Top 1200 Voice Of Reason Quotes & Sayings - Page 8

My singing voice isn't like my speaking voice.

The voice is not only indicative of man's character, but it is the expression of his spirit. Other sounds can be louder than the voice, but no sound can be more living.

The reason I'm here today, the reason I own a brand new Harley-Davidson motorcycle and the reason I have a big log cabin and I got cars and all kinds of stuff is because I'm a writer and writers own everything. So you learn how to write.

The people's voice is odd, It is, and it is not, the voice of God.

Independent publishing gives everyone a voice, and those with a voice to which people inherently want to listen will find a way to the top.

I studied voice and piano fairly seriously during my elementary and high school days, and as such, I became very attuned to rhythm and cadence and voice.

The voice of honest indignation is the voice of God.

So much of the way a singer physically damages their voice could be caused by stress or nerves. I would never be so brazen as to assume that it's the only problem but there's got to be a reason that a martial artist can harness enough peace to smash his head through a cinder block without leaving a scratch.

It's important that I stay positive in my messages during matches because the rest of the team is following the tone and tension in my voice. Nothing in my voice should let them down.

Let us give ourselves indiscriminately to everything our passions suggest, and we will always be happy...Conscience is not the voice of Nature but only the voice of prejudice.

I always hear I have the voice-over voice.

There's a bit of a difference in the way he sounds. Samuel E. Wright lent his voice and personality to the animated film with his booming voice. I have a high-tenor voice. Instead, I have to figure out a way to convince the audience to come along with me and accept this new texture and tambour to the way Sebastian sounds. I have a great dialect coach.

I love our industry. I love the song. I love the voice. I love it. Not necessarily my voice. But I care about the song and the voice.

You want to have pressure and tell stories that you find a real reason to tell, aside from any business reason. If business is your only reason, that always goes badly.

It is very clear that voice communications is moving on to the Internet. In the end, the price that anyone can provide for voice transmission on the Net will trend toward zero.

Sometimes strident, often tender, never afraid and seldom without humour, Desmond Tutu's voice will always be the voice of the voiceless.

You've got this guy who refuses to die for some reason whether it be a physical or metaphysical reason or spiritual reason so you can do anything. You can kill off anybody and you can still bring them back because he's kind of half there and half in reality, you know?

I've always been obsessed with the grain of the human voice. It's the ultimate instrument, there's this whole level of virtuosity and poetry, a sort of athleticism, of controlling your voice.

A child starts from nothing and advances alone. It is the child's reason about which the sensitive periods revolve. The reason provides the initial force and energy, and a child absorbs his first images to assist the reason and act on it.

Be happy for no reason, like a child. If you are happy for a reason, you’re in trouble, because that reason can be taken from you.

We the voice of the young world. We the voice of the people.

You're more than Dauntless," he says in a low voice. "But if you want to be just like them, hurling yourself into ridiculous situations for no reason and retaliating against your enemies without any regard for what's ethical, go right ahead. I thought you were better than that, but maybe I was wrong.

When I was a staff writer on 'NYPD Blue,' it was truly my job to hear David Milch's voice for that show and to deliver episodes that embodied that voice.

Just the way my voice sounds now, it's always had this little hoarse thing to it. And I'd have to do vocal exercises to make my voice clear.

At this moment, by an undeserved stroke of fortune, I am the direct voice of the poets of my race and the indirect voice for the noble Spanish and Portuguese tongues.

The very first time I had Whitney Houston on my show, however many years ago, I thought, "You are 'the voice.'" You are the voice, that was my name for you.

I'm known as a voice for a generation of people that don't have a voice.

In the world of the Middle East at the moment, the debates are shrill. But ... the wisest voice of all of them may well be the voice of this mute thing, the Cyrus cylinder.

I feel like the timbre of your voice as a woman doesn't cut through as well as a loud bassy voice, so you need to noticeably speak up.

We can never know, for the good reason that writing is the destruction of every voice, every origin. Writing is that neuter, that composite, that obliquity into which our subject flees, the black-and-white where all identity is lost, beginning with the very identity of the body that writes.

In my career, I have done more than a thousand voice-overs in commercials, cartoons, and radio shows, so I'm very familiar of my voice capabilities and its range.

