Top 1200 Voice Singing Quotes & Sayings - Page 19

You are an instrument if you understand your voice and how to use it - this sound, that sound and certain ranges and different pitch. Within that I try to find a rhythm and play the voice as if it was a horn.

I am fascinated by the places that music comes from, like fife-and-drum blues from southern Mississippi or Cajun music out of Lafayette, Louisiana, shape-note singing, old harp singing from the mountains - I love that stuff. It's like the beginning of rock and roll: something comes down from the hills, and something comes up from the delta.

My voice is for hire. My endorsement is not for hire. I will do a voice-over, but I cannot endorse without making a different kind of commitment. My politics are very personal and subjective.

A friend of mine, a poet, Rebecca Wolff recently said to me, "You know, your stories are really voice-driven," and I guess I knew that already, but it's so true that I can't get something going unless I can hear the voice.

I earn a lot of money in England doing voice-overs, especially in documentaries. Turn on the Discovery Channel here, and you'll hear my voice a lot. It subsidizes my vice of acting in the theater.

I came to New York after Bennington College and trained as a singer. I lived on the West Side and I went to my voice lessons. That was a wonderful part of my life and I really thought that I could go somewhere with my voice.

The voice is raised, and that is where poetry begins. And even today, in the prolonged aftermath of modernism, in places where "open form" or free verse is the orthodoxy, you will find a memory of that raising of the voice in the term "heightened speech".

Joy is the sweet voice, joy the luminous cloud. We in ourselves rejoice! And thence flows all that charms or ear or sight, all melodies the echoes of that voice, all colours a suffusion from that light.

When I have to take phone calls, I start to sweat and panic. Being on the phone is so weird - hearing a voice without seeing the face so you can't really know the intention behind the voice.

A clear conscience is absolutely essential for distinguishing between the voice of God and the voice of the enemy. Unconfessed sin is a prime reason why many do not know God's will.

People have to talk about something just to keep their voice boxes in working order so they'll have good voice boxes in case there's ever anything really meaningful to say.

I still feel like I have a lot of growing up to do 'til I find the voice. You know, everybody has their own voice and their own thing they want to say to the world.

Music to me is a voice, my voice, it's my way of expressing what colours can I bring in, what emotions, what feel. What ideas can I bring out from these instruments that would make this song come alive.

Acting is a difficult profession, it really is. It's different than singing. With singing you may have one song and four people to record it - but they'll all do it differently and they'll all have that option. Whereas with actors there might be one part, and five hundred actors all want the same role - it's so much more competitive. It's an incredibly painful profession because you get so much rejection.

Children have very little voice, and the coroner's inquest is about Luke's voice, and making sure Luke is heard and respected and honoured. I don't want him to have died in vain.

My mentor made me say a poem over and over. 'Stop! That's not your voice. Start again.' I was sobbing by the end, but it drilled into my head that my voice is important.

It may well be that by trickery of priests men have sometimes taken a mortal's voice for a god's. But it will not work the other way. No one who hears a god's voice takes it for a man's.

I would like to sound like James Mason. I reckon if I'd had a better voice I could have been prime minister. It is the most irritating voice in public life.

There are, for example, so many kinds of tongues in this world; and none is without voice. If then I know not the power of the voice, I shall be to him to whom I speak a barbarian; and he that speaketh, a barbarian to me.

Froi heard Zabat's voice echo over and over again throughout the gorge. Wonderful. The gods had found a way of multiplying the idiot's voice.

A lot people ask me, 'How do I become a voice actor?' and, well, first of all, drop the 'voice' because you don't know what mechanics you'll have to employ. If you can just focus on the acting, then the rest will come.

As a matter of fact, when compression technology came along, we thought the future in 1996 was about voice. We got it wrong. It is about voice, video, and data, and that is what we have today on these cell phones.

Writing songs out of my faith was a real natural progression. I grew up singing in my dad's choir and singing with my family. Christian music became the music that I identified myself with and was a way that I expressed my faith. Even at a public school I would take my Christian music in and play it for my friends.

I love doing voice-overs; I wish I could do more of them. It's a lot of fun to see how they take the voice and animate it and try to capture your own expressions and features. It's fascinating.

For me, there's a tremendous challenge of singing with Faith, who, in my opinion is one of the best singers in the world. She doesn't get enough credit for being as good as she is. She's so beautiful that people look past her singing. But for a journeyman like me to keep up with her is a real tough sprint.

Singing 'Family Tradition' with Hank Jr. was a pee-your-pants moment. Hank comes over while I'm singing and puts his arm around me, and my knees nearly buckled. You can put off the fact that this is reality, but when he came over, there was just no denying. I just lost cabin pressure.

Magazines and opinions of you and stuff like that, those will change, but your opinion of yourself does not have to based on what other people say. So I just learned that my inner voice has to be louder than their outside voice.

I have always wanted what I have now come to call the voice of personal narrative. That has always been the appealing voice in poetry. It started for me lyrically in Shakespeare's sonnets.

What's great about [Guettel] is his very distinct voice as a composer. And that distinct voice is something worth cherishing and expressing so we just didn't want to screw that up.

Most of the books that I've written have been focused on, sort of, the individual, and sort of, either a voice, a personal voice, or a kind of transforming event where they step forward to fight for something they value.

What originates everything are the emotions, the feelings, what we call soul. Then the brain commands these feelings to the voice. The voice is just the vehicle; it's the very last step in the chain.

