Top 1200 Voice Lessons Quotes & Sayings - Page 2

Explore popular Voice Lessons quotes.
Last updated on November 23, 2024.
By that point, I had started taking singing lessons. And after the first session, I mean, I was surprised that the windows didn't shatter. And after the third session, I really didn't know where this voice had come from.
The Voice of Heaven is a still small voice. The voice of peace in the home is a quiet voice. There is need for much discipline in marriage, not of one's companion, but of oneself... When couples cultivate the art of the soft answer, it blesses their home, their life together, and their companionship.
There are a lot of lessons to be learned. We can all learn lessons. — © David Gill
There are a lot of lessons to be learned. We can all learn lessons.
I'm always wary of the lessons of the past. There's a lot of past out there, and you can draw whatever lessons you want.
The world of sports knows no religious, racial or political differences. Athletes, from whatever land they come, speak the same language. The lessons of competition are lessons for life.
Dancing is like life. The lessons of one are the lessons of the other.
I ended up taking piano lessons at a really young age, I took, like, years of piano lessons, and I always loved to sing.
I never took any elocution lessons, no diction lessons. I might have been a pretty decent broadcaster if I had, but what you see, I'm afraid, is what you get.
When there is a voice in a piece of music, we tend to focus on the voice. That is probably something from when we were babies and we depended on hearing our mother's voice.
The history of your world is filled with the voice of the victor, the voice of power, although it was not always a voice of sanity, by any means.
We either get success or lessons. If we learn our lessons successfully, we get both.
'Selma' is a story about voice - the voice of a great leader; the voice of a community that triumphs despite turmoil; and the voice of a nation striving to grow into a better society. I hope the film reminds us that all voices are valuable and worthy of being heard.
I believe a voice is a voice. I could wear a box on my head and still have a good voice. — © Jorja Smith
I believe a voice is a voice. I could wear a box on my head and still have a good voice.
As a child, I was always making sound; it was a compulsion. I loved to scream and yell and sing; it freed me from all the thoughts in my head. I begged for opera lessons because opera singing is the most formidable, most emotional way to use your voice.
I started taking piano lessons when I was about four years old. My parents were both musicians. So I took piano lessons. I didn't like the lessons very much, but I was enchanted by music. Music always transported me somewhere. Singing made feel good and being able to play the piano made me feel good.
My mother gave me singing lessons; that was totally painful, because I couldn't do what she wanted to hear. She used to say: there's more there, there's more voice but I just didn't want to give it to her.
To me music is the centre of the universe and the voice of the spirits and the voice of God and the voice of all the people who have lived and died...At least the ones I'm connected to.
First of all, you have to understand that I'm like anybody else. When I hear my voice on a record I absolutely loathe my voice. I cannot stand my voice.
I know what it was like to not have a voice, so my daughter has a voice. I veto that voice when needed because at the end of the day I am the grown-up, but I hear her.
I didn't really like opera. I liked cheerleading and boys and, later, smoking. So my opera career was cut short when I was 15. My dad got sick, and we couldn't afford the lessons, so I stopped and became a cheerleader and wrecked my voice.
When my voice breaks, it recovers automatically. I don't do anything special to maintain my voice. I have a natural voice and don't have to take care of it.
There will be no more protests. No more dissension. No more violence. There will be only one voice. The voice of Ravinia. The voice of Halla. Your voice." "There goes freedom of speech," I said.
When I was young, I was always telling my parents and telling everybody that I was going to be a singer and an actress when I grew up. I took classes. I was in dance lessons. I took singing lessons. I was in the plays. I took acting lessons. I did different things that continued to keep me ready for this opportunity and ready for all the things that are happening now.
My aunt had a season ticket for the Friday afternoon concerts, and I would go down for lessons. My lessons were Saturday morning.
I think what education gives you is a voice. It gives you a way of talking to a judge. When a policeman pulls you off to the side of the road, you have a voice. When you cross a border, you have a voice. When you are writing to express your opinions, you have a voice.
I enrolled my daughter for piano lessons, but she quit after just two lessons, citing a lack of interest.
Comcast is a big voice: they have a tremendous voice across America; they're a tremendous voice in Spanish and English, and they have a tremendous voice in Washington.
But what I would like to say is that the spiritual life is a life in which you gradually learn to listen to a voice that says something else, that says, "You are the beloved and on you my favour rests."... I want you to hear that voice. It is not a very loud voice because it is an intimate voice. It comes from a very deep place. It is soft and gentle. I want you to gradually hear that voice. We both have to hear that voice and to claim for ourselves that that voice speaks the truth, our truth. It tells us who we are.
Sports teaches you very important lessons that are many and varied. It's probably the closest thing to the lessons we learned in fighting and warfare, about loyalty and growing up.
I want to make the music that's not there anymore. I'm so passionate about the singing voice... What I'm trying to do actually with my album is show that it's my voice that's leading. It's my voice that's the instrument.