I felt like there was a real opportunity to help people understand that if you're concerned about what's happening in Washington, then you have voice. And that voice is your vote.

A journal is your completely unaltered voice - it's just for you. And if you know that voice, and you like it, you can bring it out to everyone else, and that's the most honest and vulnerable thing you can do.

Since I was a kid, I'd wake up every morning hearing a voice say, 'You're the greatest rapper ever.' I'm trying to prove that voice right.

People that fel alone or outcast that hurt, kids that feel bullied or lost, remember that you have a voice and you should use that voice to survive and persevere.

Sometimes it's like that. I go, 'You know what? I'm going to just change scales. I'm going to even change instruments. And I'm going to go into the chromatics of the Spanish language,' and I do. You know, the poem is totally different. It's like a lunar voice versus a day voice, a solar voice.

I found my voice was a reaction to all that voice stuff.

I don't have a great voice or even a good voice.

In a successful picture book, you always want the voice of the text to match the voice of the art; so that it seems as if the same person writing is the one illustrating and vice versa.

The people's voice, as I say, is the voice of God.

And this tenderness was not like That which a certain poet At the beginning of the century called true And, for some reason, quiet. No, not at all? It rang out, like the first waterfall, It crunched like the crust of bluish ice And it prayed with a swanlike voice, And it broke down right before our eyes.

The expectation is this low, gravelly voice for John, but I went through his early recordings and there were songs in there where the voice was so different, I wasn't even sure if it was him singing, ... So it was interesting to me that we would see him develop the Man in Black sound. I thought it was really important that his voice change as his persona slowly solidified. The music was really the doorway into the character.

I painted with acrylic paint, and the reason why I went to oil was mainly because I didn't control it. I was looking for the insecurity of it. I mean, I might have found another reason later, but at that moment, the reason was I was looking for the insecurity.

The voice doesn't take a lot of effort now, but in the beginning it was hard to try to find a voice. The one I settled on was just easier to do for a half-hour.

I don't think a solo album is me. I don't consider my voice to be that kind of a voice. Not that I don't love singing, but Broadway was my original dream. That's what I've always wanted to do.

Every now and then we get one voice which stands out, a really unique voice we embrace, like a Josh Thomas.

A lone voice isn't as important as a collective voice.

As I've gotten older I've got more bass in my voice but also because I don't talk very much during the day I've managed to keep my voice in good condition.

He whom the sages have been seeking in all these places is in our own hearts; the voice that you heard was right, says Vedanta, but the direction you gave to the voice was wrong.

Many are destined to reason wrongly; others, not to reason at all; and others, to persecute those who do reason.

But the mechanics of learning to 'throw your voice' are pretty simple. Anyone with a tongue, an upper palate, teeth, and a normal speaking voice can learn ventriloquism.

Reason is the life of the law; nay, the common law itself is nothing else but reason - the law which is perfection of reason.

The voice of the dead was a living voice to me.

It's an interesting and demanding art to do voices. I have been told so many times that I have a distinctive voice, but of course, I don't hear my own voice as others do, so I don't know.

I don't want to wreck my voice. I love to concentrate on playing the bass and keeping it very rock-solid. If I were singing, I would have blown out my voice.

Social media has truly helped my career because it has given models a voice. And a voice is something that we want to see a change in the industry.

Two angels guide The path of man, both aged and yet young. As angels are, ripening through endless years, On one he leans: some call her Memory, And some Tradition; and her voice is sweet, With deep mysterious accords: the other, Floating above, holds down a lamp with streams A light divine and searching on the earth, Compelling eyes and footsteps. Memory yields, Yet clings with loving check, and shines anew, Reflecting all the rays of that bright lamp Our angel Reason holds. We had not walked But for Tradition; we walk evermore To higher paths by brightening Reason's lamp.

I'm a late bloomer. It's taken me a long time to find my voice, and I think all the records I've made over the years, I was finding my voice, and that's part of the process.

I wanted to be Whitney Houston at first, and when I started taking voice lessons, my voice teacher kind of geared me more towards opera.

I've established a certain voice over my albums. It can be an obstacle, but in the end, I think it's a strength, because I can build upon that voice, which is ultimately very much mine.