Top 1200 War Movie Quotes & Sayings - Page 2

If Donald Trump dismantles the agreement [the "Iran nuclear deal"] won by President Barack Obama with President Hassan Rouhani and the Iranian government and people: If he dismantles that, and puts greater sanctions on Iran, then we are leading to another war; another war inspired by Israel, another war that will bring China into war, Russia into war, Europe into war. And the Western world, in this war, will be taken completely down, and a whole new world is on the horizon.

Organized murder is war, and though we demonstrate against a particular war, the nuclear, or any other kind of war, we have never demonstrated against war.

'Scary Movie' has lost its way as a franchise. It has turned into 'Disaster Film' and 'Epic Movie' and 'Date Movie' and that isn't what I wanted. I wanted to do a movie that was just grounded in a reality that went to crazy places.

War can only be qualified by its object, and there is neither foreign war nor civil war, there is only just or unjust war.

The twentieth century had dispensed with the formal declaration of war and introduced the fifth column, sabotage, cold war, and war by proxy, but that was only the begining. Summit meetings for disarmament pursued mutual understanding and a balance of power but were also held to learn the strengths and weaknesses of the enemy. The world of the war-or-peace alternative became a world in which war was peace and peace war.

War is a sin. War is the highest degree of immorality. War is inhuman insanity for it kills sacred human lives wholesale. How can there still be any war on our miraculous planet?

We need to decide that we will not go to war, whatever reason is conjured up by the politicians or the media, because war in our time is always indiscriminate, a war against innocents, a war against children.

I actually thought that the idea of doing a World War II movie in the guise of a spaghetti western would just be an interesting way to tackle it. Just even the way that the spaghetti westerns tackled the history of the Old West, I thought it could be a neat thing to do that with World War II, but just as opposed to using cowboy iconography, using World War II iconography as kind of the jumping-off point.

Look at all the drug busts all over the country. There must be an audience there somewhere. My feeling is that if we're losing the war on drugs, let's do a movie for the enemy.

I would come home and re-create every movie. Our backyard became a battleship, a war zone, a western town.

War is awful. Nothing, not the valor with which it is fought nor the nobility of the cause it serves, can glorify war. War is wretched beyond description and only a fool or a fraud could sentimentalize its cruel reality. Whatever is won in war, it is loss the veteran remembers.

All those involved in the firebombing of Tokyo .. were war criminals interviews recorded in the movie The Fog of War.. the firebombing of Tokyo occurred before the atom bombs.. 100,000 civilians died in one night from American bombs.. 500,000 altogether over several days say some.

The trouble with the First World War, for example, is that people think war was inevitable, but I don't agree. If you look at the Cold War, you could argue that a war was bound to happen between the Soviet Union and its allies and the United States and its allies, but it didn't.

You can window-dress and promote a movie as much as you like but if the movie hasn't got substance and isn't an exciting movie, people won't watch it.

'Lakshya' is a different genre of movie. While 'Dil Chahta Hai' could be categorised as a romantic comedy, this is a war drama.

Every good war film, if you want to use that phrase - I don't think it's a good phrase, but if you want to use that phrase - every good film, a first-rate film about war, is an anti-war movie.

I consider Bush's decision to call for a war against terrorism a serious mistake. He is elevating these criminals to the status of war enemies, and one cannot lead a war against a network if the term war is to retain any definite meaning.

'Le Petit Soldat' was banned in Paris; it wasn't out in the movie houses. It was forbidden because it was talking about the Algerian war.

People sometimes, they just stop because they see this scope movie. They say "oh, this is a real movie, this is not a TV movie."

During my childhood and teenage years, everything I knew was at war. My mother and father were at war. My sister and I were at war. I was at war with my atypical nature, desperately trying to fit in and be normal. Even my genes were at war - the cool Swiss-German side versus the hot-headed Corsican.

I've been wanting to make a movie about the war in Sierra Leone, specifically, for more than 15 years.

The first war movie I ever saw was 'Platoon,' and I was eight months pregnant. So my husband, producer Charles Roven, wasn't sure I'd make it.

When you're doing a comedy and you want to somehow satirise people who are taking themselves seriously, I think the most serious genre is the thing you're going to get the most out of. If you're trying to satirise a comedy, it's hard to do that - it doesn't really work as well. But I love the war movie genre and I'm a fan of all those movies that are part of what this movie is.

Any time you do a movie there are going to be war wounds that you end up getting.

I've never heard of soft war.There's no soft war. War is war. Any war is ruthless. When you fight terrorists, you fight them like any other war.

I did not believe in the war. I thought it was wrong to go into any war. And I got to the war, and saw the Germans, and I changed my mind. I decided we were right going into World War II.

I joined the army on my seventeenth birthday, full of the romance of war after having read a lot of World War I British poetry and having seen a lot of post-World War II films. I thought the romantic presentations of war influenced my joining and my presentation of war to my younger siblings.

War is an arena for the display of courage and virtue. Or war is politics by other means. War is a quasi-mystical experience where you get in touch with the real. There are millions of narratives we impose to try to make sense of war.

In 'War Party,' I play a quarter-breed Indian. It's a serious movie, but it's funny, too.

Listen up—there’s no war that will end all wars,’ Crow tells me. ‘War breeds war. Lapping up the blood shed by violence, feeding on wounded flesh. War is a perfect, self-contained being. You need to know that.

