Top 255 Von Hayek Quotes & Sayings - Page 4

I mean, if you are director like Lars Von Trier who is able to get actors on a table like Lauren Bacall, Ben Gazzara, James Caan, Nicole Kidman, Chloe Sevigny, Stellan Skarsgard, Udo Kier, all in the self-service situation in the same room, the same trailer, no money, then you must have something that everybody accepts.

There are so few roles out there. And even if it is a film that could be led by a black actress, how many times is that film going to get funded? Let's just be real. But it's not just black people. It's Asians, it's Hispanic people if you're not Salma Hayek. It's hard. It's hard to get films funded.

Hermann Goering, Joachim von Ribbentrop, Albert Speer, Walther Frank, Julius Streicher and Robert Ley did pass under my inspectionand interrogation in 1945 but they only proved that National Socialism was a gangster interlude at a rather low order of mental capacity and with a surprisingly high incidence of alcoholism.

I'm besotted by [Kirsten Dunst] now. I think she's just wonderful. I can't think for a second that however much she'd worked in America, she would never have had the chance to play [a role in Lars Von Trier's 'Melancholia' ] like that. You have to get outside of the States to do something like that.

I was 25 years old and pursuing my doctorate in economics when I was allowed to spend six months of postgraduate studies in Naples, Italy. I read the Western economic textbooks and also the more general work of people like Hayek. By the time I returned to Czechoslovakia, I had an understanding of the principles of the market. In 1968, I was glad at the political liberalism of the Dubcek Prague Spring, but I was very critical of the Third Way they pursued in economics.

Friedrich Hayek .. seems to have been the first to postulate what is the core of this paper, namely, the idea of memory and perception represented in widely distributed networks of interconnected cortical cells. Subsequently this idea has received theoretical support, however tangential, from the fields of cognitive psychology, connectionism and artificial intelligence. Empirically, it is well supported by the physiological study and neuroimaging of working memory.

My definition, a definition in the drill books from the time that General Von Steuben wrote the regulations for General George Washington, the definition of the object of military training is success in battle... It wouldn't be any sense to have a military organization on the backs of the American taxpayers with any other definition.

In 1989, I was awarded the Von Neumann Prize in Operations Research Theory by the Operations Research Society of America and The Institute of Management Sciences. They cited my works in the areas of portfolio theory, sparse matrix techniques and the SIMSCRIPT programming language.

Look at Charlotte Gainsbourg, in the Lars von Trier film Antichrist. She's unbelievable. She doesn't act; she's there. She's great. And you love her for that, because it's so daring, what she has to do. And she does it as if it is nothing. I think she's brave. I fell in love with her when I saw that film. She is a revelation. Total revelation.

Why did Erich von Stronheim leave Germany? Why did Hitchcock leave England? If you were a director you'd like to work in Hollywood too. Now go ahead and ask me if I'm still Polish. You people keep asking me this question. You want Polish artists to make it in the world, but when they do, you accuse them of treason.

Because I also write, I really admire Latinas who are creating content. That's the next step. We can talk about seeing more Latinas on TV all day long, but it's about what we can do to make that happen. Women like Eva Longoria, Sofía Vergara, Jennifer Lopez, and Salma Hayek are producing a lot of great shows that feature Latinas. Those are the women who inspire me because they're not just acting; they're creating for the future.

I have always had a longing to talk about this Nazi period because my parents' generation wouldn't talk about it after the war at all. From an actor's point of view, it's amazing to play in one year the Nazi Albert Speer and Claus von Stauffenberg.

I'm crazy about Diane Von Furstenberg. It's a relationship that's very different; I don't see Diane a lot. So when I saw the article in New York magazine she looked so beautiful and it was talking about her work, too. She set up the interview and it was happening. That's different than someone writing a book about you who you've never met.

During the first half of the present century we had an Alexander von Humboldt, who was able to scan the scientific knowledge of his time in its details, and to bring it within one vast generalization. At the present juncture, it is obviously very doubtful whether this task could be accomplished in a similar way, even by a mind with gifts so peculiarly suited for the purpose as Humboldt's was, and if all his time and work were devoted to the purpose.

In a man like Friedrich von Schlegel the courage to be as an individual self produced complete neglect of participation, but it also produced, in reaction to the emptiness of this self-affirmation, the desire to return to a collective. Schlegel, and with him many extreme individualists in the last hundred years, became Roman Catholics. The courage to be as oneself broke down, and one turned to an institutional embodiment of the courage to be as a part.

