection between yourself and your audience. You will have an editor, but their job is to help you clarify or improve your voice, not change it.