Top 1200 War Movie Quotes & Sayings - Page 5

What can I say about the First World War, a war in which I served as an infantryman, a war I hated at the start and to which I never warmed as it proceeded?

I have a very simple definition of a good movie: a good movie makes you forget you're watching a movie.

'A Bug's Life' is a really funny movie and the characters have such different personalities. The movie is happy and then gets really sad and I'm like, W'hoa, I'm feeling this way and this movie is about bugs!'

And on the war, I think my numbers would be a lot higher if I were out there beating the drum for this war. In fact, I don't think it, I know it. But I can't be for the war.

As the watcher of the screen, you are perfect. The movie that is playing on the screen might be horrendous, but you are not the movie. You are what is watching the movie.

It may be true that every necessary war must also really be a just war; but it does not absolutely follow that every just war is a necessary war.

News reports don't look at the land that existed before a war and the land that exists after a war. Reporting on war is a snapshot in time.

I go to movies expecting to have a whole experience. If I want a movie that doesn't end I'll go to a French movie. A movie has to be complete within itself, it can't just build off the first one or play variations.

Marketing does have a lot to do with the success of a film. But even more so, and especially since home video, I've learned that a movie has a life of its own. A movie goes out there, and it exists, and it continues. I'm always fascinated by what movie people bring up when they approach me.

What 'Shaun of the Dead' and 'Hot Fuzz' and 'World's End' do is smuggle a different movie under the guise of a zombie movie or a cop or alien invasion movie. Even though they all have action and carnage, they are really films about growing up and taking responsibility.

I am making this statement as an act of wilful defiance of military authority, because I believe that the War is being deliberately prolonged by those who have the power to end it. I am a soldier, convinced that I am acting on behalf of soldiers. I believe that this War, on which I entered as a war of defence and liberation, has now become a war of aggression and conquest.

A Bug's Life' is a really funny movie and the characters have such different personalities. The movie is happy and then gets really sad and I'm like, W'hoa, I'm feeling this way and this movie is about bugs!

You don't attack the grunts of Vietnam; you blame the theory behind the war. Nobody who fought in that war was at fault. It was the war itself that was at fault.

When you have terrorism, you have a war. When you have a war, you always have innocent lives that could be the victim of any war, so, we don't have to discuss what the image in the west before discussing the image in Syria. That's the question.

My first-ever job in the movie business, I was an art student at Carnegie Mellon, and they were shooting the movie 'Gung Ho' in Pittsburgh, and I worked as an extra for a few days. Michael Keaton bumped into me in one scene, and it's in the movie. And I worshipped him.

Every movie, I complicate. I make the hard choices. I remember when I was pitching 'Pan's Labyrinth:' An anti-fascist fairy tale set in Civil War Spain, where the girl dies at the end. It's not easy.

War cannot be used as a means to prevent or abolish wars. ... The idea of a war to prevent war is one of its oldest, and cruelest, tricks.

Civil war? What does that mean? Is there any foreign war? Isn't every war fought between men, between brothers?

I own one movie by fellow Swede Ingmar Bergman, because I have to. You can't be a movie critic with a collection of six or seven hundred DVDs that includes everything from 'Tokyo Story' to 'Poison Ivy: The New Seduction' and not have a Bergman movie.

The cold war was the longest war in United States history. Because of the nuclear capabilities of our enemy it was the most dangerous conflict our country ever faced. Those that won this war did so in obscurity. Those that gave their lives in the cold war have never been properly honored.

The war against illegal file-sharing is like the church's age-old war against masturbation. It's a war you just can't win.

I didn't even know how to judge 'Die Hard 1.' It's not anything I know how to judge. I'd never seen an action movie. I'd never seen a Sly Stallone movie or an Arnold Schwarzenegger movie or a Charles Bronson movie. And that is the truth.

