Top 1200 Wanted Love Quotes & Sayings

Explore popular Wanted Love quotes.
Last updated on December 22, 2024.
Being with Mary was different because...he wasn't the only one who wanted to make love to her. The beast wanted her, too. The beast wanted out so it could take her.
I wanted to know if we could live in that state of love, not just every so often, but as an ongoing reality. The answer is YES. There are people who are doing just that, and I wanted to share with the world how they're consistently living in a state of love.
The growth of my love story had been gradual but my success had always existed and both coupled together formed a deadly combination that was detrimental to our love. I wanted people to love me. She wanted them to leave her alone.
I wanted to be a teacher. I love children, so I wanted to deal with children. Then I wanted to be a veterinarian. But by the age of ten or eleven, when I opened my mouth and said, 'Oh, God, what's this?' I kind of knew teaching and being a veterinarian were gonna have to wait.
I started as - well, I wanted to be Poet Laureate. And I wanted to be a naturalist. That's how I began. I didn't have any desire to go and be a scientist. Louis Leakey channeled me there. I'm delighted he did. I love science. I love analyzing and making sense of all these observations. So, it was the perfect rounding off of who I was into who I am.
I've wanted recognition; I wanted success; I wanted appreciation; I love the perks of being in the movies. I love the fame that comes with it - but that's why I became an actor.
The fact is, my parents loved me, and I wanted to be worthy of their love. I wanted to make them proud. — © Michael Bergin
The fact is, my parents loved me, and I wanted to be worthy of their love. I wanted to make them proud.
I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.
Yet I was ready for love and joy. I wanted to let go of my pain. I wanted to pursue life instead of holding fast to fantasies of death.
I wanted the heat and the sweat and the passion of a man that I could love and trust. And I wanted to give myself to him: not for advantage, but for desire.
Sometimes you don't need to explain how you care and love someone so much, but I really love him as a person and as a director. I wanted to be perfect for Michael Mann. I wanted to give the best of my best of my best. I don't know if I did, but I was touched by him. He's totally inspirational.
he wanted to do, to be, to feel- and could not; he wanted sense, he wanted purpose- in Freud's words, 'Work and Love'.
I would love to do Broadway. That was my original aim, when I first started acting when I was 13. I wanted to do stage; I wanted to do musicals.
Linda was nine then, as I was, but we were in love...it had all the shadings and complexities of mature adult love and maybe more, because there were not yet words for it, and because it was not yet fixed to comparisons or chronologies or the ways by which adults measure such things...I just loved her. Even then, at nine years old, I wanted to live inside her body. I wanted to melt into her bones -- that kind of love.
I was having panic attacks. I didn't want to live that way anymore. I was in love and I wanted it to work. I was tired of travelling, tired of the whole scene, just tired. I sat around. I was lazy. I wanted a routine, and I wanted to wake up in the same bed every day, and I got my wish.
I love Halloween, and I love spooky stuff. I love horror movies. I love everything creepy, and I've always kind of wanted to do this, just do really dark pop.
Eventually I knew what hair wanted; it wanted to be itself ... to be left alone by anyone, including me, who did not love it as it was.
Since I was, like, an infant... I remember being in love with television. I loved listening to music. I wanted to be on records, and I wanted to be on TV. — © Fred Armisen
Since I was, like, an infant... I remember being in love with television. I loved listening to music. I wanted to be on records, and I wanted to be on TV.
I love travel shows. I love Anthony Bourdain. I love No Reservations. I always learn so much, and I wanted to see one from a gay perspective that explored LGBT communities around the world.
Racing is all I've ever wanted to do. I love sports in general, love watching them, love going to games. I have a lot respect for athletes throughout a lot of different sports, but racing has always been what I wanted to do.
He wanted pure compliments, just as he wanted unconditional love.
I just wanted to play tennis. I started because I wanted to pick up another sport and then as I was slowly getting better I wanted to see how far I can go but I always wanted to be myself. I wanted to be original. I didn't want to copy anybody's style.
Longing surged up within me. I wanted it. Oh God, I wanted it. I didn't want to hear Jerome chastise me for my "all lowlifes, all the time" seduction policy. I wanted to come home and tell someone about my day. I wanted to go out dancing on the weekends. I wanted to take vacations together. I wanted someone to hold me when I was upset, when the ups and downs of the world pushed me too far. I wanted someone to love.
