Top 1200 Walking Dead Quotes & Sayings - Page 6

Even though you're in charge, you're not completely in ownership. You know, the audience takes a huge ownership of your show. Look at comments about shows and tell me if I'm wrong. Look at shows like 'The Walking Dead' and the ownership that the audience has of that show.

To the somnambulist, sleep-walking may seem more pleasant and less hazardous than wakeful walking, but the latter is the wiser mode of locomotion in the congested traffic of a modern community. It is about time to abandon judicial somnambulism.

When the clock stops on a life, all things emanating from it become precious, finite, and cordoned off for preservation. Each aspect of the dead person is removed from the flux of the everyday, which, of course, is where we miss him most. The quarantine around death makes it feel unlucky and wrong--a freakish incursion--and the dead, thus quarantined, come to seem more dead than they already are.... Borrowing from the dead is a way of keeping them engaged in life's daily transactions--in other words, alive.

When the dead do walk seek water's run, for this the Dead will always shun. Swift river's best or broadest lake to ward the dead and have and make. If water fails thee, fire's thy friend, if neither guards it will be thy end.

And neither do I, asshole. (Wren) Wow. Multiple syllables and a whole sentence from the tiger. Who’d have ever thought it? Whoever she was, she must have had a lot of talent to make you speak. Next thing you know, she’ll have the dead walking. Quick, call a Dark-Hunter. I’m sure some of them would like another resurrection. (Dev)

I said it before and I’ll say it again: books are dead, plays are dead, poems are dead: there’s only movies. Music is still okay, because music is sound track. Ten, fifteen years ago, every arts student wanted to be a novelist or a playwright. I’d be amazed if you could find a single one now with such a dead-end ambition. They all want to make movies. Not write movies. You don’t write movies. You make movies.

I tell you old and young are better than tired middle-aged, nothing is so dead dead-tired, dead every way as middle-aged.

In every religion I can think of, there exists some variation on the theme of abandoning the settled life and walking one's way to godliness. The Hindu sadhu, the pilgrims of Compostela walking past their sins, the circumambulators of the Buddhist kora, the haj.

But what are a hundred million deaths? When one has served in a war, one hardly knows what a dead man is, after a while. And since a dead man has no substance unless one has actually seen him dead, a hundred million corpses broadcast through history are no more than a puff of smoke in the imagination.

Walking is a great way to exercise, and we can find ways to take additional steps each day by parking a car farther away from a destination, climbing stairs instead of taking the elevator or escalator, and walking during occasional breaks from sitting at a desk.

I don't always like walking down the street and making sure that I smile and say hello to everybody who's walking their dog in the opposite direction. But I do do it. And it's a small, tiny thing to do. But to me, it means 'I see you. You're not invisible to me.'

I feel I'm discovering something new, a different rhythm, and I guess these rhythms have a lot to do with walking, too, but it's a longer trajectory now. I'm traveling greater distances with each sentence. But I don't write about walking that much anymore.

I can close my eyes and start walking through 'Hamilton' at any given time, and I'll tear up because I remember day in and day out, eight shows a week, walking on stage, seeing everybody that I love.

I wanted to show people that doctors are humans, too. It's important for us to be around other people - that way, we can understand our patients better rather than just walking into a room, barking orders, and walking out.

The truth is something that burns. It burns off dead wood. And people don't like having the dead wood burnt off, often because they're 95 percent dead wood.

Dead people never seem to address the obvious - the things you'd think they'd be bursting to talk about, and the things all of us not-yet-dead are madly curious about. Such as: 'Hey, where are you now? What do you do all day? What's it feel like being dead? Can you see me? Even when I'm on the toilet? Would you cut that out?'

There will be scenes in a movie where people are walking through the park, or through a forest, and you're seeing the flickering leaves around them, and they're walking, but you're also hearing their words. It's an interaction between where they are and what they're saying that's both visual and verbal.

I am one in a row of specimens. It's when I try to flutter out of line that he hates me. I'm meant to be dead, pinned, always the same, always beautiful. He knows that part of my beauty is being alive. but it's the dead me he wants. He wants me living-but-dead.

I'm not really that sick of Evil Dead. I can trace all roots back to The Evil Dead movies, so I have nothing against them. It's just that I've done more non-Evil Dead stuff; it's not the only thing I've done. There are some actors who have done a cult movie and they are forever going to be the Policeman #2 in Plan 9 From Outer Space.