My style icons are Lucille Ball for her bouffant hair and all the updos, James Dean for his rockabilly style - the denim and rolled-up T-shirt thing. And I am also inspired by Dita Von Teese and Gwen Stefani. Their style is retro, but it's still very feminine at the same time.

The government can always rescue the markets or interfere with contract law whenever it deems convenient with little or no apparent cost. (Investors believe this now and, worse still, the government believes it as well. We are probably doomed to a lasting legacy of government tampering with financial markets and the economy, which is likely to create the mother of all moral hazards. The government is blissfully unaware of the wisdom of Friedrich Hayek: "The curious task of economics is to demonstrate to men how little they really know about what they imagine they can design.")

Lars von Trier is very, very, very clever about women. He gives the woman a space that I don't know any filmmaker does. Because in Breaking The Waves, protagonist Emily Watson is the Christ. Which man is doing that? I don't know any man giving that space to a woman. No one.

I don't expect that the scientific community now embraces and kisses me 'Oh wonderful, great you did!' we have to live with critics, this is normal. Chariots of the Gods was full of speculation, I had 238 question marks. Nobody read the question mark. They always said: Mr. Von Daniken is saying... I did not say, I asked the questions, would that be a posibility? In Chariots of the Gods, I made clear difference between a speculations and facts.

I think it's a legend that Lars von Trier is such a tough person to work with. I really didn't experience any of that. Of course, he's difficult in the sense that what he asks for is difficult. For my part in Antichrist, I suffered a bit. But it was the part - it wasn't him. He wasn't cruel. On the contrary, he was very kind. You know what you're up for when you read the pitch.

I play Father Francis in 'The Exorcist Prequel.' It's fantastic. We are shooting in Morrocco and Rome. Paul Schrader is directing; Stellan Skarsgard plays the younger Max Von Sydow character. It's just a fantastic script. It's a very eerie, very scary script. It encomposes a growing dread that I think is really appropriate for the film.

The vampire or the bad guy, that's what people do remember. Lars von Trier, like Guy Maddin, their films are made for a group of exclusive people who like special films. And they are special films, they are art films. And I started with commercial films at the beginning, and later on, because you know, when you are an actor, you have the same cliché like everybody else, you want to be in big films, you want to be known and all that.

E=mc2. Energy equals mass times the speed of light squared. The original statement is: If a body gives off the energy L in the form of radiation, its mass diminishes by L/c2. Ist die Tragheit eines Korpers von Seinem Energieghalt Abhangig? 1905

I loved 1930's women's pictures'films by Josef Von Sternberg or William Wyler. So, I fashioned a style out of that. The integrity and ethos of what I would write, however, came from the films of Ousmane Sembene and from reading Richard Wright, Toni Morrison, Sylvia Plath and Alice Walker.

Hildegard von Bingen conveys spiritual ecstasy, if we're talking of Western music. What bothers me about Western music is that it doesn't have an esoteric dimension in the way the music of the East has, whether it be Byzantine chant, the music of the Sufis, or Hindu music.

There's nothing wrong with a plan, but remember Von Moltke's famous dictum that no plan survives first contact with the enemy. The danger is a plan that seduces us into thinking failure is impossible and adaptation is unnecessary - a kind of ‘Titanic' plan, unsinkable (until it hits the iceberg).

The book, as it stands, seems to me to be one of the most frightful muddles I have ever read, with scarcely a sound proposition in it beginning with page 45 [Hayek provided historical background up to page 45; after that came his theoretical model], and yet it remains a book of some interest, which is likely to leave its mark on the mind of the reader. It is an extraordinary example of how, starting with a mistake, a remorseless logician can end up in bedlam.

If one writing contributed more than any other to the framework in which this work Sowell's Knowledge and Decisions developed, it would be an essay entitled 'The Use of Knowledge in Society,' published in the American Economic Review of September 1945, and written by F. A. Hayek . . In this plain and apparently simple essay was a deeply penetrating insight into the way societies function and malfunction, and clues as to why they are so often and so profoundly misunderstood.

I was modeling while I was in university and my agency said, 'There's this fashion campaign, can you go?' And I didn't want to; I told him I wanted to focus on my acting, but I ended up going, kind of dragging my feet, and it turns out, the casting director for it was the casting director for Lars von Trier's new movie.

Now the time comes that I decided I only will do art films, basically. In a way, very similar to Isabella Rossellini. I prefer to work only with people like Lars von Trier or Guy Maddin or Gus Van Sant, just to name a few. But also there's bills to pay, and sometimes you have to make a movie. So my decision from now on is art movies, or movies which are commercial, but for real money. That is my decision.