Love is vivid. I never wanted the pale version. Love is full strength. I never wanted the diluted version. I never shied away from love's hugeness but I had no idea that love could be as reliable as the sun. The daily rising of love.
I wanted to drown inside a woman in the feeling and drooling of the love I could give her. I wanted her pulse to crush me with its intensity. That's what I wanted. That's what I wanted myself to be.
I went to New York. I had a dream. I wanted to be a big star, I didn’t know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things, I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.
For I have never wanted a lover, but I have always wanted to love, and to be loved.
My mom always used to tell me, "Do what you love and be kind." And I discovered video at a very early age, and so my love was ideas and video. I thought what I wanted my career to be was, I wanted to create contexts in which I could philosophize out loud.
I wanted to fathom her secrets; I wanted her to come to me and say: "I love you," and if not that, if that was senseless insanity, then...well, what was there to care about? Did I know what I wanted? I was like one demented: all I wanted was to be near her, in the halo of her glory, in her radiance, always, for ever, all my life. I knew nothing more!
I wanted to go and I wanted to drive the miles for no pay, I wanted to set up the rings, I wanted to set up the chairs, I wanted to go to training six-seven days a week for hours upon hours and blow myself up to where I can only work on instinct. I wanted to sleep in my car. I wanted to do all of that.
I really wanted to do some serious work. I really wanted to be a part of dramatic films. I wanted to show this talent, whatever that means, that I could be a dramatic actress as well. But the truth is, a) I don't know if I can, and b) I love doing comedy, and I felt almost a little embarrassed that I succumbed to the pressure. Vanity is really what it is. I feel really grateful that I am in comedy, and I love doing it.
I wanted pure love: foolishness; to love one another is to hate a common enemy: I will thus espouse your hatred. I wanted Good: nonsense; on this earth and in these times, Good and Bad are inseparable: I accept to be evil in order to become good.
I wanted something different. I'd been using the C+ amps for a long time, and I love them - they're one of my favorite amps ever. But on this album [Road Kings] I wanted - there were a couple reasons, actually. One is that I wanted a more aggressive sound, some more teeth and hair.
With 'The Forty Rules of Love,' I wanted to write a love story. But I wanted a love story with a spiritual dimension. For me, that took me to Rumi. And from Rumi, I went to Shams of Tabriz. That's how the story took shape.
I love the sport of tennis, but I sort of got a little bit away from what I really wanted to do. It became robotic for me, and that's not what I wanted. It's such an amazing sport, and I just really wanted to enjoy it, and I lost that enjoyment and that passion.
I was born in an odd spot and was a very sensitive kid. My feelings could get hurt so easily because I always wanted to be loved, I wanted to be touched, I wanted to touch somebody. I wanted everybody to love me, so I think I was louder than I should have been. I was just trying to get attention. I always felt like I was somebody special, maybe it's because I needed to be somebody special.
I wanted movement and not a calm course of existence. I wanted excitement and danger and the chance to sacrifice myself for my love.
it's about a love song to myself, and a love song to the universe, kind of like the way that Song of Solomon consists of love songs to God or like the way Sufi poems are erotic love songs to God, I kind of wanted something like that. Because I was getting to know myself more deeply at this point. I've always been on this track where I wanted to be enlightened.
My mother wanted me to be her wings, to fly as she never quite had the courage to do. I love her for that. I love the fact that she wanted to give birth to her own wings.
I read the books and I really, really wanted to play the part. I started kundalini yoga, kickboxing and running, and completely changed my diet. I felt I wanted to undergo what was necessary for the part. I love a challenge. And I love defying limitation, gender stereotypes and people’s expectations of me as an actress.
But I always wanted to do a theatrical stuff. But when you're in a metal band of course you're limited because five people in the band, um, you've got no keyboards... you're limited. And I wanted... to go over-the-top, you know. Literally. I wanted to make an album that people would either hate or love.
