Top 1200 Want To See You Quotes & Sayings - Page 18

I grow green beans in my garden. The one thing I know about harvesting them is that you need to train your eyes to see the beans. At first it all looks like leaves, until you see one bean and then another and another. If you want clarity, too, you have to look hard. You have to look under things and look from different angles. You'll see what you need to when you do that. A hundred beans, suddenly.

I am fond of reminding my yoga students of the saying "It takes one to know one" when they become lost I condemnation and judgment of others. The world that we perceive is a reflection of our own states of mind and reveals our own level of consciousness. The world is little more than a Rorschach blot in which we see our own desire systems projected. We see what we want to see. (116)

My tips for any budding actors would be to go out and see as much as you possibly can. Find the people you want to work with and be ready to hopefully make them want to work with you.

I don't want to say I'm that famous, but when you see me, you see me.

I want to make a world more magical than my own. I don't care if it makes sense, I don't care if it's ridiculed or if, rather than a neat round planet that goes around forever, it ends with a cliff that falls off into nothing. I want to have my eyes wide open, and I want to see this room and at the same time, not this room.

We're often blinded by romance; we decide to not see things we don't want to see, and put up with behavior that we shouldn't put up with.

Making art now means working in the face of uncertainty; it means living with doubt and contradiction, doing something no one much cares whether you do, and for which there may be neither an audience nor reward. Making the work you want to make means setting aside these doubts so that you may see clearly what you have done, and thereby see where to go next. Making the work you want to make means finding nourishment within the work itself.

Do we want our state to be defined by the bankrupt and intolerant values of Donald Trump? Do we want the values of hyperpartisanship and obstruction that we see in the tea party Congress that Steve Pearce has embraced?

As I look out at all of you gathered here, I want to say that I don't see a room full of Parisians in top hats and diamonds and silk dresses. I don't see bankers and housewives and store clerks. No. I address you all tonight as you truly are: wizards, mermaids, travelers, adventurers, and magicians. You are the true dreamers.

During my career I've come back to clubs after the summer break to see one of my team-mates not really at it because he's been denied a move to a bigger club for whatever reason, and you can see in his body language that he doesn't want to be there and that kind of thing is massively disruptive and negative.

I don't want our relationship to end like this. You're one of the very few friends I have, and it hurts not being able to see you. When am I going to be able to talk to you? I want you to tell me that much, at least.

I don't want people to see what I've been doing at Play Cloths for nine years and built from a streetwear independence standpoint through Japanese streetwear - I don't want that to be shifted into something else.

I've tasted the dirt side. I've tasted being broke. I've been in the dumps, I've lived in motels as a kid. I want a different opportunity for my children. I never want them to see those things.

The audience. They see the name Mel Brooks, they want something really funny. They don't want to be moved; they don't want to be taught any lessons. [...] I get more letters for ?Twelve Chairs ?and ?Life Stinks? than I get from any other movies, because people actually agree with the philosophy, or were moved, or they love the movie.

I do want to be a representative of the African community, and I want to hold myself and dress myself in a way that reflects that. I want black kids to see me and think, 'Okay, he's carrying himself as a black man, and that's how a black man should carry himself.'

I wish I was back at WSFA making twelve dollars a week. At least then, if someone come to see me, I'd know they were coming to see me. Now I reckon they just want something from me.

One of the biggest lessons I've learned during my time on 'Oprah' is that everyone wants to be heard. We all want to have our humanity acknowledged - to have others see us for who we truly are. We all want to know that we are valued, we are heard, we are understood.

I've enjoyed it, I have seen it once at the premiere in London and it was very nice to be invited there. But I do want to see it again now. I want to sit and watch it as a fan rather than being there at the premiere with all the lights and such.

I don't want other people to decide who I am. I want to decide that for myself. I want to avoid becoming too styled and too 'done' and too generic. You see people as they go through their career, and they just become more and more like everyone else.

I don't think the public want to see loads and loads of firearms officers everywhere, what they do want to know is that we are able to respond well and prevent things and we will protect them properly.

When people stop me in the street, and I can see they want to tell me more than they want the selfie, they want to tell me what it means to them, and that means a lot to me.

What I see for the band by the end of this year is the Complex live at the Montreux Jazz Festival. I want my guys to be comfortable. I'm certainly not in this for the money, but I'd really like to see my guys make some money off of this stuff.

The wussification of America is killing us by teaching us to censor ourselves from what we believe. That's why I want to see political correctness die in my lifetime, but first... I want to watch it suffer.

Everybody knows I smoke, drink, and be up in the club, but I don't want that to be my entire thing. I want them to see me get up and go to the gym after a night of clubbing.

Kids are brought into show business because they are cute and see truth and they're very bright. But there's a sense of doing it because you want the adults to be approving of you. You want to make them happy.

I'd rather make a show 100 people need to see, than a show that 1000 people want to see.

There's a side of me that wants to rebel, and as soon as you go down this path with a movie, and you're supposed to go right, I want to go left, just to see what it's like. I just want to do it,because the more I know you aren't supposed to do something, the more I want to do it.

You want to work with people who see something outside of you and that you're maybe not aware of. If someone gives you advice or tells you to do something, you want to be able to follow through with what you're asked to do, and also believe that.