When I was arrested opposing the war in Vietnam in 1965, as I said about 20 or 30% of people were opposed to the war. By 1968, more than half of Americans were opposed to the war. If you pull in Europeans, Canadians, people from around the Third World, the war was vastly unpopular. But even half of Americans by 1968 opposed the war.

Why is a movie starring women considered a gimmick and a movie starring men is just a normal movie?

They [Seth Rogen and Evan Goldberg] thought of this brilliant pot, or whatever, movie [Pineapple Express], an action movie and I guess they figured in a small role for a blonde. And they say that I did my part well. I added tears to the movie.

World War II proved a hypothesis that Alexis de Tocqueville advanced a century before: the war-fighting potential of a democracy is at its greatest when war is most intense; at its weakest when war is most limited. This is a lesson with enduring relevance to our own times - and our own wars.

And if there was one title that could be applied to all my films, it would be 'Civil War' - not civil war in the way we know it, but the daily war that goes on between us all.

World War Z is out today. The big zombie movie. The trailer looks scary. You see hordes of bodies climbing and rolling over each other. It's like Black Friday at the mall.

Any president can start a war, and use the chaos of disorder that such a war creates as an indefinite argument for prolonging it. It's a war that keeps on giving. Failure means it's even more necessary to keep failing.

I go to movies expecting to have a whole experience. If I want a movie that doesn't end, I'll go to a French movie. That's a betrayal of trust to me. A movie has to be complete within itself; it can't just build off the first one or play variations.

I think it's better to be too early and disturb a few people - but have other people say it was necessary - than to do it way after the fact. We shouldn't forget that Charlie Chaplin did a movie about Hitler while Hitler was alive, and Peter Sellers in Stanley Kubrick's masterpiece Dr. Strangelove was during the McCarthy time, where everybody was a communist and McCarthy was flipping completely out. I think it's important to have a movie like Postal now, where we are on the peak of the Iraq War, on the peak of terrorist attacks, where everything is actually happening.

Japan suffered terribly from the atomic bomb but never adopted a pose of moral superiority, implying: 'We would never have done it!' The Japanese know perfectly well they would have used it had they had it. They accept the idea that war is war; they give no quarter and accept none. Total war, they recognize, knows no Queensberry Rules. If you develop a devastating new weapon during a total war, you use it; you do not put it into the War Museum.

What is not conservative about saying, 'Don't go to war unless we go to war properly with a full declaration of war and no other way?'

So a war begins. Into a peace-time life, comes an announcement, a threat. A bomb drops somewhere, potential traitors are whisked off quietly to prison. And for some time, days, months, a year perhaps, life has a peace-time quality, into which war-like events intrude. But when a war has been going on for a long time, life is all war, every event has the quality of war, nothing of peace remains.

In 1960 I published a book that attempted to direct attention to the possibility of a thermonuclear war, to ways of reducing the likelihood of such a war, and to methods for coping with the consequences should war occur despite our efforts to avoid it.

It's basically how I choose movie roles. Would I like to see this movie? Is this movie important? Why would I do this? And Headhunters is a movie that I would like to see in the cinema. And when it's sold to 50 countries or whatever, for me it's a great deal. I make movies for an audience so if that audience grows, I feel really honoured and thankful for it.

When people refer to a cage fight as war, I think it's kinda cute... A war, huh? You know what a war is? They, evidently, don't. It's not maybe their place to know what it is, but I do.

Because the US has control of the sea. Because the US has built up its wealth. Because the US is the only country in the world really not to have a war fought on its territory since the time of the Civil War ... Therefore we can afford mistakes that would kill other countries. And therefore we can take risks that they can't ... the core answer to why the United States is like this is we didn't fight World War I and World War II and the Cold War here.

I was in the very first Scary Movie and then the last Scary Movie 4, so I don't know. I heard they're doing another one, but I'm not sure yet. Of course, I'd love to work on Scary Movie 5. That'd be great.