In the first few pages, Kundera discusses several abstract historical figures: Robespierre, Nietzsche, Hitler. For Eunice's sake, I wanted him to get to the plot, to introduce actual "living" characters - I recalled this was a love story - and to leave the world of ideas behind. Here we were, two people lying in bed, Eunice's worried head propped on my collarbone, and I wanted us to feel something in common. I wanted this complex language, this surge of intellect, to be processed into love. Isn't that how they used to do it a century ago, people reading poetry to one another?
It was hard to love my wife and kids because I was all wrapped up in loving only myself. I did what I wanted, when I wanted, without any real concern for them. — © Phil Robertson
It was hard to love my wife and kids because I was all wrapped up in loving only myself. I did what I wanted, when I wanted, without any real concern for them.
Love and happiness inextricably combined? I wanted love stories to coincide with war stories, I wanted hope for my characters, I wanted a sense of a future. So do they. So does the reader. But perhaps I shouldn't speak for everyone when I say that love and happiness are interdependent. In my own experience, happiness came with love. Specifically, my wife. That's when my own apathy and stasis ended for good.
When I wrote my book I wanted to love someone. I wanted to be in love. Now I know that I shall never be in love - and I no longer wish to be.
I never wanted to be a star, I never wanted to travel far / I only wanted a little bit of love so I could put a little love in my heart / I never wanted to be la-de-da, go to parties ‘avec le bourgeois’ / I only wanted to sing my song well so I could ring a small bell in your heart
The hippies wanted peace and love. We wanted Ferraris, blondes and switchblades.
I've always wanted to have the ability to do what I want to do. And there are so many things that I want to do because I love acting, I love directing, I love producing, I love being a mother, I love being a wife. If I had to choose one, just would put me in the crazy house.
When I was a child, I wanted to be a jockey. I love horses, but it's not practical to have one in London. I also wanted to be an accountant, which isn't glamorous at all, but my dad was one, and I quite liked maths.
Steve Jobs always believed that you didn't want to do focus groups or research and ask people what they wanted. You wanted to create products that they didn't know they wanted yet and they would fall in love with. And I think that was part of the magic of his design philosophy.
I wanted to have children and I wanted to be with the person I was in love with.
I love outsider stories. And I also like a lot of genre fiction, too. So I wanted to write a literary book that flirted with thriller and fantasy and even science fiction. I wanted the coming-of-age story and the love story to be about "outsiderdom" - one of the themes I am most interested in.
I'm a film guy. I love it. When I read the screenplay, I knew that there would be no HD camera that could achieve the look that I wanted for this film. I wanted it to be dirty, and 16mm provides all of that with the look and the grain. That's what I worked for, and that's what I wanted, and that's how I'd seen the movie in my mind.
I wanted to do everything right. I wanted to be good, and I wanted to be obedient, and I wanted to be the object of my parents' pride. I wanted to go to Heaven. — © Megan Phelps-Roper
I wanted to do everything right. I wanted to be good, and I wanted to be obedient, and I wanted to be the object of my parents' pride. I wanted to go to Heaven.
I wanted to be a musician. I wanted to be a superstar. I wanted to be on stage. I wanted to perform. I wanted to be in movies. But as you grow up, those dreams kind of fade away, and you're hit with reality, and you're like, 'Oh, not everyone can be Lil' Bow Wow?' Fine.
I love writing pop songs and I love the challenge. I love melodies and wanted it to be classy. I wanted it to have some substance because I feel as if I have a lot of things to say and wanted it to have something to it.
I was in love with everything- I wanted to look with love at the angry people so that their eyes would be forced to respond; and I wanted to bring gifts to the envious and tell them that I am worthless.
I love L.A. It was an awesome place to spend my 20s, full of creative people, but I never wanted to stay there. It wasn't necessarily Texas that I wanted to move to; I just knew I wanted to live in the country somewhere. My wife and I found this place in Texas that we really liked, so we packed up our stuff and moved.
My career is a development and that's a big thing because when I decided this was what I wanted to do it wasn't like "I want to be a rapper, I love the words and the beats in my headphones" it was more I wanted to live for music. I love music and I just want to be around it.
We want, or wanted, to believe that without love we would disappear, that love, somehow, would save us that, yeah, if we have love, give love and know love, we are truly alive and if there is no love, there would be no life. The Terror is, we know now, that even without love, life goes on... we just go on there is no mercy killing.
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