Top 1200 War Paint Quotes & Sayings

Explore popular War Paint quotes.
Last updated on November 5, 2024.
There's nothing more superficial to do than to paint a beautiful woman. The most beautiful portraits in art were of ugly women. If you paint Brigitte Bardot, it's a disaster. Sunsets, you have to stay away from sunsets. You paint a sunset, you are in great danger.
I paint on the ground. I paint with sticks, with big paint cans, and whatever else falls in it. Basically, what I'm doing is capturing unbridled emotion and putting it on canvas. It's like capturing lightning in a bottle.
I paint my own reality. The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration. — © Frida Kahlo
I paint my own reality. The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.
When you paint Spring, do not paint willows, plums, peaches, or apricots - just paint Spring.
I learned to play the instruments of war," he said, "and paint in blood.
I would say - and paint doesn't peel unless it's acrylic paint, so maybe it is acrylic paint that they're using, not oil paint. So let me say yes, it would be acrylic house paint, which, when it dries, peels very nicely. So let's go with that.
Jealousy is the most radical primeval and naked form of admiration in war paint, so to speak.
You can never judge a paint hue by the liquid color in the paint pot. You must apply it to a wall, wait for the paint to dry, then decide.
One began to hear it said that World War I was the chemists' war, World War II was the physicists' war, World War III (may it never come) will be the mathematicians' war.
The presidential office is not a rosewater affair. This is an office in which a man must put on his war paint.
Painting allows me to use other portions of my brain pleasurably. Irony plays no part in what or how I paint. I paint the particular subject matter not to make polemical points but because I am interested in the human imprint on the landscape. I paint the landscape of my time and place with the stuff in it.
What you do when you paint, you take a brush full of paint, get paint on the picture, and you have faith.
I see less and less... I need to avoid lateral light, which darkens my colors. Nevertheless, I always paint at the times of day most propitious for me, as long as my paint tubes and brushes are not mixed up... I will paint almost blind, as Beethoven composed completely deaf.
Most people think I paint fast. I paint very slowly. — © Claude Monet
Most people think I paint fast. I paint very slowly.
I find it scandalous not only that there was so little discussion of the costs of the Iraq war before we went to war - this was, after all, a war of choice - but even five years into the war, the Administration has not provided a comprehensive accounting of the war.
If you're a painter, paint. But you don't have to put Jesus in every picture. Paint well, and if you paint well enough, they might ask you why you do that.
As long as you can change paint, you don't change. For you to change - for paint to do something to you - paint must stay constant.
War tears, rends. War rips open, eviscerates. War scorches. War dismembers. War ruins.
I could not paint at all if I had to paint slowly. Every effect is so transient, it must be rapidly painted.
If I were a painter, I would paint beautiful bodies - I would paint nipples, and I would paint Bibles. Am I going to say, 'I'm not going to paint this woman's neck because people will think I just want to lick on necks?' Please! That's not what art is about.
I think we're in an age where artists really have an incredible range of materials at their command now. They can use almost anything from household items - Jackson Pollock used house paint - to, you know, advanced computer systems, to good old oil paint and acrylic paint.
I don't paint so that people will understand me, I paint to show what a particular scene looks like.
I don't paint over my paintings with black paint. I paint black paintings. It isn't because I'm sad, just as I didn't paint red paintings yesterday because I was happy. Nor will I paint yellow paintings tomorrow because I'm jealous.
I paint in oils, I paint in acrylics. I paint figurative and landscape portraits. It's all in my own kind of style. I'm self-taught.
Life in itself is an empty canvas; it becomes whatsoever you paint on it. You can paint misery, you can paint bliss. This freedom is your glory.
Painters paint outdoors, or in rooms full of people; they paint their lovers, alone, naked; they paint and eat; they paint and listen to the radio. It is a soothing way of doing your job.
The word 'abstract' comes from the light tower of the philosophers. One of their spotlights that they have particularly focused on 'Art'. [Abstraction was] not so much what you could paint but rather what you could not paint. You could not paint a house or a tree or a mountain. It was then that subject matter came into existence as something you ought not have.
I say this idea of chokin' folks to death to reform 'em, is where we show the savage in us, which we have brought down from our barbarious ancestors. We have left off the war paint and war whoops, and we shall leave off the hangin' when we get civilized.
There comes a point when the paint doesn't feel like paint. I don't know why. Some mysterious thing happens. I think you have all experienced it... What counts is that the paint should really disappear, otherwise it's craft.