A movie is a movie is a movie. But it has to have an adjective in front of it if it's not a white guy's movie.

You could say that Iron Man was a second-tier character, and it turned out very successfully. I simply think it's down to the movie itself, and whether people enjoy the movie, are involved in the movie, and that it entertains them. From that point of view, the movie has to stand alone.

The World War I, I'm a child of World War I. And I really know about the children of war. Because both my parents were both badly damaged by the war. My father, physically, and both mentally and emotionally. So, I know exactly what it's like to be brought up in an atmosphere of a continual harping on the war.

Basically, we [me and Evan Goldberg] started thinking about making a movie that was kind of a weed movie and action movie and had a real kind of friendship story to it, then that would be our favorite movie [Pineapple Express] ever.

I consider the war of America against Britain as the country's war, the public's war, or the war of the people in their own behalf, for the security of their natural rights, and the protection of their own property.

I'm a believer in screening movies early, and using the movie itself to help sell the movie. If you can't do that, I feel like you shouldn't be releasing the movie.

Whenever you have a war, the civilians and the innocents will pay the price. That's in any war, any war is a bad war.

I don't believe war is a way to solve problems. I think it's wrong. I don't have respect for the people that made the decisions to go on with war. I don't have that much respect for Bush. He's about war, I'm not about war - a lot of people aren't about war.

The stark and inescapable fact is that today we cannot defend our society by war since total war is total destruction, and if war is used as an instrument of policy, eventually we will have total war.

The casualties in the Civil War amount to more than all other wars - all other American wars combined. More people died in that war than World War II, World War I, Vietnam, etc. And that was a war for white supremacy. It was a war to erect a state in which the basis of it was the enslavement of black people.

I think I understand the line between my job and the director's. I have no interest in directing. Not my movie, not your movie, nobody's movie.

Architecture and war are not incompatible. Architecture is war. War is architecture. I am at war with my time, with history, with all authority that resides in fixed and frightened forms.

It seems to me an utterly futile task to prescribe rules and limitations for the conduct of war. War is not a game; hence one cannot wage war by rules as one would in playing games. Our fight must be against war itself. The masses of people can most effectively fight the institution of war by establishing an organization for the absolute refusal of military service.

Any time you do a movie, there are going to be war wounds that you end up getting.

What is compelling with 'War Horse' is the jaw-dropping, awe-inspiring craftsmanship in this movie.

I would have been content with still playing Inmate #1. I worked on every prison movie made, from 1985 to 1991. I would go from movie to movie to movie.

There are few historians who would challenge the fact that the funding of World War I, World War II, the Korean War, and the Vietnam War was accomplished by the Mandrake Mechanism through the Federal Reserve System.

I remember a lot of conversations where I was constantly hearing, 'You've gotta do this movie so you can do that movie. You've gotta make a big movie so you can make a small movie.' But I can't act like that.

I don't want to show deleted scenes. I don't like an audience looking at what the movie might have been - if it's in the movie, it's in the movie.

My opposition to war was not because of the horrors of war, not because war demands that the race offer up its very best in their full vigor, not because war means economic bankruptcy, domination of races by famine and disease, but because war is so completely ineffective, so stupid. It settles nothing.

'Inside Out' - that was a really good movie. That's the first animated movie I saw since 'The Lego Movie.'

Declarations of war have never been a constitutional requirement for military action abroad. The United States has used force abroad more than 130 times, but has only declared war five times - the War of 1812, the Mexican-American War, the Spanish-American War, and World Wars I and II.

War is not courtesy but the most horrible thing in life; and we ought to understand that, and not play at war. We ought to accept this terrible necessity sternly and seriously. It all lies in that: get rid of falsehood and let war be war and not a game.

When you have war, whether it's a war against drugs, war against terrorism, war overseas, the mentality of the people change and they're more willing to sacrifice their liberties in order to be safe and secure.

My first movie was a movie that had a bunch of people dying in it - the typical popcorn movie. That's where I got my start.

When I grew up, in Taiwan, the Korean War was seen as a good war, where America protected Asia. It was sort of an extension of World War II. And it was, of course, the peak of the Cold War. People in Taiwan were generally proAmerican. The Korean War made Japan. And then the Vietnam War made Taiwan. There is some truth to that.

For instance, the Persian Gulf War was a miniature world war. It took place in a small geographical area. In this sense it was a local war. But it was one that made use of all the power normally reserved for global war.

To have security against atomic bombs and against the other biological weapons, we have to prevent war, for if we cannot prevent war every nation will use every means that is at their disposal; and in spite of all promises they make, they will do it. At the same time, so long as war is not prevented, all the governments of the nations have to prepare for war, and if you have to prepare for war, then you are in a state where you cannot abolish war.

... there was the first Balkan war and the second Balkan war and then there was the first world war. It is extraordinary how having done a thing once you have to do it again, there is the pleasure of coincidence and there is the pleasure of repetition, and so there is the second world war, and in between there was the Abyssinian war and the Spanish civil war.

War is a barbaric tool of the war profiteers and Empires who employ them. War pits young people from the working class against other similarly poor, or disadvantaged humans, for nothing but the greed of the few. Only we the people can make war obsolete by not participating in the profound crimes of the profiteers and other war mongers.