If you want a good life, don't succeed at anything too early or too well. And don't choose a profession that attracts money or attention. The minute people want to see you doing what you do, you're finished.

She wanted to cry, but she did not want Peter to see her cry, and she especially did not want Teacher, with her flowing hair, to see her cry.

People don't use their eyes. They never see a bird, they see a sparrow. They never see a tree, they see a birch. They see concepts.

I can see why many Southerners, black ones in particular, don't like the implication that Southernness and the Confederate heritage are one and the same, because they're not. On the other hand, there are people who want to extirpate that completely and want folks to spit on the graves of their ancestors.

I tend to just do whatever I want on an album and try to make it work. I'm just adventurous. It's most exciting to be at the edge of your abilities. I want to see how far I can push things.

I love Madonna! If you want to see the Madonna I know, just go on YouTube and you'll see those early interviews before the record came out. She was giddy and wonderful and giggly and happy and so excited looking towards the future.

I'm starting to wonder if pop culture is in its dying days, because everyone is able to customize their own lives with the images they want to see and the words they want to read and the music they listen to. You don't have the broader trends like you used to.

I just want an opportunity. If you don’t like the audition, don’t hire me! But if you don’t want to even see me - that’s hurtful. And why? You know nothing about me!

Do mainstream crowds want to watch a movie about good things happening in black neighborhoods? Do black audiences want to see a little girl doing something in a white world?

When you do a lot of acting your entire life, you see the entire set from one point of view. To have a chance to step back and pull it all together is really exciting. You want to do it all; you want to have a hand in everything.

It's been almost a century that Edward's been alone. Now he's found you. You can't see the changes we see, we who have been with him for so long. Do you think any of us want to look into his eyes for the next hundred years if he loses you?

I want to say it to so many people, 'why you have to be so serious?' And I also want people to think 'this kid has really gone crazy' when they see my performance on the stage. Luckily, I am able to achieve all of these.

I want to do wardrobe. I want to do hair. I want to do makeup. I want to do writing. I want to do directing. I want to do all of it. I like it. And I want to do producing.

I am completely honest and truthful when I say I don’t want a gold for myself. I want a gold for the team. You go up there and do it as a collective group and it’s so much more satisfying, I mean you look around and you see the faces and just wow, this was a team effort and we did this together. It’s incredible and that’s my dream. I wanna win a gold medal and see the flag go up, hear the national anthem and just know that I did it with my brothers standing next to me.

People only love you as long as they're getting something of you, but the minute you say something they don't want to hear or do something they don't want to see, all the admiration drains from their hearts.

I've been lucky enough to do a lot of very interesting things, and every time, I've been like, 'I want to put everything into this because I want to see how far I can go with it.'

We like playing smaller venues, but we know how many people want to come and see us so we don't ever want to stop anyone who wants to come to a show from coming.

You don't want to be too cool. But you don't want to be too dorky. Still, I find it so much better to see a guy at a club being a dork, and having fun, than trying to be sexy.

If I see one side of somebody, I want to see the other side.

Back in the day, artists could be mysterious. Now, people want to know and hear everything about you. They want to see and feel the mess that is life - and who are bigger messes than artists?

It's just difficult to see that people want to be like the actors and the performers and the politicians who are - who they see all the time, but the people that are probably having the most fun are the writers and the directors and the producers and the scientists, right, the people in the back that are getting to do the creative process.

We the people have the power to decide who we want to see in our advertisements and how we want the world to be portrayed. If we show that being ethical and being diverse is profitable, they're going to market to us.

I want my fans to know I'm there for them. I want them to see every part of me. I am never going to leave them.

We all want to belong to something, and we all want to feel as though we have a legacy, and when you see two characters that have had that taken away from them, I think that just feels very real and very human.

You know that thing when you break up with someone and you’re walking around the town where you both live and you’re just really hoping to see them? You know that you’re not supposed to see them, but there’s nothing you want more.

Politicians in Europe want change. The United States and China will follow this trend. One could see this is a threat, but it's also an opportunity. We at BMW want to take advantage of this and, through innovations, place ourselves at the forefront.

I do have some unfinished business with Josh Thomson. I think that's a fight fans want to see, it's a fight Bellator wants, it's a fight I want.

I'm more old school: I want to be like Keith Richards on stage. It's not interesting to see straight-from-runway clothes slapped on an artist. It's more interesting when you see people who have their own style.

I want to focus on crimes that affect families and not get distracted going for high-publicity cases. I want to see us move away from politics and focus more on prosecution.

I don't put any pressure on myself in terms of what people or fans do or don't want. It really just doesn't occur to me. I honestly just want to make the films I want to see as a fan. The film will survive or fail in my mind by how much I like it. Having said that, everyone wants their films to do well and to be well-received.

Kids are the ultimate trump card: a way to get out of co-op board meetings or lunch with a friend you don't want to see or your brother-in-law's set at a comedy club. It's fair to use your kids as an excuse to sidestep what you don't want to do; it's less fair to blame them for not being able to achieve what you do want to do.

I've never considered being a cop. I could be a teacher, I could be a minister, a social worker or a professor. As long I don't have to see blood and see people die every day, if I could inspire or help in their lives, that's something I'd want to do.