You don't attack the grunts of Vietnam; you blame the theory behind the war. Nobody who fought in that war was at fault. It was the war itself that was at fault. It's the same thing with psychotherapy.

Have you ever noticed that the only metaphor we have in our public discourse for solving problems is to declare war on it? We have the war on crime, the war on cancer, the war on drugs. But did you ever notice that we have no war on homelessness? You know why? Because there's no money in that problem. No money to be made off of the homeless. If you can find a solution to homelessness where the corporations and politicians can make a few million dollars each, you will see the streets of America begin to clear up pretty damn quick!

There's nothing more disheartening than seeing a movie and going oh, that doesn't work, or it didn't inspire us. Versus seeing a movie that is 'this is so awesome!'. Oftentimes, a really good movie just inspired you to go and make movies!

And I could see - this franchise is very successful for Sony and I think it's awesome. I was big part of making that a success for them and I think it's great that they should continue doing it, but I don't want to make 'God of War IV' and 'God of War V' and 'God of War: The Expansion Pack' and 'God of War: The Role-Playing Kart Racing Game.'

War, war is still the cry,-"war even to the knife!"

War? The one war I'd be happy to join is the war against officers.

Donald Trump is now at war with Jeff Sessions. He`s now at war with James Comey. He`s at war with Andrew McCabe, and he`s at war with Robert Mueller. He`s attacked all of those people in this New York Times extraordinary interview. And I`ll just remind people that the last time Donald Trump went to war with an establishment, that was the intelligence establishment, he started that back in December 2016 , that did not work out for him well.

The bottom line is that the CIA knew before the war, during and war, and after the war where most of these chemicals were and most of these biological agents.

I'm not anti-war. I served in a war, and I served proudly. But just or not, necessary or not, war is the industrial-scale slaughter of other humans.

War forgets peace. Peace forgives war. War is the death of the life human. Peace is the birth of the Life Divine. Our vital passions want war. Our psychic emotions desire peace.

I think what's fun of making a Transformers movie is that it gets to be all of the above. I think, thematically, this movie is ... because of the third movie, you can ask questions in this movie you couldn't ask in the previous films. Like I was referring to the fact that they were abandoned by humans in the previous film; their attitude is different, so we've been able to tackle different themes.

I'm not really a movie star. No matter what I do in acting, whether I'm good, how much work I get, whatever, I never will be a movie star. Because I never think of myself as one. You are a movie star because you think of yourself as a movie star and always have.

In real life, it's war, and war's not entertainment. War is 'old men lying and young men dying' kind of deal. That's a saying; I didn't make that up.

As far as world war goes, there are really only two possibilities: either war provokes revolution, or revolution averts war.

I never really did years of movie-after-movie-after-movie but when you've got three toddlers in the house you're performing all day long, anyway, with puppet shows and stories - I act around the clock.

This is no war of chieftains or of princes, of dynasties or national ambition; it is a war of peoples and of causes. There are vast numbers, not only in this Island but in every land, who will render faithful service in this war, but whose names will never be known, whose deeds will never be recorded. This is a War of the Unknown Warriors

Born in 1936, I experienced the Second World War as a child in the city of Gelsenkirchen-Buer. This area was heavily bombed, but fortunately, all members of my family survived the war and post-war period.

War is thus divine in itself, since it is a law of the world. War is divine through its consequences of a supernatural nature which are as much general as particular. War is divine in the mysterious glory that surrounds it and in the no less inexplicable attraction that draws us to it. War is divine by the manner in which it breaks out.

Winning the Revolutionary War, or the Civil War, or World War II were the turning points in our history, the sine qua non of our forward progress.

To be a movie star, you have to carry a movie. And to carry a movie where you play the title role is the supreme example.

I did a Christmas movie where I played Mrs. Claus because my children's favorite movie of all time was a Christmas movie that my father did in which he played Santa, and I was like, 'How often do they make a movie about Mrs. Claus?' and, 'My kids will love this.'