Top 1200 Voice Quotes & Sayings - Page 12

Explore popular Voice quotes.
Last updated on December 26, 2024.
There is a voice inside of my head that is trying to convince me that I'm not good enough and that I don't deserve to be here in Hollywood. So courage is required. The courage to decide that I have a voice and need to do what I love. To believe that this opportunity is not wasted on me. To own the fact that I am worthy.
I'm always thinking about songs and how I can sing a song that would resonate with my voice, my persona. I want it to be a pleasant experience that's not just about hearing my voice. I remember some singers whose voices were so pretty, it didn't matter what they sang - you loved it.
It's perfectly clear that the millions of babies, who are crying at this very moment, want unanimously to be next to a live body. Do you really think they're all wrong? Theirs is the voice of nature. This is the clear, pure voice of nature, without intellectual interference.
Nina Simone had such an androgynous voice; the first time I listened to her I thought it was a man, and I'm sure a lot of people listening to me think I'm a woman. Her voice is kinda like the poster child for me.
The process for doing voice work goes by much quicker as opposed to shooting a feature. You can pretty much go in and knock it out in a day or two. It feels very natural for me to express myself using only my voice, so it wasn't too difficult.
I worked with some directors, and it was really collaborative, and I was sort of writing with them. I was giving so many pieces of myself to their movies, I thought, 'It's about time I use my own voice for me, and establish my own voice.' So I knew I wanted to make films.
I have 2 million Twitter followers. Some of those people are also yogis and activists and people who really go out and make a difference. I do as much as I can with my voice. It's effortless in some cases. I try to remind everybody that they have that kind of voice.
Corporations and special interests have their voice in Congress, and they have too many members scared of their power. What Congress needs is a progressive voice who is unafraid to take on these powerful interests - who is willing to fight for all Americans, not just the wealthiest 1 percent.
I could have hidden in Boston and lived at home for three years, gone through my transition, taken voice lessons to make my voice more feminine, gotten gender reassignment surgery, and spent time to complete my transition, but I didn't want to wait. I wanted to be in the world.
My voice is not angel voice. — © Kristine Opolais
My voice is not angel voice.
There's this pet phrase about writing that is bandied around particularly in workshops about "finding your own voice as a poet", which I suppose means that you come out from under the direct influence of other poets and have perhaps found a way to combine those influences so that it appears to be your own voice. But I think you could also put it a different way. You, quote, find your voice, unquote, when you are able to invent this one character who resembles you, obviously, and probably is more like you than anyone else on earth, but is not the equivalent to you.
People say I write specifically about nothing in particular. I don't know about the latter part, but I think the first part is really important in conjuring up a voice that works, or at least the illusion of a voice at work.
You have the power to think differently about who you are. You have the ability to turn off the critical voice inside of you. That's not you. That's coming from the culture. That's coming from the outside of you. You've internalized the voice of your parents, your teachers, your friends.
The resistance is the voice in your head telling you to use bullets in your PowerPoint slides...It’s the voice that tells you to leave controversial ideas out of the paper you’re writing, because the teacher won’t like them. The resistance pushes relentlessly for you to fit in.
I never got lessons. I took influence from Chet Baker, Ian Dury, and Joe Strummer. I don't hear my voice and think, 'Yeah, that's a banging voice!' It's more about putting the right emotions into the right words and the lyrics than anything else to me.
Ever since I was little, people would always make jokes about my low voice. But I think it's so cool that you don't have to have the picture-perfect, girly voice to do an animated film. I think it's great for kids with different voices to know that they could do something like this.
The Google Voice service is a lifesaver for me. My actual phone number changes a lot, so having a canonical Google Voice number that doesn't change - it's actually my same number from high school - is indispensable.
My voice gets recognized before anything else. It's always gotten attention. In choruses at church and school, I started as a tenor, moved to a baritone and finally became a bass. I knew then that my voice would be my instrument. Now if I want to hide, I just keep my mouth shut.
Actually, I think the average voice is like 70 percent tone and 30 percent noise. My voice is 95 percent noise.