If only someone else could paint what I see, it would be marvellous, because then I wouldn't have to paint at all.
You cannot paint the exterior of your house. You have to take the paint chip down to show the paint-chip Nazis.
Paint what you feel. Paint what you see. Paint what is real to you.
Sometimes I seem to be two people. One who does not paint and one who does. The one who does not paint assumes that the one who does can paint anything. The one who is the painter sometimes finds it difficult to live up to that faith.
When I was a kid, my mom once told me that God was an artist and how on occasion He’d throw a bucketful of paint across the sky for us all to see. I asked her why the paint disappeared by morning, and she told me that if the sky was always like that we might take it for granted. I suppose she was right. Maybe that’s what war is all about—so we can appreciate times of peace.
War is hell, but that's not the half of it, because war is also mystery and terror and adventure and courage and discovery and holiness and pity and despair and longing and love. War is nasty; war is fun. War is thrilling; war is drudgery. War makes you a man; war makes you dead.
Once, Turner had himself lashed to the mast of a ship for several hours, during a furious storm, so that he could later paint the storm. Obviously, it was not the storm itself that Turner intended to paint. What he intended to paint was a representation of the storm. One's language is frequently imprecise in that manner, I have discovered.
I said, I don't want to paint things like Picasso's women and Matisse's odalisques lying on couches with pillows. I don't want to paint people. I want to paint something I have never seen before. I don't want to make what I'm looking at. I want the fragments.
I know I can not paint a flower, I can not paint the sun on the desert on a bright summer morning but maybe in terms of paint colour I can convey to you my experience of the flower or the experience that makes the flower of significance to me at that particular time.
I did not know how to paint or even what to paint, but I knew I had to begin. — © Margaret Atwood
I did not know how to paint or even what to paint, but I knew I had to begin.
The most horrible question students ask: 'How do you paint copper?' 'How do you paint flesh or glass?' You paint everything the same way: Right color, right value, in right spot. There are no prescriptions.
The way I paint, the scale of the information in the images which I want to paint demand space.
It takes two to paint. One to paint, the other to stand by with an axe to kill him before he spoils it.
I used to paint a lot of oil and now I paint more mixed-media stuff.
If people want to make war they should make a color war, and paint each others’ cities up in the night in pinks and greens.
My work is not about paint. It's about paint at the service of something else. It is not about gooey, chest-beating, macho '50s abstraction that allows paint to sit up on the surface as subject matter about paint.
The old, sad art colors are gone. Now I paint bright colors. I paint paintings which are happy, where children are laughing and playing with animals. I paint paradise on Earth. I still paint sadness sometimes, but there is sadness in the world, too.
War is a lie. War is a racket. War is hell. War is waste. War is a crime. War is terrorism. War is not the answer.
If I had a Volkswagon Beetle. I'd paint the front to resemble Glenn Langdon in War Of The Colossal Beast. Why? Two words: The Ladies.
I don't know why I paint what I paint. I think it comes out - it's kind of my subconscious or something. — © Margaret Keane
I don't know why I paint what I paint. I think it comes out - it's kind of my subconscious or something.
I love paint. I like watercolours. I like acrylic paint... a little bit. I like house paint. I like oil-based paint, and I love oil paint. I love the smell of turpentine and I like that world of oil paint very, very, very much.
I enjoy painting. I don't know if I'm good at it, but I paint. I paint very quickly.
Paint what you are, paint what you believe, paint what you feel.
I learned to paint at home from my mom. She was a very good teacher, but with spray paint, I taught myself. Spray paint is impossible. They say it takes a decade to really learn spray paint and be good with it. I've been at it about ten years now and am now really just getting good and confident with it.
Someone has asked me to paint Biblical pictures, and I say no, I'll not paint something that we know nothing about, might just as well paint something that will happen two thousand years hence.
Do not try to paint the grandiose thing. Paint the commonplace so that it will be distinguished.
...And for every day you paint the war, take a week and paint the beauty, the color, the shape of the landscape you’re marching towards. Everyone knows what you’re against; show them what you’re for.
It's not what you paint. It's how you paint it. You don't have to paint elaborate things. Paint simple things as beautifully as you can.
I have a strange need to paint; if I don't paint I cry and get bad headaches.
I like watercolours. I like acrylic paint... a little bit. I like house paint. I like oil-based paint, and I love oil paint. I love the smell of turpentine and I like that world of oil paint very, very, very much.
No war can end war except a total war which leaves no human creature on earth. Each war creates the causes of war: hate, desire for revenge and have-nots, desperate with need.
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