In person, if possible, Anubis was even more drop-dead gorgeous. [Oh . . . ha, ha. I didn't catch the pun, but thank you, Carter. God of the dead, drop-dead gorgeous. Yes, hilarious. Now, may I continue?]

I don't really think it will make much difference to me when I'm dead whether I'm read or not . . . just as whether I'm dead or not won't mean much to me when I'm dead.

Existentialism is possible only in a world where God is dead or a luxury, and where Christianity is dead.

You can make a global film, which affects so many countries and affects sort of this worldwide epidemic, but it has, zombies are great metaphors for the times we live in today and that's what I always find fascinating about them, but then it's like the walking dead, you know, the unconscious, and the metaphors for them are just really something I was inspired by.

And that dismal cry rose slowly And sank slowly through the air, Full of spirit's melancholy And eternity's despair; And they heard the words it said,- "Pan is dead! great Pan is dead! Pan, Pan is dead!"

You're dead," I repeated. "So why are you in my dream?" He raised the bill of his olive drab ball cap with one finger. " Good question. Morbid, isn't it?" "What?" "Dreaming about dead peolpe. Creepy. You ever see a therapist about that?" "I'm not -" Even in dreams, I couldn't win an argument. Even when he was dead.

I try to express with the camera what the story is, to get to the heart of the story with picture. In battle I look at things first in terms of people, second in terms of strategies or casualties... To tell a story, you don't photograph one hundred dead civilians to prove there were one hundred dead civilians. You photograph one dead civilian with an expression on his face that says, This is what it's like if you're a dead civilian in Vietnam.

We’re going to die and not even know. We’ll never know, and all this meaninglessness will just go on and on and on. And we won’t any longer be witnesses to it. We won’t have even that little bit of power to give meaning to it in our minds. We’ll just be gone, dead, dead, dead, without ever knowing!

Every November, during the certain holiday people love so much, people take a dead turkey, open up the dead turkey’s ass, or carve out a really big hole in their ass, take some stuffing and shove it inside their dead empty ass, and use the little dead ass as an oven to bake some bread. Somebody else’s dead empty bacteria-laden ass to make bread? Ass bread?! And people think vegans are weird? Because we eat tofu? And rice, and beans, and lentils?

I was pretty nervous when I met Robert Kirkman. It's very strange to meet someone who created you. Andrea [ from The Walking Dead] is still very much alive and kicking, seven years into the comic book, so to meet Robert and be like, "Hi, I'm Andrea," I had to just hope that he was happy with the decision.

Man's objection to love is that it dies hard: women's, that when it is dead it stays dead.

I’m going to kill myself. I should go to Paris and jump off the Eiffel Tower. I’ll be dead. you know, in fact, if I get the Concorde, I could be dead three hours earlier, which would be perfect. Or wait a minute. It -- with the time change, I could be alive for six hours in New York but dead three hours in Paris. I could get things done, and I could also be dead.

I hung out with some crazy desert people. One guy was just walking around with only shorts on - he'd been walking with bare feet for the last two years. He was totally scarred and eating on all fours like a dog.

There are in this world two kinds of natures, - those that have wings, and those that have feet, - the winged and the walking spirits. The walking are the logicians; the winged are the instinctive and poetic.

I find I'm not one of these composers that are, you know, walking along a beach or walking on the mountainside in County Donegal that's, you know, 'Oh, a melody.' It's more a matter of eventually taking that moment with me to the studio, and it begins to evolve.

Literally, walking down that path. I was walking to work and I passed by A.C.T. (American Conservatory Theater) in San Francisco, and they had night education classes for adults. I said, "Yeah, why not?," and walked in, just for the fun of it, to see what it was like.

Offerings to propitiate the dead then were regarded as belonging to the class of funeral sacrifices, and these are idolatry. Idolatry, in fact, is a sort of homage to the departed, the one as well as the other is a service to dead men. Moreover, demons dwell in the images of the dead. ... this sort of exhibition has passed from honors of the dead to honors of the living; I mean, to quaestorships [financial overseers]and magistractes, to priestly offices of different kinds. Yet, since idolatry still cleaves to the dignity's name, whatever is done in its name partakes of its impurity.

I used to enjoy doing silly walks on the street with my friends. Like, you know, you're walking, and then you break out in something completely ridiculous, to kind of spook out the person walking by you. I can't really do that anymore.

I don't want to be in my car all day. I love getting up in the morning in Venice and walking my dogs down to the cafe to get my tea, and then perhaps going to a bookstore and sitting and reading, then walking to the beach.

