Top 1200 Waiting For Godot Quotes & Sayings

In Hollywood, there's not a ton of roles for Asian people. So a lot of it is waiting and waiting and waiting.

Waiting for Godot was not allowed. Neither was Henry Miller. The Soviets condemned them both. Miller would have been used as an example of decadence, being a very good analyst of how terrible and monstrous American culture was. That they liked, but they wouldn't publish him. I guess it must have been the sex. With Beckett, it must have been the hopelessness.

I've played Beckett. I put on in the 1950s the first Australian production of 'Waiting for Godot.' I played Estragon. The most interesting conversation I've had about Beckett was with a Dublin taxi driver.

In filming you're waiting. You're waiting for lights. You're waiting for people set things up. And when you're not waiting, you're repeating. And neither is conducive to spontaneity, you know. Comedy makes you very, very neurotic because you think, I - but did I nail it?

I have spent probably years of time waiting in studio lounges - waiting on a mix, waiting on my time to sing, waiting on, waiting on, waiting on. That's just the nature of life.

Waiting for the implosion [of the government of Romano Prodi] is risking to turn into Waiting for Godot.

Women have always been seen as waiting: waited to be asked, waiting for our menses, in fear lest they do or do not come, waiting for men to come home from wars, or from work, waiting for children to grow up, or for the birth of a new child, or for menopause.

I belong to that generation who, as students, had before their eyes, and were limited by, a horizon consisting of Marxism, phenomenology and existentialism. For me the break was first Beckett's Waiting for Godot, a breathtaking performance.

When you do a play, you have all this time to rehearse and grow into the character. In television, even though you're waiting and waiting and waiting, once you're actually on set engaging in the scene with another actor, time is of the essence.

Editing is very satisfying process. You spend hours working on something and then you get to watch it. It's immediately satisfying where everything else is just kind of waiting and waiting and waiting.

Not only do we have to be good at waiting, we have to love it. Because waiting is not waiting, it is life.

My two boys have each done a play. They've done school plays as well, but one of them did a local production of 'Waiting For Godot,' and he played the boy.

To have a creative outlet that you can control is really important because you do a lot of waiting to be cast, then waiting to go into production, and then waiting on set.

Waiting for God is not laziness. Waiting for God is not the abandonment of effort. Waiting for God means, first, activity under command; second, readiness for any new command that may come; third, the ability to do nothing until the command is given.

Up there, up there in the vastness of space, in the void that is sky, up there is an enemy known as isolation. It sits there in the stars waiting, waiting with the patience of eons, forever waiting in the Twilight Zone.

I truly believe that we each have a House of Belonging waiting for us. Waiting to be found, waiting to be built, waiting to be renovated, waiting to be cleaned up. Waiting to rescue us. Waiting for the real thing: a grown-up, romantic, reciprocal relationship.

What are we waiting for? Why is Jesus waiting in heaven at the right hand of the Father? Who is He waiting for? He is waiting for you and me to become mature, for the Bride of Christ to become mature, so that He can come again. Did you know that God has done everything He can do? If anything else is going to be done, we're going to do it.

The essence of a government health care system - for people who have never lived under it and don't know - is waiting, waiting, waiting. You wait for everything. You wait for years for operations that are routine in America.

Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death. Waiting is a special kind of activity - if activity is the right word for it - because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.

I saw Waiting for Godot when I was 17 in rep with a then unknown actor called Peter O'Toole playing Vladimir. I remember leaving the theatre promising myself that one day I would have a go at this play and then pretty much forgot it for 50 years.

Ah! my heart is weary waiting, Waiting for the May: Waiting for the pleasant rambles Where the fragrant hawthorn brambles, Where the woodbine alternating, Scent the dewy way; Ah! my heart is weary, waiting, Waiting for the May.

If you hang around waiting for the right answer, you're going to be waiting all your life.

When I was 14, I saw 'Waiting for Godot.' It's one of those plays that if it's done badly is absolutely dire and can put you off acting for life. But I was laughing all the way through it.

We are waiting not for a Godot but for another-doubtless very different-St. Benedict.

If by Godot I had meant God I would have said God, and not Godot.

Godot is whatever it is in life that you are waiting for: 'I'm waiting to win the lottery. I'm waiting to fall in love'. For me, as a child, it was Christmas. At least that eventually came.

Waiting, waiting, waiting. All my life, I've been waiting for my life to begin, as if somehow my life was ahead of me, and that someday I would arrive at it.

When we'd suggested doing it, the Theatre Royal management had said, 'Nobody wants to see Waiting for Godot.' As it happened, every single ticket was booked for every single performance, and this confirmation that our judgment was right was sweet. Audiences came to us from all over the world. It was amazing.

I played Lucky in Waiting for Godot at Yale and it was a thing that Stanislavski talks about: he says you don't need his 'method' if you can count on your inspiration and it was a moment of inspiration that came to me, not in rehearsal but on stage. It hit me right there in the middle of the play and it was great - it travelled into immediate communication.

Waiting is a huge part of being a refugee. You're waiting at borders to get across. You're waiting for transportation. The waiting that people do in Turkey to get aboard one of these boats is incredible. And then when they finally do get aboard, it's the last place they want to be. It's harrowing. That is the horrible irony of a refugee's life. You wait and wait for the next step, and when you get to the next step, it's awful. You don't want to be doing it. But you have to. You have to keep moving forward.

Waiting for Godot has achieved a theoretical impossibility — a play in which nothing happens, that yet keeps the audience glued to their seats. What's more, since the second act is a subtly different reprise of the first, he has written a play in which nothing happens, twice.

We're all sinking in the same boat here. We're all bored and desperate and waiting for something to happen. Waiting for life to get better. Waiting for things to change. Waiting for that one person to finally notice us. We're all waiting. But we also need to realize that we all have the power to make those changes for ourselves.