No wonder that Churchill described this effort [the British codebreakers working at Bletchley Park] as "Britian"s secret weapon," a weapon far more effective than the buzz bombs and the rockets that Werner von Braun designed for a German victory, a weapon absolutely decisive, in the judgement of many, in winning the war for the Allies.

I know the von Trapps well. I've known them for many years and they are very reluctant to let anybody on to their property or to let anybody film them. They are constantly getting requests from all around the world to do shows about them or having news stories done and they're very private people.

(Heinrich von) Kleist would not be a Prussian if his first thought would not have been orderlinessand he would not be a German if he had not placed all his hopes of developing this inner orderliness into education. Education is the secret of life for him as for every German: studying, learning a lot from books, sitting in lectures, keeping notebooks, listening intently to professors.

I am convinced that of all the people on the two sides of the great curtain, the space pilots are the least likely to hate each other. Like the late Erich von Holst, I believe that the tremendous and otherwise not quite explicable public interest in space flight arises from the subconscious realization that it helps to preserve peace. May it continue to do so!

At George Mason University I saw Hoppe present a lecture in which he claimed that Ludwig von Mises had set the intellectual foundation for not only economics, but for ethics, geometry, and optics, as well. This bizarre claim turned a serious scholar and profound thinker into a comical cult figure, a sort of Euro Kim Il Sung.

My intimate knowledge of many central African tribes has everywhere convinced me of the necessity that the Negro does not respect treaties but only brute force.”• General Adrian Dietrich Lothar von Trotha on German South West Africa “At the level of individuals, violence is a cleansing force. It frees the native from his inferiority complex and from his despair and inaction, it makes him fearless and restores his self-respect.

I get along really well with Lars [von Trier] but definitely during our first meetings I was feeling him out and he definitely says some things that are inappropriate and then you kind of get his sense of humour. I really enjoy him. He's one of my favourite people I've met now. So, he's pretty great.

I can't speak American dog very well. There was a lot of improvisation with Uggie - like when I put the dog on the table or sometimes I follow him, sometimes he follows me. I had a lot of treats in my pocket. We worked with Omar Von Muller, the dog trainer. It was very easy because it was a big movie.

Most people are oblivious to F.A. Hayek's insight that the critical information needed to run an economy - or even 15 percent of one - doesn't exist in any one place where it is accessible to central planners. Instead, it is scattered piecemeal among millions of people. All those people put together are far wiser and better informed than Congress could ever be. Only markets - private property, free exchange and the price system - can put this knowledge at the disposal of entrepreneurs and consumers, ensuring the system will serve the people and not just the political class.

The first day of shooting came, and of course I was nervous. I would lie if I said I wasn't impressed. I mean, Lars von Trier hiring me to be the king in 'Medea'... Lars said, 'Stop! Stop!' And I was so nervous, I turned around and said, 'What is it?' He said, '... Just be a tired king.'

Even those who identify themselves as libertarians follow an overtly anti-rationalist philosophy, as even a brief acquaintance with the work of Friedrich Hayek should make clear. The argument against reason in this literature is straightforward: it is impossible for any individual to acquire enough reliable information to make a rational decision, any actions founded on rational thought will therefore be delusional, any attempts at reason should therefore regarded as dangerous, and all action should instead be guided by tradition.

Among other grand achievements, F. A. Hayek had a remarkable career pointing out the flaws in collectivism. One of his keenest insights was that, paradoxically, any collectivist system necessarily depends on one individual (or small group) to make key social and economic decisions. In contrast, a system based on individualism takes advantage of the aggregate, or 'collective,' information of the whole society; through his actions each participant contributes his own particular, if incomplete, knowledge-information that could never be tapped by the individual at the head of a collectivist state.

I found a deep kinship between Mahler's recurrent attempts to confront all sides of life and to affirm himself in the face of his own finitude, and Aschenbach's dedication to persevere in the literary evocation of beauty. Exploring this kinship led me to reflect on many of Mahler's songs and symphonies - and particularly his great masterpiece, Das Lied von der Erde. The end result was a way of reading Mann that I hadn't originally anticipated at all.

I've had the pleasure of working closely with Marc Von Em as a singer, but when I heard his original stuff, I asked him to open up a 10,000 seat gig. Just him, his guitar, and his songs. He killed it!

As a mathematician, von Neumann was quick, brilliant, efficient, and enormously broad in scientific interests beyond mathematics itself. He knew his technical abilities; his virtuosity in following complicated reasoning and his insights were supreme; yet he lacked absolute self confidence.