Yeah, obviously we use vampires as a metaphor for something else, something deeper than just the supernatural. But there's just something about the bloodsucking walking dead, that can say so much to people. There are really so many people trying to get control over you on a daily basis and steal your soul in some way, take a part of you.

Commander I believe in God and his son Jesus Christ and because I do I can say this. Private Santiago is dead and that is a tragedy. But he is dead because he had no code. He is dead because he had no honor. And God was watching.

Where are you now?’ Where was I now? Gripping the receiver, I raised my hand and turned to see what lay beyond the telephone booth. Where was I now? I had no idea. No idea at all. Where was this place? All that flashed into my eyes were the countless shapes of people walking by to nowhere. Again and again, I called out for Midori from the dead center of this place that was no place.

I will not eat oysters. I want my food dead - not sick, not wounded - dead.

If Jesus rose from the dead, then you have to accept all that he said; if he didn't rise from the dead, then why worry about any of what he said? The issue on which everything hangs is not whether or not you like his teaching but whether or not he rose from the dead.

When you're dead, you're dead. No one is going to remember me when I'm dead. Oh, maybe a few friends will remember me affectionately. Being remembered isn't the most important thing, anyhow. It's what you do when you are here that's important.

When you're dead, you're dead. No one is going to remember me when I'm dead. Oh maybe a few friends will remember me affectionately. Being remembered isn't the most important thing anyhow. It's what you do when you are here that's important.

Being on a show like 'Fear the Walking Dead,' I started to learn more about camera work, learn more about the way the crew operates, and had more of a stronger opinion on how I think a television director can operate in the healthiest way.

I get as excited walking around a CVS as I do walking around in Bergdorf's.

I like to work in films, but I'd love to work in the technical side of film. I'd love to work with, say, Greg Nicotero [The Walking Dead] in kind of, like, special makeup effects. I'd probably say, "Good with clay and latex." Although I don't know what kind of job that'd get me.

My films usually start with an idea that I get while walking the streets. For example, I got the idea for 'Guard Dog' when I was walking in the park and I saw a dog barking at a bird.

I think a singer is an athlete. I've always tried to stay fit. Until my knee said, "Uh-uh," I was jogging. Then I started walking. They don't like walking a lot, but I'll push them.

Breathe life into the weapon, don't take life away from it. Keep walking, because walking is life.

Modern literary theory sees a similarity between walking and writing that I find persuasive: words inscribe a text in the same way that a walk inscribes space. In The practicse of Everyday Life, Michel de Certeau writes, 'The act of walking is a process of appropriation of the topographical system on the part of the pedestrian; it is a special acting-out of the place...and it implies relations among differentiated positions.' I think this is a fancy way of saying that writing is one way of making the world our own, and that walking is another.

When a Tralfamadorian sees a corpse, all he thinks is that the dead person is in bad condition in the particular moment, but that the same person is just fine in plenty of other moments. Now, when I myself hear that somebody is dead, I simply shrug and say what the Tralfamadorians say about dead people, which is "So it goes.

My parents both flipped homes. A typical weekend for us was walking through model home units. I loved walking through interesting floor plans and seeing different design aesthetics.

I love 'The Walking Dead,' 'Shameless,' and - this is going to sound really dorky - I'm obsessed with 'Dance Moms.' I love Abby Lee Miller. Honestly, if there's such a thing as past lives, I was definitely a dancer. Maybe if I ever get a big enough name, I can call Abby Lee Miller myself and ask her to be my private coach.

There's nothing good about ash dieback, but there is one useful thing that could be done: wherever possible, leave the dead trees to stand. There is more life in a dead tree than in a living tree: around 2,000 animal species in the UK rely on dead or dying wood for their survival.

I think we never become really and genuinely our entire and honest selves until we are dead--and not then until we have been dead years and years. People ought to start dead, and they would be honest so much earlier.

Let me first clarify that NAFTA is a trilateral agreement. The decision of walking away is not of Mexico or Canada. The decision of walking away is of the U.S.

I loved being in London. Always walking everywhere, always out and about and always at markets, walking around Brick Lane and Covent Garden and Soho.

It is an error to divide people into the living and the dead: there are people who are dead-alive, and people who are alive-alive. The dead-alive also write, walk, speak, act. But they make no mistakes; only machines make no mistakes, and they produce only dead things. The alive-alive are constantly in error, in search, in questions, in torment.