Top 1200 Want To See You Quotes & Sayings - Page 4

You don't want everyone to see a piece of content. You want the people who are really excited about the content to see it.

We want to see the newest things. That is because we want to see the future, even if only momentarily. It is the moment in which, even if we don't completely understand what we have glimpsed, we are nonetheless touched by it. This is what we have come to call art.

I feel like, growing up, I watched football, obviously, and you see great players, and as a fan, you want to watch the best you can possibly watch, and you want to see what's capable of being made.

I haven't read a book in a very, very long time because, when I'm writing, I don't like to see other people's work. I don't want to see something great and not be able to use it, and I don't want to have any subconscious influences.

It's never been about what we want others to see: it's about what we want to see; it's about what we want to do. We only have a career because of our fans, but we have to keep making music for the reason we started making music.

I always tell people I want to see the world through His eyes, and I want people to see Him in me.

When I'm recording my album, I want to be acting, or when I'm on set, I want to be making music. I guess we'll see how it turns out and which one overpowers the other... but I couldn't really see my life without them, both of them.

What you want to acquire, you should dare to acquire by any means. What you want to see, even though it is with difficulty, you should see. You should not let it pass, thinking there will be another chance to see it or acquire it. It is quite unusual to have a second chance to materialize your desire.

What I see are people who want affordable energy. They want strong environmental standards - they want a lot of things - but first and foremost they want affordable energy. And if you want affordable energy, you want oil, gas and coal.

I hope that when girls see my clothes, my shoes, or my outrageous jewelry collection, they feel the thrill of wanting more for themselves too. I love what my friend Andre Leon Talley said: "If you are successful, people want to see it. They want to share in your dream".

I consider myself more of a film fan than a filmmaker, or I guess it's kind of a balance, fortunately. But I really want to see good movies as much as I want to make good movies and I want to see bizarre movies as much as I want to make bizarre movies.

We have tried spending money. We are spending more than we have ever spent before and it does not work. And I have just one interest, and if I am wrongsomebody else can have my job. I want to see this country prosperous. I want to see people get a job. I want to see people get enough to eat. We have never made good on our promisesI say after eight years of this administration we have just as much unemployment as when we startedAnd an enormous debt to boot!

I was always flattered, but I just want my movies to make money. I want to be commercial. I'm never the person who says, "I don't care if people don't see my movies." I always want people to see my movies.

Panorama is the first word for landscape in Greek. It was about [how today] we see everything, we get to see everything, everything is shown to you whether you want it or not, but all of the time you only see fragments of reality. The big picture we really don't see; it's kind of hard to make it up.

Studio execs were like, ''Lord of the Rings!' People want to see sword-and-dragon-type things!' No, people just want to see great stories. Hollywood always takes the wrong lesson from successes.

A TV show has to be a certain length and, you know, you have expectations from the viewers. You know, you want to see the characters again, or you want to see certain dynamics between the characters or certain kinds of storylines. And you kind of figure out how to best fit what you want to say into that format.

I just want to try everything. I want to see how good I can be, the best I can be at what I'm doing. I want to do everything. You know? I want to be in a musical. I want to do everything. I want to try and sing.

A large part of my filmmaking self has to do with my love of being in the cinema audience, and my relationships to what I want to see on the screen, what I have seen on the screen and what I don't want to see on the screen again.

I don't believe consumers want to see fuller-figured girls in ads. Because if they did they would refuse to buy the things they are seeing, and want to buy a different product. If people really want to see a change, they have to speak up on a daily basis to see that change. And I think that models who are suffering from an eating disorder, it is as sad to look at them as the person who is suffering from obesity or who is smoking outside their office or person who is drinking too much at the bar - everybody is suffering from something pretty much.

I didn't want to choose one world. I wanted to be part of both. I didn't want to see only one side of the sky. I wanted to see it all.

People see weakness in a woman and they want to help. They see weakness in a man and they want to stamp it out

I just want to be in good things that I want to see, and I want to work with talented people who are smarter than myself.

The older I've gotten, the more I've gotten a little precious about music-related films as it comes to biopics. I kind of don't want to see it; I'd rather see a documentary. And this is just coming from me. I love music documentaries; I kind of don't want to see people embodying those people.

Good intentions, regular worship, Bible study, do not prevent blindness. Part of our sinful nature instinctively chooses to see what we want to see and to ignore what we want to ignore.

The phenomenon of the woman who's asked what movie she wants to see, and she says, "I don't know. What do you want to see?" It's a tiny version of a big tendency. Women need to say, "This is what I want."

The UFC wants to put on shows that the fans want to see, and if the fans want to see you fight someone, that's what's going to happen.

I hear what people have said about what they want to see the Opera House used for and what they don't want to see it used for.

They say no land remains to be discovered, no continent is left unexplored. But the whole world is out there, waiting, just waiting for me. I want to do things-- I want to walk the rain-soaked streets of London, and drink mint tea in Casablanca. I want to wander the wastelands of the Gobi desert and see a yak. I think my life's ambition is to see a yak. I want to bargain for trinkets in an Arab market in some distant, dusty land. There's so much. But, most of all, I want to do things that will mean something.

I don't want to see the military falling. I want to see the military rising to dignified heights of professionalism and true patriotism.

We have an amazing, strong, powerful [Republican] party that truly does want to see America be great again, and it will see it. And it's going to see it a lot sooner than you think, believe me.

I want to see my niece and nephew grow up, to see their children... I get crazy at the idea that a time will come when I won't see Daniel and Allegra anymore.