Often, those with the most to lose as a result of a poor policy move are the most vulnerable and most marginalized. Those folks need a voice, and I will endeavor to be that voice.
I used to get very angry as I was getting older, because my voice was breaking. So I've trained my voice so religiously through my teenage years, because I wanted to be able to hit the notes that those females hit. And I can, which is great.
I never made it to the school choir because the music teacher didn't like my voice. I was pretty sad. But he was probably right; I did have a voice a bit like a goat, but my dad told me to never give up and to keep going, and it's paid off.
God! sing, ye meadow-streams, with gladsome voice! Ye pine-groves, with your soft and soul-like sounds! And they too have a voice, you piles of snow, And in their perilous fall shall thunder, God!
Hello Rush," she said, breaking the silence. The sound of her voice almost sent me to my knees. God, I'd missed her voice. "Blaire," I managed to say, terrified that I'd scare her away just by speaking.
Oh, river! darkling river! what a voice Is that thou utterest while all else is still-- The ancient voice that, centuries ago, Sounded between thy hills, while Rome was yet A weedy solitude by Tiber's stream!
Love is a mystery. We embrace it where we can. Mostly we do not choose whom we love. It just happens. A voice speaks to us, in ways the ears cannot hear. We recognize a beauty the eye does not see. We experience a change in our hearts that no voice can describe.
Pop music has progressed. The singing voice has changed dramatically in pop music, and people now just sing the way they want to, in their speaking voice, instead of putting on some great transatlantic rock and roll sneer.
Make time in your life to listen to your own voice. Do not let it get drowned out by others. Your voice is yours and yours alone. Stay in touch with it and use it. — © Maria Shriver
Make time in your life to listen to your own voice. Do not let it get drowned out by others. Your voice is yours and yours alone. Stay in touch with it and use it.
Punk may have helped me find my voice and made me realise that I had the right to have one, but it was riot grrrl that helped me sustain that voice and shout a little louder.
Phantom' was for me an interesting technique of telling the story. You have one voice that it is in the present telling what is happening, and then there's one voice from the past that's also driving the story forward. And you know that the two story lines will meet eventually.
I lost my voice for the first time. I was so bummed out, but it happens to every singer at some point in their career. I don't think most people understand, but I sing every night and sometimes we do five shows in a row, which is really bad for your voice.
Once you've found your own voice, the choice to expand your influence, to increase your contribution, is the choice to inspire others to find their voice.
Mine is an actor's voice, not a singer's voice, but the part was written for an actor (Richard Burton), not a singer. — © Jeremy Irons
Mine is an actor's voice, not a singer's voice, but the part was written for an actor (Richard Burton), not a singer.
What I enjoy most about doing voiceovers is that you can be completely unconscious with the rest of your body and just concentrate on doing something with your voice, creating an entire character with your voice.
They will kill me but they will not kill my voice, because it will be the voice of all Afghan women. You can cut the flower, but you cannot stop the coming of spring.
His own voice was older than he was. Ancient, unearthed from some mystical subterranean place...The voice seemed to make his whole body ache. Maybe it made him bleed inside. I wondered if it hurt, if it burned in his throat.
Her eyes were distant, and she seemed to be listening to that voice that first told her the story, a mother, sister, or aunt. Then her voice, like her singing, cut through the crickets and crackling fire.
At Julliard we had some voice classes. It was really just so you could carry a tune. It always just helps with your speaking voice also, when you connect your diaphragm and your breath.
People communicate anger of course through facial expressions, but in voice, there's a wider spectrum, like cold anger and hot anger and frustration and annoyance, and that entire spectrum is a lot clearer in the voice channel.
You can live a life of either trusting your inner voice or distrusting your inner voice. You can cling to familiar expectations, conventions, and "reasonable" responses or you can listen to the sweet madness in your bones.
You could say that too much time has passed for us to take up new styles so it's entirely up to us to improve. I personally wanted to produce a voice that's different from when I did "V.V.I.P" so I put a lot of effort into finding my voice.