A bud is a flower-to-be. A flower in waiting. Waiting for just the right warmth and care to open up. It's a little fist of love waiting to unfold and be seen by the world. And that's you.

In filming, you're waiting - you're waiting for lights, you're waiting for people to set things up - and when you're not waiting, you're repeating.

Waiting for the fish to bite or waiting for wind to fly a kite. Or waiting around for Friday night or waiting perhaps for their Uncle Jake or a pot to boil or a better break or a string of pearls or a pair of pants or a wig with curls or another chance. Everyone is just waiting.

How did we kill time before smartphones? I honestly can't recall. I have a vague recollection of flipping through magazines in waiting-room-type situations, but what did we do, say, in line at the post office? Waiting for a bus? Waiting for someone to meet us at a restaurant? I mean, did we just look around or something?

If we wait for conditions to go from good to perfect, we'll just be waiting, waiting, waiting.

As a kid, I loved Godot because of the poetry and the humor and the strangeness, but then as you get older, its much more resonant.

If you're waiting with God, waiting is okay. If you're always waiting on God, you'll be frustrated. God never seems to work at the speed that we want Him to.

As a kid, I loved 'Godot' because of the poetry and the humor and the strangeness, but then as you get older, it's much more resonant.

I’ll wait for you. Come back. The words were not meaningless, but they didn’t touch him now. It was clear enough - one person waiting for another was like an arithmetical sum, and just as empty of emotion. Waiting. Simply one person doing nothing, over time, while another approached. Waiting was a heavy word.

You know, I wouldn’t have done this a month ago. I wouldn’t have done it then. Then I was avoiding. Now I’m just waiting. Things happen to me. They do. They have to go ahead and happen. You watch – you wait… Things still happen here and something is waiting to happen to me. I can tell. Recently my life feels like a bloodcurdling joke. Recently my life has taken on *form* Something is waiting. I am waiting. Soon, it will stop waiting – any day now. Awful things can happen any time. This is the awful thing.

Waiting in line for something mundane is very boring. Waiting for my doctor to see me and waiting for my dentist to see me, yes, that is boring.

Samuel Beckett's 'Waiting for Godot,' billed as 'the laugh sensation of two continents,' made its American debut at the Coconut Grove Playhouse, in Miami, Florida, in 1956. My father, Bert Lahr, was playing Estragon, one of the two bowler-hatted tramps who pass the time in a lunar landscape as they wait in vain for the arrival of a Mr. Godot.

Let's go." "We can't." "Why not?" "We're waiting for Godot.

What are we doing here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in the immense confusion one thing alone is clear. We are waiting for Godot to come

There's a very curious and - and almost sadistic lust for blood that overcomes the concert listener, and there's a waiting for it to happen: a waiting for the horn to fluff; a waiting for the strings to become ragged; a waiting for the conductor to forget the subdivide, you know? And it's dreadful!

and i am a boy waiting-for the heat and fruitfulness of summer,waiting to see who will walk out of those woods for me. Waiting for my lovely summer girl

The single biggest advantage a value investor has is not IQ. It's patience and waiting. Waiting for the right pitch, and waiting for many years for the right pitch.

I think it goes without saying that young would-be playwrights in developmental workshops should be so lucky as to write plays as good as 'Waiting for Godot,' 'Uncle Vanya' or 'King Lear,' none of which would have existed without a decent plot.

Look at those hedge funds - you think they can wait? They don't know how to wait! I have sat for years at a time with $10 to $12 million in treasuries or municipals, just waiting, waiting...As Jesse Livermore said, 'The big money is not in the buying and selling...but in the waiting.'

So give up waiting as a state of mind. When you catch yourself slipping into waiting . . . snap out of it. Come into the present moment. Just be, and enjoy being. If you are present, there is never any need for you to wait for anything. So next time somebody says, “Sorry to have kept you waiting,” you can reply, “That's all right, I wasn't waiting. I was just standing

I hate the waiting room. Because it's called the waiting room, there's no chance of not waiting. It's built, designed, and intended for waiting. Why would they take you right away when they've got this room all set up?

In the history and literature courses I took, epistemological questions came to interest me most. What makes one explanation of the French Revolution better than another? What makes one interpretation of "Waiting for Godot" better than another? These questions led me to philosophy and then to philosophy of science.

I would ... go up to the mailbox and sit in the grass, waiting. ... Till it came to me one day there were women doing this with their lives, all over. There were women just waiting and waiting by mailboxes for one letter or another. I imagined me making this journey day after day and year after year, and my hair starting to go gray, and I thought, I was never made to go on like that. ... If there were woman all through life waiting, and women busy and not waiting, I knew which I had to be.

When I tried to do 'Waiting for Godot, it was such a controversy. I was tired of political theatre. All I wanted to do was 'Godot.' You know what happened? We were told we had messed up and politicised a classic that has nothing to do with S.A.

'Waiting for Godot,' when it first came out in 1950, was a very different sort of play to the plays that were in the West End at that time in London, because most of those plays were what we call drawing-room comedies.

Often I hear people say they do not have time to read. That's absolute nonsense. In the one year during which I kept that kind of record, I read twenty-five books while waiting for people. In offices, applying for jobs, waiting to see a dentist, waiting in a restaurant for friends, many such places.

Mostly, I am waiting. Got to finish the edit, I am waiting. Dubbing must get over, I am waiting. Waiting for shoot. Waiting for the set. When you are waiting, your mind isn't relaxed enough to watch a film.

As it happened, I had a friend who was a good person who liked to present himself as a dreadful one. Using him as a role model, I created the first Buck Godot strip.