We do see Gong Li, Zhang Ziyi and Chow Yun Fat, but it's very rare to see the Chinese male actor in Hollywood movies, which is something I take great umbrage with. You know, my son is Asian. He may want to direct one day; he may want to be an actor like his father - and I want that to be open to him.

I see it as a compliment to be compared to someone like Sharapova who has won five Slams. She's a great champion. I see it in a positive light. But also I'm my own person. I don't want to be the next someone else. I want to be the first of me.

I want to use film to tell stories that need to be told to spark discussions that will lead to change. I really want to see a change in the mindset of youth, how they see themselves and how they value life. Young audiences will be able to see themselves in this film and older audiences will gain an understanding of what their kids are dealing with on a daily basis. Kids discuss what they see on TV, social media, film so I want to create content that they will discuss and will change the way they think.

My imprint is there for the world to see. I don't try to hide it with my hair or a high collar. When I got ready for school this morning, I kept thinking of Sean. How proud he appears. Unapologetic. And I want to be like that. I don't want to look cowed or ashamed. I may not want to be this, but I don't want to be that girl, either. I don't want to be afraid.

We just need the laws to change - it's 2012," JWoww said to MTV News. "I want to see my best friend get married, and I want to see everyone in every state be able to get married. It's their choice. It's not affecting our lives. So let them be equal. We want them to be able to experience life, and if they want to be miserable and married, let them be miserable and married like us.

Baseball will be back to Montreal, I want to see it. I want it to happen before I die. I will see it

I want to see more Asian. I want to see more Latin. I want more Indian. There's more than Mindy Kaling out there, guys! There's more than Bai Ling.

People want to act like they know celebrities. They want to see pictures. They want to know where you're going. They want to hear you talk about your family.

I think, in storytelling, people want to see triumph, and so it's usually nice to start with failure and see someone somehow rise above it. People like to see people try. And they like to see people fail for comedy, and they like to see people succeed for the drama and emotion.

I'm way flashier on Instagram and Snapchat because I feel like that's what people want to see, and that's I've always done, so I'm not going to stop. People want to see my cars and my purses. People love fashion. But that's so not me.

I look at goals, like, what do I want to do and where do I want to see myself. What position to I want to be in going forward.

When you're choosing furniture for your home that's supposed to express who you are, what you are also saying is you want other people to infer what you want them to infer. What if they see something different? Wouldn't it be really depressing if you're trying to be bohemian and instead they see you as Rush Limbaugh?

Mass-market movies have become about one thing. They kind of declare themselves right off the bat. . . . But when I go to see (a film), I want to be surprised. I want to see something I never expected. And when you get that, it should be celebrated.

What I am anxious to see in Christian believers is a beautiful paradox. I want to see in them the joy of finding God while at the same time they are blessedly pursuing Him. I want to see in them the great joy of having God yet always wanting Him.

I've got to hear the rhythm of the sentences; I want the music of the prose. I want to see ordinary things transformed not by the circumstances in which I see them but by the language with which they're described. That's what I love when I read.

I think in YA there's sometimes a temptation to create heroines who are infinitely resilient and wise and confident because those are the behaviors we want to see teens embrace and maybe we want to see those things in ourselves.

No administration in recent times has been able to tackle the needs of our veterans. On that, I do want to see Donald Trump successful. But in terms of his travel ban and immigration policy, I don't want to see him successful.

I want to be great, I want to fight the best guys, I want to test myself, I want see what my limits are. I don't think a lot of guys in this sport really have that mentality.

Women want to see more women that look like themselves - they don't want to see something completely unattainable.

I want guys who want to be here. I want guys who are energetic and passionate. I didn't see any passion from Todd. You could tell form his body language that he didn't want to be here.

I like whomever to come to my shows. I want people who want to see me to come see me. I don't want to force people. I don't want it to feel like a job!

Ultimately, I don't really want to see the media portraying curvier and fatter bodies being the norm, I want to see a variety of bodies of all shapes, sizes, colors, and orientations, all of the time just like we do in reality.

The ratings system is so bogus and people know it. Fewer and fewer people care. The ratings board has sort of exposed itself. But my problem is, as a parent, there's this area of film that my daughters want to see. They're not my kind of films, I don't want to go see them, but I really want to know whether my daughters can see them or not. The morality of what the ratings board is doing now escapes me. I don't get it.

Really there's different scales of stories. Sometimes you want to tell one that 20, 30, 40, 50 million people will want to see and hear. Sometimes you do one that you know 150 will want to see on one night. As long as you're telling the right story for the right audience and they're getting something out of it it's essentially the same feeling to me.

Seeing someone go down, you don't ever want to see anyone getting carried off on a stretcher or you don't want to see anyone missing a day or another game.

At the end of the day, regardless of whether you're doing a huge budget film or a small budget film, you still want the film to do well, and have people see it. That's the whole point. You want to put some kind of message into your films, and you want people to see it.

Most people say they want justice, but they don't really want justice. They want revenge. They want to see the pain spread around equally.

I didn't want to see them lower him into the ground in the spot he'd picked out with his dad, and I didn't want to see his parents sink to their knees in the dew-wet grass and moan in pain.

When you start doing comedy, you think to yourself, "I want to be a headliner." And you become a headliner, and you're like, "Oh wait, this isn't what I meant. I meant I want to be a headliner that's famous enough that people come see me specifically." And that's a huge leap, because most of the time most of the audience is there to see comedy in general. They're not there to see you.