'Phantom' was for me an interesting technique of telling the story. You have one voice that it is in the present telling what is happening, and then there's one voice from the past that's also driving the story forward. And you know that the two story lines will meet eventually.
At home, a man is entitled to raise his voice maybe once a year, if something really gets under his skin. At work, it's different. I raise my voice all the time. Not out of malice, but to get things right. It's never personal.
Beneath the surface level of conditioned thinking in every one of us there is a single living spirit. The still small voice whispering to me in the depths of my consciousness is saying exactly the same thing as the voice whispering to you in your consciousness. 'I want an earth that is healthy, a world at peace, and a heart filled with love.' It doesn't matter if your skin is brown or white or black, or whether you speak English, Japanese, or Malayalam - the voice, says the Gita, is the same in every creature, and it comes from your true self.
Why is it important that you are with God and God alone on the mountain top? It's important because it's the place in which you can listen to the voice of the One who calls you the beloved. To pray is to listen to the One who calls you 'my beloved daughter,' 'my beloved son,' 'my beloved child.' To pray is to let that voice speak to the center of your being, to your guts, and let that voice resound in your whole being.
There is the voice that everybody hears... saying to you, "You should do this, you should be this, you ought to, you got to." And then there is the still small voice - for some people not so small - inside every human being that calls you to something that is greater than yourself.
Writing with voice is writing into which someone has breathed. It has that fluency, rhythm, and liveliness that exist naturally in the speech of most people when they are enjoying a conversation...Writing with real voice has the power to make you pay attention and understand --the words go deep.
It’s not about finding your voice, it’s about giving yourself permission to use your voice. — © Kris Carr
It’s not about finding your voice, it’s about giving yourself permission to use your voice.
I always think of a voice as an instrument, whether a voice is a trumpet, or violin, or bass. You know what I mean? A horn or wind instrument versus a string instrument. Horn instruments are definitely more toward jazz.
My voice belongs to me, from God. People will comment, "Your voice helped me through." Maybe it’s God in me, because I don’t take credit for that.
In the silences I make in the midst of the turmoil of life I have appointments with God. From these silences I come forth with spirit refreshed, and with a renewed sense of power. I hear a voice in the silences, and become increasingly aware that it is the voice of God.
We find our voice, we lose our voice, we retrieve it, honor it, and hopefully, learn how to share it with others and stand in the center of our power. Translation is a theme. Fear and courage are a theme.
Like my writing, my voice has been something I've worked at. I knew I had a good voice but it was a matter of time before it was what I've got now. I've had to build my vocal muscles up until they were like Arnold Schwarzenegger.
A little voice keeps telling me an Aston Martin really isn't me, but a louder voice is telling me that, as an England international playing for Liverpool, the old rules no longer apply.
I know it was a gift from God. My father was a preacher and my mother worked in churches all her life. My father had a very deep bass sounding voice and my mother had an in-between soprano voice. Not great singers, but they had great tones to their voices. I think that had a lot to do with it. Also, I really believe my voice was a gift from God. I believe if you take care of it, He will help you take care of it.
I've spent a lot of time in America since Sept. 11, 2001. Being here, I was noticing that the people, who in the '60s used to voice their opinions about their rights, are much different today. People are afraid to voice opposition to the government in a mass way.
After years of touring, my voice has gotten a lot stronger. I used to just blow out after two or three shows, so I've definitely trained my voice, because I can now hit notes that I couldn't hit before.
I've done a lot of radio in my life. I've done radio plays for the BBC when I was young so I was absolutely used to that style of work, of working with the voice. I have a very distinctive voice so it's always great for me because I open my mouth and everybody knows who it is.
the real "work" of prayer is to become silent and listen to the voice that says good things about me. To gently push aside and silence the many voices that question my goodness and to trust that I will hear the voice of blessing-- that demands real effort.
Voice acting is very different from live-action. You only have one tool to convey emotion. You can't sell a line with a look. It's all about your vocal instrument. Doing voice work is also great because you don't have to get your hair done, which I despise.
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