I started training with singing and dance lessons at the same time. Also, I was taking Japanese lessons too, when I was eleven or twelve. After school, I went to the recording studio.
I started playing piano and guitar when I was in elementary school, and then I was finally like, 'I want to sing.' So I started taking voice lessons and decided I wanted to go to an art school and take music seriously.
I worked on my voice for Sweet Dreams, but only to match my speaking voice to Patsy's actual singing voice. That was my way into that character.
I never took guitar lessons. I took classical piano lessons from the age of six when we lived in Holland.
The world has so many lessons to teach you. I consider the world, our earth, to be like a school, and our life, the classrooms. Sometimes on our planet life school, the lessons often come dressed up as detours and road blocks and sometimes as full blown crises. And the secret I've learned to getting ahead is being open to the lessons.
I hope that 'Gambit' doesn't take ten years, but it takes a little honing to get that tone and that voice exactly right. The character has such a specific voice in the comic, in the same way that Deadpool has a specific voice in the comic, that we want to make sure that we capture that voice on the page.
For me the Voice of God, of Conscience, of Truth or the Inner Voice or the still small Voice mean one and the same thing.
That men do not learn very much from the lessons of history is the most important of all the lessons of history. — © Aldous Huxley
That men do not learn very much from the lessons of history is the most important of all the lessons of history.
I'll meet listeners who tell me what a great voice I have. But I don't have a great voice for radio. My voice is the utterly normal voice, but sheer repetition has made them think it's OK. Mick Jagger once was asked, 'What makes a hit song? He said, 'Repetition.'
When I was a kid, my parents gave me piano lessons and guitar lessons for a while, but I was never very good at it. I have big, sort of awkward hands. It's hard to keep going when you don't get any better.
I have been taking voice and singing lessons since age 10 and originally got into it because I was really interested in musical theater. After writing my first couple of songs and performing at age 14, I knew that I really wanted to be a singer.
Men do not learn much from the lessons of history and that is the most important of all the lessons of history.
When I think about Oz, when he was a teenager, I'm just reminded of what an excellent blues voice he had. He had a large voice. When we did the Aynsley Dunbar song 'Warning' and 'Black Sabbath,' his voice is so right. It's really round, and it has that pain from within in his voice.
I view the experiences that I have had - both tough ones and the pleasant ones - as gifts. They've been full of lessons. And I've learned to be open to those lessons.
I used to lie in bed and imagine I was performing at the Albert Hall, not that I'd ever been there. I took lessons with a German teacher when I was quite young. But it turned out I had a very high soprano voice, which I didn't like at all.
Sonny Liston is nothing. The man can't talk. The man can't fight. The man needs talking lessons. The man needs boxing lessons. And since he's gonna fight me, he needs falling lessons.
I have recently started acting lessons in south France, and I intend to commence acting lessons at Rada.
I worked on my voice for 'Sweet Dreams' but only to match my speaking voice to Patsy's actual singing voice. That was my way into that character. — © Jessica Lange
I worked on my voice for 'Sweet Dreams' but only to match my speaking voice to Patsy's actual singing voice. That was my way into that character.
I studied voice and piano as a child, although, at least with voice, you start over at puberty, because your voice completely changes.
Whenever conscience speaks with a divided, uncertain, and disputed voice, it is not the voice of God. Descend still deeper into yourself, until you hear nothing but a clear, undivided voice, a voice which does away with doubt and brings with it persuasion, light, and serenity.
Instead of letting anxiety run you, try voicing it. Voice it in your comedy. Voice it in a script. Just voice it, and it'll help you release it.
As a filmmaker, I really want to utilize the tools to carry the voice - my voice, and the voice of the characters.
When I first started out, being from the South and going to New York or Chicago, people kept telling me to get voice lessons and 'lose that stupid accent you got.' And I'm like, 'Well, where I come from, you have the stupid accent.'
My son's taking drum lessons, and my daughter's taking piano lessons. One day they're going to start a band.
Whitney Houston's voice was the very first voice I fell in love with. She was the voice that made me want to become a singer.
I'm glad I get singled out for my slide guitar-playing, which isn't that difficult to do. I didn't take guitar lessons, but I just love the way it sounds, almost like the human voice.
The voice is certainly important and you can hear if it's beautiful or not, it's the gods who decide; it's more a question of what you do with the voice, which is the mysterious element. It's the personality behind the voice which makes the artist. The voice is a gift of God, but if you're not able to use this gift, what's left? Nothing but a beautiful voice, without nuance or color.
Feeling is the voice of the body; reasoning is the voice of the mind; conscience is the voice of the spirit.
I will have my voice: Indian, Spanish, white. I will have my serpent's tongue - my woman's voice, my sexual voice, my poet's voice. I will overcome the tradition of silence.
I started taking piano lessons from the age of six years old. It's such an essential part of what I do in the production process. I wouldn't be Kygo today without those piano lessons.
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