I studied Hitchcock and Josef von Sternberg under Richard Dillard at Hollins, and that year under his tutelage just completely rewired my brain. Both directors combine moral seriousness with great artistry and, certainly in Hitchcock's case, an enormous respect for plot, for its power to enthrall and delight.

It would be a very good thing for all involved - the country, an independent judiciary, and the Left itself - if liberals take a page from David von Drehle and their own judges of the New Deal era, kick their addiction to constitutional litigation, and return to their New Deal roots of trying to win elections rather than lawsuits.

When Lars Von Trier calls me, I say yes without reading the script because often the script hasn't been written yet, and if Fincher called me again, I'd say yes without reading the script, too.

Das immer gegenwärtige Zufallselement im künstlerischen Erzeugungsprozeß erfaßt die generative Graphik modellmäßig durch den Einbau von Zufallsgeneratoren in die Programme. [. . .] Die Zufallsgeneratoren beteiligen sich an der Strukturierung der generierten Information, schaffen dabei unvorhersehbar Neues und erweisen sich dadurch als die zweite schöpferische Instanz neben dem Programmierer . . .

Friedrich Hayek made the point that one of the keystones of socialism is the denial of individual responsibility. Thus, the crusade for socialism always included attacks on individual responsibility. For if individuals do not have free will, and are not responsible for their actions, then their lives must be controlled somehow - preferably by the state - according to the socialists. They must be regulated, regimented and controlled - for their own good.

...where were answers to the truly deep questions? Religion promised those, though always in vague terms, while retreating from one line in the sand to the next. Don't look past this boundary, they told Galileo, then Hutton, Darwin, Von Neumann, and Crick, always retreating with great dignity before the latest scientific advance, then drawing the next holy perimeter at the shadowy rim of knowledge.

Regarding social order, [Francis] Fukuyama writes, "The systematic study of how order, and thus social capital, can emerge in spontaneous and decentralized fashion is one of the most important intellectual developments of the late twentieth century." He correctly attributes the modern origins of this argument to F. A. Hayek, whose pioneering contributions to cognitive science, the study of cultural evolution, and the dynamics of social change put him in the forefront of the most creative scholars of the 20th century.

One might almost say, to adapt von Clausewitz, that modern warfare is PR by other means. And war-winning strategies mean that modern armies most stop treating their communications operations as secondary assignments or (as still too often happens) dumping grounds for officers who have failed at everything else - but as missions absolutely essential to success.

When I first met Lars [Von Trier] he was sat on the sofa wearing socks and sandals. He wanted me to imagine my cat had died. It took me a while to think about it, but then I felt myself physically crumble. I got myself into a state that was actually pretty hard to get out of.

When I began my physical studies [in Munich in 1874] and sought advice from my venerable teacher Philipp von Jolly...he portrayed to me physics as a highly developed, almost fully matured science...Possibly in one or another nook there would perhaps be a dust particle or a small bubble to be examined and classified, but the system as a whole stood there fairly secured, and theoretical physics approached visibly that degree of perfection which, for example, geometry has had already for centuries.

When I was doing 'Family Ties,' I was not quite that mellow as a real father. In fact, my wife used to call me Captain Von Trapp from 'The Sound of Music.' I tended to be a little more authoritarian. I had been a very disciplined child myself, so I made the mistake of thinking one size fits all.

It is also amazing to find just how religious and occult-minded some of the leading political and military players of the war were, from von Moltke and Ludendorff to Brusilov and J F C Fuller. Each, in his way, was deeply involved in what we would today call the occult, spiritualism, and visionary religion.

Look at me!’ I screeched. ‘Look at me, Amadeus von Linden, you sadistic hypocrite, and watch this time! You’re not questioning me now, this isn’t your work, I’m not an enemy agent spewing wireless code! I’m just a minging Scots slag screaming insults at your daughter! So enjoy yourself and watch! Think of Isolde! Think of Isolde and watch!

My role as the chair of the fashion department at Parsons put me face to face with all the big designers, retailers, and editors. Since I was moving in these new circles regularly, I realized I needed to do something about my own personal style. It was really Diane von Furstenberg who gave me the nudge.

Diane von Furstenberg actually gave me a very good piece of advice. She said, 'When you doubt your power, you give power to your doubt,' so that's something I'm going with. I think that's a really good answer: Just don't listen to the doubts. Your doubts are generated by fear, and fear is a series of distorted thoughts."