Singing is a way of releasing an emotion that you sometimes can't portray when you're acting. And music moves your soul, so music is the source of the most intense emotions you can feel. When you hear a song and you're acting it's incredible. But when you're singing a song and you're acting it's even more incredible.

To be honest, there is a special gift for doing voice-overs, and the people who did the voices in the 'SpongeBob' cast are excellent at cartoon voice-overs, and they bring something extra to the reads.

I think getting something together to showcase your voice is important. You can also watch cartoons and play games and just kinda listen, and try to see how the design of the character matches to the voice.

'Begum Jaan' was such a very different zone for me. After the filming was complete, I got immersed in voice modulation. I had to shout my lungs out into the microphone and then dub for it to get that hoarseness in my voice.

Choosing the narrator for a first-person story like 'Downriver' is a crucial decision because the voice has to be one the reader wants to listen to, and the voice has to be a match for the emotion you want the story to carry.

It's just different discipline, just doing the voice over. I guess I've done about 5 or 6 audio books in the past and I do the animated voice for a show called Fatherhood on Nickelodeon.

I didn't want to fight a guy from England. What if I lose? Not that English guys aren't strong, but who wants to get beat up by a guy with that voice? That's not the most masculine voice to take a beating to.

Our priorities should be: recognizing the voice of God and responding to the voice of God.

My kids, they're always embarrassed when my voice shows up in something. I took them to Inside Out, and my voice comes in, and they were like, "Ugh, Dad, what are you doing? Get out of there."

He’s speaking in the tone of voice that everyone uses when they’re about to break you apart. Gentle—kind, even—like they can make the news sound better just by speaking in a lullaby voice.

In voiceover, all you have to worry about is your voice and practicing with your voice and then being able to understand what the situation and whatnot is happening. And you have endless amounts of film to perfect the character.

Along the way, I've had different advice from different music producers. I've been told to tone it down, that the quiet parts of my voice are appealing and there's harshness to the loud part of my voice.

My mission is to communicate, to wake people up, to give them my energy and accept theirs. We're all in it together, and I respond emotionally as a worker, a mother, an artist, and a human being with a voice. We all have a voice. We have the responsibility to exercise it, to use it.

You have a lot of companies developing stuff that's just derivative. If 'The Voice' is the No. 1 show on TV, they say, 'Let's do 100 different versions of 'The Voice.' The problem is, by the time you get to market, it's already saturated, and everybody hates the format.

I knew how to be a voice for L.A., I knew how to be a voice for Detroit, I knew how to be a voice for London, I knew how to be a voice for Amsterdam.

The words given voice inside the mind are not always clear, however; they can be gentle and elliptical, what the prophets call the bat qol, the daughter of the voice of God, she who speaks in whispers and half-seen images.

A voice and an accent are two very different things. The voice of a man is how he speaks from his heart, right in the middle of him... And then you stick an accent on top of that.

As mayor I don't intend to be just a voice for Portland. I intend to be a voice for urban America.

The fear of your own solitude, of its vast surface and its infinity… Remorse is the voice of solitude. And what does this whispering voice say? Everything in us that is not human anymore.

I will go down as the voice of this generation, of this decade, I will be the loudest voice.

Today, cultural and legal changes mean that individuals expect and demand a voice in decisions that affect their lives and often they have the power to undermine those decisions if they aren't allow their voice.

So much of making movies is about discovery on the day, what you're figuring out. If you know everything going in, then it's not worth doing - it's already done. I'm interested in finding people who I think have a voice - and a very specific voice.

The voice is raised, and that is where poetry begins. And even today, in the prolonged aftermath of modernism, in places where 'open form' or free verse is the orthodoxy, you will find a memory of that raising of the voice in the term 'heightened speech.'

I own no TV stations, or Radio Stations or Newspapers. But I feel that people need to be educated as to what is going on, and to understand the connection between the news media and the instruments of repression in Amerika. All I have is my voice, my spirit and the will to tell the truth. But I sincerely ask, those of you in the Black media, those of you in the progressive media, those of you who believe in true freedom, to publish this statement and to let people know what is happening. We have no voice, so you must be the voice of the voiceless.

I was full of energy, and I had a lot of bottled up rage that would come out in my stage performances. It was therapy sessions for someone who couldn't afford to go to therapy, a way to release my frustration, my inhibition. When I was little, growing up in an abusive household, I felt like I didn't have a voice. Suddenly I was on stage and people were watching me and listening to me, so even if I was singing about something that didn't have to do with abuse, when I was on stage I could express all of the anger, the rage.

If you want to get into the business of doing voices for cartoons, you've got to be a good actor. It's all about acting. It's not about the voice. The voice is just one part of what you bring to the character.

I used to listen to Judy Garland all the time - I love Judy Garland and her music. But I started to realize that if you keep singing like that, singing songs of being victimized by love over and over and over again, it can't help but have a profound effect on your life.

Now, I'm fully aware that there is only one figure more pitiable, more ludicrous, more inherently ridiculous than a bad singer who keeps on singing, and that's a bad singer who keeps on singing because he has issues.

It's one thing having a great song, but I think for me if you take it to the next level... say you had a guitar and a vocal, and the song was amazing but the vocalist wasn't that great and it just was a guitar and vocal acoustic track, switching that to something like an amazing voice singing the exact same song with the instrumentation being really nice and lush or unique in some way and interesting and diverse... I think it's all about the instrumentation and textures in the sound.